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Jack's Winemaking Links

Jack Keller's
The Winemaking Home Page

Ben Rotter's
Improved Winemaking

Lum Eisenman's
The Home Winemaker’s Manual, and excellent book

Terry Garey's
Joy of Home Winemaking

Marc Shapiro's
The Meadery, my favorite mead site

Forrest Cook's
The Mead Maker's Page

Dave Polaschek's
Mead Made Easy

Mathieu Bouville's
Mead Made Complicated

Mead Lover's
The Bees' Lees

Talisman's
Mead

Michiel Pesgen's
The Home Winemaking Page

Roger Simmonds'
Homemade Wine

Jordan Ross'
Going Wild: Wild Yeast in Wine Making

UC Davis'
Making Table Wine at Home

Viticultural Roundtable of SW Ontario
Icewine

Vinovation's
Winemaking Fundamentals

Dina's
Wine Page

Drink Focus'
All About Apple Cider

The Brewery's
Cider Recipes

Members'
San Antonio Regional Wine Guild

WinePress.US
Discussion Forums

WV Mountaineer Jack's
WVMJ Elderberry Wine Making

Google's
rec.crafts.winemaking news group

Finevinewines.com
Fine Vine Wine's discussion groups

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Who is Jack Keller?
Jack Keller lives with his wife Donna in Pleasanton, Texas, just south of San Antone. Winemaking is his passion and for years he has been making wine from just about anything both fermentable and nontoxic.

Jack has developed scores of recipes and tends to gravitate to the exotic or unusual, having once won first place with jalapeno wine, second place with sandburr wine, and third with Bermuda grass clippings wine.

Jack has six times been elected the President of the San Antonio Regional Wine Guild, is a certified home wine judge, frequent contributor to WineMaker Magazine, creator and author of The Winemaking Home Page and of Jack Keller's WineBlog, the first wine blog on the internet, ever. He grows a few grapes, now works at being retired, and is slowly writing a book on -- what else? -- winemaking.





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Some Other Wine Blogs

There are hundreds of wine blogs. According to Alder Yarrow (see below), none have been around as long as Jack Keller's WineBlog, but 99% of these newcomers are for wine consumers, not winemakers. They have anointed themselves the official "wine blogosphere." You can count on both hands those of us bloggers dedicated to actually making the stuff they write about, and yet our blogs are largely ignored by this elite. Still, they exist and are important. There are some who write for the buyer / consumer but still occasionally talk about the making of wine, even if they usually are talking about making it in 125,000-liter stainless steel tanks. Or they might talk about grape varieties, harvests in general, the cork-screwcap debate, stemware, or other subjects I think you might find interesting. They're worth reading even if you aren't interested in their tasting notes. Then again, that just might be your cup of tea. Here are a few of them I like, listed in a loose alphabetical order (by blogger):

Alder Yarrow's
Vinography: A Wine Blog

Ben Evert's
Making Homemade Wine and Beer, about home winemaking

Ben Hardy's
Ben's Adventures in Wine Making, a very fun read from across the Atlantic

Charlie Short's
Clueless About Wine

Chef Neil's
A Wine Making Fool's Blog, a lot of fun to read

Darcy O'Neil's
The Art of Drink

Eric Asimov's
The Pour

Erroll's
Washington Winemaker

Frugalwinemaker's
Frugal Wine Making

Ian Scott's
The Home Winery, about home winemaking

James Jory's
Second Leaf, about home winemaking

Jamie Goode's
Jamie Goode's Wine Blog

Jeff Lefevere's
The Good Grape: A Wine Manifesto

Jennifer's
My Wines Direct

Jorray's
Chez Ray Winemaking

Karien O'Kennedy's
New World Winemakeer Blog

Ken Payton's
Reign of Terrior, lots of good interviews

Ken W.'s
AlaWine.com

Mal's
Wine Amateur

Marisa D'Vari's
A Wine Story

Mary Baker's
Dover Canyon Winery

Michelle's
My Wine Education

Mike Carter's
Serious About Wine

Mike McQueen's
Life on the Vine

Noel Powell's
Massachusetts Winemaker

Noel Powell's
Random Wine Trails

[no name]'s
Budget Vino...for the $10 and Under Crowd

[no name]'s
Two Bees Wine, about home winemaking

Russ Kane's
Vintage Texas, searching for Texas terroir

Sondra Barrett's
Wine, Sex and Beauty in the Bottle

Steve Bachmann's
The Wine Collector: Practical Wine Collecting Advice

Thomas'
Vines & Wines

Thomas Pellechia's
VinoFictions, interesting variety

Tim Patterson's
Blind Muscat's Cellarbook

Tim Vandergrift's
Tim's Blog, a humorous and enjoyable flow from Wine Expert's Tim V.

Tom Wark's
Fermentation: the Daily Wine Blog

Tyler Colman's
Dr. Vino's Wine Blog






Jack Keller

Is the WineBlog Useful to You?

Please vote for our website at GrapeSeek.Org

If it is, please click on the link to the left. When the "thank you" page appears, type "WineBlog" in the smaller search box, press [Enter] and rate the site. Numerical ratings are in a drop box; 10 is high. I will be most grateful.


Read my interview about Jack's WineBlog on WhoHub



May 16th, 2013

This will be my last blog entry for couple of weeks and a bit short. I'm off to Southern California to attend my 50th high school reunion and spend some time with my mother, sister, wife...well, family. I also need to handle some legal matters for my father's estate as its Executor. This is a much larger responsibility than I originally thought.

As for the length of this entry, I have simply run out of time. It happens.


Burt Prelutsky

Hat's off to Burt Prelutsky, webcaster of The Burt Prelutsky Show, for the following bit of analysis:

One of the things included in the immigration reform bill proposed by the Gang of Eight that caught my attention was the part where it mentioned that proof of the border being secure would be when Homeland Security managed to stop 90% of those people attempting to sneak in.

One, I know how to count those we manage to round up, but how on earth do you count those who elude capture? And, two, if you manage to do everything necessary to prevent illegal aliens from sneaking in, how and why would those ten-percenters continue to get through? How much lower can expectations go?

Wouldn't it be like the warden of Sing Sing addressing a convention of his fellow wardens, and saying, "Fellas, we're all doing a hell of a job. Only one out of every 10 prisoners is breaking out of jail! Drinks for everyone!"

-- excerpted from A few Glad Tidings

I love people who bothered to take Logic 101 in college. I just wish there were more of them.


After that, we need a lighter note. This video was sent to me by several people within a period of 8 days, so it is making the rounds and you might have already seen it. But it's funny no matter how many times you've seen it.

If you are Catholic, you will laugh out loud. If you are not Catholic, you'll probably laugh even louder. Father Guido Sarducci (Don Novello) explains the afterlife on a 1980 Saturday Night Live oldie but goodie:

If you don't know much about Don Novello (Father Guido Sarducci), you should look him up on Wikipedia. He is quite a fascinating character



A Practical Ampelography: Grapevine Identification

<i>A Practical Ampelography: Grapevine Identification</i>, by Pierre Galet

This is the third "must have" book if you are keenly interested in native American Grapes. Pierre Galet, of the École Nationale Supérieure Agronomique de Montpellier, has made a systematic study of the vines and shared his findings here. His ground-breaking A Practical Ampelography: Grapevine Identification gave all of us the tools to identify wild grapes with relative certainty.

Originally published in French in 1952 as Ampélographie Pratique, it was translated into English in 1979 by Lucie Morton. A Practical Ampelography: Grapevine Identification, was updated in 2000. The copy I have is the earlier 248-page edition.

Galet's system was based on the shape and contours of the leaves, the characteristics of growing shoots, shoot tips, petioles, the sex of the flowers, the shape of the grape clusters and their color, size and pips of the grapes themselves. Many other minor characteristics also come into play and are often the difference between one species or another, or even a subspecies.

While DNA fingerprinting has risen to the forefront as the more accurate method of identification, it's expense and specialized laboratory requirements place it outside of all but well-funded researchers, leaving the works of Galet, Munson, and to a lesser extent Hedrick as the common man's toolkit.

There are two drawbacks to Galet's work. The first is that book itself is rare and quite expensive when available on the used book market -- in the neighborhood of $400-$500. The second is that Galet's major research was in France, not North America where the greatest ranges of wild grapes in the world are located. His classification system differs from Munson's and the great revision in taxonomic acceptance of grape nomenclature had not yet been implemented. Thus, one finds several of his species' names have been replaced and some are missing completely. But one can rectify the last shortcoming by using the North American Native Grape List at the Native North American Grapes and Wines page on my site. These drawbacks aside, A Practical Ampelography is a milestone publication.

If one can obtain the book on inter-library loan, it can be Xeroxed for under $30, an investment well worth making. If one wants the original hardbound copy, the cheapest I have found are available here, through Amazon, starting at $389.97.




May 8th, 2013

Good wine, good prices and good luck beat the alternatives. When we are fortunate enough to find a good wine at a good price we are blessed. I happened down the wine isle at my local market -- not looking for a wine but heading for the front of the store from the back -- when I spotted a wine I had tasted and mentally noted. It was Ménage a Trois Red, 2011, and priced at under $7. I have more wine than I can drink but I remembered this wine, a blend of aged Zinfandel, Merlot and Cabernet Sauvignon. I grabbed a bottle and turned around to buy a ribeye (not in my diet, but hey -- in moderation). Both were good moves. The wine was terrific and both the wine and the steak lasted two meals.


Wild Harvest Baby Arugala

Is it just me or does anyone else hate salad recipes that start off with massive amounts of arugala? It seems to me that every recent cookbook I've seen in the past few years is loaded with salads requiring the stuff, and my problem with these salads is that I've only seen it a handful of times at my three local supermarkets, and those times it was about the most expensive thing in the produce department.

I'll be honest with you. I've only bought it once. Just once. I threw a bunch of it in a couple of salads and it was gone. And to be honest with you once again, I don't even remember what it tastes like. The recipe I followed called for dowsing it with olive oil and balsamic vinegar and putting it in the refrigerator overnight, but I was making a salad to go with our meal right then, so we ate it. I do remember thinking, "Good balsamic vinegar."

I asked Fred, the produce manager at the supermarket I frequent 2-3 times weekly, why they don't carry arugala regularly and he gave me a funny look -- from my boots to my hat. Then he said they carried it a few times and nobody bought it, then added that I'm only about the 10th or 12th person who has ever asked for it and he has been working there 18 years. Maybe it's a Texas thing. Maybe real Texans don't eat arugala. Well, they certainly won't if they don't sell it and when they do it costs more than 3 hearts of Romaine.



App for Wine and Food Pairing

Wine Sommelier screen shot, selecting food groupsblank spaceWine Sommelier screen shot, recommending winesblank spaceWine Sommelier screen shot, characteristics of a recommended wine
Wine Sommelier screen shots: selecting a food group, wine recommendations for a specific food, and
characteristics of a recommended wine

I found this app, Mobile Sommelier, in an article, "Take the Whine Out of Wine Drinking With These 5 Apps" at Tech Page One (see link at end of today's entry), alone with four other apps. I found this one very interesting -- almost compelling. But I need to say right up front that I do not own a smart phone and cannot test this app. However, this might be a good reason to buy one.

Mobile Sommelier, by VinoMatch, was made for Windows Phone 7.0, 7.5, and 8.0. Why it has not been ported to iPhone or Android platforms is a mystery. It seems to me a made-to-order candidate but, not owning either, I am not an authority on this subject.

There are any number of scenarios where this app could be more than merely useful., like ordering a wine to pair with a meal at a restaurant, shopping for a wine to bring to a dinner party or special occasion celebration, shoppng for a wine to pair with your grocery purchases, taking notes and photos at a wine tasting, or just learning about food and wine pairing.

The app opens with a choice of food and wine pairing, create a new wine note, or your existing wine tasting notes. Touching pairing brings up a menu of food groups to choose from -- meats, poultry, seafood, pasta / rice, etc. After selecting the group you zero in on the specific of interest -- raw oysters, for example. This presents a number of suitable wine pairings. Select one and it presents the characteristics of the recommended wine, allowing you to zero in on the characteristics you or your dinner party prefer. Or, you might just decide to impress those with you by asking for a good Loire Valley Muscadet.

Another touch of the screen and you can sniff the wine and announce that you recognize notes of lemon, apple and hay straw. After a reflective sip you can opine that it has a sharp crispness, subtle oak character, medium body, and is dry and a bit puckery. Imagine the brows that might be raised -- or not.

The program's developer claims you get instant answers to perfect pairings with minimum thinking required. You'll save time while ordering the perfect wine for any dish like an expert, and the program is both educational and fun to use. For knowledgeable connoisseurs, you can create highly personalized wine notes, rate the wines you've tasted and keep track of favorites, and you can take pictures of wine labels for future reference.

Boasting an intuitive interface, the program has a comprehensive taste and aroma library, makes it easy to pick varieties, countries and aromas, has a huge food library including ethnic foods, cheeses and desserts, and an extensive wine library with varietals from around the world. It allows automatic backup on vinomatch.com.

Not bad for $2.99, and yes, I got all of this info off VinoMatch's website

For an iPhone alternative, there is the more pricey ($4.99) Pait It! -- Food and Wine Guide, which seems to me a less intuitive and less endowed, but what do I know?



Rochester Revisited

Jill Misterka presenting me the RAHW Appreciation Award at Rochester
Jill Misterka presenting Jack Keller the Rochester Area Home
Winemakers' Appreciation Award

It's always an honor to receive an award. It's also fun. I've already said how much fun I had in Rochester, but I think this photo captured an introspective moment. At the moment this photo was taken I was flashing back on countless moments of crushing, racking and bottling, of taking notes and devising recipes, and thousands of hours at my computer while my wife did other things. I did it because I wanted to, but at this moment I was wishing my wife could be there to share the moment. All those hours were lonely for her. I cannot give them back. So in my heart I was accepting the award for her, too.

If I left out anything in my previous post, it was a couple of personal "thank yous." I was picked up at the airport by RAHW President Bruce Dunn. This was unexpected because I had already made arrangements to take the hotel's shuttle. It was all the more rewarding when he shared with me some of Rochester's history while relaxing in the hotel's spacious, open lounge. I thank him for that.

I also want to thank Dale Ims and Keith Burfield for being my hosts on the morning I departed. They took me to breakfast, then out to Irondequoit to collect some grape cuttings (their buds broke a couple of days ago), and then to the airport. Dale presented me with a personal, handcrafted gift I greatly appreciated. Good ambassadors, one and all.

Finally, I want to thank the RAHW members who shared their time, their winemaking knowledge and their photographs with me. My camera died on me -- probably only a dead battery -- but the inability to take photographs when you want to is a serious detractor. My thanks, again, to all who shared theirs.

Once again, thank you Rochester.



Foundations of American Grape Culture

<i>Foundations of American Grape Culture</i>, by T. V. Munson

In my last entry I said that for who are serious about American native grapes, there are three books that are "must-haves" and one webpage. The first "must have" book I reviewed was U. P. Hedrick's The Grapes of New York. Today I'm reviewing the second of the three books, and it, too, is an "oldie but goodie" -- the1909 seminal work, Foundations of American Grape Culture by the legendary grape breeder T. V. Munson.

Published in the Fall of 1909, Thomas Volney Munson's Foundations of American Grape Culture was immediately recognized as the authoritative text on North American Vitis and utilization of native North American species in breeding new hybrid grapes. In it, Munson carefully described a lifetime of observations and experience with grapes. Including a history of his interest in grapes, his taxonomy of North American Vitis, thorough descriptions of the native species, discussion of how grape breeding is accomplished, and complete examination of his breeding results, Munson left behind the foundational work upon which viticulture could be adapted to every habitat that supports wild vines on the continent.
-- from Foundations Centennial Meeting announcement

My personal copy is cherished as 266 pages of sheer brilliance. Munson's book differs from Hedrick's in several ways. Hedrick was an academician as well as pomologist and a very good one, but Munson created many of the grapes Hedrick reported. Hedrick's color illustrations of the grapes are arguably the finest paintings of the subjects ever produced, while Munson used black and white photography to illustrate his book. But Munson took great pains to compose his photographs with grapes and leaf to help in their identification. Hedrick wrote about the grapes generally while Munson wrote with great specificity. If you have the vine in front of you, you can identify it with Munson's descriptions. Hedrick's career brought him in contact with the vines on a frequent and continuing basis, but Munson's entire adult life was spent collecting, growing breeding, and hybridizing grapes.

Munson's work culminated in the creation of hundreds of new cultivars, of which only a few score survive today. He was Vice President of the American Pomological Society, Honorary Member of the American Wine Growers' Association and the Société Nationale D'Agriculture de France, twice awarded France's Chevalier du Mérite Agricole (de Legion d'Honneur) for service to the French grape industry, and a self-described "practical viticulturist and nurseryman."

Perhaps his greatest achievement was in the development of rootstocks from native species. When the great phylloxera epidemic swept through and devastated European vineyards in the late 19th century, Munson realized that American natives were resistant to the root louse and organized an effort to send tons of American vines to France to serve as rootstock for grafted Vitis vinifera cultivars, thus saving the noble grapes of France and the rest of Europe. That's why they gave him the Chevalier du Mérite Agricole (de Legion d'Honneur) -- twice!

Munson also organized and classified the taxa of American grape species. His organization was not without fault, but served as a foundation for later taxonomists such as P. Galet, M. O. Moore C. R. Lacroix, D. J. Rogers, and B. L. Comeaux to build upon.

Munson's Foundations of American Grape Culture is unusual in that it contains no forward table of contents but rather a "Synopsis of Chapters" at the rear. There are two indices, one for species and varieties and one for topics.

Chapter I, Botany of American Grape Species, introduces his classification system and is invaluable in details for identifying the species, even though the species have been reduced by inclusion and exception in later years. The names Munson used have themselves undergone some subsequent revision, but any name Munson used can be rectified by using the North American Native Grape List at my own Native North American Grapes and Wines page on my site.

Chapter II, Breeding of Varieties of Grapes, although a mere 26 pages, served as the reference for hundreds of later grape breeders and is still widely cited today despite being eclipsed by modern techniques and practice.

Chapter III, Select Families and Varieties of Grapes for Practical Vine-Growers, includes a great many of the very best of Munson's own varieties. He makes no apology for this, but notes that those mentioned are only the very best of the more than 75,000 hybrid seedlings germinated, grown and "...culled with extreme care. Hundreds of varieties better than Concord have been thrown away." While most of these varieties have been eclipsed by better cultivars, they are still important and used today in grape breeding programs because of their inherent resistance to many grapevine diseases, especially Pierce's Disease. Thus, his legacy survives.

When Chapter II is married with Chapter IV, Adaptation of Varieties, they laid the framework and inspiration for grape breeders such as E. Swenson, L. Rombaugh and faculty and staff at numerous universities and experimental stations to breed grapes for specific climates and soil types.

Part II, Practical Grape Growing, on the surface, appears less useful as modern agriculture has far surpassed Munson's abilities and knowledge, and yet its underlying premises remain sound today and are worth reading.

Munson's life work was astounding. He traversed much of Texas, often on horseback, collecting vines from the wild and plotting their range. He also witnessed the beginning of the demise of several species in this state due to grazing, agriculture, lumbering, and urbanization. He noted this in his Foundations, which makes it all the more important a book for historical reasons. This was the first book I ever bought on grapes alone and it remains the most used book outside The Holy Bible I possess.

Munson's Foundations can be viewed or downloaded from several archival libraries. A cheap, poorly executed paperback version is available from the .com bookstores, but is not recommended. A hardbound reprinting of the original can be purchased for $39.95 plus $5.00 shipping from Grayson College Foundation, Inc., ATTN: Cindy Perez, 6101 Grayson Drive, Denison, Texas 75020. You may call Cindy at (903) 463-8621. You should consider this a good investment.




May 4th, 2013

I received an email yesterday from "Chase Notifications" regarding a secure online message for me. Having a Chase credit card, I did not analyze the email before clicking on the enclosed link. Luckily, I have good security software and the site was blocked as a known "phishing" site. Only then did I relook at the email and chided myself for my haste and stupidity. The actual sender was "jdisdaman@hosting3.multiplay.co.uk; on behalf of; Chase Notification [SMNotification@emailonline.com]". Everything that could be wrong was.

If you value your identity and assets, please, please, please make sure you have good security software on your computer -- firewall, antivirus, antimalware, phishing and pharming, for computer, email and websites. If you don't have it, you might start by looking at Free PC Services (my site) for free programs, but the very best will be the versions you have to buy. I use Avast! Internet Security Suite, which sends me 2-5 updates per day, but there are others probably as good. The responsibility for your security is yours.


Judy Garland and Fred Astaire in <i>Easter Parade</i>
Judy Garland and Fred Astaire, in Easter Parade

I don't know where in the brain these things come from, but I woke up this morning with the Irving Berlin song Easter Parade in my head. Come on, now, this is from a 1948 movie of the same title starring Fred Astaire and Judy Garland, with Ann Miller and Peter Lawford as co-stars with competing love interests. How would I remember this song and its lyrics? I was four years old when it played in the theater -- and yet, I do.

I need to find a good book that explains how ancient memories surface in dreams. It intrigues me that this happens so often.

Now, in my awakened state, the song keeps cycling through my head perfectly, but I question one word. I remember the line, "And you'll find that you're in the rotogravure," but I wonder why it isn't "photogravure" instead. I head to Google and end up in Wikipedia where I learn, or perhaps relearn because it seems that I learned this once in high school when I was in journalism class and on the staff of my school's weekly newspaper, that rotogravure was the rotary process used in newspapers while photogravure was flat plate used for high-quality prints in magazines and other media. Did our school use rotogravure or photogravure? It seems like we used the latter.

In your Easter bonnet, with all the frills upon it,
You'll be the grandest lady in the Easter Parade.
I'll be all in clover, and when they look you over,
I'll be the proudest fellow in the Easter Parade.

On the avenue, Fifth Avenue, the photographers will snap us,
And you'll find that you're in the rotogravure.
Oh, I could write a sonnet about your Easter bonnet,
And of the girl I'm taking to the Easter Parade.

While I checked the lyrics to be certain I had them correct, there was no need. I remembered them perfectly. Explain that, Dr. Freud....



5 Daily Snacks for Belly Fat Weight Loss

Wife with author (190 pounds) on Kaua'i
Belly fat, 2011 on Kaua'i

I often mention my belly fat diet, but those of you who do not see me in person have no idea how bad it was. The picture at the left of my wife and me was taken in 2011. The belly is clearly visible. Our next trip after this was to Spain, where the belly had grown even larger. I looked for a photo from that trip showing the magnitude of the problem but all had been cropped so the belly was not visible.

In March 2012 I thought I was looking in the mirror at a third-trimester pregnancy. I could no longer accept what I had allowed myself to become. That month I bought The Complete Idiot's Guide to Belly Fat Weight Loss and began reading and changing the way I ate.

I have always been a big eater -- big meals, large portions and I cleaned my plate. I also ate a lot of things (entrées, sides and snacks) this book warns are major contributors to belly fat. The first thing I did was to rid my pantry of the bad things stored there. Almost everything in a box or bag was donated to a food drive. Except for vegetables, beans, fruit, sauces, soups, and a few other things, many canned goods were donated as well.

I kept my instant mashed potatoes, rice, flour, and corn meal, but I no longer cooked servings for meals, but added a tablespoon or so to soups and stews as thickeners. My weekly loaves of sourdough are memory. So too are rice and gravy, potatoes bathed in melted butter, chicken and dumplings, pasta of all sorts and pizza...except on special occasions. Starches feed belly fat, so I had to limit them.

One of the biggest dietary changes concerned fats. All my life I have been addicted to Southern fried chicken, barbecued pork ribs, marbled rib eye steaks, grilled pork chops, chicken fried steak drowned in white gravy, thick bacon slices, and blends of meat loaf. All of these are loaded with bad fat that the body stores as fat.

Bad fat is both saturated fatty acids and trans-fatty acids. These fats tend to cling, congeal and get stored as fat. Good fats are polyunsaturated fatty acids from fish, flaxseed and certain oils, and monounsaturated fatty acids from avocados, olives, nuts, seeds, and canola oil. These fatty acids don't congeal, flow easily in the bloodstream and get utilized by the body as energy.

There are many avenues to shedding belly fat, but diet, exercise and stress management are common to all. I chose to approach diet in the following manner. While I try to a Mediterranean eating pattern generally, I am still a son of the South and certain cultural foods are occasionally indulged in, although sparingly. At home, I try to eat one main meal per day, supplemented by five healthy snacks. It is usually impossible to do this when away, but home is where I live.

The one regular meal a day is composed of small portions. I try to include at least 2-4 ounces of meat, fish or tofu, two veggies, a small portion of fruit, and sometimes a piece of cheese (small piece of low-fat cheese -- Laughing Cow Light wedges are great for portion control while delivering satisfying flavor).

Author at Knoxville
Belly fat, 2013 at Knoxville, -37 pounds later

You might wonder what "five healthy snacks" might include. A couple of family members and a few friends have asked me about this. To answer this, I have made a list of a few of my choices. This list is by no means complete or static, but is offered to give one an idea of how one can hold hunger at bay while fueling the body with variety. Naturally, the choice of fruit and vegetables are seasonally limited, but there are always many available to select from.

  • 5 green olives with 15 nuts (almost every day)
  • small avocado with lemon juice (almost every day)
  • 1 long stick of celery cut into bite-sized pieces, with 15 cashew halves or a tablespoon of peanut or almond butter
  • 1 Roma tomato (every other day) and 1 tablespoon of tofu or cottage cheese
  • mug of soup (any kind) with a teaspoon of flaxseed stirred in (my favorites are lentil, split pea, tomato, onion, pumpkin, chicken broth, creamed anything -- creamed soups are splurges, not regulars)
  • 1 small nutritional drink (like Ensure, but only 8 ounces)
  • small bowl (about 1 1/2 cups) of fresh salad (greens chopped small, diced mushroom, tomato, avocado, cucumber, onion, bell pepper, shredded or sliced carrot, sliced olive -- see * NOTE below) with sunflower kernels or pumpkin seeds, very lightly drizzled with olive oil, and with a teaspoon of flaxseed sprinkled over it
  • small bowl (about 1 1/2 cups) of cut fresh spinach leaves, very lightly drizzled (and tossed) with olive or coconut oil and a teaspoon of flaxseed sprinkled over it
  • 5 dates and 1/2 banana (2 days in a row)
  • 8-10 baby carrots
  • 1 pear with 5 teaspoons cottage cheese
  • 1 banana and a tablespoon of peanut or almond butter
  • 3-4 wedges of oven-baked sweet potato fries brushed with olive oil and spiced to taste before baking (leftovers can be frozen in ZipLoc snack bags for later meals)
  • 4-5 wedges of pickled beet and 4-5 teaspoons cottage cheese
  • 2/3 cup of fresh broccoli (cut small) or zucchini or summer squash, drizzled lightly with olive or coconut oil and sprinkled with a teaspoon of flaxseed
  • 1/2 large dill pickle or 5-6 slices of sweet pickle (depends on mood) with 15 nuts or a tablespoon of peanut or almond butter
  • 1 cup of low-fat yogurt with a teaspoon of flaxseed stirred in
  • 4 "Cutie" mandarin oranges
  • 1 navel orange
  • 1/2 large apple, sliced (2 days in a row) with a tablespoon of peanut or almond butter
  • 1 or 2 plums (depends on size)
  • 1 mango
  • 3 figs with 3 teaspoons of tofu or cottage cheese
  • 1 large or 2 very small peaches
  • 1/2 cucumber, speared (with or without peeling on -- depends on toughness)
  • 5 dried apricot halves with 15 nuts
  • 1/3 cup drained (cold) lima, butter, black, or kidney beans, or black-eyed or purple-hulled peas, sprinkled with a teaspoon of flaxseed
  • 3-5 mushroom buttons (depends on size) with wedge of Laughing Cow Light Creamy Swiss Cheese

* NOTE: I make up small, segregated containers containing onions, bell pepper strips, small flowerets of broccoli, sliced olives, shredded or thinly sliced carrot, chopped firm tomato, etc. and add pinches of each to greens to make a salad. I'll add to it a wedge of avocado cut up, dice up a mushroom, cut a few slices of cucumber, and anything else that doesn't store well diced. This allows me to make a salad in about 4-5 minutes every day. I sometimes add 6-8 garbanzo beans if I think I need protein. The sunflower or pumpkin seeds (kernels) and flaxseed are essential for oils, fiber and protein. But you also want to ensure you include antioxidants and a good mix of vitamins and minerals. My selections do that.

When traveling, I make up a snack-size Ziploc bag or two containing nuts, pumpkin seeds, dried fruit (bananas, papaya, raisins, cranberries, apples, chopped dates), soy beans, M&Ms, etc., plus a Mini Babybel Light cheese round. It tastes good, is filling and nutritious.

Not everything above is in the book as "good" (cheese is generally "bad" unless low-fat -- "light"), but most is. A little variety makes it easier to do and I try to get a good daily mix.

FOOTNOTE: I gained 4 pounds in Rochester, but lost it all in a week at home. It works! I still have a ways to go but am getting there. And, as I said earlier, there are many avenues to belly fat weight loss. Select one that suits you.



The Grapes of New York

<i>The Grapes of New York</i>, by U. P. Herdrick, 1908

To those who are serious about American native grapes, there are three books that are "must-haves" and one webpage. I will concentrate here on U. P. Hedrick's The Grapes of New York, Albany: J.B. Lyon, 1908. If you could afford one original printing book, this would be the one to choose. The illustrations alone, possibly the finest anywhere of American grapes, are worth the steep asking price. Reprints in black and white are available for a fraction of what the original demands but are a poor substitute.

Ulysses Prentiss taught botany and horticulture at Oregon Agricultural College (1895–1897), Utah Agricultural College (1897–1899), and Michigan Agricultural College (1899–1905). He became a horticulturist at the New York State Agricultural Experiment Station in Geneva, New York in 1905, which he directed from 1928 until 1937, when he retired. The Grapes of New York was his first of many seminal works.

The first thing one must realize is that Hedrick wrote this 564-page book as a "Report of the New York Agricultural Experiment Station for the Year 1907." Its style and content are geared to be agriculturally and commercially informative, while at the same time presenting a history of grapes, their uses, their cultivation, and their varieties. Thankfully, he did not succumb to the temptation to highlight the Vitis vinifera grapes being grown at that time but focused on American grapes and their hybrids. This allows a treatment of the true "grapes of New York," even if many are hybrids.

Hedrick's organization is logical, but tempts one to jump to whatever section one is most interested in. This, in my opinion, would be a mistake as the book builds upon itself and is much richer in content if read straight through, even if some of the reading is "speed" reading with reduced retention. His chapters are:

  • 1 - The Old World Grape
  • 2 - American Grapes
  • 3 - The Viticulture of New York
  • 4 - Species of American Grapes
  • 5 - The Leading Varieties of American Grapes
  • 6 - The Minor Varieties of American Grapes

I appreciate the fact that Hedrick was educated when he was and footnoted his book extensively. Some footnotes run over half a page, but I'd rather have them than not.

His chapter on American Grape Species begins with a very useful synopsis of the botanical classifications of the grape, meaning a chronological summary of their descriptions by the botanists describing them. He then progresses to descriptions of the grapes.

I said in my opening paragraph "there are three books that are 'must-haves' and one webpage." The one webpage is my own Native North American Grapes and Wines, and I recommend it to correct the misnaming grapes in the past. As the science of taxonomy has progressed, many named "species" of yesteryear have gone by the wayside. Hedrick followed and applied his judgment to the conventions of his day, but names such as V. candicans, V. cordifolia and V. longii, for example, are no longer in academic use. My page will inform you at once that these are, respectively, V. mustangensis, V. vulpina and V. acerifolia.

But, this issue aside, Hedrick's Grapes of New York offers the best compendium of American species and hybrid grapes of its time. And, as I said earlier, possibly the finest illustrations anywhere of American grapes. I highly recommend it. Scanned versions of the original are available for online viewing from several archival libraries.




April 30th, 2013

I just about threw up today when I heard that Washington State has legislated against the use of the word penmanship in favor of handwriting because penmanship contains a gender bias. Don't the loonies in Washington have anything better to do than strip our language of its evolutionary usage? Penmanship is handwriting, but handwriting with distinction, style and precision. Not all handwriting exhibits penmanship. Will the citizens of Washington state know this in 10-15 years?

What asinine alternative will they come up with for German language classes or Roman history? Will they rename the Ottoman Empire? What about being human? Will they remove Harry Truman from the list of Presidents? What if your name is Herman Chapman? I'm sick of this politically correct insanity.

If politicians are going to collect salaries while writing a 475-page bill, as this one was, I'm sure the citizens of Washington state would be better served if its aim was to repair or expand roads, bridges and other infrastructure. This was a six-year endeavor to dilute the richness and precision of our language without returning tangible substance.



Serious Home Winemakers

Relaxing with wine at Tom Banach's home in Rochester
far left (clockwise) Charlotte Klose, Audrey Sibert, Paul Carletta,
author, Dick Rizzo, Larry Kilbury, Mindy Zoghlin, Ben Zoghlin

Last night I returned from Rochester, New York where I had the pleasure of spending a few days with some serious and fun home winemakers. And they treated me to some very good homemade and Finger Lakes commercial wines.

I flew to Rochester as the guest of the Rochester Area Home Winemakers to meet them and accept their award for contributions to home winemaking. It was an honor to do both. I have been a member of this club in absentia for several years.

While there I was introduced to many historic and cultural sites I had been totally ignorant of. I knew George Eastman, of Eastman Kodak, was a Rochesterian. However, I was surprised to learn that Joseph Wilson (founder of Xerox), John Bausch and Henry Lomb (founders of Bausch and Lomb), Hiram Sibley (founder of Western Union), Henry Wells (founder of American Express and co-founder of Wells Fargo), Henry Augustus Ward (founder of Ward's Natural Science), Paul Bucheit (creator of Gmail and Adsense), Donald Stookey (inventor of CorningWare), Clara Barton (founder of the Red Cross), Cab Calloway (composer, band leader), Chuck Mangione (jazz musician, band leader), Mitch Miller (band leader), Lou Gramm (band Foreigner), Will Hollis (band The Eagles), Joe English (band Wings), Stephen A. Doulas (Lincoln-Douglas debates in Illinois), Henry Jarvis Raymond (founder of The New York Times), Joseph Smith (founder of the Church Jesus Christ of Latter-Day Saints [Mormons]), Susan B. Anthony (women's rights leader), Frederick Douglas (abolitionist), Emil Gruppe (impressionist painter), actors Bud Abbott (Abbott and Costello), John Lithgow, Hugh O'Brian and Peter Deuel, and scores more famous personalities hail from Rochester.

Author and Mark Misterka at the falls of the Genesee River, Rochester, NY (photo by Jill Misterka)
Author and Mark Misterka at the falls of the Genesee River. I still
have a little work to do on that belly fat....

I enjoyed beautiful weather for sightseeing. We stopped to see the falls of the Genesee River, combining that stop with a tasting and tour of the Genesee Beer Brew House and Museum where we also lunched on great salads of greens, apples and walnuts -- a wonderful mixture of textures and flavors.

We stopped at Highland Botanical Park to tour the Lamberton Conservatory and enjoy the woodland groves the park is famous for. There is far more to see and do in the Park than we had time for, but if I get back to Rochester I'll make time for Warner Castle and Sunken Garden, the Lilac Arches, and hopefully can time it to enjoy the annual Lilac Festival.

Shopping and snacking at the historic Public Market allowed me and my guides, Larry Kilbury and Betty Moley, to take advantage of some real bargains. Walking the causeways flanking the Lake Ontario entrance to Irondequoit Bay presented an opportunity to collect some wild grape cuttings. I have no idea what species they are as they have not yet leafed, but I'm hopeful they will root and allow me to identify them.

The sightseeing highlight was the George Eastman House and International Museum of Photography and Film -- the world's oldest museum dedicated to photography and one of the world's oldest archives of film. Whether you're interested in photography and film or not, this is a must-see stop if you're visiting Rochester. There's no way I can summarize this stop except to say it was more rewarding than I anticipated. The mansion tour was well worth the time. The evolution of the house and grounds was presented by an enthusiastic and dedicated guide who obviously loves her job and considers her tours a grave responsibility.

The Conservatory in the George Eastman House, photo by Barbara Puorro Galasso, 1991, released to public domain by photographer
The Conservatory, George Eastman House, where Eastman enjoyed
music daily. A built-in pipe organ is in the far wall. Eastman spent years
and considerable money making the room acoustically perfect.

The Museum's photography collection includes more than 400,000 specimens from the invention of photography to the present day, with more than 14,000 photographers represented. It includes a major collection of Ansel Adams' early and vintage prints, a major collection of 19th-century photographs of the American West, two major photographic collections of the American Civil War, a major collection of early British and French photography, and one of the largest collections of daguerreotypes in the world -- and these are only highlights of the whole.

The Museum's Motion Picture Collection is one of the major moving image archives in the United States, with over 30,000 titles and the personal film collections of directors Kathryn Bigelow, Ken Burns, Cecil B. DeMille, Norman Jewison, Spike Lee, and Martin Scorsese. It also includes the largest single collection of nitrate Technicolor YCM negatives in the United States. As important as the collection itself is, the on-going preservation program, one of the most intensive and comprehensive efforts in the world is possibly more important. The L. Jeffrey Selznick School of Film Preservation, in partnership with the University of Rochester, provides student archivists with the training and techniques necessary to continue the work of film restoration within an archive environment.

Any tour of the George Eastman House leaves the visitor with a solid appreciation of George Eastman's love of music and his endowment. Not associated with the House and Museum is the Eastman School of Music of the University of Rochester and from its inception was an innovator in American music education. The value of an Eastman academic degree is demonstrated by the number of graduates who hold positions in professional orchestras, bands, chamber ensembles, opera companies, conservatories and college music departments, school music programs, community music schools, the recording industry, the musical instrument and technologies industry, and many other fields. While I did not visit the ESM, I left with a deep appreciation of its legacy.

Saying hello to attendees at the Rochester Area Home Winemakers Annual Banquet
The author greeting each attendee at the Rochester Area Home
Winemakers Annual Banquet.

The Rochester Area Home Winemakers' proximity to the Finger Lakes region influences but does not define the club. Whereas the San Antonio Regional Wine Guild heralds mustang wine because that grape surrounds it, Riesling tends to be heralded by the RAHW. As one would suspect, both clubs tend to perfect their heralded wine. I sampled several Rieslings in Rochester and every one of them was crisp, well-rounded and delightful. These folks know this grape.

But the RAHW is not a one-wine club. In a short span of two days I sampled reds and whites of a long and varied gauntlet. While the majority were vinifera and French-American hybrids indicative of the northern latitude, the first and last wines I drank were delightful country wines.

Mindy Zoghlin's dandelion wine reminded me to what heights one can take this trodden weed. It was the perfect opener to a wonderful evening of wining, dining and great conversation. And the meal was in a class of its own. I can't thank Mindy and Ben enough for the magnificent things they did to my taste buds.

Tom Banach hosted a relaxing and well-appointed afternoon with a dozen or more club members. While I did not count the wines we enjoyed, the quality and variety were impressive and seductive. Wine invites relaxation, and all were well-relaxed before we broke to prepare for that evening's banquet.

I'll make no pretenses about the banquet. The food was delicious, the wines superb, and if anyone spoke too long it was probably me. The main event was the installation of club officers for the coming term. Outgoing President Bruce Dunn passed the gavel to Tom Banach, who was joined by VP Jack Turan, Treasurer Paul Carletta, Secretary Hank Kingston, and Board Member Ernie Sulouff. Absent due to recent surgery was Board Member David Gerling. Bruce may not be President any longer, but he remains in service as Board Chairman.

After formalities, we socialized. It was during that period that I was treated to Karen Anne Lowenguth's wonderful catnip mead -- first a generous splash and then a glass. It was everything a mead ought to be, plus more. The unique flavor was a joy to savor and ingest. A hint of the honey lingered and slowly melted away, inviting another sip. It was a great finish to a pleasurable evening.

I was truly delighted to meet winemakers who are self-critical and searching craftsmen, serious but light-hearted aficionados, who combine their wine with fun, introspection, genuine friendship, and enthusiastic camaraderie. These attributes capture the essence of what a home winemaking club should be. Thank you, Rochester.



Inside of a Dog

<i>Inside of a Dog - What Dogs See, Smell, and Know</i>, by Alexandra Horowitz

I'm reading a fascinating book entitled "Inside of a Dog" and subtitled "What Dogs See, Smell, and Know" by Alexandra Horowitz. The author warns at the outset that if you own a dog you will never look at it the same way after reading this book.

I picked it up in an airport shop to have something to read on my flight. I've only read about a third of its 384 pages because I was side-tracked by conversation, but I'm already looking at my dog differently.

The author is an ethologist, a scientist of animal behavior. She also owns a dog. The more she applied the scientific method in her research of a highly social species (the white rhinoceros), the more she questioned her long-held assumptions about dogs in general and her own dog in particular. It was the rapid changing of dogs' behavior when with people and then with other dogs that shattered her familiarity. Their behavior was anything but simple and understood as she had previously believed.

She began making videos of her dog and other dogs playing at a dog park and when she watched them in slow motion she began to see complex communicative nuances, split-second assessments of each other's abilities and desires. The dogs could play with each other for long periods of time, animals being animals, seemingly rough but at crucial times gentle, and yet when called by their humans they slipped into another role, the role of loyal pet. Fascinated, she began studying dogs.

We tend to commit one of two sins when it comes to our dogs. We either treat them as animals that, but for us, would revert to wolves from which they are descended from or we anthropomorphize them -- assign human emotions, thoughts and desires to our pet. Both perspectives are wrong.

Wolf in Montana, public domain photo by USFWS
Dogs are the descendents of domesticated
wolves but are not tame wolves. Yet they
share all but 1/3 of 1% of their DNA.

Man's first canine companion was a wolf. Archeological evidence dates the domestication of the wolf at 10 to 14 thousand years ago. During that time, dogs have lost their wolfness. They cannot hunt for food efficiently, don't make dens for their litters, don't form family unit packs (but might join together temporarily in bands). And yet dogs and wolves share all but 1/3 of 1% of their DNA. But it is that 1/3 of 1% that makes dogs decidedly dogs and wolves decidedly wolves.

Dogs are not interested in what we are interested in, unless we are interested in feeding them, petting them or playing with them. Their needs are simple compared to ours. We have whole houses full of stuff, but most of it is of no interest to our dog, so much so that it is invisible to it. If the dog cannot lay on it, chew it, eat it, or play with it, it doesn't exist to the dog unless it emits a peculiar or unpleasant smell.

Dogs smell so much better than we do that we are, in comparison, pathetic smellers. A dog can enter a house and within seconds smell everyone who has been in it and everything that was eaten in it in the last month. They can smell your fingerprints on a glass a week after you touched it. And they watch you intently when you are active to try and understand what you are going to do for or with or to them. As soon as they determine you are not going to interact with them, they go back to sleep. But if you look at them, they are intently mindful of it and await your next action.

This is a captivating book. What I have learned so far has opened my eyes to my dog, Reba. I can't wait to read more. I'm sure I'll have more to say later. If you want to join me in this discovery, you can order the book here.

As I look out the windows behind my desk, a covey of quail are finding something of interest among the blades of grass needing mowing. In the back acre three deer are nibbling among the wildflowers. My dog, as usual, is sleeping, possibly dreaming of a covey of quail working its way across the lawn or deer nibbling. I wish I knew....



Sparkling Wine in Regular Wine Bottles

Champagne cork popping

A reader wondered why you cannot make sparkling wine in a regular wine bottle. He noted that beer bottles are the same thickness as a wine bottle and they don't explode. He sounded like he might be on the verge of doing this, so I immediately warned him not to.

Beer bottles are smaller, have less surface area and therefore have stronger structural integrity. If a wine bottle were two feet wide and eight feet tall and the same thickness as a 750mL wine bottle, it would explode simply from the pressure of the wine inside pressing against the glass. The fact is that wine bottles are very fragile when under pressure. Use them for sparkling wine at your own risk, and I do mean risk. Even if they hold the pressure while at rest they can explode while trying to remove the cork. There is over two centuries of human experience with this. Learn from it.

It is the nature of man to be curious, but it is also the nature of man to develop solutions to problems. If it were not we would not have progressed beyond the hunter-gatherer stage. When you see that centuries of winemaking have evolved into a certain set of procedures, you should assume it is for a reason even if you don't understand why. It's okay to ask why. In fact, I would prefer you ask why than just assuming there is no good reason and acting counter to the established procedures.

If you think reducing the amount of CO2 is a work-around to bottle thickness, please think again.

First of all, the correct amount of sugar to prime a cuvée must be exact even when making sparkling wine in Champagne bottles. To reduce the internal pressure enough to render a regular wine bottle safe to use would require knowledge of how much pressure the bottle can handle safety and how much sugar to add to achieve that pressure and no more. Such a calculation is beyond my knowledge.

Secondly, a reduced pressure will not produce a Champagne-like sparkling wine. It will be spritzy and may be a good sparkling wine when first opened, but you should expect it to lose its carbonation rather quickly, which a Champagne-like wine should not do. Don't try to use work-arounds if you want to make good wine. Follow tried and true established methods (and equipment).



Not For Sale

Bess and Harry Truman at home (photo from an email)
Bess and Harry Truman at home in Independence, Missouri

Harry Truman was a different kind of President. Aside from his decision to drop the atom bomb, which stands alone in the annals of human history, he probably made as many or more important decisions regarding our nation's history as any of the other 32 Presidents preceding him. However, a measure of his greatness may rest on what he did after he left the White House.

The only asset he had when he died was the house he lived in, which was in Independence, Missouri . His wife had inherited the house from her mother and father and outside their years in the White House, they lived their entire lives there.

When he retired from office in 1952 his income was a U.S. Army pension reported to have been $13,507.72 a year. Congress, noting that he was paying for his stamps and personally licking them, granted him an 'allowance' and, later, a retroactive pension of $25,000 per year.

After President Eisenhower was inaugurated, Harry and Bess drove home to Missouri by themselves. There were no Secret Service agents following them.

When offered corporate positions at large salaries he declined, stating, "You don't want me. You want the office of the President, and that doesn't belong to me. It belongs to the American people and it's not for sale."

Even later, on May 6, 1971, when Congress was preparing to award him the Medal of Honor on his 87th birthday, he refused to accept it, writing, "I don't consider that I have done anything which should be the reason for any award, Congressional or otherwise."

As president he paid for all of his own travel expenses and food.

Modern politicians have found a new level of success in cashing in on the Presidency, resulting in untold wealth while paying few if any expenses. Today, too many current and former Congressmen also have found a way to become quite wealthy while enjoying the fruits of their offices. Political offices are now for sale (i.e.the unsavory memory of Illinois Governor Rod Blagojevich).

Good old Harry Truman was correct when he observed, "My choices in life were either to be a piano player in a whore house or a politician. And to tell the truth, there's hardly any difference!

I hope you relish this glimpse back upon the last President to actually emulate the spirit of what our Founding Fathers envisioned a citizen politician to be. There will probably never be another to do so. How sad.





April 24th, 2013


Google's Mistaken Decision

Google Reader is being killed

I read that Google Reader, the search giant's rss aggregator, will be discontinued on July 1st, 2013. If you use Google Reader to subscribe to my rss feed, you have until then to select another rss aggregator (reader). I agree with the blogger I read and question this move by Google, which continues to make room for its Google+ social network, "...but not a service that fits right in with their core mission: cataloging the world's information."

If you will be looking for a new rss aggregator as a result of Google's misguided decision, or simply don't know what an rss reader is, please scroll to the introduction of my February 21st, 2013 WineBlogentry on this page. There I explain what an rss reader is and which ones you might want to look at for convenience.

FeedDemon logo

I personally recommend FeedDemon for three reasons. First and most importantly, you can download it now and synchronize it with Google Reader before it disappears. This will load all your rss subscriptions, tags and shared content. Second, it lets you assign your own tags (keywords) to items and make it easier to classify and locate articles you've previously read. Third, your own tags (keywords) can be used to search your subscribed blogs as well as watch for your keywords in future blogs you don't even subscribe. With very little work, you can begin to build a library of blogs with your keyworded content. This is a powerful option.

FeedDemon is also highly configurable, a feature that might interest you more than my three reasons above. You can display your feeds in a long list, as does Google Reader, or arrange them into three columns, newspaper style. You can also us scores of customizable keyboard shortcuts that let you do almost anything you want in the reader without using your mouse. Very cool.

An rss aggregator (reader) can make your visits to this blog a lot more timely. You won't have to check in here daily to see if new entries have been added, and what has been added will be summarized for you so you can pick and choose what you want to read.



Missing Money Found!

Missing money

I recently went to Missing Money, a website for finding money you didn't know you had owed you. I found two amounts owed me and eight amounts owed my wife under her previous married name which she can claim. In all cases they were small amounts, but better than nothing. Try it yourself!

The Missing Money website is easy to use and costs you nothing but your time. All states keep records of monies owed past and current residents of their jurisdiction. These might be unclaimed utility deposits, refunds on a terminated services, unclaimed dividends, balances of closed accounts -- whatever. If you find a hit relevant to you, you'll have to file a claim with the state and provide documentation asserting your claim. I did not find this step to be difficult at all. You should search all states where you have resided. Do not be duped into paying a "money finder" to search for missing money owed you. It's easy enough to do yourself and free. You may not find anything, but then again you might

Let me know if you do. I'm not asking for a finder's fee....



5 Tips for Winning Home Wine Competitions

Jack Keller with Honorable Mention and Best of Show Rosettes

Having judged many, many home wine competitions, I've compiled a list of tips for home winemakers that will increase their odds of winning. While some of these may seem like common sense, it is amazing how many wines I judge that ignore them.

If you get in the habit of bottling 750mL or, better still, 1500mL in 375mL "splits," you can sample the bottled wine every 3, 6 or 12 months to see how it is maturing. Before entering a wine into competition, open a split and check the wine for these key factors.

1. Bouquet and Aroma: Pour a small amount (about two fingers high) and immediately smell the wine. This will be the wine's bouquet, the esters and volatile acids created in the bottle. An off-odor should alert you that the wine may not score well. Wait 30 seconds and smell the wine again. The nose should change after the bouquet has dissipated, leaving he underlying aroma of the base (grape, fruit, flower, etc.). The more suggestive it is of the wine's base, the better it will score. Complexity influences judges. Wines with neutral aroma can still be entered, but may not score well. Slower fermentations yield better aroma. Proper aging yields complexity.

2. Color and Hue: White grapes should produce white wines, not yellowish-amber. The closer your wine is to the expected color -- straw, light yellow, even light greenish-yellow -- the better it will place. Some reds are expected to be light red but still red, while others are expected to be deeper in hue or even dark -- but red. Managing skin contact and/or using color extracting enzymes is often key with grapes, berries and many fruit.

Wine colors and clarity

3. Clarity and Polish: With few exceptions, all wines are expected to be clear, devoid of and haze or floating particles. A wine that isn't clear is greatly handicapped before it is even entered. Polish is another aspect of clarity. A polished wine is crystal clear, brilliant in direct sunlight, and refracts light off the bottom of the glass in bursts of gem-like displays. Time itself will render most wines brilliant, but simple fining, followed by racking, or filtering will polish those that do not rise to expectations.

4. Taste: We all know a great wine when we taste it. Its flavor exceeds what we expected. The fruitiness of the grape or berry is "in-your-face" evident -- fruit-forward is the tired but nonetheless appropriate term. For flower, leaf and root wines, the flavor is obvious yet delicate. A less than delicious wine can still place, but its flavor must still be enjoyable. Longer maceration and cooler fermentation brings out these qualities and judges appreciate them.

5. That All-Important Balance: A beautiful wine that lacks balance is a rose with wilted petals. A fabulous wine without body robs the taster of substance and feels like flavored water in the mouth. Too much sweetness or dryness are both sad mistakes Except in dessert wines, excessive residual sugar overwhelms the judge and will not be appreciated. Equally sad is a near masterpiece that is so dry that even the smallest imbalance in alcohol, acidity or tannic astringency stands bold. Both acidity and alcohol must be present, but neither should rise to attention. A deficiency in tannin constricts or negates the bite one expects of wine, while too much leaves the judge reaching for a drink of water. Follow the chemistry and orchestrate the final balance with careful judgment.

Placing well in competition begins with the quality of the base and depends on good winemaking practices. Testing as many parameters as one can is useless unless one knows how to manage the results. We all enter inferior wines from time to time, but this should be rare if you judge the wine according to these tips prior to entering competition. Bottling some of the batch in splits allows one to critically evaluate his or her own wine without opening a 750mL bottle.




April 20th, 2013

My mother, sister Barbara, me, and my father in 1945
My mother, sister Barbara, me, and my father in 1945

Thank you all who have expressed sympathy sentiments for the passing of my father. This is not an uncommon event in the nature of things, but it only happens to each of us but once. Thanks again for your compassion. (Photo at right: my mother holding my sister Barbara, my father holding me, 1945)

My father was honorably discharged from the United States Navy on November 26, 1945. On December 19, 1945 the following letter was mailed to him by James Forrestal, Secretary of the Navy. Hundreds of thousands of such letters were mailed in 1945 and 1946, each of them hand typed. Think about that....

blank space"My dear Mr. Keller:

blank space"I have addressed this letter to reach you after all the formalities of your separation from active service are completed. I have done so because, without formality but as clearly as I know how to say it, I want the Navy's pride in you, which it is my privilege to express, to reach into your civil life and to remain with you always.

blank space"You have served in the greatest Navy in the world.

blank space"It crushed two enemy fleets at once, receiving their surrenders only four months apart.

blank space"It brought our land-based airpower within bombing range of the enemy, and set our ground armies on the beachheads of final victory.

blank space"It performed the multitude of tasks necessary to support these military operations.

blank space"No other Navy at any time has done so much. For your part in these achievements you deserve to be proud as long as you live. The Nation which you served at a time of crisis will remember you with gratitude.

blank space"The best wishes of the Navy go with you into civilian life. Good luck!

blank space"Sincerely yours,

blank space"James Forrestal"

He truly was part of "the greatest generation." Thank you, Dad.


Second bomb explodes in Boston while smoke from first is still rising (photo from CBS News)

The shock, horror and sadness evoked by the Boston Marathon bombings confirms for us all that the specter of terror remains at large. If any had become complacent in the intervening years since the 9-11 attacks on America, the horrific scenes from the heart of Boston should bring them back to reality.

The killing of one suspect and the capture of the other are comforting, but should not lull us from realizing there are still people out there who want us dead. They have not gone away. Anyone who denies this is delusional. Boston proves the passage of time without an attack is no indication we are safe. People who believe in jihad will be around for many, many years.

Our prayers should be focused on all who were touched by the double bombing. Be thankful so many were willing to run toward the blasts to render aid. That typifies the true spirit of America, and as long as it survives America will also survive. Be thankful too that our law enforcement community can rise to the occasion of investigating such acts and zero in on suspects.

The capture of Dzhokhar Tsarnaev in Watertown, Massachusetts was an exercise in self-restraint by law enforcement. I know I join all of you in congratulating all departments and agencies that helped bring about this desirable conclusion. God bless them, each and every one.


Thank you all who have expressed positive thoughts about my article in the current issue of WineMaker magazine. I appreciate being appreciated.



"Cuties" Wine

Cuties brand mandarin or Clementine oranges

A couple of months ago I began seeing boxes of small Mandarin oranges called "Cuties" in my supermarket. Shortly thereafter, a neighbor mentioned them, saying they were the best mandarin oranges she had eaten -- sweet, juicy, easy to peel, seedless. I didn't buy any until recently, fearing there were too many in each 3.2-pound box for me to consume before they went bad. I finally bought a box with the idea of sharing them with my neighbor, but after tasting one, then two, then three, I decided to make wine with them. I had to buy another box, as I was eating them three at a time, three times a day.

Cuties are classified as mandarins and Clementines, a hybrid tangerine whose origin is uncertain. The Clementine is believed to be a cross between a mandarin orange (Citrus reticulata) and Chinese sweet orange (believed to be Citrus sinensis). Clementine mandarins first came to Florida 1909. Five years later the first saplings were received by the University of California at Riverside where they flourished and were bred.

Clementines are one type of mandarin -- others are Satsuma, Owari. Mikan, Murcott, Tangerine (also known as "Dancy Mandarin"), and Tangor (also known as "Temple Orange").

According to Alecia Li Morgan, the Cuties brand is available for a long time "...because they very wisely use TWO varieties of Mandarin: Clementine Mandarins, available November through January; and Murcott Mandarins, available February through April. This explains why some packages call them California Mandarins and some call them California Clementines.

Each of the boxes I bought had 40 Cuties in them. I used a box and a half to make my wine. I'm basing this recipe on two wines (Clementine and Mandarin Orange) I've made before.

Cuties Wine Recipe

  • about 60 Cuties (Clementines or mandarins)
  • 2 c sweet orange juice (pulp or no pulp -- doesn't matter)
  • 1 1/2 lb very fine granulated sugar
  • 1 tsp acid blend
  • 3/4 tsp pectic enzyme (powdered)
  • 1/4 tsp powdered grape tannin (powdered)
  • 1 finely crushed Campden tablet
  • 2 1/2 qt water
  • 1 tsp yeast nutrient
  • Red Star Premier Curvee or Steinberg wine yeast

Put water on to boil. Meanwhile, peel Cuties and chop across the segment 3-4 times, collecting released juice. Place segments in fine-mesh nylon straining bag, tie closed, place bag and juice (including bulk orange juice) in primary, and cover. When water is almost at a boil, turn off heat and stir sugar into water until dissolved. Stir in acid blend and tannin and stir some more. Cover water and set aside to cool (about 4 hours). Stir crushed Campden tablet and yeast nutrient into water and set aside 10-12 hours. Stir pectic enzyme into water, add to primary, re-cover primary and set aside an additional 10-12 hours. Add activated yeast as starter solution and re-cover primary. Stir daily several days (until specific gravity drops to 1.010). Drip drain bag (do not squeeze) and transfer liquid to secondary. Top up if required, attach airlock and ferment to dryness. Rack in about 30 days, top up and reattach airlock. Rack again, top up and refit airlock every 60 days for 6 months, adding crushed Campden tablet as needed.. Taste. If too dry or tart, stabilize, sweeten to taste, wait additional 30 days to ensure no referemtation and rack into bottles. Age one year before tasting. [Author's own recipe]

My must is fermenting, but I am confident this recipe will produce a winner. If not, I will modify as needed.



When Can I Drink My Homemade Wine?

Sampling a homemade wine

I get a lot of emails throughout the year asking something like, "I know the recipe says to let it age a year, but it tasted good when I bottled it a month ago, so can I drink it now?" This is not a difficult question to answer if you've been making wine a long time, but it is difficult for the novice to understand the reasoning behind the answer.

In my March 19th WineBlog entry I mentioned my article in the current issue (April-May 2013) of WineMaker magazine on aging country wines. In the opening to that article I wrote:

"Wine is a dynamic chemical soup, constantly changing, evolving reducing and oxidizing. From the moment it is made, its fate is sealed. Yes, it will improve, mature, reach a peak, and then it will decline and eventually become undrinkable. The best we can do is make it in such a way that it ages gradually, reaches that peak when we expect it to and declines slowly. It can be done, but in both grape and non-grape wines it is not an everyday occurrence."

While the cited article concentrates on aging, one should note that the process begins with improving, maturing and then reaching a peak. Most of the recipes on my site include a recommendation as to the minimum time the wine should be allowed to improve before drinking it. This period is not absolute, but rather an assessment based on batches of this type of wine made in the past.

If a recipe says, "Drink after 6 months; will improve to a year", it means that no matter how good it tasted when bottled, it will be better in 6 months and even better still, on average, in 12 months. The phrase "will improve to a year" means it should peak at that point and then start its decline, but it might peak two months earlier or six months later. The creator of the recipe is giving you the benefit of his or her experience with this wine, on average. But every wine is different.

From the movie <i>Sideways</i>

I long ago made it a habit of bottling at least 750mL and preferably 1500mL of each batch into 375mL bottles -- known as splits because they split a 750mL bottle into two equal halves. The reason for doing so is to be able to judge when a bottled wine is ready to drink without sacrificing a full, 750mL bottle in the process.

My advice is to heed the advice in the recipe. You can usually start drinking most country wines earlier than the advised period, but they should be better if allowed to improve and mature. There are exceptions.

Some wines, most notable flower and root wines, simply cannot be consumed enjoyably without allowing them to improve adequately. Dandelion wines are notorious for taking 18 months to reach a window of enjoyment. Beetroot wines take 2-3 years and sometimes longer to become enjoyably drinkable. Such wines usually carry a warning to that effect at the end of the recipe. Pay heed to such advice. It is based on experience.

But if a wine tasted good when bottled, go ahead and enjoy it. After all, it's your wine. Just set one bottle aside to drink when advised to do so by the recipe. Then see if it has truly improved or not. I'll bet it has.




April 11th, 2013

I've received numerous comments on the new look of the WineBlog and a few pages of my Winemaking Home Page website. All were positive. I promise to work on the remaining pages as time permits, but this is a busy time for me. Please practice patience.


I will be flying to Rochester, New York later this month to accept an award for contributions to home winemaking, presented by the Rochester Area Home Winemakers. It is an honor to be thusly recognized. The RAHW is a vibrant club and I look forward to visiting with them.

I will attend my 50th high school reunion in May. The San Bernardino High School Class of '63 is doing it right, with a dinner and dance at Marina Del Rey followed by a 4-day cruise out of Long Beach and a picnic on Catalina Island. Ours was a BIG class. We have located 375 classmates, still cannot find the whereabouts of 316, and 96 have passed away.


Left to right, Rosalie Keller, Barbara Garner, Jack Keller Sr., and Barry Keller
l to r, Rosalie Keller, Barbara Garner, Jack Keller Sr., and Barry Keller, Thanksgiving 2012

As announced in my last WineBlog entry, my plans were to start working on my taxes and beat the last minute rush. My plans were interrupted by a phone call from my sister. My father, age 91, had fallen at home and was in the hospital in San Bernardino, California. They found minor internal bleeding between the skull and brain, but it looked okay. No sooner had the neurosurgeon given her the good news when my father developed a respiratory problem. The next morning my sister called to say it didn't look good and I had better fly out. I did. A few days later, on April 3rd at 3:15 a.m., he passed away with eight of us by his bedside. The only reason I flew back to Texas six days later was because I still had to prepare and file my taxes. I'm taking a break from that unpleasant chore to write this....

The photo at right is my mother, father, sister Barbara and brother Barry last Thanksgiving. What follows is the obituary I wrote for him, with only minor editing.

Jack Keller Sr. was born in Eunice, Louisiana November 22, 1921 to Dennis and Eva Keller. He had three brothers and two sisters. His father was a baker and he took up the trade at an early age. He enlisted in the U.S. Navy a few months after the attack on Pearl Harbor and underwent his basic seaman's training in San Diego. His future bride, Rosalie Robertson of Lake Charles, Louisiana, arrived at San Diego by train at the same time his train, unbeknownst to her, was leaving the same station to take him to Bremerton, Washington for Cook and Baker School. Rosalie moved to Seattle and they were wed on September 26, 1942.

Jack and Rosalie have five children: Barbara Jean Garner (Eugene, Oregon), me (Jack Jr., Pleasanton, Texas), Larry Glen (Everett, Washington), Keith Alan (Gardnerville, Nevada), and Barry Wayne (Highland, California). In 1956 the family of seven moved from West Orange, Texas to Muscoy, California and Jack secured employment with Noyes Bakery in San Bernardino.

Jack was Noyes Bakery's cake decorator for 35 years. His creativity was showcased when Dick Noyes had a picture window installed at Jack's workbench so people could watch him create masterpieces for thousands of weddings and special occasions throughout California's Inland Empire. He retired from baking in 1985 and took up traveling with Rosalie and family members throughout Europe, North Africa and Mexico. Later, he loved to go on cruises with his wife and family. Above all, he treasured visiting Israel and walking the roads, paths and gardens where Jesus walked.

Jack was the consummate small town citizen. He achieved life membership for service in the PTA, combined 25 years of service as Boy Scout Master and Explorer Advisor, was active in Democrat Party politics for over four decades, taught regular and themed Adult Bible Studies at the Muscoy United Methodist Church for 28 years, served with the Muscoy Recreation Association for almost 20 years, and simply was involved wherever he felt needed. His life was a demonstration of citizenship, friendship and fatherhood.

Jack was witty, intelligent, generous, kind, and loving. He loved gardening and creating unique landscapes around their home. He made it a point to pack the family into their station wagon every free weekend and holiday and head out on the back roads to enjoy the beauty and history of California. He loved camping with his family and his Scouts.

Jack is survived by his wife of 70 years, his five children and their spouses, fourteen grandchildren and nine great grandchildren by blood or marriage, and countless friends. He will rest eternally at the Veterans Administration Riverside National Cemetery.

I miss him dearly.



Black Raspberry Wine

Black raspberries, photo from Specialty Produce

I received an inquiry about my Best of Show Black Raspberry Wine recipe on the San Antonio Regional Wine Guild website. In the method portion I say to add acid blend, but there isn't any listed in the ingredients portion. The inquirer wanted to know how much to add. This sent me digging through my recipe logs, where I made a startling discovery.

My log showed, "Measured acidity and added acid blend to reach 6 grams per liter." I didn't note from where to reach 6 g/L or how much acid blend was added -- only that it was deficient and I bumped up the acidity. This was nearly 15 years ago, so my memory of that specific measurement is, well, fuzzy to say the least.

What I do remember is the wine. It was the best batch of black raspberry wine I've ever made. I was saving two bottles to enter in the Texas State Fair -- they had a home wine competition back then -- but my wife served them proudly to her sorority sisters.

I told the inquirer to follow the chemistry. His black raspberries might not need an acid bump, but I thought mine did. Blackberries and dewberries seem balanced at around 5.5 g/L, but black rasps and blueberries taste crisper at 6 g/L...to me, anyway. So here is the original recipe, edited lightly.

Black Raspberry Wine Recipe

  • 4 lbs black raspberries
  • 1 tsp pectic enzyme
  • 2 lbs sugar
  • 7 pts water
  • 1 crushed Campden tablet
  • 1 tsp yeast nutrient
  • 1 pkg Cote des Blancs wine yeast

Pick only ripe berries. Combine water and sugar and bring just to a boil, stirring occasionally. Remove from heat. Wash and destem berries. Put in nylon straining bag, tie, put in bottom of primary, and crush berries in bag. Pour hot sugar-water over berries to set the color and extract the flavorful juice. Add acid blend if needed and yeast nutrient. Allow to cool to room temperature and add crushed Campden tablet. Cover primary. After 12 hours, add pectic enzyme. After additional 12 hours, specific gravity measured 1.092. Add wine yeast and re-cover primary. Stir daily for a week. Remove nylon bag and allow to drip drain about an hour, keeping primary covered as before. Do not squeeze bag. Return drippings to primary. Continue fermentation in primary until specific gravity falls below 1.015, stirring daily. Rack to secondary, top up with water and fit airlock. Use a dark secondary or wrap with brown paper (from paper bag) to preserve color. Ferment additional 2 months, then rack into clean secondary. Refit airlock and rack again after additional 2 months. Wait a final 2 months, rack again and stabilize wine with potassium sorbate and another crushed Campden tablet. Stir in 1/2 cup sugar and refit airlock. Wait 30 days to be sure wine does not referment and bottle in dark glass. Drink after one year. [Jack Keller's own recipe]

This is an excellent sweetish wine, but you must ferment the full 6 months and age another year. Berry quality and ripeness are key. They should be jet black and soft to the touch.




March 27th, 2013

It is difficult for me to give up something that has been with me for years, but the other day I decided to make the WineBlog more easily readable. I hope you like the results. I will probably tweak it some more, but have decided not to return to contrasting backgrounds. I realize they obscured the written content on the page and am sorry for subjecting you to that.


On March 17th Marvin Nebgen gave me a bottle of his Mustang Port. It was uncorked, but stoppered with a T-cork. Since I could not lay it down, it stood in my dining room until two nights ago, when temptation overcame me and I removed the closure and sampled it. It was delicious. Now it is gone. Thank you, Marvin. Tonight I had to open one of my own.

Life would be less enjoyable without wine, but it would be less rich without port. Port gathers itself in age where lesser wines languish. Port has substance. Port has depth. Port is rich in complexity. I raise my glass to port and its delicious magic.


I am about to go into "income tax preparation" seclusion for a few days and thought I should post this single-subject blog entry before I do. I hope it appeals to some of you.



A Tale of a Flower Wine

Wildflower scene in Rocky Mountains

On my page, Edible Flowers Suitable for Use in Home Winemaking, I list 234 flowers -- some wild, some cultivated -- suitable for winemaking. It is by no mean an all-inclusive list, as there are undoubtedly thousands of flowers out there I have no knowledge of, or have limited knowledge of but no access to. I did more than due diligence in compiling this list. I searched every list of edible and toxic flowers I could find up to a point.

Many, many lists out there are merely copies of other lists. After searching over 200 lists, I reached a point where all I was seeing were copies of previous lists, or lists compiled by others that contained few names and none of them new to my compilation. After days of searching, I stopped. I had reached a point where no further progress was being made.

A few of the flowers on the list can be found on lists of "toxic plants." While these lists are useful, they only identify plants that have some form of toxin somewhere in their system, and the toxin(s) that put them on the lists may only be mildly toxic to, say, sheep or cats, but perfectly fine for humans. There are huge data repositories concerning plants and their relationship with our pets and domesticated grazing animals. I spent days confirming that every flower on my list was not toxic to humans even though it might be harmful to, say, cows or horses.

A few examples of composite flowers, used under the terms of the GNU Free Documentation License, Version 1.2 or later

Many of the flowers on the list -- notably the composites -- simply contain pollens that some people are allergic to, and for some strange reason the definition of "toxic" has been expanded by the creators of some "toxic plants" lists to include those with pollen allergens. This defies the medical definition of "toxic" and I simply ignored this bastardization of the language. But in fairness I should say that if you suffer from hay fever, stay away from the composite flowers and any others you know cause you a problem. For the vast majority of us, none of these flowers will cause us problems.

For the remaining few listed somewhere as belonging to plants that are "toxic" in some sense, I have done enough research in each case to satisfy myself that I would make wine with this flower. You have to decide for yourself if you would.

I get email occasionally challenging some flower on the list. The "big two" are lilacs and lavender. Both appear on numerous lists as "toxic." It is not an exaggeration to say that I have spent literally days confirming, again and again, that these flowers pose no health risk to humans as the base for wine.

Quite a few flowers on the list contain unique compounds that serve a purpose to the plant producing them. Some compounds are unsavory -- they simply taste bad if enough are eaten. But they are not toxic. The purpose of the compound in the flower is interpreted as a defense mechanism to discourage deer and other herbivores from eating them and thereby preventing the flower from producing seed. Other compounds are unusual but simply produce a unique odor that attracts certain pollinators. In both instances the compound serves a purpose that contributes to the continuation of the plant's future existence. If the compound is not toxic, the flower remains on the list. It may not be the best flower to make wine from, but it is suitable by the standards I have set for myself.

A typical magnolia blossom, source of photo unknown

I say all of this as prolog to relating a wine from a single flower -- that of the magnolia tree. Many years ago I made wine from magnolia blossoms collected at a friend's home in Louisiana. It was not a great wine but was drinkable. It possessed a slight aftertaste that was unique but not entirely unlikeable by me. I never published the recipe but have shared it a couple of times in correspondence. Now, it seems, I have misplaced it, as no log notes can be found. Since, over the years, much material I have produced has been boxed up and retired to storage, I am confident it still exists but I have neither the time nor desire right now to expend the effort to locate it. But I did make the wine once.

Be that as it may be, I am not the only person to have made this wine. Several months ago another winemaker reported to me that he had started a batch of magnolia blossom wine. In due course he sent me a bottle for my evaluation. His only instructions were to allow the wine to rest a couple of weeks, to recover from any ill effects of shipping, before opening it. When I received it I looked at the calendar and realized the wine would be well rested when the San Antonio Regional Wine Guild (SARWG) met at our house in March. I had planned on conducting a mock "judging" of a wine at the meeting and decided I would present this wine to the members.

At the meeting, I introduced the wine and told the members everything I knew about it. I had them clear their glasses and passed out SARWG judging forms and the wine was poured to everyone. Then we went through the judging form, item by item, and each person recorded his or her score and was asked to write comments if the wine did not receive the highest score for an item.

Some of the SARWG members on my patio, waiting for the magnoia wine judging to begin (photo be Charlie Suehs)
SARWG members on author's patio

The purpose of this exercise was threefold. First and foremost, to discuss the various aspects of judging a wine that no one other than myself had ever tasted, let alone made. When dealing with a completely foreign wine, certain latitudes must be given in certain areas. For example, is the color of the wine exactly as expected for this type of wine, or is it lighter or darker than expected? If you have never encountered magnolia blossom wine before, how are you to know? The answer is you cannot know, so unless the wine is obviously colorless or has darkened from aging as you know white wines do, then the wine should receive the benefit of doubt and be rated highly in this area.

Secondly, I wanted to challenge the members to both write comments and to do so constructively. If you say, "This wine has a peculiar smell," it is not helpful to the winemaker. But if you say, "The wine smelled slightly of cooked cabbage," the winemaker can do a little research and discover that this is caused by methionol or methyl mercaptan, both of which are distinct sulfur compounds caused by a reductive-oxidative (often shortened to redox) progression generally allowed by too low a pH value. This comment is constructive and potentially can help the winemaker while "a peculiar smell" is not at all helpful.

Thirdly, I wanted to evaluate the magnolia blossom wine for the gentleman who made it. I could have done it alone, but thought it would be more valuable to him if he received numerous evaluations.

I think the first purpose was fulfilled. Many of the members present commented that they learned a lot from the exercise and how to approach the various aspects of the SARWG judging form. The second purpose was less successful, but at least a lot of people were challenged to at least make comments, even if they could not always figure out how to word them constructively. But it was in the third purpose that the force of numbers came into play

This wine possessed a peculiar aftertaste. The members were all over the spectrum in trying to describe it. Some thought it was from too much alcohol. Some thought it was too much acid. I can say with some authority it was neither of those. Others called it bitter and still others called it astringent. But in reality, it was neither. It was something else.

Principal taste areas of the human tongue

Bitterness is a taste sensation most notably perceived near the back of the tongue, but it truly can be perceived elsewhere as well. Astringency is a tactile response perceived throughout the mouth, not just on the tongue. The aftertaste we perceived in the magnolia blossom wine was almost universally perceived at the back of the tongue and especially where the tongue descended into the throat. I personally had trouble describing it but remembered it from (1) having eaten a magnolia petal and (2) from my own magnolia wine (although I thought my own wine possessed less of it). This experience led me to think it was possibly a non-flavonoid phenolic compound, a naturally occurring unsavory discouragent to herbivores or an attractant to specific pollinators. Whatever it was, I could not identify it but believed it was pronounced because too many flowers had been used in making the wine.

I later summarized the results in an email to the winemaker and told him I was mailing the judging sheets that contained comments. My email comments focused on the wide variety of scores, from very low to fairly good, and on the aftertaste. I stressed that at least two people actually liked the aftertaste while most thought it was a distractant at best, a fault at worse. The email I received in return was both interesting and non-illuminating.

He said as soon as he read about the aftertaste he went to his cellar and retrieved and opened a bottle of the wine. To him, it was as balanced and pleasant as it had always been. Then a thought occurred to him. His wine was stored at 55° F. and consumed before it had risen a degree. So he wondered if I had served the wine chilled or at room temperature. He allowed a glass of the wine to sit out until it was near 70° and tasted it. There was a noticeably disagreeable aftertaste that wasn't there when the wine was chilled. I found this taste difference very interesting, but had encountered it before with at least two other wines. I am just sorry he did not ask me to chill it before serving as I surely would have done so, but in truth he did not know it would change taste at higher temperatures.

The non-illuminating aspect of his reply was that it shed no light to me on what might have caused the aftertaste. Certainly there are knowledgeable and analytical wine tasters out there who could turn this information into an informed guesstimate (Alison Crowe, John Hudelson, Marian Baldy and Jamie Goode come to mind), but I doubt any of them read this blog.

And so it remains a mystery to me, but I do believe it is a natural taste of the magnolia blossom petal as it was present when I ate a petal many years ago. But in spite of it, the magnolia blossom is decidedly a flower suitable for use in home winemaking. Just serve it chilled.




March 19th, 2013

The San Antonio Regional Wine Guild (SARWG) met here this past Sunday and we had a stellar time. The pot luck feed was great, the wines brought for tasting were exceptional (okay, one was over the hill but the rest were exceptional) and the social conversations were both enjoyable, entertaining and sometimes educational. When this many winemakers get together, you cannot help but learn something without even trying. Someone will taste a wine and say, "This wine reminds me of the time I...." I pays to listen.

Thank you SARWG, for a great day! And thanks for leaving me a little of my brisket to enjoy on another day (yep, once again I slow cooked a whole brisket in the oven, tightly covered, at 175° F. for 10 hours -- this one prepared with a sweet/spicy barbecue rub instead of my usual Creole rub -- on a bed of sweet onion halves). And thanks one and all for participating in the wine judging program. I think we all benefited from the sharing of so many perceptions and opinions. As I said several times during the judging exercise, there are no wrong opinions, so write yours down on the judging form so the winemaker knows why you scored it as you did. As a judge, you owe the winemaker that much.

It was a totally enjoyable day. The only detraction was the members who could not make it and those who have passed on. We missed them.

When I look back over the years, SARWG members who could not consistently make the long monthly drive to the San Antonio area have gone on to form the Austin Area/Central Texas Wine Guild, the North Texas Wine Guild and the Central Louisiana Wine Guild, each of which has grown and evolved into its own universe. As Martha Stewart likes to say, "It's a good thing."

If you make wine or just enjoy wine and do not belong to a club or guild you are missing out on so much potential for sharing and growth, not to mention just plain fun. Consider this: life is shorter than we think and we either embrace it fully or its full potential passes us by. By all means, embrace it.


I don't know how old this is (I have traced it back to March, 2012) but I like it. According to the email I received, there's an annual contest at the Griffiths University, (five campuses) Australia, calling for the most appropriate definition of a contemporary term.

This (2012) year's term was "political correctness".

The winning student wrote:

"Political correctness is a doctrine, fostered by a delusional, illogical minority, and rapidly promoted by mainstream media, which holds forth the proposition that it is entirely possible to pick up a piece of shit by the clean end."

I think he (or she) hit the nail squarely on the head. The sooner we abandon political correctness and get back to honest, open dialog using real words that have common and exact meanings the better off we will be as a body politic (regardless of nationality, race, religion, gender, you-name-it). If someone is offended by a word or phrase that is real, defined and in the common lexicon, that is their problem -- not mine -- and they need to deal with it.

I once fought a nearly year-long battle over the use of the term "Dago Red" in one of my recipe names. An Italian-American advocacy organization got involved and I felt the weight of pressure until I felt myself bending. Then the person who started the whole campaign because she thought the word "Dago" was derogatory wrote me a scathing email in which she stooped to the lowest of name-calling, and that is when my spine straightened, my heels dug in, and I firmly said, "The name of the recipe stays. The names you have called me will be deleted with all of your emails. End of discussion. Further emails from you will be rejected."

I'm tired of political correctness. I want to get back to the English language with all of its colloquialisms. If my language or opinions offend you, you are free to close your browser or navigate elsewhere.


WineMaker magazine banner

Nearly two years ago the editor of WineMaker magazine asked me to write an article on aging country wines. I did so. It was the most difficult article I ever wrote. Eventually I submitted it on the deadline date. Then nothing happened. I scanned each issue as it arrived but the article never appeared. About 5-6 months ago I asked the editor for the courtesy of a rejection letter if he did not intend to use it. He replied it had inadvertently gotten overlooked, but he had slotted it for the April-May 2013 issue. That issue arrived today and it was there.

When I say, "It was the most difficult article I ever wrote" I mean that in every sense those words mean. Usually, I spend a few days mulling the subject over in my mind to arrive at my approach to the article. Then I spend 1 1/2-2 days writing it. I save it and go about my business for a few days and then read what I wrote. Then I edit/rewrite until I am satisfied. I then skip a day and re-edit it. At this stage the article is spell-checked with two different programs and minor editing is done. I immediately send it off to the editor. This article was quite different.

First I pondered the subject for several weeks, trying to get a handle on how to approach the subject matter. I never really felt comfortable with an approach so decided to just start writing and see where it went. Then I spent fours days and nights writing version one. Three days later I read it and felt very sick inside. It read like a chapter in a book on organic chemistry.

I immediately began rewriting it, using a few snippets from the first version but deleting all the names of specific compounds, the reaction diagrams and the charts on reductive/oxidative sequences. Two days later I "put it to bed" and reviewed it a few days after that. Once again I felt sick inside. Everything I wrote was correct, but it was haphazard at best, skipping about like a stream-of-consciousness recital on LSD. While I could understand it, I cursed the author for making me try to pull it together for him.

I slept on the problem for a week, then another, then looked at the calendar and panicked. The deadline was six days away. I began cutting paragraphs out of the second version and pasting them into a third. Slowly it began to make sense. At 4:30 in the morning I stopped and went to bed. The morning brought a new day but an old sickness in the stomach. Version three was not a disaster, but I didn't want my name on it. I turned off the computer and went fishing.

Flyfishing is a wonderful hobby when the mind is troubled, jumbled or otherwise in torment. Mine was all of the above. There is something about being outdoors, standing in the cool water and feeling the slow current, sun and breeze both playing on the skin, and trying to think like a fish lying somewhere out there in the bottom structure of the river that liberates the mind, elevates the soul and focuses the senses. When this happens, it makes no difference at all if you actually catch a fish or not. It is the transformation within that is important. And this is good, because I did not catch a fish that day. But I went home at peace with myself.

The next morning I began rewriting each paragraph in turn to stabilize the voice, the tone and the flow. About six hours later I saved it, turned off the computer and curled up on our loveseat with the book, "Why Does E=mc²? (and why should we care)" by Brian Cox and Jeff Forshaw. This was the second time I had read it and will probably read it again. It provokes thought, which I like in a book. Strangely enough, I completely forgot about the article. I mean really forgot about it.

A few days later I was looking at the calendar and noticed the notation "Article due." Holy smoke! I retrieved the article, quickly read it, and felt sick. Once again I was dissatisfied, but it was too late. I drafted a cover letter saying I was not satisfied with it but did not think I could improve it much with a deadline extension so here it is. I expected a cautiously worded request to rewrite it or a rejection, but received neither. Time passed and you know the rest of the story as that is where I began.

Well, I have now read in print what I labored and agonized over. Separated by many, many months, it was like I read "Aging Country Wines" for the first time. It is better than I had allowed myself to believe. I am just very glad it is in the past.

By the way, if you don't yet subscribe to WineMaker magazine, you really should think about what you're missing. You can become a new subscriber or renew a lapsed subscription by clicking on the banner image below:

WineMaker Magazine


Maria's Black Bean Salad

Maria's Black Bean Salad, a truly delicious and healthy snack, side or entree

I get sent a lot of recipes because I occasionally post recipes I really like and people want me to try their favorites. When this one came to me I immediately recognized it as both heart-healthy and nutritious. Two other things impressed me. One, all ingredients are budget friendly and two, they are all allowed in my adopted diet to keep away the belly fat I've shed (37 pounds in the past 12 months!). The question is, how does it taste? There is only one way to find out, so I made it. Bingo!

The recipe originated with Maria Zoitas, creator of "Maria's Homemade" line of prepared food sold exclusively at Westside Market NYC, with four locations in New York City. Since I am half a country away from there, I cannot pop in and buy Maria's prepared foods, but luckily for me (and you) she shares the recipes. Willingly.

Most people have heard of the so-called Mediterranean diet. The secret here is that traditional foods of Spain, France, Italy, Greece, etc. are higher in monounsaturated fats than saturated fats, which is good for the heart and circulatory system, and they contain foods that lower bad cholesterol while building good cholesterol. Combined with other aspects of the diet, a Mediterranean diet, coupled with a modest amount of regular exercise, greatly benefits the cardiovascular system, reduces the risk of type-2 diabetes, obesity, depression, high blood pressure, metabolic syndrome, Alzheimer's disease, and cancer of the breast, colon, pancreas, prostate, and endometrium.

Complete Idiot's Guide to Belly Fat Weight loss, paperback

The ingredients in this recipe are all in the Mediterranean diet and are also good for reducing belly fat. The olive oil in the Italian dressing is the number one source of monounsaturated fat. The avocado in the salad is the number two source. They are also high in fiber, vitamins E and K, folate, and potassium. As a bonus, they also provide lutin and zeaxanthin, both of which are good for eye health.

The black beans provide about 14 grams of protein per 1-cup serving. What's more, that same amount provides 12 grams of fiber, half the recommended daily amount to maintain good health and shed belly fat. The recipe makes 4 servings, so you're only going to be eating slightly more than 1/2 cup, but the benefits are still there.

The tomatoes in the recipe are high in lycopene, an antioxidant good for the prostate and skin. The onions and scallions are in one of the seven groups of "super foods," nutritional all-stars providing lots of fiber, phytonutrients and vitamins when compared to other foods.

The only component of the recipe not in my diet is the tortilla chips, but moderation is the key when it comes to such things. One could omit them altogether without messing up the recipe, but I follow the advice my cardiologist gave me right after I had a long visit by the hospital's dietician/nutritionist following my second heart attack. He essentially said if I strictly followed the dietary recommendations I was just given I would be healthier than if I didn't, but conceded that the diet might be boring for someone (me) who listed as his favorite foods barbecued pork ribs, Southern fried chicken, pork chops, and porterhouse steak. He said I could reward myself every once in a while for staying on the diet by eating something not in the diet, but stressed that moderation and "every once in a while" were the key components of his advice. I think a dozen or so tortilla chips might be covered here as small rewards for eating the rest of the meal.

Below is the original recipe, untouched. My only tweaks were to add 2 tablespoons of unsalted sunflower kernels and 2 teaspoons of flax seeds. These are both rich in monounsaturated fat and fiber and are solidly in my belly fat weight loss diet; i.e. they are muy healthy. They also blended into the recipe beautifully.

Enjoy. I did. Oh, and if you'd like to order the book I use for belly fat weight loss, simply click on the book's image just above on the right.

Black Bean Salad (4 servings)

  • 2 cups canned black beans, drained and rinsed
  • 2 avocados, diced
  • 2 plum tomatoes, diced
  • 1 bunch of scallions, chopped
  • 2 tablespoons chopped fresh cilantro
  • 1 medium red onion, diced
  • 5 ounces Italian dressing
  • Tortilla chips

In a large bowl, place black beans, avocados, tomatoes, scallions, cilantro, red onion and toss with Italian dressing.

Serve with tortilla chips on the side.



What to Do with Your Wines-In-Progress When You Move

Carboy collection, courtesy of Barbara Pleasant

A home winemaker recently asked me what he should do with his wines-in-progress when he moved to a new residence. His wines had a lot of lees but it wasn't time to rack them yet. I've faced this problem myself and it can cause anxiety, but it need not do so. The answer is quite simple.

The person who asked stated that he did not want the lees disturbed by the move. I suspect he feared the agitation might cause problematic reductive off flavors and odors. It could if the lees were old and starting to decay -- a process known as autolysis -- but young, healthy lees can withstand agitation. Nonetheless he stated his instincts were to rack the wines off the lees before moving. I concurred with this.

Racking a wine early has only one potential problem, which time will overcome. Most wine yeasts settle into the lees and do their work of fermentation there. As they release microscopic bubbles of CO2 that rise, combine again and again with other bubbles and eventually increase enough to become visible to us, the action of the rising bubbles causes the wine to slowly circulate in the carboy and continually brings new food to the yeast in the lees. Racking early leaves that yeast population behind and for a period lasting up to several weeks the airlock sits dormant while the yeast population rebuilds.

Not to worry. Some yeast always make it into the receiving carboy and as long as sugar is present in the wine they will reproduce to numbers that once again cause activity in the airlock. But they do use up most or all of the remaining yeast nutrients as they reproduce, so adding 1/2 teaspoon of nutrients into the receiving carboy while racking is a good idea. Adding a pinch of potassium metabisulfite is also recommended to reduce the risk of spoilage organisms gaining hold in the sugar rich environment.

There is a dichotomy when it comes to autolysis. Certain wines such as Chardonnay and Sauvignon Blanc benefit from autolysis by gaining complexity during the process that enhances their structure and mouthfeel, giving them extra body and increasing their aromatic complexity. The practice of aging a wine on the lees for a few months to a year is called sur lie (French for "on the lees") aging. It is accompanied by frequent (every few days) stirring of the lees -- what the French call bâtonnage. Aging a wine sur lie avec bâtonnage can result in a creamy, viscous mouthfeel.

By the way, when we speak of sur lie aging, we specifically mean the yeast lees, not the initial gross lees composed of organic matter from the grapes or fruit base the wine was made from. Any wine destined for sur lie aging must be racked off the gross lees -- usually within 5-7 days following the cessation of vigorous fermentation -- so that a clean deposit of fine yeast lees can commence forming. These are the lees you will begin stirring every few days after allowing the layer to thicken for about 2 months.

But not all wines react favorably to prolonged contact with the lees and not all yeast produce lees conducive to sur lie aging. Unfortunately, I have never set out to collect data on which wines and which yeast are best predisposed to sur lie aging. If any reader has knowledge of such data I would appreciate hearing about it.




March 13th, 2013

This blog entry was written on March 13th, but almost as soon as it was saved I lost my internet connectivity and was not able to post it until March 16th. My apologies, but it was beyond my ability to control.


The San Antonio Regional Wine Guild is meeting at our house Sunday and I still have much to do to make the place presentable, so this will be a brief entry -- with more apologies.


"The budget should be balanced, the Treasury should be refilled, public debt should be reduced, the arrogance of officialdom should be tempered and controlled, and the assistance to foreign lands should be curtailed, lest Rome become bankrupt. People must again learn to work instead of living on public assistance." -- Cicero , 55 BC

So, evidently we've learned nothing in the past 2,068 years.


My brother in Everett, Washington sent me the link to this video. I have to admit I was overwhelmed by thoughts about how complex the mechanisms must be to make this happen. This is a "music box" of sorts. Turn up your sound and click if you want to be amazed....

Oh, just mouse-over the annoying pop-ups and close each at the little "x" in the upper right .


I once designed a spring-launched, 6-function device that turned to open a valve, power two auxiliary functions, throw a switch, trip a lever and complete an electrical connection. It served no actual purpose (but could have) and was never built, but I did it to see if I could back when I was single and had too much time on my hands. The hand-drawn schematics took about 40 drafting pages to fully show all parts and functions. I probably still have ithem somewhere, in one of the 83 boxes stored in the garage. But this...the sheer complexity blows my mind. If you did not click the link, please rethink that decision. I guarantee you will be amazed.


Jack Keller at TVOS Conference Banquet, Knoxville, TN
Author at TVOS Conference Banquet, Knoxville, TN;
the red nose means too much wine

The TVOS conference in Knoxville was a lot of fun for me, but there were a time or two when too much wine was evident. Not that that was necessarily a bad thing. Shortly after this picture was shot I was dragged out onto the dance floor by a beautiful blonde to bogie to a jazzy blues number that lasted oh so long. It was sufficient enough to get the metabolism going and get that wine moving through my body and ended just before my legs did. Timing is a good thing.

So is hospitality. I could not have desired more of that than the Tennesseans exhibited to me and each other. I was truly impressed.

Texans have always had a special affection for folks from Tennessee. The first and third President of the Republic of Texas was former Tennessee Governor Sam Houston. Of the 180+ fallen defenders of the Alamo, 32 were from Tennessee. Tennessee is woven into our history as is no other state.

If a couple of good folks in Tennessee had not sent me photos of the event I would not have any at all. All 86 photos taken with my camera were next to useless. It turns out there was an oily smudge-- probably by own fingerprint after eating some finger foods -- on the front aperture of my camera, blurring the results. Of course, I did not notice this until I got home and transferred the photos to my computer. I have cleaned the camera, but too late to recapture what was loss.

So, if any of you fine folks who attended want to share your photos with me, send them to jackredkellerwhitewine(at)gbluemail(dot)com -- just remove the patriotic colors from the address and normalize the items in parentheses. And please identify the subjects. I was introduced to far too many folks to remember all of the names.



Chiltepins and Chile Wine

Chiltepins, also known as Texas Bird Pepper; Bird Pepper; Pequin, Tepin, Petin, Bird’s Eye Pepper, Turkey Pepper, photo from Howard Garrett, The Dirt Doctor

We have a little pepper that grows wild called the chiltepin, also known as Texas Bird Pepper; Bird Pepper; Pequin, Tepin, Petin, Bird's Eye Pepper, Turkey Pepper and probably a few names I missed. It is about the size of your small fingernail (trimmed) and packs a lot of heat for so small a berry. I have two growing in the back next to an oak tree and the birds plant them along fences and under trees. Naturally, I had to make wine from them.

But first, a few words about this potent little berry.

Some years ago we had some Latino workers doing some work in our yard. In the hot Texas heat, they earned every penny we paid them. While bringing them some iced tea, I noticed one of the workers taking a chiltepin from his shirt pocket and popping it into his mouth. Within a minute sweat broke out on his forehead. I asked how he could eat them in this heat. He laughed and said they cooled him off. They make one sweat, he explained, and sweat cools you off when it evaporates in the heat. And the heat in the mouth, he said, keeps you alert.

He also explained that his family lives about a hundred miles south near Corpus Christi. The drive there late at night can lull him to sleep while driving, but if he pops a chiltepin in his mouth and chews it, it is impossible to go to sleep while driving. I have used this advice on a couple of drives and can swear it works.

Only after the workers left did I discover they had stripped my plants of every ripe chile. My wife and I dry these and grind them into a very hot chile powder. But it was okay. The bushes flower and produce new berries all summer and into the fall so our supply was soon renewed.

When I decided to make chiltepin wine, I turned to my tried and true jalapeno wine recipe. Jalapeno wine is both a cooking wine and a sipping wine. As a cooking wine, it is very versatile. It can be used to marinade meats, spice up barbeque sauces or glazes, or added directly to foods and sauces. It does something to spaghetti sauces that is beyond description. But as a sipping wine on a cold night, this is a superb choice. It will warm you like no other, and even goes well mixed with V-8 Juice for a Bloody Mary affect with much less alcohol than Vodka delivers.

Where my jalapeno recipe uses 16 hot jalapenos, my chiltepin recipe uses 20 much, much smaller chiles but make every bit as hot a wine. The heat is sharper, but delightful if you like hot and spicy....

Chiltepin Wine Recipe

  • 20 ripe chiltepins
  • 1 lb golden raisins, chopped or minced
  • 2 lbs very fine granulated sugar
  • 2 tsp acid blend
  • 1/2 tsp pectic enzyme
  • water to one gallon
  • 1 finely crushed Campden tablet
  • 3/4 tsp yeast nutrient
  • Red Star Pasteur Champagne Wine Yeast

Cover the raisins in warm water and soak them overnight. The next day, wearing rubber gloves, wash the peppers, remove the stems and cut in half length-ways. Remove the seeds for mild heat, but leave them in for a full-strength wine. Removing the seeds is easiest with a pecan pick. Now cut the halves in half and place in a fine mesh nylon straining bag. Chop or mince the raisins and place them in the bag with the chiles in a primary. Add the remaining ingredients except the pectic enzyme and yeast. Stir well to dissolve the sugar, cover and set aside for 12 hours. Add the pectic enzyme and cover for another 12 hours. Add the activated yeast. Re-cover the primary and stir daily for 7 days. Wearing rubber gloves, squeeze the nylon straining bag and transfer all liquids to a secondary and attach an airlock. Ferment to absolute dryness (45-60 days). Rack, top up and refit the airlock. Rack two more times, 30 days apart. Wait a final 30 days and carefully rack into bottles. The wine can be used for cooking immediately or drink in 2 months, but it will age if 1/4 teaspoon of tannin to ingredients. [Jack Keller's own recipe]

As a marinading wine for pork and red meats, fully hot chiltepin wine is exceptional at imparting a piquant flavor into the outer 1/8 to 3/8 inch of meats. Other herbs and spices should be selected to compliment the heat. Your own tastes must guide you.

As with jalapeno wine, I used some chiltepin wine in making both barbecue and spaghetti sauces. Here it seems to shine, as not much wine is used in either. The flavor and inherent heat are subtle but there, giving them a uniqueness unrivaled. Finally, as with jalapeno wine, it mixes well with tomato juice and V-8. If you make it, you will discover your own niches where it will shine.




March 4th, 2013

'I really need a day between Saturday and Sunday' image from an email

I've found myself in a time crunch -- too much to do and not enough time to do it. The image says it all. I really DO need a day between Saturday and Sunday!

In the midst of this crunch, Friday evening and almost five hours on Saturday a week ago were lost due to computer problems encountered from a root sector malicous program that got by my security software. This is embarrassing, especially since I have two free rootkit detection and cleaning programs listed at my Free PC Services website on the "Serious Tools for Serious Situations" page. In a moment of idiocy, a few months ago I removed the one I actually had installed on my computer in order to free up some C-drive space. Fool, fool, fool.

I'm no security geek, but it appears the root sector program I had was not complete an therefore wasn't doing whatever it was designed to do. It could have been streamed in through a website or a video email attachment in pieces that would assemble themselves when all were present, installed itself in my root sector where normal antivirus programs could not find it, and has been there for at least three - possibly four -- weeks. But it seems it was not complete. Whatever it was supposed to do, all it actually did was trigger repetitive errors in my Event Log.

I discovered it by examining the Event Viewer, an almost never used utility that has come with Windows for many years. Here I found 516 errors and warnings that freaked me out. I then closed everything I had open and surrendered to rising blood pressure. I'm not going to go through the whole process, but eventually I was able to select the right program that detected, located and removed it. Unbelievably relieved, I had the program delete it. I should have had the program email it to the software company so they could identify it. My bad!

If you want to examine your own computer's Event Viewer, left-click on your Start button (lower left corner when Windows is running), type "eventvwr" (without the quotes) in the dialog box at the bottom of the pop-up, press "Enter," and then click on the listed program. In the program's central window (labeled "Recently Viewed Nodes" in my version) may or may not be one or more entries. If the second column of any entry starts off with "Critical, Error and Warning events...", double-click on each such entry. I had 516 such listings over a three-week period and a concluding notation that my computer was at "high risk." Take my word for it, it was quite unnerving.

If you follow the above steps and discover a perceived problem, DO NOT call me. Do what I did and run the most in-depth security scan your security program allows. In fact, I ran scans on two different security programs -- only one being enabled at a time. No active viruses were found by either, but the first found and removed two malware infections that had slipped in and both indicated possible problems outside their programming ability. (At that point I went nuts. I won't go into details, but I eventually downloaded and used four additional programs.)

If your security program finds things it cannot cleanup for you, you might have to Google a few terms to understand what it found. That should tell you if you need a registry cleaner, a rootkit cleaner or some other specialize utility. Go to my Free PC Services website and look at the items in my navigation bar at the top. Most are straightforward in their description. The obscure stuff is in the Serious Tools for Serious Situations page. Or, call in a computer security geek.

DISCLAIMER: I simply found and listed the programs on the pages. I accept no responsibility for their use or effectiveness. I did download and play with each program before I listed and described it, but that is all. Some links may be broken and some programs may be dated but you will still find plenty of help there. When I began that website I had no idea how filled my days would become. I am busier in retirement than I was when I worked fulltime.


Supreme Court Justice Oliver Wendell Holmes, 1841-1935

The other day I listened to a close but liberal friend of many years wail against talk radio and Fox News Channel with venomous passion and hateful words and flatly declare in the strongest terms that both should be silenced forever.

My only response was to quote the late and great Supreme Court Justice Oliver Wendell Holmes (1841-1935). "If there is any principle of the Constitution that more imperatively calls for attachment than any other it is the principle of free thought, not free thought for those who agree with us but freedom for the thought that we hate."

Sadly, my friend's response was to glare at me with contempt and walk away. I believe a long friendship has ended, snapped by the endearing wisdom and logic of Oliver Wendell Holmes confronting unyielding hatred.

Holmes, who often was the dissenting voice on the Supreme Court, also said, "The great thing in the world is not so much where we stand, as in what direction we are moving." Sadly, my friend would have us moving in the direction of one voice, and that is tyranny. The Nazis, Bolsheviks, Fascists, Maoists, and Fidelistas all liquidated dissenting thought. It did not bode well for their countries. We must passionately embrace and preserve our constitutional rights, for only they guarantee our freedom.



Tennessee Viticultural & Oenological Society 2013 Conference

The author, discussing winemaking at the TVOS Conference in Knoxville (photo by John Freels)
The author at the TVOS Conference in
Knoxville (photo by John Freels)

I returned last night from attending the annual conference of the Tennessee Viticultural & Oenological Society (TVOS) in Knoxville. I was invited to speak on making country wines and on indigenous grapes. I did both, but more importantly I met some truly outstanding people who are serious about making wine, I drank some wonderful examples of their craftsmanship, and I had a terrific time. The only way I could have had a better time is if my wife had been with me to kick that terrific time up a notch.

Within minutes of arriving at the Knoxville Hilton, which was fully booked, at least a half-dozen people asked me if I was there for the concert. I responded to the sixth query with, "No, but who is in concert?" The answer was, "George Strait." Damn, so close but...no ticket.

The two-day TVOS conference was an excuse for me to meet a couple from Sharp Chapel, a mere 36 miles away, who were kind enough several years ago to share with me their secret for infusing chocolate flavor into fruit wines. They have sent me many, many wines over the years to evaluate for them and nearly all were excellent, so I looked forward to meeting them both at long last.

Unfortunately, the husband half of the couple had to be elsewhere on business, but I had lunch and a great afternoon with his wife. I had a thoroughly enjoyable time, ate some terrific grilled shrimp at Calhoun's, and discussed winemaking with Nedra in an attempt to glean a few more secrets. But the real secret I sought resides with Allan and he wasn't there. Still, I am so glad I was able to spend time with and thank at least one of the people who walked me through a nagging problem of winemaking.

By the same token, many people approached me during the TVOS weekend and thanked me for helping them in some small way in their winemaking. Every time someone thanks me I am mindful of the many folks who have helped me over these many years. The thanks I receive is the fuel that fires my furnace and keeps me going. I thank all of you who have thanked me. The circle is complete.

The conference had split sessions -- simultaneous sessions in difference conference rooms -- so no one could attend every presentation. Nonetheless, I was able to attend the sessions I most wanted to attend so I felt the agenda was well designed. My own two-subject session was well attended and the interest pleased me. I'm not sure every attendee appreciated the time I spent on indigenous grapes of Texas but many said they did. My presentation also tied in very well with Chris Card's presentation on the indigenous grapes of Tennessee so I think it was appropriate.

I certainly learned from the sessions I attended, especially John Freels' presentation on serious deficiencies in wines. While I was able to identify some, one had me (and many others) stumped. I learn something every day.

As in most such gatherings, the greatest rewards came from interacting with interesting people who are passionate about winemaking and their wines -- which we sampled until 2-3 a.m. on consecutive nights. People who came to pick my brain may be surprised to know that I was picking theirs. There are so many roads that lead to Rome that one is guaranteed to cover new ground on each of them. Life continually rewards us if we are receptive. Thank you, Tennessee (and Kentucky), one and all.



Revisiting Key Lime A-Rita

Bottle label for Jack Keller's Key Lime A-Rita

Saturday I tasted the Tennessee Viticultural & Oenological Society's home wine competition's Best of Show wine. It was a lime wine and it was exceptional. Later that evening during an unorganized late night partying session I tasted a lemon wine which the winemaker insisted be poured over ice. It, too, was exceptional served as instructed. About that time it occurred to me that something was missing in the lime wine I had tasted earlier but this was not the time to think about it. Later that night -- actually well into Sunday morning -- as I tried to drift off to sleep, the lime wine I had tasted burst through the cobwebs and I had to confront it. While thinking about it, my wife's favorite wine pushed it's way forward and I knew what was missing in the lime wine -- Triple Sec.

I first published this recipe in January 2009. I credit Martin Benke with the original recipe although I've tweaked it a bit. What the TVOS Best of Show wine lacked, in my estimation, was the Triple Sec. It doesn't take much to change the character of the wine. Key Lime A-Rita takes the character to another level.

Triple Sec is a liqueur that begins as Curacao but contains the peelings of two other oranges. Curacao is made using the peelings of Laraha oranges, small bitter oranges grown on the island of Curacao. It is unlikely you will ever find a suitable substitute orange for Laraha, as their peelings are exceptionally aromatic. The dried Laraha peelings and some secret spices are bagged and hung in alcohol to make Curacao. Triple Sec uses the peelings of Laraha and two other oranges -- one bitter and one sweet. Today, the science of chemistry allows both Curacao and Triple Sec to be made synthetically.

The Triple Sec used in Key Lime A-Rita is a cheap synthetic Triple Sec syrup available in HEB grocery stores in Texas. It is also available elsewhere at Wegmans, More Wines, Walmart, and other outlets. If you want to use real Triple Sec, a number of companies will take your money.

This recipe makes one gallon. To make more than that, do the math.

  • zest and juice from 10 key limes
  • juice from an additional 10 key limes
  • 11.5 oz. can Welch's 100% White Grape Juice frozen concentrate
  • 1 lb. 10 oz. sugar*
  • 1 tsp. pectic enzyme
  • 1 tsp yeast nutrient
  • 1/4 tsp. powdered grape tannin
  • 3.25 qt. water
  • 1/2 tsp. potassium sorbate
  • potassium metabisulfite (or finely crushed Campden tablets) as needed
  • 200 mL (6.75 fluid ounces) Finest Call Premium Triple Sec Syrup
  • Red Star Côte des Blancs wine yeast

*To produce an initial dry wine, sugar should not be increased; the grape concentrate will provide 8.45 oz. of additional sugar. Initial PA will be reduced after topping up following racking but this is expected. This wine is not balanced above 13% abv.

Collect the zest from 10 key limes and then juice them and 10 more, Put zest, juice, tannin, yeast nutrient, and sugar in primary. Add grape juice concentrate and water and stir until sugar is dissolved. Stir in pectic enzyme and cover primary with sanitized cloth. Wait 10-12 hours and add activated yeast in starter solution. Recover the primary, set aside until vigorous fermentation subsides and transfer to secondary. Top up to within 3 inches of mouth of secondary and attach airlock. After one week, stir in 1/16th tsp. potassium metabisulfite (or one finely crushed Campden tablet) and top up to within 3/4 inch of bung. Wait for wine to ferment to absolute dryness (30-45 days) and rack, top up and reattach airlock. Rack again when wine is brilliantly clear (additional 45-60 days). Add potassium sorbate and additional 1/16th tsp. potassium metabisulfite (or another finely crushed Campden tablet) and let bulk age 3 months. If additional sediments have formed, rack once again. Obviously, the "secret" ingredient is the Triple Sec syrup. Add it now and stir. Bottle and set aside to age. Do NOT taste this wine for at least 6 months --1 year if you have real willpower. It will be worth the wait, but you will hate yourself if you don't make several gallons initially. [Jack Keller's own recipe, with inspiration from Martin Benke]




February 21st, 2013

I receive several emails each year asking for a schedule of when I will post entries so the senders don't have to check here every day to see if I've posted something new. I tell them all the same thing. If you want to be sure to catch my next (and every next) posting, instead of checking here daily just subscribe to my RSS feed by clicking this button:

rss button

This is painless. You do need an rss reader, but they are numerous (276 free readers are listed here) and most are free. But when you click the "RSS" button above it will ask you to identify your reader, and the ones they list for you to choose from are My Yahoo, NewsGator, My AOL, Bloglines Reader, Netvibes, Google Reader, Pageflakes, Feed Demon, NetNewsWire (smart phones app), RSS Owl, and Shrook (for MacIntosh). Click the button, select your reader and rest easy. You'll be notified when there is new content. Here is what the rss feed looked like for my last entry:

  • Scrumptious Grilled Cheese Sandwich
    Here is my favorite grilled cheese sandwich creation. Read more....
  • The Best On-Line Wine Grape Resource
    We've been having a discussion in the grapebreeders Google Group about Anthony J. Hawkins' "Super Gigantic Y2K Winegrape Glossary." This massive listing was my first go-to resource for wine grape information before my wife gave me Jancis Robinson et al.'s "Wine Grapes: A Complete Guide to 1,368 Vine Varieties, Including Their Origins and Flavours" (see my January 13th WineBlog entry for my review). Our discussion centered on concern for the future of this fantastic online list. Read more....
  • Fresh Guava Wine
    Some time back I got a good deal on some small guavas that were very ripe. Fearing they might spoil if fermented on the pulp, I chopped and boiled them and extracted the juice. The wine I made was very good although a bit light in body. I've tweaked the recipe to correct this. Read more....

Not only is it simple and painless, but I go through quite a bit a trouble to prepare the feed and you would be making it worthwhile for me to do.


My "Scrumptious Grilled Cheese Sandwich" was the most viewed item in my last dated entry. It also generated a number of emails. Here are three.

"Jack, I tried your grilled cheese sandwich and agree that it is scrumptious. As soon as I finished it I made myself another one. Unlike most grilled cheese sandwiches, this one is moist inside and the flavors just flow together. I ate it with potato chips and cucumber spears on the side and White Zinfandel in my glass. Thank you for this wonderful, quick and delicious lunch entre."

"Mr. Keller, I made your grilled cheese sandwich with Gruyere cheese and added the bacon. It was fantastic. Next time I will take your advice and have it with sweet potato fries."

"I made your grilled cheese sandwich and it was great. I did not have gouda cheese so used Swiss. I added some sautéed onions between the avocado and roasted red bell pepper because I like sautéed onions. This was the first culinary recipe of yours I've tried and it was magnificent. I'm going to go back and try a few of the other recipes you posted. Thank you for being a 'Jack of all trades.'"

Great idea. I like sautéed onions too, slightly caramelized with sugar.



Killing Lincoln-- the Movie

The National Geographic 'Killing Lincoln' movie poster

I rarely mention movies but watched a good one last Sunday on the National Geographic Channel -- Killing Lincoln. Based on Bill O'Reilly and Martin Dugard's best-selling book (over a year in the top 10 on the NT Times best-sellers list) with the same name, the movie gives equal billing to the President, the conspiracy, the assassin, and the ensuing manhunt. It is a history-lover's movie. Produced by Ridley and Tony Scott, directed by Adrian Moat, narrated by Tom Hanks, and starring Billy Campbell as Abraham Lincoln and Jesse Johnson as John Wilkes Booth, Killing Lincoln is National Geographic's first ever docudrama movie. It also drew the largest viewership in National Geographic Channel's history.

Whenever I think of Billy Campbell, I always think of the young, daring aviator in The Rocketeer, starring opposite the seductively lovely Jennifer Connelly. So I later marveled that not once during the 1 hour and 28 minutes of Killing Lincoln did I even think that Lincoln was Campbell or Campbell was Lincoln, but rather a creditable portrayal had been rendered.. Nor did I compare him with Daniel Day-Lewis' portrayal of Lincoln in the excellent movie Lincoln. The two movies cannot be compared. Being a documentary when no film of the man or events was possible, Campbell's job was to stand in for and represent the great man in his final days, hours and minutes. He did this creditably.

Jesse Johnson as Booth was easy to fathom. I only know him from one film, Chapman, but after Killing Lincoln, in which he did a superb job, I have the highest respect for him but will hereafter probably always think of him as John Wilkes Booth. If anything, his performance somewhat stole the movie

Killing Lincoln was presented in a way I enjoy. The timeline is accurate but, like all timelines, contains both sequential and simultaneous events. Here they are juxtaposed so you gain insight to the plot as it unfolded. Some have said Tom Hanks' role as narrator was unnecessary but I disagree. His role was to put things into both perspective and the timeline. He did this well.

I especially appreciated his paraphrasing of Jefferson Davis at the end -- that the two most crushing events to the future of the South were the Civil War itself and the assassination of Abraham Lincoln.

Booth, blinded by his hatred of Lincoln, never appreciated, let alone even realized, that the best hope for a forgiving reconstruction of the South lay in the stewardship of Abraham Lincoln. His murder unleashed the wrath of those who sought vindictive retribution, and the result was as brutal as Sherman's march to the sea.

O'Reilly's book is an important contribution to the history of a watershed moment of this nation. The movie, for those who cannot or will not read, is equally important. I only hope National Geographic releases it to a wider arena of outlets so more people might see it.

If you missed the airing, it will be re-aired Saturday, February 23 at 9 p.m. Eastern on the National Geographic Channel. Make it a personal appointment.



Dandelions Are Coming

True dandelion, photo by Greg Hume from <i>Wikipedia</i> under the Creative Commons Attribution-Share Alike 3.0 Unported license

Five days ago I saw my first dandelions of the year in bloom while pruning my grapevines. Since then I have seen another 16-20. Most of you won't see yours for another month or two, but mark my word, they're coming. I think it was Ray Bradbury who said dandelion wine is bottled sunshine. It certainly is a special treat and one of the first "from scratch" wines many of us will make this year. Here is the recipe for the last dandelion wine I made and it was superb.

I've said this before but it's worth saying again. When you see all those yellow petals greeting you soon, make sure they are real dandelions (Taraxacum officinale) and not one of the several "false dandelions" that look similar but are not as fragrant and make a lesser quality wine. True dandelions put up a single flower on a single stalk. False dandelions put up a branched stalk sporting two or more flowers that look almost exactly like true dandelions.

The look-alikes are usually catsear (Hypochaeris radicata or a closely related Hypochaeris species), but could also be the mountain dandelion (Agoseris ssp.), hawksbeard (Crepis ssp.), hawkweed (Hieracium ssp.), hawkbit (Leontodon ssp. or Scozoneroides ssp.), or even Nothocalais or Pyrrhopappus. Of the false dandelions, the catsear and mountain dandelion make the best of the lesser quality wines, which is like saying they are the better of the consolation prizes.

The flowers need to be dry when picked. The importance of this is not trivial. If it rained overnight or in the morning, or there was a morning dew, wait a day to pick the flowers unless a full sun comes out and dries them completely by noon. Noon is the best time to pick them as the flowers will be fully opened and most fragrant at that time. Do not pick them and set them aside to de-petal later because the flowers will close within 2 hours of picking. Get those petals off as soon as you can. If you can't pick enough at one time to make wine, pick, de-petal and refrigerate or freeze the petals in a ZipLoc bag until you have enough.

The following recipe uses both dandelion and rose petals and makes a gallon of wine. If you don't have rose petals (or crushed rose hips as an alternative), add that volume of additional dandelion petals. Age it at least a year. It will peak at around 18 months (the best time to drink it) and should be consumed before it reaches 24 months in age from date of bottling.

Incredible Dandelion-Rose Petal Wine Recipe

  • 6 c dandelion petals
  • 1 1/2 c rose petals, packed
  • 1 lb golden raisins, diced or minced
  • 1 lb 12 oz very fine granulated sugar
  • juice of 2 oranges
  • zest of 1 orange
  • 1/2 tsp acid blend
  • 1 tsp pectic enzyme
  • water to 1 gallon
  • 1 tsp yeast nutrient
  • sachet of Red Star Steinberg Wine yeast

Bring 2 quarts of water to boil in a large stock pot. Add sugar and stir until dissolved while returning water to simmer. Meanwhile, put raisins, orange zest, dandelion and rose petals in nylon straining bag, tie closed and place in simmering sugar water. With wooden spoon, push bag down under water ad hold while water returns to simmer. Release bag and cover pot to simmer 15 minutes. Remove from heat, uncover, add orange juice and water to total 1 gallon volume and allow to cool, but while still warm (but not hot), add acid blend, pectic enzyme and yeast nutrient. Cover pot and set aside 12 hours. Stir vigorously to oxygenate water and add activated yeast in a starter solution. Punch down bag 2-3 times a day for 7 days. Remove bag and squeeze to extract liquid. Discard bag contents and transfer liquid to secondary. Attach airlock and set aside for 3 months (Steinberg yeast is slower than others, so follow this schedule). Rack, top up and reattach airlock. When wine is clear, rack again, mix 1/2 teaspoon potassium sorbate a finely crushed and dissolved Campden tablet and add to secondary. Top up and reattach airlock. Wait 2 months, rack, sweeten to taste and bottle. Age as instructed above. [Jack Keller's own recipe]

I cannot emphasize aging of dandelion wines enough. Many times I have questioned people who criticized dandelion wines as highly overrated or worse, and every singe time I found them drinking a wine that was only 1-6 months in the bottle or, on one occasion, a 4-year old wine. My instructions on aging are clear. Age it at least a year. It will peak at around 18 months and should be consumed before it reaches 24 months in age from date of bottling. Ignore this at your own peril.




January 29th, 2013

Where has the time gone? Consider these two sayings. Time flies when you're busy, and time flies when you're having fun. Well, time really flies when you're busy having fun. Question answered -- guilty as charged and no apology offered.



My brother Larry sent me a link to the following video and I hope you take a moment -- 2 1/2 minutes, actually -- to watch it....


As a Vietnam veteran, I can sympathize with the veteran in the video. Only since September 11, 2001 have people thanked me for my service, although I do not really need their thanks. But also, only since September 11, 2001 have I approached servicemen and servicewomen in uniform and thanked them for their service.

There is a distinct difference between my service and those serving today. Initially, I was drafted. Because of specific test scores and demonstrated performance during Basic Training, I was selected to attend Officer Candidate School and was subsequently commissioned, but my point is that, like 90% or more of those who served in Vietnam, my entry into the Army was through the draft.

To my knowledge, no one serving today has served so long that they entered the service through the draft. If that is correct, today's military ranks are 100% volunteers, men and women who volunteered knowing they will probably be deployed into harm's way. If you want to thank someone for their service, by all means thank them. They serve by choice knowing there could be great risk to their lives. While their risk is no greater than the risks to our Vietnam-era draftees, today's service members did volunteer. They truly do deserve our thanks.

Please join me in thanking them whenever you encounter them.



Scrumptious Grilled Cheese Sandwich

Scrumptious grilled cheese sandwich with Gouda, baby spinach, avocado, and fire-roasted red pepper, photo by Jack Keller

Here is my favorite grilled cheese sandwich creation.

Spread mayonnaise or your favorite condiment on facing sides of two 9-grain (or other favorite) bread slices. Lay one slice of Gouda (or your own favorite sandwich cheese) on each bread slice. Lay a single layer of baby spinach leaves on one slice of Gouda. Cover the layer of baby spinach leaves with a single layer of avocado slices. Cover the avocado with a single layer of roasted red pepper, opened flat. Cover the roasted red pepper layer with another single layer of baby spinach. Carefully turn the other slice of bread onto the layer of baby spinach, Gouda side down. Now very lightly butter the top side of the sandwich and turn it buttered side down into a pre-heated non-stick skillet on medium heat.

Set timer for 3 minutes and during that time lightly butter the side facing up. Using a spatula, turn the sandwich over and set the timer for 3 minutes. I wrap the sandwich in waxed paper, baker's parchment or butcher paper to handle while eating. I make this at least once a week. It's doubly great with sweet potato fries.

I have added fried bacon to this creation, fried crisp to reduce the fat, between the avocado and roasted red pepper layers, as a variation. I have also added a barely fried egg, dusted with ground cayenne, in lieu of the bacon. Both are fantastic for different reasons.



The Best On-Line Wine Grape Resource

Screen image of Anthony J. Hawkins'' Glossary, capture by Jeff Siegel

We've been having a discussion in the grapebreeders Google Group about Anthony J. Hawkins' "Super Gigantic Y2K Winegrape Glossary." This massive listing was my first go-to resource for wine grape information before my wife gave me Jancis Robinson et al.'s Wine Grapes: A Complete Guide to 1,368 Vine Varieties, Including Their Origins and Flavours (see my January 13th WineBlog entry for my review). Our discussion centered on concern for the future of this fantastic online list.

Several websites host Hawkins' <>Glossary, but the official host as far as I've ever been able to determine is Robin Garr's Wine Lovers Page.

Recently Jeff Siegel, known to countless thousands as "the Wine Curmudgeon" online and in print, published a blog entry about Hawkins and his Glossary. It is an interesting story I didn't know.

Hawkins, now age 83, is retired from the ceramics department at Alfred University in western New York state. He began his wine grape glossary in the early 1990s to learn how to use a computer and teach himself some simple programming. Interestingly, I began my Winemaking Home Page with my "Glossary of Winemaking Terms" as a place to consolidate information from scattered sources and teach myself simple internet programming, so I can identify with Hawkins' motives.

There is a major difference in our two paths. When I began my work I was already a long-time winemaker while Hawkins wasn't all that interested in wine or wine grapes when he began his project. He knew a home winemaker and wanted to know more about what was involved and what grapes were available in western New York at the time. His curiosity got the better of him and the result is this astounding resource.

There weren't any good online lists of grapes at that time as the internet, formerly a resource of the military as MILNET, was only opened to the public in 1992. He eventually received decent references from Cornell, but his list was a slow build and sometimes not too accurate. Users set him straight when he made mistakes and his desire for accuracy sent him into exhaustive research.

The value of his work is beyond measure. He has attempted to cross-reference official grape names with country and regional synonyms and aliases, provide parentage, preferred clonal variants and rootstocks, growing areas and conditions, and winemaking notes. His work is fairly well annotated with academic sources and references, making it the single best go-to source on the internet today, even though it has not been updated since 2007 when health problems caused him to cease work on it.

Hawkins very much wants to find someone to take over his work. It would be a tremendous challenge and responsibility. If my plate weren't so full....

If any reader out there has an interest, you can contact Anthony Hawkins at hawkins at alfred dot edu. I sincerely thank Jeff Siegel for his informative blog entry from which I borrowed heavily.



Fresh Guava Wine

Guavas, photo by Jack Keller

Some time back I got a good deal on some small guavas that were very ripe. Fearing they might spoil if fermented on the pulp, I chopped and boiled them and extracted the juice. The wine I made was very good although a bit light in body. I've tweaked the recipe to correct this.

Guava are highly nutritious and rich in vitamin C, beta-carotene and minerals. Depending on variety, the flesh can be soft and melting or firm and crunchy and everything in between. The flavor can be rich or mild but is always distinctly "guava." Some have a rich aroma and others are nearly odorless. The small seeds can be eaten (but are best if not chewed) right along with the flesh, making the entire fruit edible.

Originating in the tropical Americas, guavas have been so prized that they have spread throughout the tropical world. For folks not living in guava-producing areas, they are an underrated but exceptional fruit. They come in a variety of sizes, shapes, color and characteristics.

When I lived in San Bernardino, California a neighbor grew a small tree on his fence that produced very sweet fruit, the size and shape of large lemons, with yellowish skin and flesh. In Florida I ate red-fleshed guava with few seeds and good flavor. In Hawaii I enjoyed sweet, pear-shaped guava with yellow skin and pink flesh of exceptional flavor. I have bought small round guava from Peru with white flesh, few seeds and good flavor. The small guava I used to make my wine were from Florida and were yellow-skinned with mildly pink flesh.

All the guava I've mentioned thus far are best suited for eating raw, but a number of varieties are high in natural pectin and favored for making jelly. Others have firm flesh and are idea for canning. Guava nectar is excellent served chilled and blends well with other fruit juices.

When I made my wine, I neglected to weigh my guava but guess I had 3 1/2 to 4 pounds. I quartered them, put them in a stock pot with a cup of water and simmered them for about 20 minutes, stirring once. Simultaneously, I began a yeast starter with sweetened water and nutrient. I left the guava to cool with the lid on and then hand pressed them in a fine-mesh nylon straining bag. I added 1/4 cup of the juice to the yeast starter and exactly one quart of juice to the primary. The recipe below deviates at this point to add Old Orchard 100% White Grape Juice frozen concentrate for body.

Fresh Guava Wine Recipe

  • 4 lbs fresh guava
  • 12-oz container Old Orchard 100% White Grape Juice frozen concentrate
  • 1 lb 5 1/2 oz very fine granulated sugar
  • water to 1 gallon
  • 1 tsp acid blend
  • 1 tsp yeast nutrient
  • 1/2 tsp powdered pectic enzyme
  • 1/4 tsp powdered grape tannin
  • 1 pkt Lalvin EC-1118 wine yeast

Use only sound fruit, quartered into a stock pot with a cup of water. Bring to a simmer and hold 20 minutes, stirring once. Cool with the lid on and then hand press in a fine-mesh nylon straining bag. Measure one quart of juice and add to primary with thawed grape concentrate. Add remaining ingredients except yeast and stir until sugar is completely dissolved. Cover primary and set aside 12 hours. Add yeast in a starter solution and re-cover primary. Ferment to 1.020 s.g. and transfer to secondary. Attach airlock and ferment to dryness.

Rack, top up and reattach airlock. Rack again after 30 days and allow wine to clear. After wine clears, rack again, adding 1/2 teaspoon potassium sorbate and one finely crushed Campden tablet. Wait two weeks and sweeten to taste. Wait 30 days and bottle. Great after aging one year. [Jack Keller's own recipe]

While this makes a delightful dry wine if the flavor is strong, lesser flavored fruit make a better wine if sweetened to just off dry (0.998 to 1.000 works for me). The small amount of added sweetness summons and enhances the guava flavor considerably. This is, of course, a matter of taste so work with a sample before sweetening the whole.

A greater quantity of fruit will yield more juice and a stronger flavored wine. I simply have not made it so cannot advise you from experience. However, a winemaker in Florida says he uses 6 pounds of fruit per gallon of wine, chops his fruit finely and ferments on the pulp. He does warn that a yeast starter solution should be husbanded for 20-24 hours before chopping the fruit in order to start a vigorous fermentation before the fruit spoils. Makes sense to me....




January 17th, 2013

My apologies if my comments on email in my last entry offended anyone. Perhaps I did not say things correctly. In my heart, I appreciate all email because it means that you at least appreciate some aspects of my attempts to make winemaking easier, more varied or more meaningful to you. I'm not ungrateful that you send it and if I appeared that way I apologize for por wording. Be assured I do read every email that is about winemaking or my internet content. What I cannot do is answer most of it. I simply don't have enough time to respond to all of it even if all I did every day was answer email. I do hope you understand that without being offended.


A fellow named Clifton -- a name most of us don't see every day -- wrote me to say that my posting on "Ghost Riders in the Sky" in my previous entry stirred a memory. He was in a saloon outside of Austin, Texas several years back (and we do name them saloons here in Texas) when he heard a fellow who was playing guitar and harmonica simultaneously start playing "When Johnny Came Marching Home." About 30 seconds into it he just changed a cord or two and was playing "Ghost Riders in the Sky." He did this several times, switching seamlessly from one song to the other for several minutes and got a huge ovation when he was done. Clifton didn't know the performer's name but opined it should have been "Damned Good."

"Ghost Riders in the Sky" and "When Johnny Came Marching Home" do share certain melodic intervals but "Ghost Riders" is a much later song. The earlier was written in 1863 by bandleader and composer Patrick Sarsfield Gilmore and published under the pseudonym Louis Lambert. Gilmore admitted the song was inspired by a tune he heard someone humming in New Orleans. He claims he wrote it down, dressed it up and set it to words expressing a feeling of the times. The melody set to different words was published as "Johnny Fill Up the Bowl" previous to Gilmore's publication and later Gilmore wrote that "When Johnny Came Marching Home" should be sung to the tune of "Johnny Fill Up the Bowl."

Some have suggested both were based on the melody of "Johnny I Hardly Knew Ye," but the latter was not published until 12 years after Gilmore's publishing. Nonetheless, "Johnny I Hardly Knew Ye" is claimed to be about a British conflict of 1803-1815, thus pre-dating the American Civil War. Still, many songs have existed for decades or longer and were passed on orally before being formerly published, so this may well be the case here. [Consider the melody for "Danny Boy," composed as "O'Cahan's Lament," circa 1610 by Rory Dall O'Cahan, later rendered and popularly known as "Londonderry Air" before being adapted to the words of "Danny Boy" by Frederic Edward Weatherley in 1913.] Gilmore claimed no credit for the melody itself -- only the words and arrangement.

"When Johnny Comes Marching Home" also bears a melodic resemblance to "John Anderson, My Jo," the tune of which dates back to 1560 or so. But they are not the same.

"Ghost Riders in the Sky" is, in fact, loosely based on, inspired by or influenced by portions of the melody of "When Johnny Comes Marching Home," although the two differ. It therefore makes good musical sense that someone would interweave the two together as Clifton witnessed.



A Wireless Sensor Bung for Monitoring Wine Development in the Barrel

Schematic of the wireless sensor bung monitor and communications system, from <i>The Academic Wino</i> blog entry of January 14, 2013

Every now and then something really awesome happens in technology and excites me. George Gale, University of Missouri at Kansas City, sent me an article by email of the latest happening -- a wireless sensor bung that monitors temperature, pH and malolactic fermentation progress and completion in a wine barrel and relays that information to a receiving base station and computer.

The system was tested in 2011 at the Azienda Agricola Comparini winery in Empoli, Tuscany, Italy. The sensor was placed into a 225L Bordeaux-style barrel of Sangiovese red wine and set to acquire data every 5 seconds. In normal winery operations the frequency could be set to any interval, with 4 collections per day (6-hour interval) assessed to be sufficient, but a 5-second interval was set to test the reliability and precision of the system. Manual measurements were also taken to compare to the system's data.

The 5-second interval taxed the system and resulted in data interruption due to battery drain after 8 days. A 6-hour interval would allow a 75-day battery life.

Manually acquired data and that from the wireless sensor bung were very similar, with a higher level of correlation of pH and malic acid concentration issued by the wireless sensor bung. Thus, the novel new system proved more accurate and potentially useful than traditional but time consuming data collection methods.

The system is obviously in research, development and testing stage. The authors of the original article, subsequently reported in Becca Yeamans' The Academic Wino blog entry of January 14, 2013 (sent to me by George), believe the system could be used to simultaneously monitor up to 250 wine barrels. They also discussed using both analog and digital channels in the hardware to easily integrate other types of sensors and thereby create a complex system of monitoring and analyzing the wine in the barrels that would save even more time and resources.

It is obvious this is not a system aimed at the home winemaker, but it does possibly suggest the development of future systems we might all be able to afford and use.



Three Cinnamon Tea Wines

Box of 20 Bigelow Cinnamon Tea bags

It is difficult to say how good these three wines are, but they are good. The predominate flavor is cinnamon, but each one has a different spice profile. Easy to make, wonderful to drink, here are three sure-fire recipes guaranteed to delight you and your guests next winter if you start them now.

First, a little history is in order. As I mentioned in my recent Christmas Eve post, I make kombucha -- a tea fermented with a symbiotic culture of bacteria and yeast. A week or so before Thanksgiving while looking over the tea selection at my local supermarket for my next batch of kombucha, I spotted a box of Bigelow Cinnamon Tea and decided to try it. Ten days later I was enjoying my first glass of cinnamon kombucha and was hooked. I had already started a second batch of cinnamon kombucha, each time using eight teabags per gallon of tea, and realized I needed more cinnamon teabags for my next batch. On the way to buy some more the idea of Cinnamon Tea Wine took hold and I bought a lot of tea.

I'll admit I was going to keep the secret of my cinnamon kombucha to myself. In my Christmas Eve WineBlog entry I mentioned putting a cinnamon stick in kombucha to flavor it -- which will work -- but in truth I was trying to get around admitting to the Bigelow Cinnamon Tea because I wanted it to be my secret. So what changed? Read on....

After starting an initial batch, the idea to kick up the spice took hold. The rest is history and the following three recipes are the proof. I decided to "come clean" only after tasting each of the three while racking.

Each recipe uses a can of pure white grape juice frozen concentrate to add body. If you want to add even more body add two cans and reduce the sugar to 1 pound 2 ounces and adjust the water accordingly.

Now, you might ask how do I know these wines will be so fantastic if I only recently started them? Well, they were all started on the same day and I just recently racked them for the first time, tasting each as I racked. I have enough winemaking experience to know that these are all winners and I'll stake my reputation on it. You can trust me now or wait a year to see if I am right.

Cinnamon Tea Wine

  • 6-8 teabags Bigelow Cinnamon Tea (number depends on strength desired)
  • 1 container Welch's or Old Orchard 100% White Grape Juice frozen concentrate, thawed
  • 1 lb 9 oz very fine granulated sugar
  • 1 1/2 tsp acid blend
  • 1 tsp yeast nutrient
  • 7 pts water
  • 1 pkt general purpose wine yeast

In a 5-quart pot, bring 3 pints water to boil, remove from heat and add teabags. Cover pot and allow to steep 3-5 minutes. Remove and discard teabags, add sugar, stir well to dissolve, add remaining water, recover the tea and allow to cool to room temperature.

Combine sweet tea and all other ingredients except the yeast in a primary. Remove 1 cup of must and pour into a 1-pint container; sprinkle the yeast in it (do not stir). When yeast proves viable add to must. Cover the primary with a sanitized muslin cloth and ferment to 1.020 s.g. (about 5-7 days), then transfer to secondary. Add 1 finely crushed Campden tablet, stir and attach an airlock. Wait 30 days and rack, top up and reattach airlock. Wait additional 30 days and rack again. Add 1/2 teaspoon potassium sorbate and another finely crushed Campden tablet. Reattach airlock. Set aside 60 days and rack. Sweeten to taste if desired and set aside 30 days. Carefully rack into bottles and set aside until next winter's holiday season. [Jack Keller's own recipe]

Cinnamon-Clove Tea Wine

  • 6 teabags Bigelow Cinnamon Tea (number depends on strength desired)
  • 1 container Welch's or Old Orchard 100% White Grape Juice frozen concentrate, thawed
  • 1 lb 9 oz very fine granulated sugar
  • 12 whole cloves
  • 1 1/2 tsp acid blend
  • 1 tsp yeast nutrient
  • 7 pts water
  • 1 pkt general purpose wine yeast

In a 5-quart pot, bring 3 pints water to boil, remove from heat and add teabags and cloves in a tea ball/cage. Cover and allow to steep 3-5 minutes. Remove teabags and cloves, add sugar, stir well to dissolve, add remaining water, recover the tea and allow to cool to room temperature.

Combine sweet tea and all other ingredients except the yeast in a primary. Remove 1 cup of must and pour into a 1-pint container; sprinkle the yeast in it (do not stir). When yeast proves viable add to must. Cover the primary with a sanitized muslin cloth and ferment to 1.020 s.g. (about 5-7 days), then transfer to secondary. Add 1 finely crushed Campden tablet, stir and attach an airlock. Wait 30 days and rack, top up and reattach airlock. Wait additional 30 days and rack again. Add 1/2 teaspoon potassium sorbate and another finely crushed Campden tablet. Stir and reattach airlock. Set aside 60 days and rack. Sweeten to taste if desired and set aside 30 days. Carefully rack into bottles and set aside until next winter's holiday season. [Jack Keller's own recipe]

Spiced Tea Wine

  • 6 teabags Bigelow Cinnamon Tea (number depends on strength desired)
  • 1 container Welch's or Old Orchard 100% White Grape Juice frozen concentrate, thawed
  • 1 lb 9 oz very fine granulated sugar
  • 12 whole cloves
  • 9 whole allspice
  • 1 1/2 tsp acid blend
  • 1 tsp yeast nutrient
  • 7 pts water
  • 1 pkt general purpose wine yeast

In a 5-quart pot, bring 3 pints water to boil, remove from heat and add teabags and cloves and allspice berries in a tea ball/cage. Cover and allow to steep 3-5 minutes. Remove teabags but leave the cloves and allspice berries in another 10 minutes, add sugar, stir well to dissolve, add remaining water, re-cover the tea and allow to cool to room temperature.

Combine sweet tea and all other ingredients except the yeast in a primary. Remove 1 cup of must and pour into a 1-pint container; sprinkle the yeast in it (do not stir). When yeast proves viable add to must. Cover the primary with a sanitized muslin cloth and ferment to 1.020 s.g. (about 5-7 days), then transfer to secondary. Add 1 finely crushed Campden tablet, stir and attach an airlock. Wait 30 days and rack, top up and reattach airlock. Wait additional 30 days and rack again. Add 1/2 teaspoon potassium sorbate and another finely crushed Campden tablet. Stir and reattach airlock. Set aside 60 days and rack. Sweeten to taste if desired and set aside 30 days. Carefully rack into bottles and set aside until next winter's holiday season. [Jack Keller's own recipe]

I am making all three wines in 1-gallon batches, which will give me 15 bottles of wine. I intend to open the first wine (Cinnamon Tea) at Thanksgiving and the other two over the Christmas-New Year holidays. I intend to start 3 more after Thanksgiving.



Slow Cooking At Its Best

Best of Bridge Slow Cooker Cookbook cover image

Several months ago I acquired a new slow cooker cookbook and have been making some mighty tasty meals from it. When I like something I recommend it. I can now say that the Best of Bridge Slow Cooker Cookbook is a great investment for those who love sensational food that is easy to prepare and cook without making you a hostage to the kitchen for hours.

I have used the cookbook seven times and every dish thus far has been incredibly delicious. The recipes I have tried so far are:

  • Sunrise-Sunset Apple Bacon Strata -- a satisfying and tasty melding of flavors (apples, bacon, green onions, Dijon mustard, smoked Gouda cheese) with stale cubed bread; I added some diced, fire-roasted red peppers to satisfy a craving I always have for their flavor (I paired with a crisp Texas Moscato);
  • Cranberry Party Meatballs -- made with ground lean turkey, dried cranberries, toasted pecans, grated onion and a dozen other ingredients, these are moist and delicious meatballs that can be served as hors d'oeuvres, with a meal or in a roll for a meatball sandwich (these pair with any red wine);
  • Casablanca Chicken Soup -- this is a hearty, delicious soup that taught me a thing or two about blending unexpected flavors together; highly recommended for a cold winter night (I paired this soup with a chilled rosé once, my own white Mustang another time, and my own Blanc du Bois another time);
  • Beef Goulash -- this is the dish on the cover of the book, incredibly flavorful from an excellent blending of spices and other ingredients (I added sliced water chestnuts and celery sliced thin), served over buttered noodles or rice (I paired this with an aged Malbec once and my own Mustang another time);
  • Hoisin Ginger Beef Stew -- I had a favorite diner in San Francisco that served this but never had a recipe until now, and believe me this will be made often from now on; sweet and spicy, rich and lively, thick and satisfying, I served it with both buttery noodles and diced sweet potatoes (I paired this with a lively Texas Merlot and my own slightly sweet Black Raspberry);
  • Flamenco Stew -- this took me back to Spain, blending chorizo sausages with pork shoulder blade and a dozen other ingredients, served with roasted garlic potatoes and steamed broccoli (I paired with a Tempranillo)
  • Apple-Cranberry Cake -- if someone had served me this and said it was made in a slow cooker I'd have seriously doubted them, but it's true; the only things I had to buy to make this were 2 Fuji apples and a small bag of frozen cranberries; I had everything else on hand (I paired this with my own cranberry wine).

The two best things I found about this book are that (1) the print is large so you can read it easily even f you have macula degeneration as I do, and (2) every single ingredient I've needed thus far was on hand in my kitchen or pantry or readily available at my local supermarket. There was no need to drive into San Antonio to a gourmet grocery as I have done so many times in the past.

Well, I suppose there is a third and fourth thing -- (3) the recipes are easy and (4) every one seems to be a real winner. What more could one ask for?

If you are at all interested in this book, which you should be if you like to cook without a lot of work, please click HERE and order it through my Amazon portal. I will receive a small commission that will help support the costs of bringing you this WineBlog and The Winemaking Home Page. You will get a great book at a discounted price, shipping is free and I will be in your debt.




January 13th, 2013

Tuesday a friend called to inform me that his emails to me were bouncing because my mailbox was full. I deleted about 700 emails and clicked "Send/Receive", but nothing happened. I called my ISP and discovered I had to delete them from the mail server to free up room. Once I was certain what to do I deleted every message I received in 2012 as I already had them backed up on my computer.

Why do I mention this? It has something to do with the message on my Home Page asking you NOT to write to me, and warning that if you do I probably won't answer you. Despite this message, many, many people write to me anyway. Most are not looking for a response, but some are. I disappoint many but answer some. Every now and then I answer one and the person interprets that as an invitation to write to me almost daily, asking one question after another. I usually drop a hint or two and the emails stop, but sometimes I have to get rude. I hate having to do that, but today's exercise in message deletion might shed light on why it is necessary.

In 2012 I received 10,931 emails, not counting those filtered into my Spam folder. I know because I deleted them. The biggest month was December, with 1,327 emails. I'm estimating about a third were holiday or birthday greetings.

Although I don't have time to answer even 10% of the emails I receive, it might surprise you that I read almost every one of them, with the exception of obvious spam that my filter missed, obvious chain-mail, and assorted other email I can tell from the subject I don't want to read. Finally, I also don't read emails without a subject.

Please, use discretion when mailing me, and don't expect an answer. That way if I do reply you'll be surprised instead of getting upset when I don't (yes, I get nasty-grams from people I didn't reply to).


Tuesday we had a $20 rain -- a light sprinkle all day in which every drop soaked into the ground with no wasted runoff. I call it a $20 rain because that's approximately how much it saved me from having to water my 2-acre lawn. Then, around 10 o'clock at night, it turned into a real downpour that lasted most of the night.

I don't know how much rain we got. My rain gauge overflowed at 5.5 inches. But I'm grateful for every drop of it.


'Ghost Riders In the Sky' by Chase Stone

I woke up with "Ghost Riders In the Sky" stuck in my head. But it wasn't just any version of this classic song of the old west, but the electric rock version by The Outlaws.

The song was written by Stan Jones back in 1948, based on a folk tale he had been told when he was only 12. The story was of a cowboy who sees a herd of red-eyed, steel-hooved cattle thundering across the sky, chased by the spirits of cowboys damned to do this for eternity. One tells him he had better change his ways or he would be joining them one day.

The song, released as "Ghost Riders In the Sky," "Riders In the Sky," "Ghost Riders," and "The Legend," has been charted by The Outlaws, Vaughn Monroe, Bing Crosby, Frankie Lane, Burl Ives, Marty Robbins, The Ramrods, and Johnny Cash, but over 50 artists have recorded it. My earliest memory of it was Gene Autry singing it in the 1949 movie "Riders in the Sky." I was only 5 at the time and remember seeing it at the Round-Up Drive-In Theater in Lake Charles, Louisiana with my folks and my sister.

The following video displays the words to the song while being sung and played by The Outlaws. Enjoy....


The Outlaws omit the final verse of the song but their version is still my favorite:

As the riders loped on by him he heard one call his name,
"If you want to save your soul from hell a-riding on our range,
Then cowboy change your ways today or with us you will ride
A-try'ng to catch the devil's herd
Across these endless skies."
Yippee-yi-ay, yippee-yi-o,
The ghost herd in the sky.
Ghost riders in the sky.



Wine Grapes: A Complete Guide to 1,368 Vine Varieties, Including Their Origins and Flavours

'Wine Grapes: A Complete Guide to 1,368 Vine Varieties, Including Their Origins and Flavours' [Hardcover with slip case]

My wife bought me this astounding book for my birthday. If you've used any of Jancis Robinson's (OBE and Master of Wine) previous references, you know the quality of her writing. Joined here with Julia Harding and José Vouillamoz, this 1,280-page hardcover book with slip case is the latest word in grape identification and description. Extensive use of DNA analysis reveals the parentage and relationships of nearly 1,400 grape varieties. I treasure it and handle it reverently.

Weighing in at 6.7 pounds, this is not a field guide and is not cheap, but it largely replaces over a dozen books in my library that together cost more than three times what this one sells for. And only one of the others uses any DNA analysis at all and even then very limitedly, mainly because it is such a recent tool and the data somewhat difficult to obtain and then interpret.

The book contains a rich variety of full-color illustrations from Viala and Vermorel's century-old classic ampelography. Truly, these are masterpieces of art of the grape. Besides the coverage of the history, growing conditions and wine potential of nearly 1,400 distinct varieties, the book also lists the many synonyms for the many varieties, an indispensible feature when trying to find a grape that has many regional names.

This work is not perfect in execution. Using extremely thin paper to keep the size manageable, it nonetheless lays 2 5/8 inches thick without the slip case. The thin paper is not opaque and print on the reverse of any page is slightly visible, making reading at times a chore. Yet if the paper were only half again as thick the book would be an unwieldy 4 inches thick and weigh over 10 pounds.

Another problem is that there are 14 pedigree charts spread throughout. Most are two pages facing, but some are facing pages with a foldout. On some charts the content dips into the binding and there cannot be read, but all of the charts are available online, thanks to Jancis (see her Purple Pages, available but only by subscription). If the missing data is important to you, it can be obtained for one month's subscription fee.

These problems aside, the book is worth every penny asked and the content is excellent. I love it. It may seem relatively expensive, but only compared to far lesser books. The book lists for $175, but is available on Amazon for $97.75 with free shipping. It can be obtained from third party book sellers for $1 less, but with shipping fees added. Considering the content, it is worth the money at either of the prices mentioned, imperfections and all.

If you are at all interested in this book, which you should be if you grow or plan to grow wine grapes, please click HERE and order it through my Amazon portal. I will receive a small commission that will help support the costs of bringing you this WineBlog and The Winemaking Home Page. You will get a great book at a discounted price and I will be in your debt.



Mustang Port

Late-hanging Mustangs (September 2012) at Pleasanton,Texas

I pulled the February-March 2013 issue of WineMaker magazine from my mailbox today and confirmed my article on making Mustang Port was in there (pp 46-51). I've had a number of emails on that subject but did not want to address it until the article came out as a professional courtesy. Since I know a lot of folks in mustang country have bags of these grapes in their freezers, let's make some port wine....

The mustang grape is not at all a perfect wine grape. It is highly and unusually flavored, rich in tannins, high in acid, and low in sugar. Despite these unseemly characteristics, it is so plentiful in Texas that the very first American and European settlers tackled the grape, determined to see what kind of wine could be made from it. What it produced was so good, albeit unlike anything they had tasted before, that they made wine by the thousands of gallons. Indeed, the first commercial wineries in Texas made Mustang Wine exclusively.

One has to add both sugar and water to mustang juice to make wine. The water is essential to dilute the acid and strong flavor, but adjusting the quantity of grapes used per gallon of wine is the biggest flavor regulator. For a "jug wine" for personal consumption I will use a little as 4 pounds of mustang grapes per gallon. For something I want to be proud of I will use between 6 and 8 pounds per gallon -- with 8 being the better number. For making a port, I generally us 10 pounds per gallon. This will produce about 3.6 pints of juice which is ameliorated with 4.4 pints of water to produce a gallon -- less water is actually required because of the volume increase from the added sugar. These numbers are for average-size grapes but big mustangs yield considerably better numbers than this (by about 50%) and thus the winemaker really has to work with what the grapes provide.

To make Port I want to start with a must chaptalized to 1.118 s.g. and fermentation arrested at 1.028. This will give me a 12% alcohol wine with some residual sweetness that I will fortify to port levels --18 to 22% abv. Fortification is accomplished according to the sound math provided by using the Pearson Square.

Pearson Square, annotated

To use the Pearson Square, you need to know three things to solve for the other two. If you know the percentage alcohol by volume (abv) of the fortifier (A), the percentage abv of the wine to be fortified (B) and the desired abv of the port you are making (C), you can calculate the ratio of the wine (D) to fortifier (E).

For example, if the fortifier is 80-proof (40% abv) brandy, the wine is 12% abv mustang and you want a 20% abv port, subtract B (12) from C (20) to solve D (8 parts of brandy) and subtract C (20) from A (40) to solve E (20 parts of wine), or 2 parts brandy to 5 parts wine. If you have 1 US gallon (3.785 liters) of mustang wine, you need to add 2/5 of that amount (roughly 1.5 liters or 50.72 fluid ounces) of brandy, or 6 cups and 2 ounces. The result will be 5.285 liters of port, or seven 750mL bottles and a shot for your efforts.

Fermenting to a higher alcohol level will require less brandy, but with 12% abv wine the brandy required works out to exactly two 750 mL bottles of brandy. You can get by with less spirit if you use 190-proof Everclear, but the port will take longer aging to "smooth out."

Here is a recipe for Mustang Port. It uses dried malt extract as a body-builder and makes an excellent port. It also uses heat to extract color, tannins and juice from the grapes. One can eliminate the heating and simply crush the grapes cold and ferment as usual. The heat produces a deeper colored and more tannic port-styled wine, capable of aging for many, many years. This recipe is one of two in the WineMaker magazine article (three recipes if you count the one for Mustang Wine).

  • 10 lbs ripe mustang grapes
  • 2 lb 15.2 oz granulated sugar
  • 1/2 c dry or extra light dry malt extract
  • 4 pts 6 oz water
  • 1 crushed Campden tablet
  • 1/4 tsp acid blend
  • 1 tsp pectic enzyme
  • 1 tsp yeast nutrient
  • 1 pkt recommended wine yeast*

*I strongly recommend you use one of the following wine yeasts, each of which can handle the high sugar content of the must where other yeasts might fail to even start fermentation: Red Star Pasteur Red, Lalvin BDX, ICV-D21, K1-V1116, or RC212.

Wash and destem the grapes. Place in large stainless steel pot with one cup of water and set over low to medium heat, covered, but do not allow to boil. Stir with wooden paddle every few minutes until grapes break apart and juice oozes out. Allow to cool in the pot off the heat. Meanwhile, boil remaining water and pour over sugar in crock or plastic primary, stirring to dissolve. When water has cooled, stir in dry malt extract and stir until dissolved. When grapes are tepid, pour grape juice and pulp into primary with juice. Add water mixture, acid blend, yeast nutrient and pectic enzyme. Cover and set aside 10-12 hours. Add finely crushed Campden tablet, stir, cover, and set aside another 10-12 hours. Add activated yeast in a starter solution and re-cover primary.

Use wooden paddle to push down cap twice daily for 5 days. Strain pulp into nylon straining bag and press pulp well to extract residual juice. Add pressed juice to primary and measure sg. Retain in primary until target (1.028) is reached. Add required (calculated) amount of spirit into a sanitized 3-gallon carboy and transfer wine into same to make the port.

If all that air in the 3-gallon carboy makes you nervous, either add CO2 to the carboy or add another finely crushed Campden tablet to the port. You should rack the port after 30 days and again 30 days after that. If you later decide it needs another racking, you can postpone that until bottling as the only deposits then should be errant yeast cells.

If you wish to add oak or mesquite, do so after second racking. Taste periodically to decide when to remove wood. When the port is approximately 6 months old from fortifying date, taste and decide if it needs additional sweetening to achieve balance. Bulk age until next mustang harvest and then bottle. It improves remarkably with age but you probably won't be able to resist. [Jack Keller's own recipe]

I have tasted Mustang Ports up to 40 years old. They are extremely good with age, although 40 years is pushing it. I have one that is 11 years old. I plan to drink it at 15 years, sooner if the right occasion compels it.

By the way, if you don't subscribe to WineMaker magazine, (how many times do I have to say this?) you should. You can become a new subscriber or renew a lapsed subscription by clicking on the banner image below:

WineMaker Magazine



January 5th, 2013

With all my heart I wish a belated Happy New Year to one and all. If 2012 was not a great year for you, let's hope 2013 is better. If 2012 was great for you, let's hope 2013 is at least as good.


The 2013 WineMaker magazine International Amateur Wine Competition will be judged April 19-21. The deadline for entry is March 15th. Entry fee is $25 per wine but the sense of accomplishment, if you place, is exhilarating. Details are on the WineMaker magazine website (link following this day's entry). I mention this so you can make plans for sending in your entries. Now is not too early.

If you are not a subscriber to WineMaker magazine, you should be. It is, in my opinion, the best continuing bargain for the home winemaker one can buy. Already subscribe? Why not give a newbie or wannabe winemaker a gift subscription as a belated Christmas gift or just an act of kindness? They will forever be in your debt....

WineMaker Magazine

Bread pudding with Frangelico sauce

I have received six wonderful emails praising my recipe for bread pudding with Frangelico sauce published in my last WineBlog entry. I can't thank you six enough for your feedback. I was especially appreciative of this one from Constance Ryan of Chicago.

"Mr. Keller, we received a bottle of Frangelico hazelnut liqueur for Christmas and had no idea what to do with it. Your recipe was a Godsend. I used French bread instead of Italian bread because I had a fresh loaf on hand. I could not imagine that it made a great difference since it was so good, but by popular demand from my husband and two daughters I had to make it again. Since I needed bread, I bought an Italian loaf. It did make a difference. We also had another brand of spiced rum on hand which I used both times, but because the bread made a difference I sent my husband out to buy some Sailor Jerry's and another bottle of Frangelico. My third batch was exactly according to your recipe and I have to say it is the very best bread pudding any of us have ever eaten. Many, many thanks from all of us for what has already become a family favorite."

To help Constance and others use up that bottle of Frangelico on something other than my Bread Pudding with Frangelico Sauce, the next section is for you.



Frangelico Recipes

Frangelico Iced Chocolate Cake cocktail

If you've made my Bread Pudding with Frangelico Sauce (see second intro item, above) and want to know what else you can do with that bottle of Frangelico Original Hazelnut Liqueur, here are some ideas, from simple to more complex. All are simply yummy.

Frangelico and Chocolate


2 oz Frangelico Original Hazelnut Liqueur
6 oz hot chocolate

Pour the Frangelico hazelnut liqueur into a mug of hot chocolate, stir briefly and serve. Great to serve arriving guests in front of the fireplace.

Frangelico Iced Chocolate Cake


1 oz Frangelico Original Hazelnut Liqueur
1 oz SKYY Infusion Citrus Vodka

You read it right...no chocolate in this drink, but the name fits. You can enrich it by adding an ounce of Cream de Cacao. Combine ingredients in a short rocks glass and enjoy.

Friar Tuck

  • 1 oz Frangelico Original Hazelnut Liqueur
  • 1 oz dark Creme de Cacao
  • 2 oz cream

Combine, shake and pour into a v-shaped cocktail glass and garnish with cinnamon.

Heavenly Orgasm

  • 1 oz Frangelico Original Hazelnut Liqueur
  • 1/2 oz Amaretto Almond Liqueur
  • 1/2 oz Bailey's Irish Cream

Combine all ingredients in a cocktail shaker half-filled with crushed ice. Strain into and old fashion glass 1/3 filled with ice cube. One sip and you'll know how it got its name.

For more recipes for Frangelico Original Hazelnut Liqueur, see the link following this day's entry.

Easy Hazelnut Wine

Cafe al Fresco Gormet Hazelnut Syrup

I was looking in the pantry for a jar of sliced dill pickles when I noticed a bottle of sugar free hazelnut syrup I had bought on sale some time back. When something stays in my pantry several months, chances are it has taken up residence. I should not allow that. I grabbed it to try in my coffee. Suddenly, something clicked in my brain and 30 minutes later I was beginning what would become a hazelnut wine.

The key to using any flavoring in a wine is to study the label carefully. This particular syrup contained both sodium benzoate and potassium sorbate as preservatives, each of which can be used to biologically stabilize a wine. That being the case, I knew I could not add this syrup to a must. But I also didn't think I needed to. I could make a neutral flavored wine and add the syrup to it after fermentation is complete.

I had several potential choices. Water and sugar will make a true neutral wine, but anyone who has made it knows it is as thin as water and actually has no redeeming value. So, my first choice was to make a rhubarb wine and add the syrup when fermentation was complete. While rhubarb has its own flavor, the wine will readily adopt just about any other flavor added to it. Unfortunately, I didn't have any rhubarb.

Next on my list of choices was to make a Niagara wine from Welch's 100% White Grape Juice frozen concentrate. While not a true neutral wine, it easily lends itself to added flavors. I cut my list right here and opened the freezer. Thirty minutes later I pitched yeast in a starter solution into a primary. It was an easy wine to make, so thought I'd share it with you.

To make the must, combine the following:

  • 2 11.5-oz cans Welch's 100% White Grape Juice frozen concentrate, thawed
  • 1 lb 2 oz very fine granulated sugar
  • 1 tsp yeast nutrient
  • 1/2 tsp acid blend
  • 1/8 tsp powdered grape tannin
  • 6 pts plus 1/2 cup water
  • 1 pkt general purpose wine yeast

Combine all but the yeast in a primary. Starting specific gravity should be exactly 1.090. Remove 1 cup of must and pour into a 1 pint mason jar and sprinkle the yeast in it (do not stir). When yeast proves viable add to must. Ferment 7 days and transfer to secondary. Do not top up, add 1 finely crushed Campden tablet and attach an airlock. Wait 30 days and rack. Do not top up. Reattach airlock. Wait additional 30 days and rack again. Add 375 mL bottle (12.7 fl oz) of sugar free hazelnut syrup (any brand will do).and another finely crushed Campden tablet. Reattach airlock. Set aside 60 days. Either rack and then bottle or carefully rack into bottles and set aside 3 months before drinking. Alcohol should be about 11%. [Jack Keller's own recipe]

The syrup lifts this wine off dryness, but it isn't sweet. The hazelnut flavor is subtle but there. I think it would be better with 1 1/2 bottles of the syrup or possibly even two, but that would change the recipe and I haven't done it so cannot guide you. I've added 16 drops of hazelnut extract to the bottle I opened and that improved the flavor considerably. I arrived at 16 by first adding 10, then 2 more after stirring and tasting, then 2 more, and finally 2 more. I think 1 1/2 teaspoons to the gallon would have been about right for the whole, or the extra syrup as mentioned, but only if one wants the stronger hazelnut flavor.

Even without adding extra syrup or extract, this is a nice, subtle wine, better chilled than not. Adding the extract simply intensifies the flavor and is not considered necessary unless pairing this wine with a strong competing flavor. I initially drank this wine while enjoying Monet Original Entertainer Crackers generously covered with Giovanni's Lobster Spread with Cognac. Perhaps the richness of the spread made the addition of extract seem desirable. I finished the enhanced bottle that evening with a lettuce, spinach and cucumber salad (no dressing) and the hazelnut flavor was loud and strong. I will drink my next bottle without adding extract.




December 24th, 2012

I started this entry over a week ago, but suffered a lower back injury that, while minor, nonetheless was painful and prohibited me from sitting or standing for more than a few minutes. A constant diet of muscle relaxers and pain suppressors -- and time -- finally did the trick. It's great to be able to finish it in time to say Merry Christmas and Happy Hanukkah (a bit late) to all.

It was nice to survive the end of the Mayan calendar. As I said to my wife last week, I think the whole great Mayan calendar of cycles simply starts over again. Why a simple alignment of only some of the planets with the center of our galaxy should somehow create a doomsday scenario has defied logic ever since I first became aware of it. Just a cursory knowledge of the calendar made it obvious to me that it would simply start over. It is, after all, a calendar of cycles, so why should it not also be cyclic. But that conclusion wouldn't sell any books, so it wasn't very popular among the spooky set who seem obsessed with finding doom and gloom everywhere, no matter how improbable. Every single day I find reason to wish logic were a required course in high school and college, regardless of one's major.

So here (lifts glass) is to the recycling of the Mayan calendar, the celebration of the rededication of the second temple of Jerusalem, the celebration of the birth of Christ, the ending of 2012, and the ushering in of the year of financial uncertainty and more political bickering. We can always depend on politicians to avoid making the tough decisions they were elected to make while spending ever more money they don't have. John F. Kennedy's Profiles in Courage ought to be required annual reading for every member of both houses of Congress and the President. What a collective bunch of spineless wimps! Cheers...!


The Orion Nebula in Orion's Sword, photo courtesy of NASA/ESA

A couple of weeks ago I was setting up my telescope in the back yard for a little winter sky star gazing when a very bright, steady light traversed the sky at a heady speed. I knew instantly it was the International Space Station as I had observed it many times when its passage was foretold on the news.

In due course I set my sights on my second favorite celestial sight, the spectacular Orion Nebula. Visible with the naked eye for those with normal far vision and with even the cheapest pair of binoculars for anyone willing to seek it out, it is a delight to see through the telescope. Certainly not as spectacular as the Hubble Space Telescope (HST) image on the right, it is nevertheless colorful and alluring. Estimated to be approximately 24 light years across, it is the closest region of massive star formation to earth, about 1,600 light years distant.

Over 150 protoplanetary disks have been discovered thus far in the Orion Nebula. These are clouds of hydrogen and other elements broadcast by former stars that long ago exploded that remains in gravitational orbit around newly formed stars and possess the potential of condensing into planets. These are too far away to be resolved by earth-based telescopes but are visible to the HST.

While we amateurs are drawn to the Orion Nebula in Orion's sword, it is but one of several observable nebula in the Orion Molecular Cloud, a massive nebula of which the nebula in the sword is but a bright portion. Other distinctive portions generally considered by the uninformed to be separate nebula are Barnard's Loop, the Horsehead Nebula, the Flame Nebula, and M78, the latter a huge reflection nebula illuminated by two stars of 10th magnitude brightness.

My favorite celestial object to view in my telescope is the Andromeda Galaxy, also visible with the naked eye and any pair of binoculars. Visible in the Autumn sky opposite the Big Dipper on the other side of the North Star, Andromeda lies below and to the right of Cassiopeia when viewed as a "W". While only visible to the naked eye as a small smudge, that smudge is actually the central cluster of the massive galaxy. The entire galaxy, if it could be discerned with the naked eye, is 6 x the diameter of our moon when full! It is 100,000 light years across, contains about 400 billion stars, and is 2 million light years away from us. However, our two galaxies are moving toward each other and will collide in about 4 1/2 billion years.

The beauty of the Andromeda Galaxy is that you can clearly see its spiral disk with even a modest telescope such as I own.



A Different Kind of Fermentation

Commercial kombucha, three with flavors

Although I have long heard of kombucha as a healthy drink, I had no working knowledge of its production. Two months ago a fellow mentioned he made kombucha and drank it daily, so I tapped him for knowledge. I quickly realized it is easy to produce. All one needs is a mother culture and a cup or so of the fermented drink, just as all one needs to begin making sourdough products is a little starter culture.

Kombucha, the drink, is produced by fermenting a sweet tea with a symbiotic culture of bacteria and yeast. The yeast transform the sugar in the tea into alcohol and the bacteria convert the alcohol into acetic acid. The bacteria can contain several species, but will always contain Gluconacetobacter xylinus (formerly known as Acetobacter xylinum). The culture grows a cap on top of the batch called a mushroom, mother or SCOBY (stands for symbiotic colony of bacteria and yeast). It can grow from 1/4 to 3/4 inch in thickness, depending on diameter and time it took to grow it. The greater the time, the greater the thickness. You can see the mushroom in the photo below.

The drink of often made effervescent by bottling it before fermentation is complete and forcing the carbon dioxide byproduct into the liquid. I choose not to make it that way, preferring it noncarbonated. But the drink itself contains "... a sea of health giving organic acids, vitamins, minerals, enzymes and nutrients. It also contains healthy bacteria in the form of Lactobacillus Acidophilus, as well as a dozen other probiotic strains.

Based on the above, there are several health claims assigned to the drink. One source claims, "Some of the benefits to drinking kombucha are that it improves digestion, boosts energy, improves circulation, prevents acid reflux, improves sleep, and it boosts the immune system." Such claims (and more) are common, but the principle benefits seem to me to be that it detoxifies the body and promotes more thorough digestion. I have done substantial reading on the subject and have found little peer-reviewed scientific evidence for these claims, although it does seem to do both, but especially assists in detoxifying the body.

The evidence for the latter is complex and I shall not attempt to do more than generally summarize it here. It appears that glucaric acid in the drink acts upon certain extreants from the liver to break these down into nondigestible constituents that are then expelled from the body. In this way it appears to improve the efficiency of the liver. While this is beneficial for all of us, there are potential side effects from kombucha itself for very small segments of the population. These are varied and rare, but that is no comfort if one is affected. To read more about both the benefits and side effects, read the Wikipedia article linked at the end of this day's entry and then refer to the references it cites.

While I can find no absolute evidence that kombucha aids digestion, I must admit it seems to help my own digestive functions. This could be completely coincidental with a period of better than normal digestion or there could be a placebo effect at play, but for now I am content to think there may be some benefit from the kombucha itself.

Brewing Kombucha

Two batches of kombucha, one gallon and 1/2 gallon
Photo at right: Two batches of kombucha in 1-gallon and 1/2-gallon fermentation jars, cover removed to show mushroom. Both vessels are on rubberized heating pad designed for kombucha production.

Making a batch requires four things:

A mushroom from a previous batch
1/2 to 1 up of kombucha from a previous batch
A quantity of freshly brewed tea, usually black tea but green is okay
Approximately 1 cup of sugar per gallon of tea

To begin making kombucha you need to obtain the first two items from another kombucha maker or from a vendor. The cultures (mushrooms) usually are about 51/2 to 6 inches in diameter because most gallon jars reduce to that diameter above their shoulder, but they can be any size. I use a gallon-size glass canister with a 7-inch inner diameter for my kombucha fermentation and began my first batch with a 5 3/4-inch culture, but a new mushroom formed over it and was 7 inches in diameter.

First you brew a strong tea. As I said before, black or green teas are preferred, but not blends containing substances with natural oils in them -- Orange Pekoe and Earl Grey are two to avoid. Tea bags make the process easier to manage (6-8 bags per gallon) but you can use loose tea (2 tablespoons per gallon) and strain the leaves out afterwards. After the bags/leaves have been removed, add sugar at the ratio of 1 cup per gallon and stir it until dissolved. Cover the pot of tea and allow it to cool to room temperature.

In a fermentation jar, which should be glass, ceramic or inner-glazed earthenware, place a fresh culture (mushroom) and 1/2 to 1 cup of fresh kombucha. When the tea is fully cooled, pour the sweetened tea over the mushroom. The mushroom may sink or float; it makes no difference. Cover the mouth of the jar with a closely woven cloth held by a rubber band and place the jar in a warm place.

In 2-3 days the new mushroom will have covered the surface as a thin layer, but it will grow fairly quickly. Smell the covering cloth after about a week. You should smell acetic acid as vinegar. Remove the cover and slip a straw past the edge of the new mushroom to a depth of 2 inches and take a sip. If it is sweet, replace the cover and wait. Taste it daily. It will become more acidic each day and at some point will taste "right" to you. This assumes you have tasted kombucha before. If you haven't, call your local Whole Foods or other such market and ask if they have it. I've found it in four large markets in San Antonio. Buy a bottle and drink it. It will be acidic. It will probably be effervescent. It may be flavored. But it at the vey least it will taste like kombucha.

Mine tend to taste right to me around the 10th or 11th day. At that point I slip a short racking cane (with tubing attached to the outer end) between the mushroom and the glass and siphon the new kombucha into glass bottles with screwcaps. I leave behind about a cup or two of liquid with the mother culture. When bottling is done, I lift the mushroom and remove the old one used to start this batch. It usually is stuck to the bottom of the new one, so I peel them apart and remove the old one.

The divided cultures can each be used to start a new batch of kombucha or the old culture can be given to a friend with some of the tea as a starter for his or her kombucha. I have heard that the old culture can be cut up into strips or cubes and cooked into soups, stews or other dishes like tofu and consumed. I have never tried this, but have placed them in a blender with some water and made it into a slush which I pour over my compost pile. The new kombucha culture is retained in the tea until a new batch needs to be started in a few days.

The bottled kombucha can be kept at room temperature or refrigerated. If left out, you can expect it to continue fermenting in the bottle and will become effervescent. If you do this, just be sure the bottles can withstand a little internal pressure without exploding. I refrigerate mine and drink it cold. Refrigerating it prevents it from continuing to ferment.

Plain kombucha tastes like acidic tea. The taste is easily acquired and not at all unpleasant, but with my second batch I began experimenting with adding other flavors to it. A couple of thin slices of ginger root added to the brewing tea and removed when the tea bags are removed produced a pleasant gingery flavor. Similarly, a cinnamon stick takes the flavor in another direction. I have not tried vanilla beans but could. But I have crushed and strained some store-bought blackberries and added the juice to the kombucha as it is bottled. This sweetens the kombucha slightly while flavoring the drink.

As with winemaking, the making of kombucha should be done in a clean, sanitize environment using sanitized equipment, fermentation vessels and bottles. If bottles are left at room temperature or a batch is fermented at too cold, it is possible for mold to grow on its surface and spoil it. However, once it starts becoming acidic it is usually protected against spoilage by the acetic acid. I have never experienced spoilage yet. To ensure a warm fermentation environment I place my working batch on a rubberized heating pad designed for kombucha production.

Kombucha can be consumed at any time, but I drink mine with or just after a meal. If there are in fact digestive benefits to kombucha, this seems the most reasonable way of obtaining them.

There are dozens of sources online for obtaining kombucha mushrooms and enough fresh kombucha to start a batch. I obtained the heating pad from one of the sources when I purchased my starter culture.



Bread Pudding with Frangelico Sauce

Bread pudding with bourbon sauce

Back in April 2010 my wife, son and granddaughter vacationed on Galveston Island after my retirement and ate shrimp platters and other repasts at Bistro LaCroy on the Strand. After the meal, owner Tommie LaCroy served us a bread pudding which he claimed would be the best bread pudding we had ever eaten or it would be on him. Well, it was indeed the best bread pudding any of us had ever eaten and I gladly paid the bill. I have been trying ever since, without success, to make a bread pudding that held a candle to it. Well, I have come close.

Any bread pudding aficionado will tell you that it is the sauce that makes it or breaks it. This belief is only 75% true. Tommie's bread budding, which is made from a secret family recipe, is fantastic in itself. The sauce simply makes it exceptionally decadent.

I have given up trying to duplicate the LaCroy bread pudding, even though Tommie's cousin and Bistro LaCroy co-proprietor Barbara Davis shared a few secrets about it with us. I am convinced minor details were left out that make a difference -- the particular brands of key ingredients perhaps, or the particular bread used. And she simply clued us in on certain ingredients, not their proportions. Since I now realize I cannot duplicate LaCroy's fabulous bread pudding, I am instead trying to make a bread pudding that makes a statement in its own right.

My latest attempt took liberties Tommie LaCroy did not, adding Frangelico Original Hazelnut Liqueur to both the bread pudding and the sauce. It gives it a complex flavor my previous attempts lacked. I also used a different sugar that, I am convinced, also adds a little je ne sais quoi to the result. Finally, and this is very important, I used golden raisins soaked overnight at room temperature in enough Sailor Jerry's Spiced Rum to cover the raisins with another 1/2 inch of the rum above them. Take a look....

Pudding:

  • 6 cups Italian bread cut into 1/2-inch cubes, crust on
  • 1/2 cup golden raisins soaked overnight in Sailor Jerry's Spiced Rum (divided) (any spiced rum will do, but Sailor Jerry's is exceptional)
  • 1 1/2 cups whole milk
  • 3 tablespoons Frangelico Original Hazelnut Liqueur
  • 2/3 cup Zulka brand Morena Pure Cane Sugar
  • 1 tablespoon and 1 teaspoon pure vanilla extract
  • 3/4 teaspoon ground cinnamon
  • 1/4 teaspoon ground nutmeg
  • 1/8 teaspoon ground mace
  • 1/8 teaspoon fine sea salt
  • 3 jumbo or 4 large eggs, beaten lightly and strained through wire mesh

Topping:

  • 1/4 cup light brown sugar, firmly packed (crumble finely before using)
  • 1/4 cup pecan pieces, chopped small
  • 3/4 teaspoon ground cinnamon

Frangelico Sauce:

  • 2/3 cup Zulka brand Morena Pure Cane Sugar
  • 1/3 cup light Karo Corn Syrup
  • 5 tablespoons butter
  • 1/2 teaspoon pure vanilla extract
  • 1/3 cup Frangelico Original Hazelnut Liqueur

Optional (see Note):

  • Hershey's Caranmel Syrup

On the night before making the pudding, measure the raisins, place in a lidded container, and cover with Sailor Jerry's Spiced Rum to 1/2 inch above raisins. Place lid on container and set aside unrefrigerated until needed the next day. Before using, drain the raisins over a bowl to retain the rum. Transfer rum to a glass and set aside.

In a bowl large enough to hold all of the pudding ingredients (2-quart is minimal, 2 1/2-quart about right), combine the milk, Frangelico, Zulka Morena sugar, vanilla extract, cinnamon, nutmeg, mace, sea salt, and beaten eggs and stir well with a whisk. Add the bread in stages, tossing to coat as you go. When the bread is all in, add half the raisins and continue tossing to mix in. Spoon the mixture into a greased (I use butter-flavored Crisco) 11-inch x 7-inch baking dish. Distribute remaining raisins evenly over mixture, pressing each one between pieces of the bread. Cover the baking dish with foil and refrigerate for 1 1/2 to 2 hours.

Preheat oven to 350 degrees F. Bake the pudding, foil covered, for 20 minutes. Remove, uncover and sprinkle pecan pieces and brown sugar evenly over the top. Lightly dust the top with cinnamon (using a clean salt shaker to distribute the cinnamon works very well). Return to oven uncovered and bake an additional 12-15 minutes or until a toothpick inserted in the center comes out clean. Set aside on cooling rack.

While baking the final 12-15 minutes, prepare the sauce. Combine sugar, corn syrup, butter and vanilla in a small saucepan and set on medium heat. Stir constantly while bringing to a simmer, holding simmer for one minute. Remove from heat and stir in the Frangelico Liqueur. Transfer to a serving bowl equipped with a gravy ladle. Ladle sauce generously over each serving of warm bread pudding.

If you want a stiffer sauce, you can add 1 small egg, beaten, into the corn syrup before combining for the simmer.

Note: For a truly decadent bread pudding, very lightly dribble Hershey's Caramel Syrup over the bead pudding before ladling the Frangelico sauce over each serving piece. By lightly, I mean a thin dribble making an "S" pattern over a square or double "S" over a rectangular serving. The caramel need not be heated as the pudding and sauce will both transfer their heat.

I swear, short of visiting Bistro LaCroy on the Strand in Galveston, bread pudding doesn't get much better than this.




December 5th, 2012

Wow. It's December 5th already! Only 20 days until Christmas. I have to get my packages in the mail soon.

Sometime in the past couple of days I must have heard a commercial that played the song "Happy Holidays" because I woke up with it in my head this morning, complete with full orchestration. It took several hours for it to play out and allow my head to be music free.

Then I ran to Wal-Mart for some mouthwash and laundry detergent and they were playing Christmas music. Yes, just as I dug out my wallet to pay they played "Happy Holidays."

After I post this blog entry I'm going to put on a CD of nature sounds and do some meditation....


Victoria, unnumbered artist proof, by Christine Rosamond, 1976, image copyrighted by Rosamond Publishing, used under Fair Use Doctrine of 1984, no commercial value derived from this publication
Victoria, artist proof, by Christine Rosamond,
1976, image copyrighted by Rosamond Publishing,
used under fair use doctrine of 1984

I was talking recently to a friend in Virginia I have not seen in over 20 years. Somehow the conversation turned to things we collect and after a bit he asked what I considered my most prized possession. Without hesitation I said my artist proof of Christine Rosamond's "Victoria," pictured here. It hangs in my living room above a love seat. I purchased it and the majority of my Rosamonds from the late Garver Johnson at his Royce Galleries, in Denver.

Christine Rosamond (1947-1994) was an exceptional, self-taught artist. She exhibited her first work in Los Angeles in 1972 and within six months would achieve national acclaim. By the time I discovered her in 1976, she had become the most published artist in the world, surpassing even Norman Rockwell and Salvadore Dali. And yet, even today her name is not well-known.

On March 26, 1994 the world lost this very talented and treasured artist on the Pacific's rocky coast. My friend and former wife, Michele, called from half-way across the country the next morning to tell me Christine had drowned while swimming near Big Sur with her daughter. She was caught by a rouge wave and swept away. Her daughter survived.

The artistic legacy of Christine Rosamond is a body of work which eloquently expresses the essence of femininity with a simple charm and beauty that can only originate in the heart of the artist. She was a master of using negative space to complete her compositions. This can clearly be seen in "Victoria."

I own 19 Rosamonds. I collect many things but value these above all else. But I value "Victoria" foremost.

As an aside, I am amused by how many websites have plagiarized entire sections of my tribute page to Christine Rosamond, omitting only the personal perspectives I included. I suppose if you can't write (or rewrite), you plagiarize. Attribution would have been nice (and proper), but we live in a society growing less respectful every day. I'd better leave it at that....

Oh, and some of what I wrote above was cut and pasted from my own tribute page. In other words, I plagiarized myself.



Nannyberry Wine

Nannyberries with autumn leaves, photo from Miller Nursery, with permission

A reader asked me if I had a recipe for nannyberry wine. My response was sincere and accurate as far as I knew, but upon reflection I realized it was only a partial answer. So let me try to do a better job here.

Nannyberry is a name assigned to the berries of several plants in the large bush to small tree category but two dominate. In the South the names nannyberry, southern nannyberry and rusty nannyberry refer to Viburnum refidulum, also known as the bluehaw, blackhaw, southern blackhaw and rusty blackhaw. It can reach a height of 30 feet, produces large clusters of white flowers in the spring that give way to dark blue to blue-black fruit in the autumn. They sport a central disc that contains the seed. The pulp is thin but very tasty, a cross in flavor between raisins, prunes and dates with the sweetness of the latter.

From Kentucky and Virginia north into Canada and west into Colorado and Wyoming the names nannyberry, sheepberry, wild raisin, blackhaw, and sweet virburnum refer to Virburnum lentago. It is a slow growing shrub that reaches small tree heights of up to 28 feet. Their taste has been described as "hints of banana, prunes, raisins and even a slight 'holiday spice,' all with the distinctive and unique Nannyberry flavor."

"The fruit is dramatically different from others in the fact that it is only ripe when it looks slightly overripe. That is, when it is just beginning to wrinkle like a raisin. Also, the texture is unique in that it is not really juicy, but more fig-like...." [See link below for source of quotes.]

For eating, the fruit to seed ratio presents a problem. A large central seed is best removed in bulk by gently simmering them in a little water for 30-60 minutes and then running them through a food mill while still hot. The seeds are separated and the harvest becomes "the distinctive puree of Nannyberry: a thick, black creamy pudding." This need not be done to make nannyberry wine, but it would certainly make the yeast's job a lot easier.

Nannyberry wine in secondary

The recipe for the southern nannyberry or southern blackhaw is posted elsewhere on my site (see link following this day's entry). I had assumed the recipe for the northern nannyberry, the Virburnum lentago, was the same, but it is not. I offer here a different recipe, with apologies to the reader who wrote me requesting it.

A note of warning here: this wine should be fermented with a wrapping around the carboy or in a dark closet. The photo at the right shows that fermenting and aging in ambient room light degrades the color from deep reddish-purple to a dull red, but the flavor was not affected as far as I could determine. I live and learn and report it here so you can avoid my mistakes.

  • 3 1/2 lbs ripe nannyberries, destemmed
  • 1 lb 12 oz finely granulated sugar
  • 7 pts water
  • 1 1/2 tsp acid blend
  • 1/2 tsp pectic enzyme
  • 1 tsp yeast nutrient
  • 1 pkt Red Star Pasteur Red or Lalvin RC212 wine yeast

Destem and wash the berries, then place them in a pot with 1 quart water, bring to a simmer and maintain for 45 minutes. Place a ricer or metal colander over a large bowl and mash the fruit, working the cooking water and pulp through the ricer/colander. Discard seeds. Retain water and pulp and, while still hot, stir sugar into it until completely dissolved. Transfer to primary, add remaining water, acid blend, yeast nutrient and pectic enzyme. Stir briefly, cover with sanitized cloth and set aside for 12 hours. Add activated yeast in a starter solution, re-cover the primary and stir daily for 7 days. Strain through muslin into secondary, squeezing muslin to extract all juice. Do not top up. Attach airlock and ferment 30 days in a dark place.

Rack into clean secondary, stir in a finely crushed Campden tablet , top up, reattach airlock and set aside in dark place. Rack again in 45 days and again after an additional 45 days, stirring in another finely crushed Campden tablet and 1/2 teaspoon potassium sorbate during this racking. Wait 30 days and carefully rack into bottles. Cellar at least 3 months in darkness before tasting, but should improve greatly at 12 months. [Jack Keller's own recipe]



Chicken Recipe With A Spicy Tang

Boneless, skinless, mustard chicken thighs

One of my father's favorite dishes is mustard chicken. I've made it many times, many ways, having adopted my father's love for it after making it just once. There are scores of ways to prepare a dish that fits the name, but I like to create my own. This one would win a prize if I knew where to enter it.

First a word about mustard. There are mustards and there are culinary mustards. In America mustard is that bright yellow stuff most people use to adorn a hot dog or sandwich but is just not well suited for incorporating into a cooked dish. Mustard is also that brownish stuff that tastes more refined -- i>Grey Poupon is one of the better known brown mustards that cooks well. For sandwiches and burgers I have always preferred a brown honey mustard, but for cooking I preferred brown mustards with some fire in them -- mustard with chipotle is nice, but mustard with horseradish is better. But for a spicy mustard, the mustard I used here is now my standard.

Based on a recommendation, I tried Colman's Original English Prepared Mustard for this dish with a certain skepticism. It isn't bright yellow, but still more yellow than brown. My recipe below changed my impression, for this is a true, spicy culinary mustard and this dish is the proof.

Colman has been making their Original English Prepared Mustard for nearly 200 years. It is made from a blend of brown (Brassica Juncea) and white (Sinapis Alba) mustard seeds grown locally near the Carrow factory at Norwich, England. Don't make this dish with any other mustard! Trust me on that.

Jack Keller's Mustard Chicken Thighs

  • 8-10 boneless, skinless chicken thighs
  • 2/3 cup Colman's Original English Prepared Mustard (no substitution)
  • 3/4 cup Panko style bread crumbs (any brand, but no substitution)
  • 5 tablespoons butter, melted
  • 2 1/2 tablespoons lemon juice
  • 2 1/2 tablespoons water
  • 2 teaspoons onion powder
  • 1/2 teaspoon garlic powder (optional)
  • hot paprika to taste (or mild, if you prefer)

Preheat the oven to 350 degrees F. Spray a non-stick oil in a 1 1/2 or 2-quart baking dish.

Brush the chicken thighs on all sides with the Colman's mustard. Place the Panko bread crumbs in a shallow dish and press the chicken thighs into the crumbs and turn to evenly coat all sides. Arrange the chicken thighs in the sprayed baking dish, smooth side (where the skin was removed) up. The chicken will exude a lot of water, chicken juices and some fat while cooking -- from the cut (deboned) side.

In a bowl, mix the remainder of the mustard, melted butted, lemon juice, water, onion powder and garlic powder. Dribble about one tablespoon of this mixture over each chicken thigh and pour the remainder around and between the thighs.

Cover the baking dish and bake 45 minutes in the preheated oven. Uncover, sprinkle the paprika over each thigh and continue baking, uncovered, for 15 minutes.

In the South, mustard chicken is traditionally served with rice. After the chicken thighs are placed on serving plates and a side of rice added, quickly stir the drippings and residual mustard mixture, pour into a gravy boat and use to lightly dribble over the rice. Any vegetable side will complete the meal but green beans, buttered broccoli, okra, or cooked (but not overcooked) carrots are good choices. I paired this with a Kumquat Wine my friends in Tennessee sent me. It was the right choice.




November 28th, 2012

I hope everyone enjoyed Thanksgiving with loved ones. It is a day for being thankful for abundancy -- in harvest, in blessings, in love, fellowship and caring, and in life's rewards. Rewards are not merely material or financial in nature, and in fact life's greatest rewards are neither.

Thanksgiving in America is usually a huge meal centered around a turkey. I am not a great turkey fan, so I prepared a boneless leg of lamb roast.

My method was simple. I prepared a moist rub of minced garlic, fresh rosemary (chopped), coarsely ground white pepper, lemon juice, warmed coconut oil, and two teaspoons of a dry white wine I had open, rubbed the roast well, seared it in a hot oven (450 degrees F.), and then reduced the heat to 325 and cooked it until the internal temperature was 126 F.

I removed it from the oven, poured the drippings into a saucepan and tented the lamb with aluminum foil. After 20 minutes the internal temperature read 132 F. and I carved it. Meanwhile I prepared the drippings into a sauce with two tablespoons of Geaux Ragin Cajun's Louisiana Sweet Blueberry Pepper Jam. I served it with roasted carrots and parsnips and whole leaf spinach cooked in butter alone.

I was going to pair it with Brushy Creek 2009 Rachel's Reserve Tannat, but at the last minute decided to open my final bottle of my own 2009 Blueberry Mead to pair with the sauce. I'm glad I did. It was absolutely perfect, although I was surprised it had aged so well.

I will get many meals out of the leftover lamb, and leftovers are my favorite part of Thanksgiving meals.


Patti Page, circa 1950, photo in public domain

I don't know where these things come from. I woke up this morning with the 1950 Patti Page hit "The Tennessee Waltz" stuck in my head. I have no idea when I last heard that song, but I would guess over 40 years ago. So why was it in my head when I woke up and what part of memory could it have escaped from? Since I wake up with a song in my head every 2-3 days, I'd sure like to know the answers. There's a file in my head I need to keep closed when I sleep.

"The Tennessee Waltz," lyrics by Redd Stewart and music by Pee Wee King, was Patti Page's career signature song, hitting number 1 on Billboard in December 1950, staying there for 13 weeks and charting for a total of 30 weeks. It was her second number 1 song -- the first was "All My Love (Bolero)", which hit number 1 in mid-1950 -- and her third million-record seller (her first was "With My Eyes Wide Open, I'm Dreaming", also released in 1950). "Tennessee Waltz" sold over 7 million copies in the early 1950s and has sold nearly 15 million copies to date. It holds the distinction of being the last song to sell a million sheet music copies. Up until 1974, it was the all-time best selling song in Japan. Who'd have guessed that?

Patti Page had a career 110 chart hits, recorded 40 studio and 2 live albums, and was the first artist to over-dub her own songs with harmonies. Her 1947 "Confess" was the first over-dubbed song.

Patti Page was born Clara Ann Fowler in Oklahoma, where she was raised, and her roots were country. Mitch Miller, who controlled Mercury Recordsduring the 1950s when Page was recording there, liked the simple-structured melodies and storylines in country music and adapted them to pop music. Patti Page was keen to this idea and many of her songs charted both on the pop and country charts. In 1973 she decisively switched to country music as a career path. As a result, she is one of very few vocalists to make the country charts in five separate decades. "The Tennessee Waltz" is one of her crossover songs.

I was dancin' with my darlin'
To the Tennessee Waltz
When an old friend I happened to see
I introduced her to my loved one
And while they were dancin'
My friend stole my sweetheart from me

I remember the night and the Tennessee Waltz
Now I know just how much I have lost
Yes, I lost my little darlin'
The night they were playing
The beautiful Tennessee Waltz



Too Full Flor Dessert

Too Full Flor Dessert cocktail, made with Flor De Caña 7-year Grand Reserve Rum, Licor 43, chocolate ice cream and vanilla syrup

I was recently introduced to a wonderful cocktail I want to share with you. I was going to serve this at Thanksgiving but lacked an essential ingredient. Instead I served vanilla ice cream with a sweet Maraschino Cherry-Chocolate Wine sent to me from Tennessee. Now, having assembled the necessary ingredients, I made myself a "Too Full Flor Dessert" cocktail and have to say it is incredible.

First, a word about the "essential" ingredients. I cannot imagine any substitutions. Each is so unique that I consider them essential. You will need Flor De Caña 7-year Grand Reserve Rum, Diego Zamora Licor 43, chocolate ice cream and vanilla syrup; four mint leaves as garnish are less essential but add a little je ne sais quoi to the overall that should be included if at all possible, especially if you are making it for guests. The ingredients are:

2 oz Flor De Caña 7-year Grand Reserve Rum
4 mint leaves
1 scoop chocolate ice cream
½ oz vanilla syrup
½ oz Diego Zamora Licor 43

Pour all ingredients except the mint leaves in a mixing glass. Shake for 20 seconds. Serve in a chilled martini glass with the mint leaves as garnish.

Alternative recipe. Bruise four mint leaves. Pour all ingredients in a mixing glass. Shake for 20 seconds. Serve in a chilled martini glass with the mint leaves incorporated. This version allows the mint to impart a very slight flavor to the cocktail but is not as pretty a presentation.

Flor De Caña 7-year Grand Reserve Rum is an exceptional rum and can be used in any classic rum cocktail with excellent results. Here's another recipe that requires fewer ingredients and is very flavorful.

Eternal Bliss

Pour the following into a chilled mixing glass:

1 oz Flor De Caña 7-year Grand Reserve Rum
1 oz fresh lemon juice
2 oz white cranberry juice

Shake and strain into a cocktail glass. Garnish with two maraschino cherries on a skewer.

Vanilla Margarita 43

Don't buy a bottle of Licor 43 just for the Too Full Flor Dessert cocktail. Buy it because it is a great liqueur that is delicious all by itself on the rocks and centers in many other cocktails as well. Its taste is a blend of Mediterranean flavors with hints of vanilla and citrus. The Vanilla Margarita 43 is my favorite:

3/4 oz Licor 43
3/4 oz tequila (I use Patron Silver)
1/2 oz fresh lemon juice
1/2 oz simple syrup

Shake and strain over crushed ice in a margarita glass (rim salted or not, according to taste ad diet). Garnish with a slice or wedge of lime and enjoy!



Pawpaw Wine

Pawpaw flesh and seeds, photo from HoCo Connect under fair use doctrine, not for commercial use or gain

I received an inquiry concerning making wine with frozen pawpaws. The writer noted that his pawpaws had turned brown in the freezer and asked if they could still be used for wine. He also asked if I knew of a way to keep pawpaws from turning brown in the freezer. I have answers.

Pawpaws, botanically known as Asimina triloba, are truly an American fruit. Related to the cherimoya, atamoya, guanabana, and soursop, pawpaws are the only member of the Annonaceae family adapted to temperate zones. They grow in 28 eastern states and portions of Ontario.

Pawpaw fruit have a custard-like texture, a unique, tropical flavor and a fruity, floral aroma. Native Americans prized them so dearly they are one of the few trees they cultivated. George Washington savored them chilled as a dessert. Lewis and Clark subsisted on them for a period. In short, it is a superb fruit completely overlooked by the majority of Americans today. But, I digress.

Let's handle the second and third questions first.

Yes, you can still use the brown pawpaw flesh for wine. The brown color is oxidation and the pigment will precipitate out after fermentation. The oxidation will not be transferred to the wine.

Preventing the browning is relatively easy. I'm sure there are several methods that will work, but I will only report the method I know personally.

You must begin before you cut the fruit. Fill a large bowl or stock pot about a third full with cold water. Add to it 2 tablespoons of Fruit Fresh, an anti-browning agent, and stir to dissolve. Now cut the fruit in half lengthwise and deseed them. There is no need to remove the sac around each seed but you may if you wish. It is both edible and fermentable. The seeds, however, are neither and must be removed.

Once the seeds are removed, use a large spoon and begin separating the pulp from the inner peel. Drop each spoonful into the water. Continue until all the pawpaws are finished.

One usually freezes pawpaws in the amount to be used at some future date in a recipe. They bake well and can be used in any bread, cake, pie or pastry recipe calling for bananas or applesauce. They are excellent in puddings and ice cream. They can be frozen in freezer containers or freezer-weight ZipLoc bags. Simply remove them from the water and pack them in the container or bag, pressing out all the air between pieces. If placed in a plastic container, plastic wrap can be pressed against the pulp to seal any air from the fruit and then closed with a lid and frozen. In a bag, once the air is pressed out the bag is sealed and frozen.

Pawpaw Wine

Frozen in 3-pound lots, each flavoring a gallon of wine, the pulp can be thawed and used without further preparation. The wine is best dry and served chilled. It should not exceed 12.5% alcohol.

  • 3 lbs ripe pawpaw pulp, thawed if previously frozen
  • 1 lb 13 oz finely granulated sugar
  • 7 pts water
  • 1 1/2 tsp citric acid
  • 1 tsp pectic enzyme
  • 1/4 tsp powdered grape tannin
  • 1 tsp yeast nutrient
  • Champagne wine yeast

Put the water on to boil. Put the thawed fruit pulp in a nylon straining bag, tie closed, and place the bag in your primary. Mash the pulp in the bag, pour the sugar over the fruit and, when boiling, pour the water over that. Cove the primary and set aside to cool. When at room temperature, add all ingredients except the yeast. Recover the primary and set aside 12 hours. Add activated yeast as a starter solution. When the must is fermenting vigorously, stir twice daily for 7 days.

Drain the bag and squeeze very gently to extract most of the juice and flavor, then discard the pulp and transfer the liquid to a secondary. Attach an airlock and set aside for 2 months. Rack into a sanitized secondary, add a finely crushed and dissolved Campden tablet, top up and refit airlock. Rack and check wine for clarity after 2 months, then again if necessary after an additional 2 months. If wine has not cleared by then, fine with gelatin, wait two weeks, and rack carefully into bottles. Age an additional 6-12 months in the bottles. [Jack Keller's own recipe]




November 20th, 2012

This week greeted me with a lot of wine. I received the two bottles of Tannat I purchased from Brushy Creek Vineyards and Winery, two bottles from a winemaker in Florida who asked for an evaluation of each, and eight bottles from a winemaking couple in Tennessee who also asked for evaluations. It will take awhile to work my way through them, but I'll do my best.




I have already started evaluating the wines -- beginning with the Tannat. I received two bottles, the unoaked and Rachel's Reserve, a reputedly oaked wonder by Rachael Cook, Brushy Creek's esteemed winemaker. I wanted to try one -- I didn't know which -- with a nice rib eye steak.

The steak I selected at the market was thick, well marbled but not too large. I pricked it on both sides with a fork (you do it your way, I'll do it mine) and placed it in a Zip-Loc bag containing Dale's Seasoning for an hour, flipping it at half-time.

I grilled it over hot charcoal. Just before centering the steak I spread a handful of soaking wet hickory chips on the charcoal to create a thick smoke, placed the steak, and set the domed cover on the grill to lock in the smoke. After 8 minutes I basted the steak with Dale's and turned it over, then replaced the cover. After 6 1/2 minutes I moved the steak to a dinner plate and sided it with a generous helping of steamed and buttered asparagus. Simplicity itself.

I tasted the steak and only then decided to open the unoaked bottle. I did not want to mix hickory and oak. The wine was deep red -- not quite garnet -- and smelled of something as I poured it. Truffles? Some unknown woodlands herb? Not sure, but in the glass it had an earthiness to it that promised depth (and it certainly had that).

I cut another bite of steak and kept smelling the wine while I chewed. I swear I smelled saddle leather in there somewhere, and I am not one who has ever used leather to describe a wine before. But this wasn't any leather. This was the smell of a saddle after you've been in it 3-4 hours. Only this leather had herbal undertones...and something else. Dark chocolate? Not possible.

I took a very large sip. It was very full bodied and sank in my mouth. Great gripping tannins. Dear Lord, Les Constable has put blackcurrants and black raspberries in it. Absolutely wonderful. I started jotting down notes as I swallowed -- long finish, very satisfying residual flavors all throughout the mouth. Another bite of steak. Fantastic blending of wine and rib eye as I chewed. Have to remember to eat the asparagus....

Well done Brushy Creek, well done.




Regina Brett, photo from Doug Miles' podcast on 'Radio SRQ'
Regina Brett, on Doug Miles' podcast on
RadioSRQ

Regina Brett is a columnist for Cleveland's The Plain Dealer. In 2006 she wrote a column entitled "50 Life Lessons", which has since been the most distributed column she has written to date, and has been expanded to fifty chapters in her 2010 book, "God Never Blinks: 50 Lessons for Life's Little Detours". Regina's "50 Life Lessons" have been published on other blogs and Facebook, as well as linked to on Twitter. They are so common sensical and yet insightful I am posting them here for any who have not seen them, with deep appreciation to Regina Brett for sharing them with us.

1. Life isn't fair, but it's still good.
2. When in doubt, just take the next small step.
3. Life is too short to waste time hating anyone.
4. Don't take yourself so seriously. No one else does.
5. Pay off your credit cards every month.
6. You don't have to win every argument. Agree to disagree.
7. Cry with someone. It's more healing than crying alone.
8. It's OK to get angry with God. He can take it.
9. Save for retirement starting with your first paycheck.
10. When it comes to chocolate, resistance is futile.
11. Make peace with your past so it won't screw up the present.
12. It's OK to let your children see you cry.
13. Don't compare your life to others'. You have no idea what their journey is all about.
14. If a relationship has to be a secret, you shouldn't be in it.
15. Everything can change in the blink of an eye. But don't worry; God never blinks.
16. Life is too short for long pity parties. Get busy living, or get busy dying.
17. You can get through anything if you stay put in today.
18. A writer writes. If you want to be a writer, write.
19. It's never too late to have a happy childhood. But the second one is up to you and no one else.
20. When it comes to going after what you love in life, don't take no for an answer.
21. Burn the candles, use the nice sheets, wear the fancy lingerie. Don't save it for a special occasion. Today is special.
22. Overprepare, then go with the flow.
23. Be eccentric now. Don't wait for old age to wear purple.
24. The most important sex organ is the brain.
25. No one is in charge of your happiness except you.
26. Frame every so-called disaster with these words: "In five years, will this matter?"
27. Always choose life.
28. Forgive everyone everything.
29. What other people think of you is none of your business.
30. Time heals almost everything. Give time time.
31. However good or bad a situation is, it will change.
32. Your job won't take care of you when you are sick. Your friends will. Stay in touch.
33. Believe in miracles.
34. God loves you because of who God is, not because of anything you did or didn't do.
35. Whatever doesn't kill you really does make you stronger.
36. Growing old beats the alternative -- dying young.
37. Your children get only one childhood. Make it memorable.
38. Read the Psalms. They cover every human emotion.
39. Get outside every day. Miracles are waiting everywhere.
40. If we all threw our problems in a pile and saw everyone else's, we'd grab ours back.
41. Don't audit life. Show up and make the most of it now.
42. Get rid of anything that isn't useful, beautiful or joyful.
43. All that truly matters in the end is that you loved.
44. Envy is a waste of time. You already have all you need.
45. The best is yet to come.
46. No matter how you feel, get up, dress up and show up.
47. Take a deep breath. It calms the mind.
48. If you don't ask, you don't get.
49. Yield.
50. Life isn't tied with a bow, but it's still a gift.

If you weren't awed, read them again...slowly.




One more "rambling" entry and we'll get on to winemaking.

Powerline, a conservative blog, held a competition earlier this year with a cash prize for whoever could most effectively and creatively dramatize the significance of the federal debt crisis. Any creative product was eligible: videos, songs, paintings, screenplays, Power Point presentations, essays, performance art, or anything else. Several entries have gotten a lot of attention and a lot of views or listens. But unquestionably, the hands down winner in People's Choice voting (62%) was "The Doorbell."

You may have seen this elsewhere as it has had well over 1,000,000 views on Power Line Channel, YouTube, Big Hollywood, and other venues. Enjoy reality....


The bottom line will increase greatly by 2016, so remember who you voted for.



Pumpkin Pie Wine for the Holidays

The author's Pumpkin Pie Wine label, 2008

A woman wrote me today and asked if I could give her a recipe for a pumpkin pie wine she could make for the holidays. I told her pumpkin pie wine takes two years to age, but I explained how to infuse a white wine with pumpkin pie spices for this year and also provided her a recipe for a wine she could start now for the 2014 holidays.

To infuse a wine take a shot glass (tall one if you have it) and add to it 1 1/2 teaspoons of prepared pumpkin pie spices (we use McCormick brand) and then very gently pour vodka over it until the liquid reaches the line for a shot of liquor. If you want to stir the spices in you can, but they will soak into the vodka soon enough. Carefully cover it with a piece of trimmed paper napkin, paper coffee filter or paper towel and secure it with a rubber band. Set aside in a cool place (even a corner of the refrigerator will do) undisturbed for a month.

The day before serving, open a bottle of sweet Moscato or other wine of choice and pour some into another shot glass up to the shot line. Drink this. Place a funnel into the bottle and line it with a paper coffee filter. Very carefully remove the paper covering from the shot of spices and vodka. Very slowly pour the vodka into the funnel, trying NOT to disturb the spices on the bottom of the glass. I would stop pouring as the spices start to flow into the funnel, but if you have lots of patience go ahead and pour them in. They will clog the coffee filter and it could take hours to drain completely unless you are very fortunate.

When the vodka has all drained into the wine lift the coffee filter and gather it. Gently squeeze it with your fingertips to get the last drop out and discard the filter. Place the cork (or a stopper) into the wine bottle, chill and serve it the next day.

Pumpkin Pie Wine Recipe

Blue Hubard Squash, photo from Wikimedia Commons under Creative Commons Attribution-Share Alike 3.0 Unported license.

You have a choice here. You can use sweet pie pumpkins (those small ones, labeled as Sweet Pumpkins or Pie Pumpkins) or Hubbard squash. Most people don't know this, but 90% (or higher) of all commercial pumpkin pies are made from Hubbard squash. They are far cheaper per pound than pie pumpkins, are immensely larger, have much thicker meat to work with, and when baked with pumpkin pie spices are indistinguishable from pumpkin.

Other squash that could be used, with lesser "pumpkin" flavor but still good, are acorn squash, butternut squash or turban squash.

Hubbard squash are huge, grayish-blue in color (although crosses with pumpkin come out pumpkin-orange or variated), and sort of football shaped or pumpkin shaped. They are near impossible to cut into with an ordinary knife. You'll need a meat cleaver, a hatchet or a large butcher knife and a hammer to start the cut. Once cut in half and deseeded, you can cut long strips of squash (2-3 inches wide) and then cut these into pieces and separate the flesh easily enough from the peeling. But one Hubbard will produce a LOT of flesh -- consider making wine, a couple of pumpkin pies and a casserole (use your favorite sweet potato casserole recipe) or two.

This recipe uses Hubbard squash and makes one gallon. To scale up, do the math.

  • 5 lbs ripe Hubbard squash flesh, grated
  • 2 lbs Demerara (or Turbnado) sugar (light brown sugar is a poor substitute)
  • 11-oz can of Welch's 100% White Grape Juice frozen concentrate
  • zest and juice of 3 Valencia oranges
  • zest and juice of 1 lemon
  • 1 tsp finely diced ginger root
  • 3 3-inch sticks cinnamon
  • 6-8 whole cloves
  • 1/4 tsp powdered grape tannin
  • 6 1/2 pts water
  • 1 tsp yeast nutrient
  • Champagne wine yeast

Put water on stove to boil. Cut and remove seeds from squash. Peel and grate squash and place in nylon straining bag with zest, cinnamon, ginger and cloves. Tie closed and set in primary. Remove water from heat and stir sugar and Welch's concentrate into water until sugar is dissolved and pour over nylon bag. Cover and set aside to cool. When cooled to room temperature, add citrus juice, tannin and yeast nutrient. Stir and add yeast in a starter solution. Re-cover and stir daily, punching down the bag each time, until specific gravity drops to 1.010 or below.

Remove and drip drain bag (do not squeeze). Discard bag contents. Transfer to secondary, add one finely crushed and dissolved Campden tablet, stir gently and fit airlock. Rack every two months for six months. Stabilize with one finely crushed and dissolved Campden tablet and 1/2 teaspoon potassium sorbate and let sit 10 days -- 30 days if you sweten it -- then rack into bottles. Cellar two years at least before drinking. [Jack Keller's own recipe]

Honestly, you should make at least 3 gallons. One large Hubbard will certainly support that.

Do NOT be tempted to taste this wine early. You will be disappointed. It should be ready for the 2014 holidays but if still rough save it for later. If you freeze the grated squash in gallon Zip-Locs with most of the air pressed out and start it next July, it will be perfect for the 2015 holidays.

With wines planned for holiday consumption, you have to plan well ahead. Hubbards, pie pumpkins and other substitutes are winter squash and will not be available in July, so buy now, start ther wine no or prepare the squash and freeze for future use.



Sluggish Fermentations

Chart 1, showing sluggish fermentation rate in three musts in Iceland

A winemaker in Iceland wrote to me about sluggish fermentations in three wines -- bilberry, crowberry (fresh) and crowberry (cooked). He sent along a chart he had prepared showing the rate of fermentation. There was no doubt the fermentation rate was slower than expected but only one must appeared in actual trouble. I replied with an educated guess and eight days later he sent me another chart showing great improvement. The thing is, he worked out the solution all on his own.

I focused on two things. First, the data he sent me. In addition to the first chart shown here, he also plotted the temperature of the bilberry wine using an in-the-wine probe that recorded the temperature every three minutes. All three wines are in a fermentation chamber (a converted freezer) kept at 21 degrees C (69.8 degrees F.) with a 0.5 C swing in either direction at very regular intervals. This is very close to the lower tolerance of the yeast he is using (RC212).

Secondly, I pointed him to a piece I wrote in my April 24th, 2007 WineBlog entry on "Undisclosed Ingredient." This concerns the propensity of certain berries, bilberries being one of them, that naturally contain benzoic acid in increasing amounts the farther north the berries are grown. In the entry I propose a strategy to overcome this acid, which renders yeast incapable of reproduction and thus sticks a fermentation. My implication was that he may have to resort to using this strategy, which is time and resource intensive.

To be fair, he actually included data that I somewhat ignored. For example, he informed me of his feeding of the yeast with both DAP and Fermaid-K and his plans to add more Fermaid-K; he asked if I thought he should add more DAP as well but I neglected to answer that question. He also said that all three musts were below pH 3.0 -- one at 2.8 and the other two at 2.5 He asked if the yeast were capable of sustaining fermentation in that acidic an environment. Again, I was focused on the northern latitude and actually thought his problem was with the bilberry, as the other two seemed to me to be fermenting fine, albeit slowly, and so I did not answer that inquiry either. My bad!

Chart 2, showing increased fermentation rate for three musts in Iceland

Exactly how he came up with his own "fix" is not clear to me, but it was excellent deduction. He examined the chemistry of his wines and decided to raise the pH of his cooked crowberry wine (identified as "krækiber cooked" on the charts) just to see what would happen. He raised it to 3.0 using potassium carbonate and after 24 hours saw a doubling of s.g. decrease. He then did that to the raw crowberry and the bilberry (albláber on the charts). All three wines increased their fermentation rate as a result, as seen on the second chart.

I should also report that he added 6.67g of DAP to the bilberry and saw an increase in fermentation rate after both DAP and pH corrections of three times the previous rate. After another 24 hours the rate doubled again.

As much as I would like to, I can take no credit for these improvements. I was so narrowly focused on the potential benzoic acid problem that I put on blinders and did not look at all the data with as much attention as I should have. I congratulate the winemaker for an excellent job of self-analysis.

Lessons to be taken away from this case study are that very low pH can indeed affect the fermentation rate of some musts, especially using RC212 yeast. Additionally, increased feeding during sluggish fermentation can also increase the rate of fermentation.

Actually, I should have done much better on this one than I did. All too often people send me problems with almost no data on their wine or how they are making it and expect me to pull a miracle out of the air. What is more amazing is that I very often pull it off. But here was a well presented case with lots of data and case history and I fluffed it. I am embarrassed, but I highlighted the case here because I am really proud of this winemaker. Way to go Manuel (a nice Icelandic name)!




November 15th, 2012

You folks are too kind. I received a couple of donations to help offset the expense of maintaining the WineBlog and Winemaking Home Page. I received numerous emails thanking me for my military service, commenting on the quotes from Alexis de Tocqueville, and commenting on my photos from our Vancouver Island trip. I received two regarding Tannat and Brushy Creek Tannat in particular and a few comments on the Kristy Lee Cook song I linked to. Interestingly, my entry on extended maceration drew no comments and I had three emails mentioning my string bean wine recipe.

Thank you all for your emails and continued support and understanding about email -- I answer very few so that I have some time for my own affairs, and I don't mean the General Petraeus or President Clinton kind of affairs.


I have much to write about today, so will dispense with my usual opening ramblings and jump right in. I hope you find something of interest here.

Postscript: It has taken me all day to get this written. Numerous interruptions were partly to blame, but the biggest setback was a power flicker and -- wouldn't you think I'd have learned by now? -- I hadn't saved it once since writing my short intro. I don't think my rewrite is as good as the original, but we'll never really know.



Sagrantino Indigenous Grape Receives Incredible Honors

Sagrantino grapes from Montefalco, Umbria, Italy.  Photo from Wikipedia Commons, under the Creative Commons Attribution-Share Alike 2.5 Generic license

It is not often that an indigenous grape garners any recognition, so when one is responsible for a winery winning Wine Enthusiast magazine's Wine Star Award for "European Winery of the Year," you just have to stop and take notice. The grape is Sagrantino, claimed to be the most tannic grape in the world and an indigenous varietal of Umbria, central Italy. The winery is Arnaldo Caprai. The wine is inky purple with a bouquet of dark red fruit and aged a minimum of 30 months before release, but only if then ready.

Sagrantino is an indigenous varietal of unknown origins grown in and around the village of Montefalco. Sagrantino di Montefalco was granted DOCG status in 1991, must be 100% Sagrantino, aged 30 months -- 12 in oak barrels -- before release. The wine was historically made in a dessert style or used in blending until 1976, when winemakers started making it in a dry style as well.

The Arnaldo Caprai winery wonWine Enthusiast magazine's Wine Star Award for "European Winery of the Year" with a dry wine that ages extremely well. Arnaldo Caprai purchased the winery in 1971. Then at 12.5 acres, today it is 370 acres with 336 acres in production in Montefalco, Gualdo Cattaneo and Bevagna, as well as the DOC Montefalco, DOC Colli Martani and DOCG Sagrantino di Montefalco production zones. It's quite a nice success story.

Arnaldo Caprai is represented by Folio Fine Wine Partners -- an importer, fine wine agency and producer of quality wines from the world's premiere and emerging wine regions.



Apple Wine, Applejack

A display of various apple cultivars of a variety of colors. Photo from inquisitr.com, with permission

As late autumn sets in the fruit selection in the produce department seems to sport only apples and a few fruit from the southern hemisphere. With so many apples, it is natural that a lot of people are making apple wine and a few are making applejack. You have to make apple wine before you can make applejack. Neither is very difficult.

In my humble opinion, cider apples generally make the best apple wine. Cider apples were selected based on sugar content, acidity and tannins. The English have been growing cider apples and making cider since before there were colonies in North America, so it would be prudent to look to them for cultivars best suited to cider making first.

Cider apples are usually divided into four categories: sweet (low acid, low tannin, good for blending), bittersweet (low acid, high tannin), sharp (high acid, low tannin), and bittersharp (high acid, high tannin). There are many nuances and styles of cider, which is outside the scope of this entry.

The best apple wine I have ever tasted was made from crabapples from a single tree, although the maker did not know the name of the crabapple cultivar. Having said that, my own experience has been different, mainly because I do not have an apple or crabapple tree and have to buy my base.

In my early days of winemaking I made a lot of apple wine from juice because it came in 1-gallon glass jugs and I needed 1-gallon secondary fermentation jugs. After I had collected 26 or so jugs it seemed silly to keep making apple wine from juice when there were so many other things to make wine from. After that, whenever I wanted to make apple wine I bought apples or found myself the recipient of a bunch of apples from someone with a tree.

If you rely on a farmers market or supermarket for your apples, you would do well to mix several cultivars for your wine. I usually buy a pound of any four of the following, using a ratio of 3 tart to 1 sweet. Among the tart are: 'Braeburn', 'Empire', 'Granny Smith', 'Gravenstein', 'Jonathon', 'McIntosh', 'Rome', 'Sierra Beauty', 'Winesap'. Among the sweet are: 'Fuji', 'Gala', 'Golden Delicious', 'Honey Crisp' (slightly tart), 'Jonagold', 'Pink Lady' (slightly tart), 'Sonya'. But this list is not inclusive. There are many, many cultivars out there and most fall into the tart or sweet side, although some straddle the line (like 'Honey Crisp' and 'Pink Lady').

The recipe for the apple wine required for the applejack is contained in the recipe for applejack itself. Read on!

A new and old bottle of Laird's Applejack, photo from their website

Applejack, or Apple Jack if you prefer, is a beverage with old roots in the United States, dating back to colonial times. Laird & Company claims to be the oldest continuously operating maker of applejack in the States, starting production in 1780. According to their website, George Washington asked for their recipe and was the only outsider who ever got it.

Laird makes their applejack by distilling. Most of us would run into trouble with the feds if we distilled apple wine into applejack. In fact, the method I will discuss here will get you into trouble with the feds, for any method of increasing alcoholic content outside of fermentation or fortification is illegal in the United States.

Thus, this entry is strictly for those living in countries which do not have such a law. I know of no such country, but I don't know everything.

So what exactly is applejack? Quite simply, it is fermented apple juice (or cider or wine) that has been distilled by whatever means to reduce the water content while retaining the apple flavor, thereby concentrating (increasing) the alcoholic content. The reason I said "fermented apple juice" and enclosed "or cider or wine" in parentheses is because both cider and wine imply a certain amount of craftsmanship has been applied to balance the drink while fermented apple juice implies no such thing. In other words, one can make terrible apple wine and still make good applejack from it. However, I am a firm believer that good apple wine makes a much better applejack.

The method espoused here will run counter to my last statement of belief as it makes no effort to produce a balanced wine from which to make applejack. The reason is simply to show how easy it is to make applejack. If you desire to add acid blend and tannin, o for it. There is no need, however, to add sulfites or pectic enzyme.

It is essential, before anyone begins this process, that they have two one-gallon plastic milk or juice containers or four half-gallon plastic milk or juice containers AND enough room in their freezer to store them. It is desirable, although not essential, that the freezer have an adjustable thermostat.

In addition, one should have several wide-mouth plastic containers capable of holding a combined total of two gallons volume. These can be plastic water or juice pitchers, plastic jars or any containers you have on hand. The key is that they be wide-mouthed. Lids are optional, as the containers can be "closed" with plastic wrap secured with rubber bands.

Other equipment one will need is a colander or large wire mesh flour sifter and a large funnel. Also, one will need normal winemaking equipment.

Ingredients needed are:

  • 1 gal apple juice (see *NOTE below)
  • 1/2 gal water
  • 4 lbs brown sugar
  • 2 tsp yeast nutrient
  • 1 pkt general purpose wine yeast (Champagne, Montrachet, etc.)

*NOTE: Check the label carefully and do not use juice that contains preservatives. Use only juice that has been pasteurized or irradiated to kill yeast, mold and bacteria (irradiated juices are completely safe to drink).

Bring water to boil. Remove from heat and add sugar. Stir until sugar is dissolved completely.

Pour apple juice into a primary container at least 2 gallons in volume. Pour sugar-water and yeast nutrient into apple juice and stir enough to dissolve the nutrient. Cover and set aside to cool.

Add yeast to juice. I would make a starter solution just to make sure the yeast is alive and active, but if you like living with uncertainty just sprinkle the yeast on top of the juice. Do not stir.

When juice shows distinct signs of fermentation, pour it into equal amounts through the funnel into the milk or juice containers. Two one-gallon containers or four half-gallon containers each will be filled to slightly over 3/4 full. Attach airlocks and set aside to ferment to dryness (3-4 weeks).

Transfer the wine (yep, it's wine) to the wider-mouth containers, filling only 3/4 full. Seal these (with lids or plastic wrap secured with rubber bands and set these in the freezer. Leave it for a day or two, until they form a body of ice or ice slush. If ice, it will be quite solid around the sides and on top -- less so on the bottom. Solid ice can be carefully removed and discarded, as it is just frozen water. The alcohol will not freeze and most of the flavor will concentrate in the alcohol. If the ice does in fact form a slush, pour the slush, a little at a time, through a colander or sifter into a bowl or other container. Allow the shush to drain freely and thoroughly and then discard the slush. Return the liquid to the wide-mouth containers, seal them and return them to the freezer.

Check the containers after 4-6 hours and, if ice has reformed, again follow the procedures above. Repeat this as often as necessary until no further ice forms.

If your freezer is set to 0 degrees ice will form until the liquid reaches 14% alcohol, only slightly more than apple wine. At -10 degrees, ice will form until 20% alcohol. At -20 degrees, ice will form until 27% alcohol. At -30 degrees, ice will form until 33% alcohol. Most home freezers are quite capable of reaching -20 degrees F. -- some even lower. For energy saving reasons, many are set to a higher temperature but normally have a thermostat to allow you to reset them to a lower temperature.



Apple Mallow Sweet Potato Bake

Apple Mallow Sweet Potato Bake, right from the oven

Just the name sounds delicious! An apple and sweet potato casserole covered with miniature marshmallows. Its good anytime, but should really be a crowd pleaser at the Thanksgiving table. And I think it will pair well with any off-dry white wine.

I made this just for me and managed to stretch it out to accompany six meals, thanks to my portion control diet.

The recipe is simplicity itself.

  • 1/2 cup Brown sugar, packed (I used dark)
  • 1/2 tsp Cinnamon
  • 2 Apples (tart preferred), peeled, cored and sliced
  • 1/3 cup Pecans, chopped (I used 1/2 cup)
  • 2 15 oz cans Princella or Sugary Sam Cut Sweet Potatoes, drained
  • 1/4 cup Margarine
  • 2 cups Miniature marshmallows or enough to cover

Preheat oven to 350°F. In a large bowl, mix brown sugar and cinnamon. Toss apples and nuts with combined brown sugar and cinnamon. Alternate layers of apples and sweet potatoes in 1 1/2-quart casserole. Dot with margarine. Cover and bake for 35 to 40 minutes. Sprinkle marshmallows over sweet potatoes and apples. Broil until lightly browned. Serves 4 to 6, depending on portions.

I think next time I'll add maybe 1/4 teaspoon of ground cardamom in with the cinnamon. I can almost taste it....




November 11th, 2012

Happy Veterans' Day! Remember, this is not a day to mourn the fallen, although we will certainly do that. Rather, this is a day to remember those among us who served and are serving their country in arms. The day to mourn the fallen is Memorial Day, in May, but they served and we include them in our remembrances this day.

To all who served, who are serving, and who will serve in the future, I salute you. Stand tall, walk proudly and persevere in all you do.


As I expected, I received mixed reactions on my post-election comments in my last blog entry. All but two were positive and supportive. However you felt about them, thank you for coming back to my WineBlog.

I believe President Obama' reelection team chose the only path to victory they had. Unable to run on a dismal economic record, they chose to divide the country into demographic segments and then launched negative ads against the character of a very decent and successful man in order to appeal to each segment. True, they had a superior ground network that got out the vote where it counted, but the one thing they never did was allow his record of economic failure to dominate the larger debate. Whenever his record was exposed by Romney/Ryan, they responded with character attacks that the media writ large echoed.

I am reminded of the genius of Alexis de Tocqueville: "I know of no country in which there is so little independence of mind and real freedom of discussion as in America."

Just as pertinent, also from de Tocqueville: "I have always thought it rather interesting to follow the involuntary movements of fear in clever people. Fools coarsely display their cowardice in all its nakedness, but the others are able to cover it with a veil so delicate, so daintily woven with small plausible lies, that there is some pleasure to be found in contemplating this ingenious work of the human intelligence."

The electorate has spoken. Thy will be done. Do not be surprised by the future.


Looking southeast from the pier at Port Renfrew, Vancouver Island, BC. Photo by Patrick Keller
Looking southeast from the pier at Port Renfrew, Vancouver Island,
BC. Photo by Patrick Keller

Just a couple more photos from the Vancouver Island trip. Just skip this section if you aren't interested.

This one is looking south from the Pier at Port Renfrew, the farthest west we traveled along the west shore of the island. There is no beach here that we could discern -- mostly a surf-worn rock shelf -- although Botanical Beach, considered a jewel of a beach, is located nearby.

The distant haziness is caused by a light rain in the San Juan de Fuca Strait and possibly on far land itself. A light drizzle was falling when we arrived here. We retreated into the Port Renfrew Hotel/Pub and had some great beer and fantastic burgers with sweet potato fries. After our feed the rain had let up and we explored the pier.

The water here is San Juan Bay and beyond it is the transition from the Pacific Ocean to the San Juan de Fuca Strait. The bay is usually calm but the Strait can becalm one hour and stormy the next.

The forests around Port Renfrew contain some of the largest trees in North America outside California's redwood and sequoia giants. The endangered Avatar Grove is pristine old growth, the Red Creek fir is the world's largest Douglas Fir, and the San Juan Spruce is Canada's largest Sitka spruce.

China Beach, Vancouver Island, BC. Photo by Jack Keller
China Beach, Vancouver Island, BC. Photo by Jack Keller

Looking east on log-strewn China Beach. Portions of this beach were so thick with driftwood we had to climb over the logs to continue onward. Accessible by a trail approximately 2/10 mile long that winds down a nice decline before dropping down a steep slope to a pile of driftwood you have to climb over to gain access to the beach. The brochures say it is a sandy beach, but we arrived at high tide and along most of the beach little sand was visible.

The Olympic Peninsula lies across the San Juan de Fuca Strait off-camera to the right. It was barely visible through a slow drizzle that thankfully missed us.

A stream outlet lies perhaps 300 meters ahead in this photo although not really visible here. There are two such stream outlets slicing this beach into segments. The other is near the west end of the beach, behind me as I took this photo.

There were some really interesting shaped driftwoods on this beach suitable for craftwork, but most were too large to haul up the trail to the parking area (which I doubt is even allowed).

Seashell with seaweed attached, China Beach, Vancouver Island, BC. Photo by Jack Keller
Seashell with seaweed attached, China Beach, Vancouver Island, BC.
Photo by Jack Keller

I found this shell with seaweed rooted to it along China Beach. I left it because I knew it was doubtful it would have survived the climb back up the trail intact. I'm glad I did, as I have since learned that removing shells and rocks from the Provincial beaches is prohibited. I wonder if my wife will become a wanted person in Canada for removing a dozen or so rocks from French Beach....

The waterway to the right is the migratory route for an estimated 17,000 whales annually. The orcas were migrating while we were there, but we never saw any -- from land or our two ferry crossings.

China Beach is the eastern trailhead for the 47-kilometer Juan de Fuca Marine Trail. The trail ends at Port Renfrew. Port Renfrew is also the southern end of the West Coast Trail, a world famous hiking trail built in 1907 along the west coast of Vancouver Island to save shipwrecked sailors. Between 1830-1925, 137 major shipping tragedies occurred along Vancouver Island's west coast. The waters off Port Renfrew were known as the Graveyard of the Pacific in the days of sailing ships.

China Beach is located 37 km west of Sooke and 4 km west of the Jordan River.


Brushy Creek Tannat wine label

A woman new to winemaking wrote and asked what was the purpose of my piece in my last entry on Tannat. I guess I didn't elucidate enough. My purpose was to point out that here is a grape notorious for its astringent tannins which, when grown in Texas' heat, has softer, smother tannins that allow the winemaker to use a range of fermentation and aging methods to coax other distinguishing characteristics from this grape that usually takes years of aging to even begin to emerge. Whew! That was a long sentence, but necessary.

I have ordered some Texas Tannat. I figured the shipping costs were at least equal to the gasoline costs of driving up to the nearest winery that makes it -- possibly less. I anxiously await it's arrival so I can taste it once again.

While shopping for the right wine to order, I discovered that one winery I mentioned a few days ago makes their Tannat wine from grapes grown in the Bella Collina Vineyards of Paso Robles, California. In my last entry I simply echoed what a previous article espoused, leaving the impression the grape was grown in Texas. Bella Collina is a well respected vineyard and I have no doubt their grapes are excellent, but the article I cited specifically spoke of the natural softening of tannins due to the heat of the Texas sun. I did not feel this wine would present a fair tasting of what I was seeking to validate so I called Les Constable at Bushy Creek Winery and ordered each of his Tannats (see label above for his unoaked Tannat).

In all fairness, the winery I declined to order from is growing Tannat and probably has its own grapes in barrels as I write this, but I want it now and so I called Les.

I have no doubt I did the right thing. Les brought Tanat to Texas and is a fussy individual with a methodical approach to grape growing and winemaking. He believes in experimenting to feel his way through a grape's nuances, so ordering my wine from him was very comforting. His winemaker, Rachel Cook, is also a highly respected artisan who knows how to accomplish what Les envisions. I excitedly await the arrival of my wines. I'll grill a rib eye steak (small one) and see how they go together. You can believe I'll let you know.



My good fishing buddy John, a 101st Airborne Division veteran, sent me the video below. The song is "Airborne Ranger Infantry" by easy-on-the-eyes Kristy Lee Cook. John said, "This brings back (some good, some bad) memories." Amen, brother. I think every war vet, Vietnam era or not, will say the same thing.

It's a nice song, nice video, and sure to touch you if you ever served in harm's way. I hope it touches you as much as it touched me. Oh, and just click to skip the ad....


The lyrics to this song are:

My daddy was a soldier in a foreign war
But he doesn't like to talk about it any more
He kept a picture of my mama right by his heart
He'd give it one last look before the fighting would start
He said all I ask is that you don't forget
Cause the wars not over when the fighting ends

There's a part of me that will always be
Just a boy in a hole with an M-16
Airborne ranger infantry

I left my best friend lying in a pool of blood
While I crawled away through the brush and mud
If I could choose to go back again
I'd die lying there next to him
I still see his face when I close my eyes
As I won't forget his sacrifice

There's a part of me that will always be
Just a boy in a hole with an M-16
Airborne ranger infantry

(vocal)

I didn't do it for the money didn't do it for fame
I didn't do it so the world would remember my name
I did it for my family and my country,
and my brothers who died right next to me.

And all we ask is that you don't forget
Cause the wars not over when the fighting ends
There's a part of us that will always be
Just boys in a hole with our M-16s

Honoring souls and memories
Airborne ranger infantry

To all the veterans out there, I hope you have a blessed Veterans' Day.

I want to thank the many eating, retail and recreation establishments who are offering free meals or special discounts to veterans on Veteran' Day. I also want to thank the National Parks Service for opening over 100 National Parks to veterans, for free, today. For a list of discounts and freebies for vets on Veterans' Day, Click Here and may God bless each and every one of you.



Maceration: How Much Is Enough?

Punching down the cap during fermentation

In my previous entry on Tannat I mentioned that one winery was producing two wines. One used a "regular fermentation" while the other used an "extended maceration" to produce a wine with an entirely different tasting experience. But "extended maceration" has two meanings. One is what I prefer to call a "cold soak" before introducing yeast and the other involves keeping the wine on the skins after fermentation has ceased.

Cold soaking is used to extract tannins, fruit, flavor and aroma constituents from grapes in the absence of alcohol. It works well on some grapes but is totally unnecessary for others. Cold soaking has a danger -- oxygen. The normal methods to prevent the onset of serious oxidation before you even start making wine is to either blanket the grapes with CO2, ozone (in commercial wineries), argon or some other inert gas, drop a floating lid on the grapes, or blanket the grapes with a layer of plastic wrap, directly on the grapes themselves, tucked in at the edges to seal out the atmosphere that gives us our oxygen to breathe. It is a preferred method with Pinot Noir. But that is a whole other topic I will not cover here.

Extended maceration in the second sense is used to soften tannins readily available and easily extracted during fermentation. There is no need to cold soak Cabernet Sauvignon, Tannat, Tempranillo, Sangiovese, Merlot, Zinfandel, Shiraz, Malbec, or the wild mustang grape -- at least not here in Texas. But a little or a lot of post-fermentation maceration on the skins relaxes and softens their tannins and allows for an easier drinking wine at a younger age. So the questions this raises are, which grapes are best suited to extended maceration and how long on the skins and pips is long enough?

When I make wine from my Cynthiana, Merlot, wild mustangs or other red grapes I used to follow a traditional formula of keeping the wine on the skins until the cap collapses and falls to the bottom of the primary. This indicates the end of fermentation, as it is the CO2 produced during fermentation that keeps the cap of skins afloat. My thinking and methods changed slightly when a respected winemaker told me that mustangs give up about as much color and good phenolics as they are going to surrender after the third day of fermentation.

I made my next batch of mustang using this claim as a guide. I pressed the grapes on the fourth day and my wine was as deeply red as it ever was in the past with one exception I'll mention later. It tasted well and aged well. This method also worked beautifully with some Merlot grapes I was allowed to pick but failed with Cynthiana. It had lighter color and lacked the nice tannins it is capable of yielding. Furthermore, it didn't taste right. It lacked fullness on the mid-palate and structure in general. It didn't even place in competition. And it didn't improve with age.

My next batch of Cynthiana -- actually a field blend of Cynthiana, Ives Noir and Dog Ridge -- stayed on the skins about a week beyond cap collapse because I wanted to draw everything out of the Ives and Dog Ridge they were capable of giving. I blanked the wine with CO2 twice a day and covered the primary with a sheet of plastic. This was a much better wine -- possibly because it was a mix of three grapes but also because of the longer maceration. It had good structure and balance and drank well, competed well but was gone before it had time to age in the bottle.

My Ives Noir declined and died, probably from Pierce's Disease, before I could attempt an extended maceration, but I think it was a good grape to attempt this. The extra week I left the three-grape field mix on the skins was a slight extended maceration, but I would have liked to have extended this to two weeks one year and three weeks the next.

Primary after the cap has collapsed

Many years ago I left a batch of mustang on the skins for 2-3 weeks past cap collapse because I was out of town. The wine was only covered with a piece of finely woven muslin and not blanketed with CO2. The previously black skins were a dull pinkish-purple when I finally pressed them. The wine was very mustang in flavor, but the color was lighter than I expected it would be and the fullness of the wine was weak. I have searched the literature for years looking for a reason for this but never really found a solid scientific explanation. But I never left a mustang wine on the skins that long again. We live and learn but don't always understand.

All I know is that a short (3-day) skin exposure works for mustang and Merlot but not Cynthiana. It also did not work for a grape I was allowed to pick but unknown as to variety. The wine I bottled as "Unknown Grape" was decent and placed in competition, but it was not a great wine, lacking natural structure. I helped it along with the addition of tannin and glycerin during bulk aging.

For more astringent (tannic) grapes, an extended maceration may be your salvation. If you have 150-200 pounds of good grapes (no shrivels, mold or grape berry moth mummies), you might want to do an experiment. Divide the grapes into two groups of equal weight and start two fermentations. Press one after cap collapse and the other after a two-week extended maceration. You'll want to blanket the extended batch twice a day with CO2, but it isn't expensive. You'll also want to stir the wine every five days or so to prevent hydrogen sulfide formation. Also, if you don't sulfite this batch you can induce malolactic fermentation near the end of yeast fermentation and it should be finished by the end of extended maceration or a week after pressing.

To determine if extended maceration works for your grape variety, Google "[variety name] + extended maceration".



String Bean Wine

Harvested string beans

A friend in a neighboring town invited me over to finish harvesting their garden. All that was left were a few eggplants, butternut squash, two cauliflowers, and about four pounds of string beans. I left the cauliflowers, which were badly infested with aphids or some other minute bug but took the rest. I had planned on canning the beans but time slipped by and suddenly they were no longer plump and fresh. So I made wine out of them.

Pea pod wine is made from the pods only. This wine too can be made from just the pods, but because they are typically harvested green and the pods do not open easily to release the beans contained therein, the whole thing (pod and beans) is usually used in the winemaking process. This wine is not to everyone's liking, but it is wine and some folks have a natural affinity for it. I can drink it with just enough sugar to bring it off dry.

  • 4 lbs string beans
  • 11 oz can of 100% pure white grape juice frozen concentrate
  • 1-2/3 lbs granulated sugar
  • 3 tsp acid blend
  • 1/4 tsp powdered tannin
  • 1 tsp pectic enzyme
  • 1 finely crushed and dissolved Campden tablet
  • 6 1/2 pts water
  • 1 tsp yeast nutrient
  • 1 pkt Champagne or Hock wine yeast

Wash the beans. No need to remove the stems. Cut beans diagonally into 2-inch pieces, so as to expose more of the interior of the fleshy pod. Put in pot, just cover with water, and bring to a simmer for 10 minutes. Meanwhile, put 6 1/2 pints water in separate pot and bring to boil. Stir sugar into water until dissolved and set aside. Pour beans into a nylon straining bag (discarding their water) and tie bag closed. Place bag in primary and pour sugar water over it. Add thawed grape juice concentrate, yeast nutrient, acid blend and tannin, stir and cover primary. Set aside to cool. Add pectic enzyme, stir and set aside (covered) for 12 hours. Add activated yeast in a starter solution.

Stir daily but do not squeeze bag of beans. When specific gravity drops below 1.020 drip drain bag, save drippings and discard the beans. Gently Transfer to a secondary (do not top up) and attach airlock. Rack after 30 days, adding a finely crushed and dissolved Campden tablet top up and reattach the airlock. Rack again twice, 30 days apart, topping up and reattaching airlock each time. Wine should clear, but if it doesn't, then treat with Amylase or starch enzyme. Stabilize with another finely crushed and dissolved Campden tablet and 1/2 teaspoon potassium sorbate when clear and no longer depositing sediments. Sweeten slightly if desired, wait 30 days and bottle. Age one year before tasting. [Jack Keller's own recipe.]

As I said earlier, this wine is not to everyone's liking. It can be improved by substituting 2 pints of pulpless orange juice for two pints of the water. I have thought of substituting apple juice as well but have not done it and therefore cannot say it will work. If you want to try it with apple juice, let me know how it turns out.




November 7th, 2012

The U.S. Presidential election is over. With all my heart I hope I am wrong in thinking the United States I believe in is forever gone -- or soon will be. The past four years revealed what candidate Obama meant in 2008 when he said he wanted to "fundamentally transform America."

The biggest change thus far is in the humongous bill the Democrats passed, without a single Republican vote in the House or Senate, which we refer to as Obamacare. It is now a law with the only path to revision closed with the reelection of President Obama. As a senior with a considerable history of heart, respiration, vision, ulcer, and PTSD problems, I now look forward to reduced care, more expensive drugs, and more costly life-saving procedures being refused by government regulators.

Administration spokesmen have insisted this will not happen, but simply reading the Patient Protection and Affordable Care Act (PPACA) reveals they were not being truthful. Several key aspects of the law, which Nancy Pelosi rushed to a vote without giving anyone time to read it, reveal the truth.

Section 1311 of the law provides that government regulators will dictate how doctors, even those secured under private insurance policies, can treat patients. If you don't believe this, read the law (see link following this day's entry)

Seniors can expect less care than before because over half of the law deals with ways to cut costs and does so at the expense of Medicare patients. Hospitals, for example, will receive $247 billion less in this decade to treat an ever-growing number of senior patients. They will pay for these cuts by reducing nursing and other healthcare staff. These cuts have already begun, which is why there is a nurses strike in California.

If you are one of the 165 million people currently receiving health insurance through your employer, in 2014 you are likely to see your employer stop offering health insurance. They will either opt to pay the fine for not insuring you, which is considerably less than they would pay to insure you, or they will reduce your hours so that you are technically a part-time employee to whom they are not required to provide a health plan. If this happens, you will have to turn to the mandated insurance exchange and purchase your own insurance or, if unable to afford it, drop down to Medicaid coverage, which is only as good as your state can afford.

For women, nothing in the huge law requires that contraception be covered by insurance. That is totally up to the President's appointed regulators who will decide what is covered and what is not. Contraception coverage could change with each new president.

In 2008 then-candidate Obama promised that "no family making less than $250,000 per year will see any form of tax increase. Not your income tax, not your payroll tax, not your capital gains taxes, not any of your taxes." This statement was a huge "misstatement", as only persons making less than $9,500 a year will pay no new tax (but then, they don't pay any taxes anyway).

There are 20 new taxes in the PPACA. Most are unknown by the electorate because they purposely were designed to begin after the 2012 election, starting as early as January 1, 2013. Some specifically affect your payroll and capital gains taxes, which Candidate Obama said would never happen. There is a new tax on selling your home and one requiring some employees to pay a 40% tax on the portion of their heath insurance paid by their employer regardless of the employee's tax bracket. Presidential candidate Obama clearly lied to you and me.

To read the law itself or more about the hidden taxes you will soon be hit with, see the references at the end of this date's entry. But first ask yourself why the mainstream media didn't inform you of these issues during the past two years. Fox, talk radio, the Wall Street Journal and a few other newspaers did, but by and large the media didn't.

As I said in my opening paragraph, I sincerely hope with all my heart I am wrong in thinking the United States I believe in is forever gone. By using health care as only one of many measures of "fundamentally transform America" President Obama sought and obtained, I fear I might be right.


Forest trail to French Beach, Vancouver Island, BC.  Photo by Patrick Keller.
Forest trail to French Beach, Vancouver Island. Photo by Patrick Keller

Our trip to Vancouver Island would have been idyllic had we not had to plan our outings when the rains let up. Admittedly, they were very light drizzles and we weathered them fine when caught in one, but we did get a few late starts while waiting for them to stop. My nephew's son Jackson is only a few months old and we were concerned that he not get wet or catch a cold.

Several of us took photos when we remembered to take a camera with us, but my nephew Patrick always had a camera with him, has a better camera and is a better photographer than the rest of us, so I was happy he posted a few photos on Facebook where I could grab them.

The one above is a well tended trail through a new growth forest to French Beach, just a few miles west of Sooke Harbour. This is what it looked like as the sun broke through the clouds. Enlarged to full screen, the ferns and ground moss paint the forest floor and really create an enchanted atmosphere.

Large driftwood on stone-covered French Beach, Vancouver Island, BC.  Photo by Patrick Keller.
Driftwood on French Beach, Vancouver Island. Photo by Patrick Keller

While beachcombing along stone-covered French Beach, the clouds moved back in and shut off the sun's warmth, but Patrick still managed to snap a great shot of a driftwood tree's roots reaching skyward. The point of land in the background illustrates a possible source of the driftwood, with trees growing right up to the usually vertical coastline. Beaches like this are small and infrequent but fun to explore.

The surf-tumbled stones were varied and some quite beautiful. My wife collected quite a few and reluctantly left some behind, but we teased her about the extra weight she carried in her suitcase when we packed to leave. Displayed in a bowl of water, their varied colors are quite apppealing.

The water here is the San Juan de Fuca Strait. It isrelatively narrow here and Washington State is just a few miles off camera to the right. On clear days the snow-covered mountains of the Olympic Range offered a picturesque horizon. The temperature on this day was probably around 62-64 degrees F., felt warmer when the sun broke through, and only dropped about 10-12 degrees at night while we were there.

Sooke Harbour Marina at sunrise, Vancouver Island, BC.  Photo by Patrick Keller.
Sooke Harbour Marina sunrise, Vancouver Island. Photo by Patrick Keller

Patrick shot this photo of Sooke Harbour Marina at sunrise. The landmass in the far distance (left to center) is the Olympic Peninsula. Port Angeles (birthplace of football Hall of Famer John Elway) is just off-camera to the left. The Olympic mountains are not visible in this photo, hidden by the tree-covered spit of land to the right.

This photo is spectacular at full screen. The colors are richer than revealed here. Patrick took several great photos that morning but I like this one best. My only regret is that I have to display it too small to do it justice.

We stayed at Sooke Harbour Resort and Marina. Our 3-bedroom unit was nicely furnished and appointed and I would stay there again. This is a portion of the Marina of the establishment, which is far more extensive (off-camera to the left) than revealed here. Had our visit occurred earlier in the season we might have gone salmon fishing on a charter out of the Marina.

There are many other photos I'd like share but do not want to bore you unnecessarily.


For the wine lover, Vancouver Island is a great place to visit. There are 47 wineries (including 3 meaderies and 2 cideries) on the Island. A week is not long enough....



Tannat

Tannat Grape, from Wikipedia Commons, public domain due to copyright expiration

I recently read an article in The Wine Roads of Texas about three Texas wineries producing wines from the Tannat grape. These include Westcave Cellars at Round Mountain, Brushy Creek Winery at Alvord and Bending Branch Winery at Comfort, Texas.

The Tannat grape originated in the Madiran AOC in Southwestern France's Basque country and is called Harriague in Uruguay where it enjoys great popularity. The grape packs powerful tannins that can overwhelm other characteristics of the grape. According to the article, it was to round out and soften Tannat's tannins that micro-oxygenation was invented. Even so, the varietal is often blended with Cabernet Franc or other wines to soften it's finish.

But in Texas, the sun and heat naturally soften the grape tannins and allow flexibility in fermentation methods to produce vastly different wines. According to the article, "...this phenomenon enables Texas winemakers to play with Tannat's more delicate qualities, its undertones of raspberry, chocolate and subtle red floral notes." Based on the tasting notes of the writer, the results are tremendously exciting deep, heavy reds with rich color and a variety of flavor profiles and complexities.

Westcave blends Tannat with 12% Cabernet Sauvignon for a weighty wine with "marvelous complexity." Brushy Creek blends the unoaked Tannat with Cabernet Sauvignon and Tempranillo, but is experimenting with French Oak for a stand-alone varietal. Bending Branch produces two lines using different fermentation methods. One is a "regular fermentation" in which the wine sits on the skins until fermentation is complete, then transfers the wine to barrels for aging. The other is "extended maceration," where the wine is kept on the skins and pips for 30 days past fermentation completion and is then barrel aged. The author described the first as "a very masculine wine -- rich, deep, tannic, heavy in the mouth," and the second as more feminine, with "floral notes, soft vanilla and hints of raspberry."

While I had heard of Tannat before, I did not consider it a "local" grape and have only tasted it once and loved it as I love deep, tannic wines that are heavy on the palate -- thus my preference for Cabernet Sauvignon. I simply did not know it was being produced in Texas. Now I am looking for an excuse to drive up to the Hill Country and make a side trip or two.



Prickly Pear Cactus Flower Wine

Prickly pear cactus (<i>Opuntia robusta</i>) flowers, from Wikipedia Commons, used under the Creative Commons Attribution-Share Alike 2.5 Generic license

I recently talked to a gentleman who was considering making prickly pear cactus wine. During our conversation I mentioned making wine from the flowers of the prickly pear cactus. The flowers are easier to gather and prepare for fermentation, no one is allergic to them and I believe the wine actually tastes better than that made from the fruit.

Prickly pear cacti belong to the Opuntia genus with about 200 species. They are native only to the Western Hemisphere, including the Galapagos Islands, but they were long ago introduced to arid regions all over the world where they became invasively established. I once talked to a fellow from Malta who did not believe they weren't native to the island, so pervasive are they there. Their flowers are usually between 2-4 inches in diameter and are colored yellow, orange or red including all hues in between. All colors make a white wine as the pigments precipitate after fermentation. I did make one batch solely from red flowers that retained a very slight pinkishness.

I first published my basic recipe (the one below is improved) as Cactus Flower Wine because I believed then, and still believe now, that this wine could be made from almost any cactus flower of sufficient quantity. I renamed it here because the prickly pear is far more common than any other cactus I know of and I want one to recognize instantly that its flowers make a good wine. But first you have to harvest a bunch of prickly pear cactus flowers.

Look inside the flowers before harvesting them. I found a bee in almost every one of them, but they left when I disturbed them or if very deep in the flower were left behind when I cut the flower off above them. With one hand gather the petals together and with the other hand cut the petals off their base with a long, sharp knife. The length of the blade depends on how far you want your hand from the spines that cover the pad the flowers are on. I was very careful and used an 11-inch filet knife but still got stuck several times. The petals are quite thick, so use a sharp knife. They make a delicious white wine, best served chilled.

  • 2 1/2 quarts firmly-packed cactus flowers
  • 2 lbs granulated sugar
  • 11-oz can of 100% white grape juice frozen concentrate
  • 2 1/2 tsp acid blend
  • 1/4 tsp grape tannin
  • 6 1/4 pints water
  • 1 finely crushed Campden tablet
  • 1 tsp yeast nutrient
  • 1 pkt Champagne wine yeast

Wash the flowers and put them in a nylon straining bag with a dozen marbles for weight, tie the bag closed, and place it in a primary. Bring 1 quart of water to a boil, remove from heat and dissolve the sugar in it. Cool the water with the frozen grape juice concentrate and the remaining water. Add this to the primary. Add the remaining ingredients except yeast and stir well. Cover the primary and wait 10-12 hours before adding activated yeast in a starter solution. Recover the primary and stir daily.

When specific gravity drops to 1.020, drip-drain the nylon straining bag and transfer the wine to a secondary. Affix airlock and set aside. When fermentation has finished the wine should be clear or will begin to clear, although pollen will continue to settle for another 1-2 months. Rack after 45 days and again after another 45 days, topping up and refitting airlock each time. Rack again 60 days later, adding another crushed Campden tablet, top up and reattach airlock. Set aside another 90-120 days to bulk age.

Stabilize with 1/2 teaspoon potassium sorbate and another finely crushed Campden tablet, sweeten to taste and wait 30 days before bottling. May taste after 6 months in the bottle. Drink within 2 years of bottling. [Jack Keller's own recipe]

This wine is much better than it placed the two times I entered it in competition (2nd and 3rd place). It just happened to compete with better wines each time. I've served this wine socially without announcing what it is and it was very well received. I also served it with artichoke hearts and a spiced ranch dip and a chilled cucumber soup (don't make faces -- it is a delicious soup) and we killed two bottles.

Consider making it next spring if you live in prickly pear cactus country.




November 5th, 2012

I flew in last night from my week on Vancouver Island, British Columbia and too few days with my brother Larry and his wife Bonnie in Everett, Washington. It was a very satisfying visit. My brother was up and active after his back surgery, well ahead of his doctor's predicted recovery time. We had some great meals together, went antiquing in Snohomish, and he helped me set up my laptop for transfer to my wife.

I thank all of you who prayed for him, for without you his recovery probably would have progressed much more slowly. For those of you who do not believe in the power of prayer, I will pray for you -- not that you believe, but that you do not need the power of prayer to overcome some adversity.

It is good to be home with my dog Reba.


A pair of Bald Eagles frequented this tree between fishing flights. Photo by Patrick Keller from our balcony.
Pair of Bald Eagles resting between fishing flights.
Photo by Patrick Keller

Our stay on Vancouver Island was at Sooke Harbour Resort and Marina about 40 minutes southwest of Victoria. Our party consisted of my wife and I, my nephews Patrick and Jeffrey, and Jeffrey's wife Kelly and son Jackson.

Our three-bedroom unit was well furnished and contained all the amenities we expected and many we did not. The kitchen was amply appointed and we cooked daily but also ate half our meals while out and about. An added bonus were a pair of Bald Eagles that frequented a tree next to the water, easily sighted from our balcony, between fishing flights in the protected harbor off San Juan de Fuca Strait.

The weather was mostly inclement, with daily rain but enough breaks to allow us to go sightseeing, hiking and shopping. We carried umbrellas but never opened them. We all packed for cold weather but it never got cold enough for anything heavier than a medium-weight wind breaker. Indeed, some of us wore shorts and short sleeves in mid-60's temperatures.

Among the pleasures we enjoyed while in Canada were Cuban cigars, excellent wild salmon, sweet potato fries with chipotle-mayo-barbecue sauce dip, and meals usually so large we easily shared portions. We found great wines, Sailor Jerry's Spiced Rum, and Fireball Cinnamon Whisky to warm us at night.



A Fabulous Meritage

Church and State Wines 2008 Coyote Bowl Meritage

One of the wineries we visited was the Brentwood Bay Winery, Vancouver Island, BC, of Church and State Wines. We tasted several really super wines, including a 2011 Island Estate Viognier, a 2009 Island Estate Pinot Noir, a 2009 Coyote Bowl Cabernet Sauvignon, and a 2008 Coyote Bowl Meritage. The latter was an exceptional wine, winner of two prestigious silver medals and the 2012 gold medal in the New World International Wine Competition and 2012 All-Canadian Wine Championship. At $35 a bottle, this is the only wine I purchased although I loved the Pinot Noir as well.

The Meritage is a blend of Cabernet Sauvignon, Cabernet Franc and Merlot, all grown in different vineyards in Oliver and Osoyoos in British Columbia's long Okanagan Valley. The grapes were picked in late October 2008, fermented in stainless steel tanks and transferred to French Oak Barrels where the varieties matured for 12 months before barrels were selected for blending, then matured another 19 months in French Oak before being bottled in May 2010.

This wine is a deep garnet, soft, smooth, richly flavored in black cherry, plum and spice. It is full bodied, rich in tannins, long in finish. It expands mid-palate with layered complexities despite a youthful fruitiness. It could be cellared for another two years without worry of peaking but is a great wine right now. Because I was limited to two bottles duty free, this wine did not hurt my pocketbook as greatly as it might have.

Canadians can order this wine online Unfortunately, the winery cannot ship it to the United States. But if visiting Canada, consider picking up two bottles for duty free carry back across the border. It is available at the winery and at most fine wine shops across the country.



The Curious World of Wine

The Curious World of Wine: Facts, Legends, and Lore About the Drink We Love So Much, by Richard Vine, Ph.D, Professor of Enology Emeritus at Purdue University

Before I left for Vancouver Island I was asked to provide a pre-publication review of The Curious World of Wine: Facts, Legends, and Lore About the Drink We Love So Much by Dr. Richard Vine, Professor of Enology Emeritus at Purdue University. I read the book on the plane to Seattle and wrote the review on the plane home. This is that review. It was an enjoyable, informative and entertaining read, a book that will enrich the knowledge of every reader of this WineBlog.

Divided into ten topical sections -- they simply do not seem like chapters to me -- the book chronicles some of the history, appellations, vineyards, moving characters, and both chance and orchestrated events that define the drink we all enjoy today. True, you can still enjoy wine without knowing what Dr. Vine has so lovingly compiled, but that glass of vino is forever enriched after having read this book. Whether a winemaker or simply an enjoyer of an occasional glass, this book was written for you.

Some of the sections include Legends and Lore, Founders and Fathers, Movers and Shakers, Fascinating Legacies, California Chronicles, and Charming Wine Characters. I offer these headings as examples of the breadth of topics covered, but I assure you the book covers the global expansion of vineyards, wineries and the visions for creating fine wines from them. Theses and other sections are fleshed out in broad and fine brush strokes that inform and entertain while weaving a fabric of a culture that both focuses on local detail and chronicles the march of winemaking across Europe and America and in Australia, New Zealand, South Africa, Chile and wherever fine wines are crafted.

Examples of detail and expansion are as varied as the story of the elephant in the courtyard of Cos d'Estournel in Saint Estèphe to the modern marriage of Robert Mondavi Winery and Château Mouton-Rothschild to create Opus One, the most successful modern winemaking venture in terms of bottle price in history. And yet Dr. Vine gives equal respect to the rise of the Gallo empire on the back of Thunderbird, sold for 60 cents a bottle, and Fred Franzia's Two Buck Chuck, which won the 2002 Best of Show at the 28th Annual International Eastern Wine Competition. The stories are large and small, bitter and sweet, loaded with trivia and legend.

There were a couple of vignettes that differed from what I had read elsewhere, but these only whetted my curiosity and created foci for independent research to resolve the differences at some future date. Histories are, after all, continuously unfolding. Why should the history of wine be any different?

The Curious World of Wine is not a book of quotes but does contain more than a few and is itself quotable. Indeed, I have compiled a few of each type for future use and only await the opportunity to inject them into conversation or enrich a story or enliven an argument. Dr. Vine has provided me good material for future use.

One of my favorite quotes involves Sir Winston Churchill, often criticized for his frequent excesses with Champagne, a practice that riled London socialite Lady Astor. At one particular encounter Lady Astor addressed the Prime Minister, "If you were my husband I would poison your coffee!" Churchill shot back, "If you were my wife I would drink it!" Another favorite, from Ernest Hemingway, "Always do sober what you said you'd do drunk. That will teach you to keep your mouth shut."

If you are at all interested in this book, which you should be, please click HERE and order it through my Amazon portal. It goes on sale tomorrow and can be pre-ordered today, in hardcover, for less than $14. This is a great price for a wonderful 212 pages of pure enjoyment.




October 24th, 2012

I leave tomorrow for a visit with my wife to the Pacific Northwest to spend some time with my brother and part of his family. He recently had three vertebra fused with some attached hardware assisting. He initially had two bad nights -- one from overdoing it in physical therapy and the other due to negligence that resulted in him not receiving any pain medication in a recovery facility. He is on the road to recovery, but prayers do not hurt. If you pray for "Jack's brother Larry," God will know who you mean.

My wife, two nephews (one with a new family) and I will also go up to Vancouver Island for a week's retreat in a timeshare. I have not been up that way in far too long and am excited to return no matter how the weather turns out.

I'll return late on November 4th. I'll write to all of you shortly after I return but probably not until after the General Election. Until then, I hope each of you are able to spend time with loved ones and get out and see some countryside. Wherever you live you live on a beautiful Earth. Enjoy some small part of it and bring alone some wine.


I have said more than a few times I do not wish to express political opinions in my WineBlog but still I have done so. That is not what this space is about but sometimes I feel compelled. Because this nation faces a clear choice in our approaching election, just two days after I return from my trip, I have decided to express an opinion once again by hosting someone else's opinion.

The short video below is from a citizen of Mexico. What he expresses so poignantly in so few words are sentiments I wholeheartedly agree with and have been expressing privately for some time.

If you do not agree with them, I am fine with that. I hope you are fine with my sentiments too. Regardless of political views, we have to live together. The alternative is the course followed by our forefathers in 1861, a course unthinkable to all men and women of consequential intellect. Regardless of your persuasion, I do hope each of you will watch the short video.


If you skipped the video, please reconsider. As the old ditty goes, stick and stones can break your bones but words can never hurt you, unless you voted early and are afraid you might regret your vote....


Yeast Recommendations for Non-Grape Wines

Red Star Cote des Bancs wine yeast

I still receive a lot of requests for recommendations of yeast for various non-grape wines. This is a subject I covered in detail in an article for the April/May 2010 issue of WineMaker magazine entitled "Yeast Selection for Country Wines". Not only did I make specific recommendations, but detailed the criteria for selecting them. Unfortunately, this is not an article selected for on-line publication, so if you were not a subscriber you missed it. I will cover the yeasts here. if you want to know the many criteria for selecting them, you'll have to order a back-issue, which is possible.

Some of the selection criteria I used (but are only covered in the article) are fixing color, alcohol tolerance, acid reduction and enhancement, vigor, sulfur dioxide tolerance, cold tolerance, glycerol production, ester production, polysaccharide production, stoppable fermentation, and other. While you really should understand these things, such knowledge is not necessary to make wine.

If you don't yet subscribe to WineMaker you are missing out on a great publication. Each issue is a keeper as it regularly addresses topics of interest to the makers of grape wine, kit wines and country (non-grape) wines. In addition, I periodically write for it, specializing in country wines but also covering indigenous American (native) grapes. I'm honored to write for this fine publication, and I read every issue cover to cover and constantly learn a lot.

If you are not yet a subscriber, kindly move your mouse to the link below and subscribe. I dare say you'll be gad you did....

WineMaker Magazine


Below are a list of seven Lalvin and six Vintner's Harvest active dry yeasts and the base ingredients they best pair with. Obviously, **** indicates a recommended pairing. Not all of these yeasts are available at your local homebrew shop, but most are available from MoreWine!, linked following this day's entry. It is my go-to source for wine yeast (and they didn't pay me to say that).

EC1118

 

EC1118

71B-1122

ICV-D47

RC212

K1V-1116

R2

QA23

CL23

CY17

VR21

R56

MA33

SN9

Apple

****

****

 

 

 

 

****

 

****

 

 

****

****

Apricot

 

 

 

 

****

 

 

 

****

 

 

 

 

Banana

 

 

 

 

 

 

 

 

 

 

 

 

****

Blackberry

 

 

 

****

 

 

 

 

 

 

****

****

 

Blackcurrant

 

 

 

****

 

 

 

 

 

****

****

 

 

Blueberry

 

 

 

****

 

 

 

 

 

****

****

 

 

Boysenberry

 

 

 

****

 

 

 

 

 

 

****

****

 

Cantaloupe

 

 

 

 

 

****

 

 

 

 

 

 

 

Cherry

****

 

 

 

 

 

 

 

 

****

 

****

****

Cranberry

****

 

 

 

 

 

 

****

 

 

 

 

****

Damson

 

 

 

****

 

 

 

 

 

****

 

 

 

Dandelion

 

 

 

 

 

 

 

 

****

 

 

 

 

Elderberry

 

****

 

 

 

 

 

 

 

 

****

 

 

Elderflower

 

 

 

 

 

 

 

****

****

 

 

 

****

Fig

****

 

****

 

 

 

 

 

 

 

 

 

 

Gooseberry

 

****

 

 

 

 

 

****

****

 

 

****

 

Guava

 

 

****

 

 

 

 

 

 

 

 

 

****

Hawthorn

****

 

 

****

 

 

 

 

 

 

 

 

 

Honeydew

 

 

 

 

 

****

 

 

 

 

 

 

 

Huckleberry

 

 

 

****

 

 

 

 

 

****

****

 

 

Kiwi

 

 

 

 

 

****

 

 

****

 

 

****

 

Lemon

 

 

 

 

 

****

 

 

 

 

 

 

****

Lime

 

 

 

 

 

****

 

 

 

 

 

 

****

Mango

 

 

****

 

 

 

 

****

 

 

 

 

 

Mayhaw

 

 

 

****

 

 

 

 

 

 

****

 

 

Nectarine

 

 

****

 

****

 

 

 

****

 

 

 

 

Orange

 

 

 

 

 

****

 

 

 

 

 

 

****

Passion Fruit

 

****

****

 

 

 

 

 

 

 

 

 

 

Peach

 

 

****

 

****

 

 

 

****

 

 

 

 

Pear

 

 

 

 

 

****

****

 

****

 

 

 

****

Pineapple

 

 

 

 

 

****

 

 

 

 

 

****

 

Plum

 

 

 

****

 

 

 

****

 

****

 

 

 

Pomegranate

****

 

 

****

 

 

 

 

****

 

****

 

 

Quince

****

 

 

 

 

 

****

 

****

 

 

 

****

Raspberry

 

 

 

****

 

 

 

 

 

****

****

 

 

Rhubarb

 

****

 

 

 

 

 

****

****

 

 

 

 

Rose Petal

 

 

****

 

 

 

 

 

****

 

 

 

 

Serviceberry

****

 

 

 

 

 

 

 

 

 

 

****

 

Strawberry

 

 

 

 

 

 

 

 

****

 

 

 

 

Watermelon

****

 

 

 

****

 

 

 

 

 

 

 

 

 

The second table, below, lists Red Star active dry yeasts and four liquid culture activators by White Labs and Wyeast. The liquid strains are Champagne (715), Sweet Mead and Wine (720) and English Cider (775) from White Labs, and Sweet Mead (4184) from Wyeast. For liquid strains, be sure to look at the "use by" date and don't buy them if they are not refrigerated. If you buy liquid yeast strains by mail (or dry strains for that matter), we are approaching the right time of year to do so --when the outside temperatures are low and the danger of them baking in a delivery truck are negated.

Cote d Blancs

 

Cote d Blancs

Pasteur Red

Prem Curvee

Montrachet

Champagne

WLP-715

WLP-720

WLP-775

Wyeast 4184

Apple

****

 

****

 

****

****

 

****

 

Apricot

****

 

 

 

****

****

 

 

****

Banana

****

 

****

 

 

****

 

 

****

Blackberry

 

****

 

****

 

 

 

 

 

Blackcurrant

 

****

 

****

 

 

 

 

 

Blueberry

 

****

 

****

 

 

 

 

 

Boysenberry

 

 

 

 

****

 

 

 

 

Cantaloupe

 

 

****

****

 

 

 

 

 

Cherry

****

 

 

 

****

 

****

 

****

Cranberry

 

 

 

 

****

 

 

 

 

Damson

****

 

 

 

****

****

 

 

 

Dandelion

****

 

 

 

 

****

 

 

 

Elderberry

 

****

 

****

 

 

 

 

 

Elderflower

****

 

 

 

 

****

 

 

 

Fig

****

 

 

 

 

 

****

 

****

Gooseberry

 

 

 

 

****

 

****

 

****

Guava

****

 

 

 

 

****

****

****

 

Hawthorn

 

****

 

****

 

 

 

 

 

Honeydew

 

 

****

****

 

 

 

 

 

Huckleberry

 

****

 

****

 

 

 

 

 

Kiwi

****

 

 

 

 

 

****

 

****

Lemon

 

 

 

 

****

 

 

 

 

Lime

 

 

 

 

****

 

 

 

 

Mango

****

 

 

 

 

 

****

 

****

Mayhaw

 

****

 

****

 

 

 

 

 

Nectarine

****

 

****

 

 

****

 

****

 

Orange

 

 

 

 

****

 

 

 

 

Passion Fruit

****

 

****

 

 

 

 

 

 

Peach

****

 

****

 

 

****

 

 

 

Pear

****

 

****

 

 

****

 

****

 

Pineapple

****

 

 

****

 

 

 

 

 

Plum

****

 

 

 

 

 

 

 

 

Pomegranate

 

****

 

****

 

 

 

 

 

Quince

****

 

 

****

****

****

 

****

 

Raspberry

 

 

 

 

****

 

 

 

 

Rhubarb

****

 

 

 

****

****

 

 

 

Rose Petal

****

 

 

 

 

****

 

 

 

Serviceberry

 

 

 

 

****

 

 

 

 

Strawberry

****

 

 

 

****

 

****

 

****

Watermelon

 

 

****

****

 

 

 

 

 

 

I hope that by reprinting these tables here they will serve you and reduce the number of emails I receive requesting recommendations. I especially want to thank Brad Ring of for generously permitting me to republish these two tables. Battenkill Communications (DBA WineMaker) does, after all, now own the copyrights to this material.



Calamondin/Calamansi Wine

 Calamondins, showing size, from site listed below this entry

Another pen pal in the Philippines -- not the one who asked about a pump for his wines (see entry of Oct 20th) -- wrote me about an unusual wine he is making. Since it is a work in progress and the results still unknown I won't identify the type wine, but in his discussion of it he mentioned adding about 8 ounces of calamansi juice. Calamansi is the same fruit we grown in California, south Texas, Mississippi, Florida and Hawaii and call calamondin. It makes a great wine by itself, as I reported back in August 2000.

Called calamansi in Tagalog and calamondin in English, it is also known as golden lime, Panama orange, Chinese orange, acid orange, calamonding, and calamandarin. Botanically, it is Citrus citrofortunella, a name that tells of its origins. It is thought to have originated in China and is almost certainly a cross between Citrus reticulata (Mandarin orange) and Fortunella japonica (Kumquat).

The fruit is ripe when still green but showing a trace of color, but if left to ripen fully it will turn orange (much as a lime will turn yellow if left to ripen fully). Americans usually remove the peel but it is both edible and sweet, in contrast to the pulp and juice which are sour. When eaten whole, the sweet and sour contrast is rather unique and refreshing.

The fruit contains numerous seeds which, like watermelon seeds, can be annoying to remove or simply ignored (but not chewed) and swallowed. Unlike many citrus cultivars whose seeds produce an ancient ancestor, the calamondin seed grows true into a calamondin tree.

Rum and mixer drink with Calamondin added and garnished, from an entry in <i>Le Kitchen & Everyday Things</i> blog'

The fruit are quite small, typically between 1 and 2 inches in diameter, but I have seen a tree in a patio container covered with fully ripe, marble-sized calamondins. I have also seen nearly 3-inch fruit in a roadside stand which were labeled calamondins but I thought were Clementines. I would have bought one to test my hypothesis but they were crated in the same manner as Clementines and I did not want that many at the time no matter what they were. To test the difference, I would have peeled and eaten one, then eaten the peel. Clementines are easier to peel, have a much sweeter pulp and juice than their peeling, and are very often seedless. Calamondins are not difficult to peel, but in very other aspect are the opposite of Clementines.

Calamondins make wonderful marmalade, pie, mixed drink ingredient or garnish, and a lemonade-like drink. Did I mention marmalade? -- especially good when mixed with sliced and quartered Mandarin oranges or Clementines. Calamondin can be substituted in any recipe calling for lemon or lime. The effect is quite tasty when calamondin is squeezed over fish, fowl or pork. And, most importantly, they make a great wine.

This wine recipe differs from my 2000 recipe in that I use far more fruit here and ferment them with peeling intact. No need for zest when the whole fruit is used, minus seeds. This is a much better recipe.

  • 2 lbs ripe Calamondin, sliced
  • 2 lbs finely granulated sugar
  • 11.5 oz can Welch's 100% white grape juice frozen concentrate, thawed
  • 6 pts water
  • 1/4 tsp pectic enzyme li>1/8 tsp powdered grape tannin
  • 1 tsp yeast nutrient
  • 1 Red Star Montrachet wine yeast

Put water on to boil. Meanwhile, slice the calamondins so as to collect the juice and discard seeds as you slice. Place the sliced fruit in a nylon straining bag in a secondary and tie closed. Cover bag with sugar and pour the calamondin juice over the sugar. Pour boiling water over sugar and stir until dissolved. Cover primary and set aside for water to cool. When cool, add concentrate, pectic enzyme, tannin and yeast nutrient, stir well and allow to sit covered for 12 hours. Add activated yeast in a starter solution and re-cover primary.

Stir twice a day until specific gravity drops to approximately 1.030 or below, then remove nylon bag, squeeze to extract juice, discard fruit pulp. When s. g. drops to 1.020, transfer to secondary, do not top up, but do attach airlock. Rack after 3 weeks, add finely crushed Campden tablet, stir, top up and reattach airlock.

Rack again after 45 days and again 45 days later topping up each time. Stir in another finely crushed Campden tablet and 1/2 teaspoon of potassium sorbate. Rack again after 30 days and bottle after two additional weeks. May drink after 6 months but improves to 18 months or a little longer. [Jack Keller's own recipe]

This is a very nice wine, but in my opinion all citrus wines are nice if not too acidic to balance. This wine will improve to 18-24 months, but beyond that is pushing it. Drink it before it peaks and enjoy it. If you have access to calamondins, you can always make more.


I will see you all again in approximately two weeks. Until then, keep those yeast working. And to my fellow Americans I say please vote on November 6th. The future of your country depends on your participation. The choice is clear -- a return to fiscally responsible government and the traditional principles that made America great or a continuing slide into socialist dogma, a course that has failed every country that has embraced it.

Please remember my favorite quote: "The American people will never knowingly adopt Socialism. But under the name of 'liberalism' they will adopt every fragment of the Socialist program, until one day America will be a Socialist nation, without knowing how it happened." -- Norman Thomas, American Socialist Party. We are almost there.




October 20th, 2012

For those who received the rss feed for my last WineBlog entry and jumped right to it, I apologize for the problem you encountered. Because I do not use a blog template like BlogSpot and do my own coding, I occasionally leave a typo in the wrong place -- the coding rather than the content. That's what I did last time and it caused the blog to load correctly but display incorrectly.

The result was an incomplete instruction in my entry of October 15th was completed by a similar instruction in my September 17th entry and so what was displayed was a union of the two entries. It made no sense and everything between the two coding instructions disappeared. They weren't really gone, but they were skipped because of my typo. It took me a half hour to find the typo, correct it, and then upload the correct instruction set to my server.

It taught me a valuable lesson. Do not write my blog when I am dead tired. And I sure was on the night of October 15th.

Again, my sincere apologies.


Original line-up, The Byrds (David Crosby, Gener Clark, Michael Clarke, Chris Hillman, Roger McGuinn)

Wow! I had no idea I would get a response from posting the link to the Byrds-Dylan performance of "Mr. Tambourine Man," but I surely did. It seems there are a number of "old winemakers" out there who, like me, prefer the music of our past to most of what is being played today. An exception seems to reside in the world of country music, but even here there are followers of the "oldies.".

From St. Louis, "I'll be damned if you don't continue to find some of the best music videos out there, at least music I like to listen to. I agree that The Byrds are one of the best bands ever, so thank you."

From Los Angeles, "I agree with you that's a great performance. Too bad no one is making music like that any more. Why don't you share your list of 25 favorite bands?" Thank you, Diane, but no thank you. That could only get me in trouble.

From Provo, Utah, "Jack, that's a fantastic gig. It's hard to imagine anything following it that night that was better. I never forgot how good the Byrds were, but a little reminding doesn't hurt. Thanks for finding that one."

From Newington (Edinburgh), Scotland, "I think Bob Dylan is the best American lyricist ever and The Byrds were the absolute best at presenting Dylan's music. I had seen this video before but lost it. Thank you for bringing it back to me."

One more, from Tennessee, "Mr. Keller, it don't get better than them Byrds and Dylan. That video took me back a long, long way and I liked being there."

Thank you all. Long live the music.


A reader in Arkansas wrote me asking how my WineBlog could only be rated number 34 on Google. I had no idea what he was talking about so I wrote him back. He sent me a link to Heinz Schmitz's NCBartender site that lists "Google's Top 100 Wine Blogs" and there I was, number 34. I don't think that's a bad number at all, considering I don't advertise or promote my blog.

I did notice that the list was published in late November, 2008. I then searched Google and discovered Heinz's list originated on Enobytes on October 31, 2008. I also found a 2010 list, "Top 100 Wine Blogs in a Google Search," on which I am number 30.

An undated list from 2010 of wine sites -- not wine blogs -- on The Cellarer, based on monthly Google traffic, lists my site at number 84, but in reality I could be number 70 because all 29 sites beginning at 70 and ending at 98 are statistically tied with the same traffic and valuation.

I should add here that whatever listing criteria is used ignores the fact that if you search Google for "winemaking" my website is the first unpaid listing of a site dedicated to that subject. I used to be first outright, but then Google allowed people to pay for top listing. Also, Wikipedia's article on "Winemaking" recently passed my site on the list.

I am not terribly concerned about making it on lists. I do enjoy being the first dedicated winemaking site on the search engines, as winemakers are my audience. Most people who search wine blogs are wine drinkers and want to know which good wine is out there for a price they can afford. If they only knew how affordable it is to make your own good wine....


Another musical interlude.... When it comes to the Star Spangled Banner," I don't like it messed with. While I appreciated the artistic innovation Jimi Hendrix and Ted Nugent employed in their versions, I sincerely wished they had chosen another song to re-compose. But I do respect their right to play it as they see fit.

I especially did not like what Rosanne Barr did to it many years ago. Hey, it's America's national anthem, for crying out loud. Be respectful. And she's running for President? [Yes she is.]

Having said that, I was sent a link to an alternative version of the "Star Spangled Banner." I clicked on it with trepidation, for I was prepared to get angry. Indeed, I only clicked on it because the person sending it has been a friend for over four decades and also happens to be my first wife and a patriot; I knew she wouldn't send me anything she thought might be offensive to me.

I like what I saw and heard very much, so much so that I bought the group's album. You could dance to this if you wanted to. The performers are a group called Madison Rising, group formed to deliver a pro-American, conservative message.

To be honest, they did "mess with it" a bit. They inserted lines that are not in the actual "Star Spangled Banner." I didn't mind at all. Their lyrics follow the video link. See if you don't like it too.

Oh, say can you see
By the dawn's early light
What so proudly we hailed
At the twilight's last gleaming
Whose broad stripes and bright stars
Thru the perilous fight,
O'er the ramparts we watched
Were so gallantly streaming
And the rocket's red glare,
The bombs bursting in air
Gave proof through the night
That our flag was still there

Oh, say does that star-spangled banner yet wave
O'er the land of the free and the home of the brave

Because we are the brave
Yes we are the brave
We'll fight tyranny
In the name of the free
We are the U.S. of A.

For those unaware
That flag is still there
It's our future to save
This land of the brave
The U.S. of A.

Oh say does that star spangled banner yet wave
O'er the land, land of the free and the home of the brave

I sincerely hope it offends no one. If it does, please go read the First Amendment to the Constitution of the United States.



Almond Wine

Toasted sliced almonds

My mention of adding almond flavor to a wine in my last entry drew a request for an almond wine recipe "not using almond extract." I would never post a recipe reliant on an extract for flavor. With that said, here is the recipe for the last almond wine I made, and I must admit it was pretty good.

This recipe uses sliced (or slivered) toasted bitter almonds. Raw bitter almonds contain prussic acid, a toxic substance, which is destroyed by heat. Thus, toasted sliced bitter almonds are quite safe but nonetheless illegal in the United States due to overly protective regulations that disregard science. I was still able to purchase them from an out-of-country supplier at a cost about double that of U.S. produced sliced toasted sweet almonds. I do not expect anyone to jump through the hoops I did to obtain bitter almonds, so it is perfectly fine to use sliced toasted sweet almonds, the only king you can legally buy in the U.S.

If you cannot find sliced toasted almonds, buy the blanched or raw sliced almonds and toast them. See my last blog entry for toasting directions. Do not toast them to a dark color as that will profoundly diminish their flavor. A light golden brown is what you want.

Bitter Almond Wine bottle label'

I used Demerara sugar for that little something it contributes to some wines, especially subtle flavored ones. You can use white cane sugar. I also used Montrachet yeast because I hoped for (and obtained) a little residual sweetness to balance the acid, alcohol and flavor. This worked very well.

  • 2 1/2 oz sliced bitter almonds, toasted
  • 11 oz can Welch's 100% White Grape Juice frozen concentrate
  • 2 lbs Demerara sugar
  • 7 1/4 pints water 2 tsp acid blend
  • 1/4 tsp powdered grape tannin
  • 1 tsp yeast nutrient
  • 1 sachet Red Star Montrachet wine yeast

Boil the almonds in 1 pint of the water for and hour. Strain off the almonds and set aside. In a primary, stir the sugar into the boiled and unboiled water until completely dissolved. Add acid blend, tannin and nutrient and stir some more. Add th grape concentrate, thawed, and stir yet some more. Tie almonds in a nylon straining bag with a few sanitized glass marbles and ease into the primary. Introduce activated yeast in a starter solution and cover primary. Stir daily for 10 days. Remove bag and drip drain until liquid stops dripping. Transfer liquid into secondary and attach an airlock. After 30 days in secondary, rack into another sanitized secondary into which you have deposited a finely crushed Campden tablet. Stir if necessary to dissolve Campden. Top up, reattach airlock and set aside two months. Rack again, stirring in 1/2 teaspoon potassium sorbate., top up and reattach airlock. After 30 days rack, taste and make any required adjustments to sugar and acid. If sweetened, wait additional 30 days and bottle. If not sweetened, bottle at any time. Taste after 1 year. [Jack Keller's own recipe]

The slight semi-sweetness (about s.g. 1.002) at the end of fermentation was not quite enough to balance the alcohol, so I increased it to 1.004. This may all work out differently for sweet almonds, so by all means taste and adjust accordingly.

This is a very nice wine, served chilled, on a hot summer afternoon. It goes very well with mixed, green or fruit salads and also a light lunch of fish, seafood or roasted chicken. I served it to luncheon guests with braised salmon basted with lime and butter, asparagus spears basted similarly and broiled peaches with brown sugar and cinnamon and it was perfect. Privately, it washed down a chicken salad and sunflower seed sandwich as if made to order. In summation, it is a very nice social or luncheon wine.



An In-Line Pump for Transferring Homemade Wine

Mag 2 Drive Pump 250 GPH

A fellow in the Philippines asked me if I could recommend an in-line pump for transferring wine between 70-gallon stainless steel tanks. At the time I could only think of small pond pumps and recommended he visit a farm supply store. Privately, I had thought about larger aquarium pumps but did not mention them because I had no idea what was available in the Philippines. He wrote back and told me what he did. I would be remiss if I did not share it.

A local friend in the Philippines suggested to him an external aquarium pump. Rob checked with a dealer and confirmed the plastic tubing, fittings and internal parts exposed to the throughput were all food grade plastic or nylon. He purchased one and ran a 10-gallon test and confirmed there was no plastic taste, which was his biggest worry.

I talked to folks at Fish Tanks Direct in North Venice, Florida bout this application and zeroed in on two separate lines of external pumps that would handle any home winemaker's needs at an affordable price. One line appeared better to me because the internal impeller is nylon and magnetically driven, eliminating any possibility that brass or other metal bearings or bushings might acidically leech into the wine over long use.

Pictured above is the Mag 2 Drive Pump, which delivers 250 GPH throughput, has low power consumption and uses 1/2-inch tubing. It costs only $59.99 but one would also have to purchase a treaded fitting for the outflow (top) connection. The input (side) connection is slip-on and easily secured with a band-clamp. The Mag Drive line upscales the throughput rather cheaply, with twice the flow costing about $10 more.

The second line I looked at was the Deep Blue family of external water pumps, available from the same dealer. These actually cost less and have a much greater throughput than the Mag Drive line, with the Deep Blue Triton 3 pumping 850 GPH and costing only $50.14. However, I thought this high rate might agitate the wine unnecessarily and the internal bushings are made of rubber, not the most durable material available. The fact that the Deep Blue line also sports replacement impellers sort of speaks volumes to the durability of rubber bushings. However, to be fair, I seriously doubt that any pump bought for this purpose (winemaking) is going to be run enough to wear out the bushings. Still, I favor the slightly more expensive Mag Drive line. Your mileage might vary.

These are not the only two possibilities. Fish Tanks Direct specializes in salt water aquariums, tidal ponds similar applications dealing with larger volumes. They sell many external/submersible pumps. Look and see.

One can buy a small electric aquarium pump at any aquarium shop for less than $20 if you are not concerned about durability, throughput, tubing size and potential leeching problems. Unlike salt water and wine, fresh water aquariums deal with pH neutral water And for the record, each pump I have mentioned (and a lot I did not) can be used externally and submersibly, not all submersible pumps can be run externally.

One might be able to pick up one of these or a similar pump cheaper, but I like Fish Tanks Direct warranty policy, their friendliness on the phone and their willingness to discuss my needs knowing there was no immediate sale in it for them. You should shop around if this seems like something you might need or check out Fish Tanks Direct's website (link follows this entry).




October 15th, 2012

Last night I forgot to take my medication for my peripheral neuropathy until I was ready to turn in at 1 in the morning. It was an agonizing night until the capsule I took finally took effect and subdued the pain enough for me to fall asleep. I slept about 3 hours -- until 7:15. Neuropathy is one condition I hope some bright minds are working on.

Mine is not the type associated with diabetes, although I know it too is agonizingly painful and has no cure. According to what I've read, peripheral neuropathy is not a disease, but a symptom of something else. Just what that something else might be is the big mystery.

My wife also has peripheral neuopathy -- has had it far longer than I have. They believe her condition is caused by systemic heavy metal poisoning, the causes of which are too involved to recite here.

Mine could be caused by a small piece of a spinal disc that was pinched off during a disc ruptured circa 1977. The small piece of the disc is definitely in the channel that houses my spinal cord. I have seen it on costly images. If I strain my back too much and cause my back muscles to inflame, like when I lift a 6-gallon carboy, they press against the vertebrae where the piece currently resides and this causes the piece to directly press against the spinal cord. I then get sciatica every bit as painful as the peripheral neuropathy. Whether the two are related remains speculation that serves no purpose, as the foreign piece cannot be removed until it migrates downward between the vertebrae, which looks like never. This cause, however, is just a guess.

But I think I will sleep well tonight. I feel it coming on as I type.


Thomas Sowell

Thomas Sowell, an American economist, social theorist, political philosopher, and author of more than 30 books, protégé of Nobel Laureate Milton Friedman, is famous for his cogent and insightful quotes. Here are a few I like.

"I have never understood why it is 'greed' to want to keep the money you've earned, but not greed to want to take someone else's money."

"Weighing benefits against costs is the way most people make decisions - and the way most businesses make decisions if they want to stay in business. Only in government is any benefit, however small, considered to be worth any cost, however large."

"It is hard to imagine a more stupid way of making decisions than by putting those decisions in the hands of people who pay no price for being wrong."

"No one will really understand politics until they understand that politicians are not trying to solve our problems. They are trying to solve their own problems - of which getting elected and re-elected are number one and number two. Whatever is number three is far behind."

"Much of the social history of the Western world, over the past three decades, has been a history of replacing what has worked with what sounded good."

"Socialism in general has a record of failure so blatant that only an intellectual could ignore or evade it."

"It is amazing that people who think we cannot afford to pay for doctors, hospitals and medication somehow think we can afford to pay for doctors, hospitals, medication and a government bureaucracy to administer it."

"Life in general has never been even close to fair, so the pretense that the government can make it fair is a valuable and inexhaustible asset to politicians who want to expand government."

"If you have been voting for politicians who promise you goodies at someone else's expense, then you have no right to complain when they take your money and give it to someone else, including themselves."

"If you have always believed that everyone should play by the same rules and be judged by the same standards, that would have gotten you labeled a radical 60 years ago, a liberal 30 years ago and a racist today."

"The word 'racism' is like ketchup. It can be put on practically anything -- and demanding evidence makes you a 'racist.'"

"The people made worse off by slavery were those who were enslaved. Their descendants would have been worse off today if born in Africa instead of America. Put differently, the terrible fate of their ancestors benefitted them."

"Since this is an era when many people are concerned about 'fairness' and 'social justice,' what is your 'fair share' of what someone else has worked for?"

"Elections should be held on April 16th -- the day after we pay our income taxes. That is one of the few things that might discourage politicians from being big spenders."

"There are few talents more richly rewarded with both wealth and power, in countries around the world, than the ability to convince backward people that their problems are caused by other people who are more advanced."

"I think the man [Obama] really does believe he can change the world, and people like that are infinitely more dangerous than mere crooked politicians."


The other day I ran across this video. It is one of the best live performances I have run across of "Mr. Tambourine Man." It is a reunion of Byrds members Roger McQuinn, Chris Hillman and David Crosby in a 1990 Showtime tribute to Roy Orbison where they are joined during the performance by none other than the song's writer, Bob Dylan. Except for one small missed beat where Dylan is handed the lead and hesitated, it is a stellar performance.


On a personal note, when I first saw The Byrds perform this song live at Ciro's Le Disc on Sunset Boulevard in Hollywood in April 1965, I thought it was the greatest blending of guitar I had ever witnessed. I had never seen anyone pick a Rickenbacker 12-string guitar and McQuinn made it look easy. They are arguably one of the most influential American bands of the 1960s -- inventors of the folk-rock genre -- and I count them among my top 25 favorite bands of all time.



Dried Elderberry Mead

Dried elderberries

A friend in West Virginia sent me a couple of bottles of his elderberry wines. One was a mead and so damned good that I started a batch while drinking my second glass. Yesterday it won a Best of Show for Non-Grape Wines and I decided on the way home to share the recipe today.

Last year I saw jars of many different honeys at a county fair and bought several 3-pound jars. One was "Elderflower Honey" and quite expensive I assumed at the time that the honey was made from bees pollinating elderberry flowers. Since I had never, ever seen elderflower honey before, I bought it. Only when inspecting the label at home did I see that the honey was infused with elderflowers and later separated. I was disappointed at first, but when I thought about the citrusy flavor elderflowers impart I decided this would be a good honey to dribble over sourdough pancakes.

As I began planning my elderberry mead I remembered the still-unopened jar of elderflower honey and decided to use it in the mead. In hindsight, I wish I hadn't. While I am sure it added a little je ne sais quoi to the mead, there is no discernable flavor one can isolate as having derived from the expensive honey. I'm sure I would have enjoyed it more over pancakes. But then again, perhaps the mead would not have won Best of Show had I used another honey. One never knows about these things.

Dried Elderberry Mead Recipe

My friend who sent me the original mead claims that honey is sweeter than sugar and you therefore use less honey than you would sugar, but this contradicts the conventional wisdom that a pound of honey only contains 79.6% sugar -- the rest is water. Using the Mead Batch Calculator at GotMead (link follows today's entry) and shooting for a 13% alcohol by volumn mead, my 3 pounds of honey perfectly equaled what was calculated as the requirement. If my friend used less honey than he would have used for sugar, I had no expectation that our two meads would taste the same. Nonetheless, I still used the 3 pounds for my 1 gallon of mead.

  • 6 oz dried elderberries
  • 3 lbs honey (I used Elderflower Honey)
  • 3 1/2 tsp acid blend
  • 1 tsp powdered pectic enzyme
  • 1 tsp yeast nutrient
  • Water to 1 gallon
  • Red Star Pasteur Red or Lalvin EC-1118 wine yeast
    Elderberry Mead bottle lable

    Put 3 quarts of water on to boil in a stainless steel or enameled pot. Wash dried elderberries and place them in a nylon straining bag with several clean glass marbles for weight and tie closed close to the elderberries. When the water boils, ease the bag into the pot and adjust temperature to an active simmer, holding the simmer for 15 minutes. Remove the pot from heat and allow to cool for 30 minutes. Slowly stir in honey and continue stirring until dissolved. Using sturdy tongs, grasp the jar the honey was in by the lip and tilt it to submerge it in the slightly cooled water, using the water's heat to soften the honey still clinging to the glass sides. Carefully lift and pour water back into the pot and repeat as many times as required to get all the honey into the pot. Stir again, cover the pot, and allow to cool to less than 90 degrees F. Stir in acid blend, pectic enzyme and yeast nutrient until dissolved. Allow to sit, covered, for 12 hours. Add activated yeast in a starter solution, recover the pot, and check every few hours for signs of fermentation. From now until the elderberries are removed, stir the must twice a day.

    When fermentation is evident, note the time and remove the bag of elderberries at that time on the day you select. The longer you leave the bag in, the more tannic the mead will become. A 2-day fermentation/maceration will yield a mead drinkable in about 9 months after bottling. A 5-day fermentation/maceration may not be drinkable for 2 years. A 7-day fermentation/maceration will probably need to cellar for 3 years to mellow out, but will be fabulous.

    When the specific gravity drops to 1.020 or lower, transfer to a secondary and attach an airlock. After 30 days in secondary rack into another sanitized secondary and reattach airlock. After an additional 30 days rack again and stir in 1 finely crushed and dissolved Campden tablet and 1/2 teaspoon potassium sorbate. Stir well. Wait 60 days and either rack again and then bottle or carefully rack directly into bottles. If you do the latter, mark the last bottle as it will almost certainly contain some fine lees and you do not want to give it to a friend or enter it in competition. I mark the first bottle for competition. (I mark the corks FB for first bottle and LB for last bottle so I know.) Age bottled mead appropriately. In all cases, longer aging benefits meads -- especially elderberry mead. [Jack Keller's own recipe]

    Honey contains several non-fermentable sugars, so it will always be off-dry to a little sweet. Mine has about 3% residual sugar in it, which was not too much for anyone who tasted it. If it was, they were polite and kept it to themselves. But it has great mouthfeel and fullness, which the judges said they totally appreciated.

    I must note that I added 2 teaspoons of homemade oak wood extract to my mead when I transferred it to secondary. The mead is so fruity the oak is not "in your face" noticeable. However, it is discernable if you look for it.

    I discussed making your own oak extract in my April 24, 2012 WineBlog entry. See link following this day's entry.



    Almond Flavor in Wine

    Toasted sliced almonds

    At the competition yesterday a gentleman mentioned that he wished he could have added a slight taste of almond to his Tempranillo and in unison two of us said, "You can." But we each had very different ideas about how to introduce it.

    My colleague said, "You can add almond extract." This is a very legitimate approach, but not the first approach I thought of. I am a raw materials first kind of winemaker, so my first thought was to add toasted sliced almonds to the must.

    Adding almond extract is an iffy thing. It would be soooo easy to add too much and just as easy to add too little and not get the effect you hoped for. The only sensible thing would be to draw off a manageable sample, say 100 or 125 mL and add extract a drop at a time with an eye dropper until you achieved the taste you wanted -- then scale up.

    The same problem applies to adding toasted sliced almonds to the must. How many should one add and how long should one keep them in? When you think of the two choices, you might conclude the extract way is the better one. After all, all you do is count the drops coming out of an eye dropper and do some simple math. I think not.

    The problem with the extract method is that every time you add a drop you have to stir the mixture and taste it. When you taste it you reduce the amount. If you keep adding drops to a lessening amount you get a false outcome because the liquid becomes more concentrated with extract than would a fresh sample with the number of drops added you want to sample. If you add new wine to the sample after every sip, you now dilute the sample with every addition and will never really know how many drops are really needed.

    On the other hand, it doesn't matter whether you add a quarter-cup of toasted sliced almonds or 2 cups. You taste often and remove the almonds when the taste is right. The only real problem is that one has to sleep or go to work and that magical point of perfection could come and go during those absences.

    I think I have a solution. It centers on the fact that the wine is a Tempranillo, not a Tempranillo-Almond wine. Thus, it isn't going to take much to add a slight hint of almond. I would therefore add a small amount of sliced almonds, perhaps a tablespoon, and taste after a couple of days. After that I'd taste twice a day. Finally, the moment I think I might be able to taste almond, I'd pull them out. If you go beyond that you risk the perception that you doctored the wine.

    Finally, I would search for toasted sliced almond to purchase and only if not available then buy untoasted sliced almonds and toast them using the iron skillet method. Slices are scattered over the bottom of a clean, untreated iron skillet on medium heat and tossed every minute until a golden brown. You don't want to leave them in so long that they turn dark brown. As soon as they are golden brown they should be dumped onto a paper towel and covered with a second paper towel. Then, using a folded towel or oven mitt, gently press the top towel against the almonds and hold the slight pressure for perhaps 5-8 seconds. This should remove any oil that seeps from the slices.

    The reason for the golden brown vs. dark brown is taste. Lightly toasted almonds impart more flavor than untoasted ones and much better flavor than darkly toasted ones. You have to toast a few batches of sliced almonds to know this empirically, but take my word for it.

    Last word on the subject -- since the person who person raised the almond in Tempranillo issue entered a Tempranillo that beat my Tempranillo to come in 1st in category, the absence was not a real issue at that competition. Still, it is an interesting topic to consider for future wines.




    October 2nd, 2012

    I'm back from California and my parents' 70th anniversary celebration. It is somewhat amazing to realize that they have been married far longer than either one was expected to live when they were born.

    Several life expectancy tables exist that give slightly different numbers for the years of their births, but the highest number I found for my father, for instance, was 59 years and the lowest 55.5 years. In either case my father has been married longer than he was expected to live when he was born. While the numbers in all cases are higher for women, my mother, too has been married more than 10-12 years more than she was expected to live when she was born.

    The greatest increase in the expectancy tables occurred during the first half of the 20th century, primarily due to the acceptance of the germ theory of disease. Once it was shown that diseases occurred from germs, a generic term for all manner of organisms, medical researchers set about identifying and either eradicating, controlling or vaccinating against germ-causing diseases. But some remain rogues -- the common cold, for instance.

    The second half of the 20th century saw a continuation of this work, but also marked advances in medical technologies that treated individual organs at risk of failure.

    We live in an amazing era from a purely medical point of view. All the other technologies we enjoy merely serve the extended lives the medical sciences have provided. It's something to think about.


    Damiana flower and leaves, courtesy of Wikipedia Commons under the Creative Commons Attribution-Share Alike 3.0 Unported license

    Several months ago I dug through a cabinet partially blocked by another piece of furniture and pulled out 375mL bottles of liqueurs I had made many years ago. I had not forgotten them, but assumed they had been consumed because I had not seen them in so many years. I sampled each of them over several nights and each was still sound. After all, the base in each is vodka. One in particular was just heavenly, so much so that I had forgotten how good it really is. It is my Damiana Liqueur.

    Damiana is a shrub that grows in southwestern Texas and south through Mexico, Central America, South America, and several Caribbean Islands. The leaves and flowers are very aromatic. A small fruit, which tastes similar to figs, is enjoyable to eat. I make my liqueur by boiling the leaves which are traditionally used to make a tea or dried and burned as an incense. Both the tea and the incense are said to have a relaxing effect, but the tea is also said to be an aphrodisiac. I cannot say the liqueur had that affect on me, but it is a great substitute for Triple Sec in margaritas and often used in margaritas in Mexico. But I simple like the flavor. No, in truth I love the flavor.

    I have a quantity of damiana leaves I purchased in April or May and have made tea with, so I will probably be making some more of this liqueur soon. I just have to find my liqueur notebook and get the quantity right.



    Bell Pepper and Other Aromas in Wine

    Label for Jack Keller's 2007 Green Pepper Cooking Wine

    Five years ago I made a cooking wine out of jalapenos, Hatch green chiles and green bell peppers. I wish I had saved a bottle to demonstrate to my Wine Guild the distinct smell of 3-Isobutyl-2-methoxypyrazine in wine. While just a faint hint of it is not considered a flaw, the distinct scent of it most certainly is -- unless you've made a cooking wine, as I did, from green bell peppers and other chiles. Some red grapes naturally possess this smell faintly, such as Cabernet Sauvignon, Sauvignon Blanc and Carmenere and in neither is considered a flaw, but in a Marechal Foch, Couderc Noir, Grenache or Mourvedre it is neither expected nor welcome.

    I seem to remember seeing more than a few producer or distributor taste profiles of wines they were offering for sale that mentioned "bell pepper" as an aroma expression -- always in conjunction with many other aroma nuances such as tobacco, chocolate, liquorice, currant, black cherry and other fruit references. My point here is that bell pepper seems to be offered as a good thing when it should only naturally be identified with very few grapes. Beyond that small circle it should be considered a vineyard flaw.

    The scent seems more frequent in colder climate grapes than Southern or Mediterranean crops. We now know that the scent is associated with three specific methoxypyrazines that develop when grapes do not receive enough direct sunlight while developing toward veraision. Leaf or shoot thinning normally corrects this fault, which truly is a fault from the vineyard. In theory, any grape shaded too thoroughly can develop the scent, but in reality I can find no universality of the problem so the theory itself is flawed. For instance, outside of a very few varieties, grapes grown in warmer climates seem to avoid the problem no matter how shaded the grapes are.

    The three major methoxypyrazines are:

    3-Isobutyl-2-methoxypyrazine
    3-Sec-butyl-2-methoxypyrazine
    3-Isopropyl-2-methoxypyrazine

    The first two smell unmistakably like green bell peppers. The third, while suggestive of green bell peppers, can also give an earthy smell, or the smell of a freshly cut potato or other vegetable aroma. In other words, it is more complex, but green bell pepper is usually integrated in it and thus it belongs in this group both chemically and aromatically. This is important because there are other related compounds that lack the green bell pepper characteristic.

    I call this group the nutty pyrazines, for each has a nutty smell either as a primary or secondary aroma. When secondary, another scent is more prominent but with a nutty undertone. These are:

    2-Ethylpyrazine (nutty, walnut, woody, musty, buttery, peanut butter)
    2,3-Diethylpyrazine (nutty, hazelnut, earthy, fugi, cereal, potato)
    3-Ethyl-2-methoxypyrazine (roasted nut, hazelnut, earthy)
    5,6,7,8-Tetrahydroquinoxaline (coffee, cheesy, sweet roasted nut)
    3-Ethyl-2-acetylpyrazine (potato chip, popcorn, nutty)

    The aromas associated with this second group are considered to be less offensive, even when distinct, as they tend to blend in more with the aromas of the grape and suggest complexity. However, some wine judges can and will zero in on them and fault the wine, even though it is not certain they are caused by the same vineyard conditions as the first group. It is not the nutty aspects that offend them, but the earthiness, the mustiness, the woodiness, the fungi. Personally, I have never inhaled a wine and noted potato chip or popcorn, but I did once smell peanut butter and wonder how that got in there. My judging partner, however, thought the notes I picked up were that of butter melting in a skillet and neither of us was sure enough to fault the wine.

    I'm a little wiser now than then, but still not sure I would fault a similar wine even now. The wine simply did not elicit an objectionable response in me.



    Traditional Senegalese Soup

    Traditional Senegalese Soup '21' Club, photo cropped from Dr. Soup Rx

    On the return flight from California I sat next to a man who happened to be a chef. During the course of a lively discussion I mentioned my Moroccan Lamb Stew and, when queried, ran through the ingredients and process. The use of the apricots to make a sweet stew fascinated him and he immediately suggested I try the Traditional Senegalese Soup made with, among other things, apples and raisins. He said there are two ways to make this soup -- the "21" Club way or the less refined Senegalese way. Both, he said, start out the exact same way but the finished products are very different and both are terrific. He started jotting down something and I thought he was going to write the recipe. Instead, he wrote "Google Traditional Senegalese Soup from Epicurious." Then he explained how to make the two different soups from the same recipe.

    I have to admit I have not yet made this, but after finding the recipe he suggested I have no doubt whatsoever I will make it very soon. I'm just not yet sure which version I will make first. I intend to make them both.

    The recipe uses 3 tart Granny Smith apples and a quarter-cup of golden raisins to offer a balance between sweet and tart, but heavy cream tends to accentuate the sweetness just enough to get by with the small amount of raisins. The soup is garnished with mango chutney, which again adds sweetness.

    I will list the ingredients and walk you through the common method, then emphasize the two ways to finish the soup so as to produce two distinct types. This afternoon I picked up everything I need except the chutney, so will run back to the supermarket in the morning to complete the preparations.

    • 3 tart apples (Granny Smith)
    • 2 tablespoons unsalted butter
    • 2 medium carrots chopped
    • 1 white onion diced
    • 1/4 cup golden raisins
    • 1 clove garlic chopped
    • 3 tablespoons curry powder
    • 2 tablespoons unbleached all-purpose flour
    • 8 cups chicken broth
    • 1 tablespoon tomato purée (canned)
    • 1/2 cup heavy cream
    • mango chutney ((in jar)

    Peel, core and chop the apples. In a heavy pan heat the butter over moderate heat until the foam subsides and cook apples, carrots, onion, raisins and garlic, stirring occasionally, until they begin to soften, 10-12 minutes. Add curry powder and cook, stirring, 1 minute. Stir in broth tomato purée and simmer, covered, 1 hour 20 minutes. Stir in cream and salt to taste and simmer, uncovered, 10 minutes.

    The "21" Club way is to cool the soup and in a food processor or blender purée in batches until smooth. Strain soup through a sieve into a large bowl and chill until cold, 2-3 hours. Garnish each serving with about 1/2 teaspoon chutney (the chef on the plane said that isn't enough -- use a full teaspoon).

    The traditional Senegalese way is to cool the soup in the pan and use two slotted spoons, one filled with solids and the other fitted into it and pressed together, to break up chunks of carrot, apple and plumped-up raisin. A perforated flat disc potato masher would work just as well and may actually be easier. The soup can be chilled or served just slightly warm. The chutney garnish is not really traditional, but the chef thought it adds something to it.

    You had better believe I'll make this tomorrow evening.




    September 26th, 2012

    Rosalie and Jack Sr. wedding photo, September 26, 1942

    The picture at the right won't mean anything to you but it means everything to me. It is the wedding picture of my parents, Rosalie and Jack Sr., taken September 26th, 1942, in Seattle, Washington. They met while working in a bakery in Lake Charles, Louisiana -- my mother as a clerk and my father as a baker. They fell in love, but their courtship was interrupted by Pearl Harbor. My father-to-be enlisted in the Navy.

    I think I was home on leave after being commissioned a Second Lieutenant in the Army when I finally became curious enough to ask my father why he selected the Navy. His answer had a simple logic to it that went something like this:

    "I had never learned how to swim and always wanted to. I figured since the Navy operated in the water they would teach me how to swim."

    "Did they?"

    "No. When I finally asked one of the Chiefs when they were going to teach us to swim he said they didn't bother with that. If we ended up in the water where we were going there more than likely wouldn't be anywhere to swim to. The best we could do is float until someone picked us up, so they would teach us to float and use our trousers to make improvised flotation wings so we could stay afloat for hours -- days if necessary. And they did, but I never learned how to swim."

    I'm gathering with my family in San Bernardino, California to celebrate my parents' 70th wedding anniversary, which is today. We'll have the celebration on Saturday, when everyone is present. I have my laptop with me but don't have much time to be on it. I'll be back at my desk in a few days.

    Happy anniversary, Mom and Dad. Let's do this again next year.


    Many of you know I am on Facebook. I'm not there to socialize, but do so occasionally. Primarily I use it to access the online game, Castle Age. This is my diversion, but it can eat up an awful lot of time.

    Like many Facebook users, I absolutely hate their new "Timeline" format. Like Coca Cola did with their "New Coke," they meddled with success and the result is despised by most users. Way too much is public and they cannot offer enough options to hide it. Yes, you can go through everything you ever posted on Facebook and individually hide each item, but that can be so very time consuming.

    My advice to Facebook is stop fixing what isn't broken and for God's sake start listening to your users.


    My hat is off to Microsoft for striking again when I was least prepared for it. I had been working on a blog entry for a couple of hours the other night when suddenly every program I had open began closing and I was unable to prevent it. When my desktop icons finally disappeared, Microsoft began installing updates to Windows and who knows what else. I was so angry I left the room and killed some really good Scotch. When the updates were done the computer rebooted and most of what had been open was reopened.

    The problem for me is that I had cut many sections out of the entry and pasted them into a "working file" I usually keep open to receive odd thoughts and serve as a composition pad for reworking other works in progress. In this case I was reorganizing the various paragraphs I had written and editing on the fly. My objective was to cut the entire, completed entry from the working file and paste it back into my html editor.

    The working file was restored, but to an earlier saved version. All I had pasted to it that evening was nowhere to be found and it was late, so I posted my September 22nd entry minus the missing second half. Since my references were also lost, I could not then nor now recreate it. Perhaps I'll be able to when I return home, but perhaps its time will have passed. We'll see.

    My advice to Microsoft is: before you push the installation of updates ask the user to allow or postpone this intrusion. It's the courteous thing to do. Is anyone in Redmond reading this? Probably not.



    Tonka Bean Liqueur

    Label for Tonka Bean Liqueur in honor of the 70th anniversary of the author's parents, Jack & Rosalie Keller

    I mentioned in my August 13th WineBlog that I make a special liqueur for my wife that I call "Donna's Delight." The two primary flavor ingredients are tonka bean and vanilla bean. I'm going to tell you how to make a similar but not quite identical liqueur. It will still be damned good.

    The tonka bean is an almond-sized, black, shriveled bean from the only tree in the Amazon rain forest to live over 1,000 years. It is found mostly in Guyana but also Brazil. The fragrance of the bean resembles a mix of vanilla, almonds, cinnamon and cloves. The flavor is a bit bitter, but in a liqueur the bitterness is lost in the traditional sweetness most liqueurs possess. It marries well with the vanilla bean and two other ingredients (actually, two major and two minor ingredients) I add to my liqueur that are "secret."

    However, I can guide anyone to making a reasonably good (you will think it terrific) liqueur from tonka and vanilla beans. It will not be as good as mine, but you can play with it if you want to improve it.

    The biggest challenge will be obtaining tonka beans. Back in the pre-internet days, I looked for them for many months before finding them in a botanica, a Mexican herbal boutique. Actually, the one I first found them in looked more like a place you might visit looking for ingredients for mixing voodoo potions. But since then I have found them at many shops that specialize in bulk herbs and spices. And they are easily found on the internet.

    The key thing to me is that they be fresh. Generally speaking, the shinier they are the fresher they are. Beans that are dull, often covered with what looks like a grayish powder or coating, have aged and the shiny surface has oxidized. You cannot judge this when buying on the internet until the beans have arrived and by then it is too late. However, if the on-line merchant has a phone number posted you can call them and try to establish their freshness. I would be suspicious if they claim they were delivered within the past month, but within the past 6-9 months would be "fresh" in my book.

    The second ingredient is vanilla beans and the same rules apply. Fresh vanilla beans are shiny, slightly plump and give somewhat when squeezed. Old beans are dull, thinned from drying out and hard to brittle when squeezed. For beams sealed in jars or cylinders, look for a packing or "use by" date. Beans over a year old are not fresh.

    To make a "batch," you will need:

    • 2 tonka beans
    • 2 8-10-inch vanilla beans
    • 1.5 liters vodka (I use 100-proof)
    • 3 cups very fine granulated sugar
    • 1.5 cups boiling water

    Split the vanilla beans and drop into a glass gallon jug. You should cut them in half if they are longer than 10 inches so they will be submerged when the vodka is added. Add the tonka beans to the jug. Carefully pour the vodka into the jug and cap it or cover with plastic wrap secured with a rubber band. Set aside for 3 weeks, but swirl the liquid every day or two.

    Taste the liquor, which is only flavored vodka at this point. It will be slightly bitter but should taste of vanilla and the tonka flavor. If the vanilla is not distinct, strain the liquor into another jug, remove the tonka beans and transfer the vanilla beans into the vodka for another week or two. Remove the vanilla beans and filter the vodka if there are black specks from the vanilla bean (there probably will be).

    Bring the water to a boil and remove from heat. Add the sugar a half cup at a time and stir continuously until completely dissolved and the water clear. Cover and allow to cool. A film will probably form over the syrup and can be skimmed off or stirred back into the syrup. Add the syrup to the vodka, swirl to mix and recap the jug. You'll need two 750mL bottles, screwcap preferred, and one split (375mL). Bottle it and set it in a dark place for a month to allow the flavors to age with the sugars. Enjoy, a sip at a time. [Jack Keller's own recipe]



    White Peach Delight

    I was shopping for snacks to eat on the airplane flight to California when I saw the white flesh peaches. I bought two. Elsewhere in the market I saw a tub of mascarpone cheese and my mind began to churn. It all came together. I placed the tub in my basket and headed for the dairy section where I picked up a half-pint of heavy whipping cream. My cardiologist might not approve, but I knew my taste buds and stomach would. I was about to create a masterpiece.

    Long ago I discovered the sweet deliciousness of Belle of Georgia white flesh peaches, purchased locally outside Fort Bragg. Later, white stationed at the Presidio of San Francisco, I found Strawberry Free white flesh peaches in a produce market on Clement Street. There are many wonderful things to eat in this world, but these two peaches varieties stand out in my mind for the purity of their flavors.

    The best tasting peach on earth is reportedly the honey peach, grown in Yangshan, China, a 90-minute train ride west of Shanghai. These are said to be the juiciest, best tasting peaches on earth. Individual peaches are wrapped in newspaper while ripening on the tree to protect them from insects. The peaches are picked in the morning, carefully crated in straw to separate and cushion them, trucked to Shanghai or flown to Beijing in the afternoon, and are being sold in markets by evening for as much as $3 each. They are so fragile that picking one up too firmly will bruise it. One must eat this peach over a bowl to catch the flood of juice released from biting into it. I would love to eat this peach, but I did not know of it when I was in Shanghai. It is doubtful I will return.

    The peaches I bought were incredibly delicious. I don't know their variety because the produce manager wasn't available and the assistant didn't have access to the records that might say. At home, I made a parfait of sorts from memory and a sense of what flavors might meld together without overshadowing the flavor of the peaches.

    • 2 white flesh peaches, peeled and diced
    • 2/3 cup mascorpone creamed cheese
    • 1/3 cup heavy whipping cream
    • 1 tablespoon golden honey
    • 1/4 teaspoon pure vanilla extract
    • 1/8 teaspoon ground cardamon
    • 1/8 teaspoon ground cinnamon

    Bring 2 quarts of water to boil in a 3-quart or similar pot tall enough so a peach can be held with tongs completely under water. Hold a peach in tongs and submerge in the boiling water for 30 seconds. Immediately place it under running cold water and twist the peeling off with your hands. Set the peach in a bowl, eat the peeling and submerge the other peach. Repeat the peeling routine. Dice the peaches.

    In a mixing bowl, combine all other ingredients and beat until it forms soft peaks. Fold in the peaches and gently mix together thoroughly. For the trip, I filled a 2-cup, ZipLoc plastic container with screw-on top and placed it in the refrigerator until just before I left for the airport, then put it in my backpack with other snacks, 2 napkins and a spoon. As for the rest of the mascarpone-peach mixture, I ate it then and there and savored every bite. [Jack Keller's own recipe]




    September 22nd, 2012

    Marlene Nebgen

    On September 16th, Texas lost a wonderful lady. Marlene Nebgen, wife of Marvin Nebgen for 53 years and 10 months, passed away in her husband's arms in the Hill Country Memorial Hospital in Fredericksburg, Texas. Marvin and Marlene shared the honor of the longest continuous members of the San Antonio Regional Wine Guild and were made Members Emeritus in December 2008.

    Marlene was a wonderful "country lady." She said what she thought, meant what she said, and had a loving and generous heart. I don't ever recall her meeting a stranger without becoming friends within five minutes.

    She had many skills and knowledge that only comes from living. She was a hell of a good cook and made damned good wine. Her peach and apricot wines were especially memorable. Like her husband, Marvin, she was a mentor to many and shared her winemaking "secrets" freely.

    She always struck me as a complete person rather than a work in progress as many of us are.

    Marlene was a technician at the Texas Pierce's Disease Research and Extension Program Center in Fredericksburg. For the past 16 months she fought a brave but often painful battle against neuroendoctrine carcinoma, the same cancer that claimed Steve Jobs of Apple Computer. Even during her struggle she opened her home to the wine guild and attended competitions and meetings when her strength allowed it. Her spirit was always up and her infectious laughter lifted us all.

    To say we will miss her is an understatement. Heaven is much enriched to have her.



    Aroma in Moscato Wine

    Moscato grapes, photo from Louis/Dressner

    This subject came to my attention from a complaint on a forum of noting a nail-polish remover aroma from an initial fermentation of Moscato grapes, also known as Muscat Blanc. When I say initial fermentation, I mean a fermentation just begun. The described smell is normally associated with ethyl acetate, produced by the esterfication of ethanol in the presence of acetic acid. Ethyl acetate cannot be produced during initial fermentation, so where can the odor originate?

    I don't know exactly how many aroma contributors ther are in grapes and their wines, but well over 600 volatile compounds have been identified and many of these contribute to their aroma.

    Thanks to advances in gas, mass and thin-layer chromatography, as well as mass spectrometry, we now know more about the aroma constituents of Moscato grapes than we might want to. It is a complex and ever-evolving affair, as the must and wine is ever-changing due to dynamic chemical reactions.

    These aroma components have four general origins:

    • The grapes themselves
    • The crush due to certain enzymatic actions
    • The fermentation of the must
    • The maturation (aging) of the wine

    The unique, characteristic aroma of Moscato grapes is largely attributed to a family of compounds called terpenes -- both monoterpenes and sesquiterpenes. There are approximately 50 terpenes identified with grape aroma, almost all of which are in Moscato grapes and about 30 of which are carried over into their wines. The remainder (present in the grapes but not the wine) disappear in chemical reactions during crush and fermentation.

    The principal terpenes in Moscato grapes are linalool, geraniol, nerol, citronellol, and alpha-terpeniol. Together, these compounds produce the unique floral aromas associated with Moscato grapes and wine. These compounds are fairly stable, but some percentage of each can react with other compounds and each other to create new compounds with different aromas or none at all. The possible reactions are not endless, but far exceed my pedestrian knowledge of organic chemistry.

    But I have traced the most common and expected reactions. In none of them was I able to attribute the nail-polish remover aroma the forum writer noted. This, however does not eliminate the possibility of some reaction that may have occurred and is responsible for the noted off-odor.

    I did, however, find an induced reaction that produced wines with higher ethyl acetate esters. The Greek researchers produced a biocatalyst of immobilized Saccharomyces cerevisiae cells on grape skins. They then conducted repeated batch fermentations at various temperatures after introducing the biocatalyst. The resulting wines had higher than normal amounts of ethyl acetate esters. Fermentations conducted at higher temperatures produced more esters and the amount produced decreased at low fermentation temperatures. I found this research interesting, but the biocatalyst they introduced is unlikely to be naturally present in most fermentations, regardless of temperature. While I note it as a remotely possible explanation, I dismiss it as a likely occurance.

    A more likely possibility, and one offered in the forum thread, is that a wild, non-Saccharomyces yeast such as Kloeckera, Hansenula, Candida or one of many others, hitched a ride on the grapes and is responsible for the off-odor. Since these strains are not tolerant of table wine levels of alcohol, if any of these were responsible then the off-odor can be expected to disappear as the cultured strain of Saccharomyces yeast pitched by the winemaker gains dominance.

    I don't believe I absolutely know why the winemaker experienced the problem he reported. I do, however, think the nail-polish remover odor reported is probably a transient occurrence, either a transitory chemical evolution or a wild yeast responsibility, and will disappear shortly.

    This conundrum reminds us that as much as we know about winemaking, there is still much we do not know. Acknowledging that, I hope none of my readers experience a similar problem. If you do, please allow the fermentation to complete and then let me know if the odor was short-lived or persistent.




    September 17th, 2012

    Special Forces and Airborne shoulder tabs

    Thursday night we received 3.5 inches of very needed rain. I would have preferred it had been spread out over a greater period of time so it had more time to soak in, but I'll accept whatever nature offers in this time of drought.

    It rained so hard I did not dare venture out to turn off my automatic sprinklers. In hindsight, I should have put on my old Army uniform. My green beret and Special Forces and Airborne tabs work well to shed a downpour. I might have gotten wet, but it does not actually rain on those mystical symbols.

    The amazing thing is I could have actually fit into the uniform once again. I have lost 30 pounds since March and my waist has shrunk two inches. My bulging belly is once again almost flat -- not quite, but almost. In case you missed it, my secret was revealed in my September 10th WineBlog posting.

    Yesterday we received another 1.12 inches of rain, this time a soft, gentle rain that took most of the day to deliver. That's how we like it. I saw no runoff, although I spent most of the day nursing a fever, nausea and bit of vertigo, so I was not a reliable witness. We lost power twice. My illness kept me in bed off and on throughout much of the day looking at a blinking bedside clock-radio display, too sick to reset it, and caused me to miss the judging of the Medina County Fair Home Wine Competition in Hondo, Texas. My apologies to Charlie Suehs and the other judges.


    An issue arose very soon after our clandestine Special Operations Forces raided Osama bin Laden's compound and killed him. A prudent man would have waited a few days or even weeks to announce the raid, allowing our analysts time to glean actionable intelligence from the maps, documents and computers seized and exploit that intelligence, thereby multiplying the benefits of the raid many times over. That did not happen. A wreckless man stepped up to the mike and, using the word "I" more times than "we" or "our," claimed credit for the raid and revealed far too much about the who and how of the operation.

    The immediate effect was that all or most of the intelligence gathered that night became unactionable as all the minions associated with bin Laden scurried into new hiding places, adopted new means of communications and new avenues of finance. In the weeks and months that followed, a veritable deluge of leaks of highly sensitive classified information flowed from the White House with what could only be political motives.

    The damage caused by these leaks is incalculable. The Pakistani doctor who verified that bin Laden was in the compound was arrested and quickly sentenced to 33 years in prison for assisting the United States. Assets in Yemen were compromised. Who knows how many others? The unit conducting the raid was identified with specificity and the members -- and their families -- placed in jeopardy of inevitable "payback."

    The film below, titled Dishonorable Disclosures - How Leaks and Politics Threaten National Security, is a must-see for anyone wishing the success of this nation in the war on terror. It makes no difference if you are liberal or conservative, Democrat or Republican, Libertarian, Independent or Green, if you desire a secure future you need to watch the film. Runtime is 22 minutes, a small investment to make for the gift of understanding.


    Let's hope our leaders and their associates get it right next time and resist the temptation to glorify themselves and spike the football immediately after saying they would not do that. Let's hope they put the nation before the "I."



    Back to the Basics: Yeast, Sulfites and Sorbate

    Lalvin EC-1118 wine yeast

    I am amazed at how many emails I get that are underpinned by a complete lack of understanding of the interactions between yeast, sulfites and potassium sorbate. I will not go into examples because I don't want to embarrass anyone, but no one should be making wine without a cursory knowledge of the basics. Sadly, this isn't always the case.

    As I have said many times, yeast make the wine. Our job is to prepare their banquet, clean up after them, put away the leftovers, and do the dishes after they have left.

    There are two yeast we should be concerned with. The first are the yeast that piggy-back in on the grapes, berries or fruit we make wine from and the second is cultured yeast selected for their winemaking attributes. While it is quaint to make "natural" wine using the wild yeast, it is risky. There are many more bad strains of yeast in the wild than good. While it is true many of them are not attracted to grapes or berries or fruit, quite a few are. One might make several batches of wine without incident -- even dozens -- but eventually a bad one is going to gain dominance and ruin your wine. Why even risk it?

    Taking care of the bad yeast is very easy. You hit the must with an aseptic dose of potassium metabisulfite (Campden tablets if you don't have the pure stuff) and it does several things, only two of which are important here. It kills all the bacteria and molds that also piggy-back in on the base ingredients, and it stuns the wild yeast present. It does not kill the wild yeast, a misconception I read all too often on winemaking forums.

    Yeast are very sensitive to their environment. When that environment appears hostile to them, they shut down and go dormant. Sulfites encourage them to do that. At the same time, you introduce a proven winemaking strain of yeast. Some are more tolerant of sulfites than others, but they all are more tolerant than the wild yeast strains. Thus, while the wild strains are sleeping, so to speak, the cultured yeast are propagating, dominating the must and overwhelming the wild yeast. If the wild yeast ever awaken, they find themselves crowded out and quietly recede back into dormancy. Additionally, there are cultured strains that are actually killer yeast. They kill off all competitors and are masters of the fermentation.

    Eventually, all good things come to an end. The yeast either eat all available food and die of mass starvation or they create more alcohol than they can tolerate and poison themselves. If it were actually that simple winemaking would be a much easier task. In truth, there are always some yeast that survive starvation or alcohol toxicity. In the first case the starving yeast hibernate until new food is introduced or death eventually claims them. In the second case, the yeast become intoxicated and go to sleep as all drunks do until the grim reaper calls. But if you screw up, in both cases they can come roaring back.

    There are essentially two ways to screw up. The first is to bottle a wine containing intoxicated yeast too early and the second is to feed them.

    If you bottle a wine with intoxicated yeast too early, the surviving yeast can decide the high alcohol environment isn't so bad after all, awaken from their stupor, and go about reproducing and consuming any residual sugar present in the wine. Since wine yeast strains reproduce by budding, all offspring are clones of the parent and equally tolerant of the high alcohol. The result is popped corks or fizzy wine with lots of dead yeast in it (they do eventually die).

    If you sweeten a dry wine without regard to any surviving yeast, the yeast that barely survived starvation revive and have a feast. The result is the same as for the intoxicated yeast.

    In both cases you can simply wait them out. We call that bulk aging. After a year they will all be lees. But what if you don't want to wait that long? In that case you have a friend named potassium sorbate. A dose of 1/2 teaspoon per gallon will render the yeast incapable of reproducing, so even if they awaken and find food they cannot live long enough to consume it all by themselves. They die of old age without further prodigy.

    When adding potassium sorbate, it is prudent to also add potassium metabisulfite. It not only retards oxidation, it also retards browning (the two are not the same thing). But more importantly, it kills bacteria.

    You may or may not know if your wine has undergone MLF (malolactic fermentation), but if you don't know you should assume it hasn't. Since MLF is caused by bacteria, adding the sulfite ensures MLF will not occur later down the road. It is important that it doesn't because if it did occur in the presence of sorbic acid (the product of adding potassium sorbate) the result would be a tainted wine, smelling of geranium and tasting worse.

    When we say we stabilized a wine, we mean we added both potassium sorbate and potassium metabisulfite (Campden, if that's all you have). A dry wine, properly aged, does not need the sorbate, but it should be sulfited prior to bottling. Until one becomes an experienced winemaker it is best to add both and be safe.



    Filtering Liqueurs and other Infused Spirits or Beverages

    Paper coffee filters

    Three emails have questioned my recommendations of filtering liqueurs with paper coffee filters. All three noted the inordinate amount of time it takes for the liquid to pass through one filter, let alone two -- hours and hours. Using paper filters, it can take up to three days to filter one batch. This calls for some discussion and suggestions.

    Except for liqueurs infused by extracts or non-pulpy solids like vanilla beans, whole cloves, cinnamon sticks or other barks, fennel or other seeds, etc., all infusions become populated with very small particles of pulp. Berries and mashed fruit are especially bad. A half-cup of the raw liqueur will clog a paper coffee filter within seconds, soon reducing the flow to a drop every 5-10 minutes. Obviously, this is unacceptable.

    I recommend using a funnel with a detachable, fine-mesh insert for the first pass. This will stop most of the pulp but will still take an hour or two, with several cleanings of the mesh insert, to remove the bulk of the solids. There are still a lot of solids left in there. If they don't bother you the liqueur could be bottled as is. But over time a layer of very fine lees will form in the bottles. Personally, this is not acceptable to me.

    I use a 14 x 28-inch piece of very tightly woven muslin cloth, folded in half to a 14 x 14-inch square, to line my large funnel for the second pass. The flow is fairly fast at first, but it too gets clogged. I squeeze it very gently over a bowl, wash it by hand, and return it to the funnel. The squeezed liqueur is returned to the bulk awaiting the second pass and I again fill the funnel. It normally takes me three cleanings and about as many hours to get all the liqueur through the cloth. At this stage the liqueur looks clear but is not "polished" or "brilliant." This is fine for liqueur I am going to drink myself, but not for liqueur I am going to give away as gifts.

    Cone-type paper coffee filters

    I have a Buon Vino MiniJet Wine Filter and could use it to polish the liqueur, but would lose a cup to a pint in the process. This stuff is precious to me and that is too much loss, so I now turn to paper coffee filters. There are basically two kinds, both illustrated here, with variations of each. I have no preference but find the cone-type easier to work with, although they are more expensive than the pleated type.

    Even now, after two previous filterings, the paper filters clog. That is a testament to the amount of microscopic pulp still suspended in the liqueur. I fill a filter with liqueur and discard it after one pass. However, the coffee-filtered liqueur is now brilliantly clear and quite acceptable as gifts.

    One might complain that this is all too time consuming. That is a matter of relevancy. The whole process of filtering takes several days, but the actual amount of time one spends attending to the filtering process is only a matter of perhaps two hours -- three at the most. The remainder of the time is left to gravity to do it's work while the liqueur-maker does other things.

    This might be too much for you, but it is not too much for me or I would not do it. To me it is all about the finished product, which is well worth the effort in my book. Your mileage may vary.




    September 13th, 2012

    My last post, on September 10th, should have been postponed a day so I could pay homage to the victims of 9-11. My mistake. Please permit me to do so now, with an updated repeat of something I wrote some time ago.

    Airport Arrival/Departure display on 9-11-2001

    It is hard to believe it has been eleven years since the guy on the radio said, "Wow, this is weird. A plane has just crashed into one of the World Trade Center buildings in New York. No other details are known but we'll keep you posted as we learn them." I assumed some guy in a Cessna had become mesmerized by flying among the skyscrapers and had accidently flown into the very broad side of a very tall barn. I returned to my email and focused on serious thoughts.

    About eight minutes later I went to the restroom and returned during the lead story on the radio news as the announcer said the unthinkable. The plane that struck the World Trade Center North Tower was a commercial airliner. The upper floors were burning furiously. Two minutes into reading wire service feeds he stopped in mid-sentence, then announced that another plane had just flown into the South Tower. Every thinking person with an adult sense of reality had to know immediately, as did I, that this was deliberate and an attack upon our nation.

    Sweet Jesus, what a horrible day that turned into.

    My friends, we have to remember it. And I mean remember it as it really unfolded, not the way Michael Moore and all the latter-day, Bush-hating revisionists want you to believe it was. Remember the reality, not their propaganda. It was real, a day of disbelief, of dawning realization, of fear and terror -- totally surreal as each and every private and commercial aircraft over and inbound to the United States and Canada was landed and parked somewhere ill-prepared to receive it, the passengers and crew accommodated somehow, and nothing, absolutely nothing flew overhead but emergency and combat aircraft.

    On a dime, the world changed. Remember it. Remember the 3,000 victims. Remember the 403 first responders who went bravely into the twin towers and climbed those endless stairs into the arms of the Lord. Remember it vividly and emotionally so that in 50 or 60 years when some hate-mongerer in Tehran or some other backwater of civilization says it didn't happen you can look your great-grandkids in the eye and say with certainty, "Oh yes it did, and I remember it well!"

    Keep it with you, securely preserved, as life goes on, as we turn to other, more ordinary things.

    And don't forget to pray....



    Reilly - Ace of Spies

    Reilly --  Ace of Spies

    I watched this 12-episode mini-series on my San Francisco PBS station back in 1983. I even recorded it on VHS tape, but the recording was not very good. I was delighted to find the series on DVD and ordered it.* It is not only the best spy series I have ever seen, it is based on the real life episodes of an illegitimate Russian Jew named Sigmund Rosenblum, aka Agent ST-1, aka Sidney Reilly. One of the minor characters in it is a British Naval officer named Fleming, Ian Fleming's father. Ian modeled his James Bond character after Reilly, but later lamented, "Sadly, Bond is no Sidney Reilly."

    Reilly was, by all accounts, a loose canon. Given a mission, he formulated his own operation and modified his plan on the fly. He was an opportunist and frequently seemed to find a way to increase his own fortunes in the process. He had nerves of steel and would use anyone or anything to complete his assignment. Single-handedly, he did more to advanced the craft of spying than any other single person. Indeed, he demonstrated what was possible when you severed the gentleman's chains of tradition. "Ace of Spies" is, in my opinion, an understatement. He was the master of spies. If you like this genre, you will love this box-set.

    After viewing the series again I wrote a glowing, 5-star review for Amazon. Amazon likes to select a line in each review as a characterizing quote. In my review I noted that the opening episodes were packaged as a movie by the same title which necessarily omitted Reilly's best exploits. I said of this movie, "Steer clear of it." Those four words are the ones Amazon chose to characterize my review, leaving the distinct impression I was NOT recommending the box-set. I wrote to Amazon complaining of the quote they used and they promised to change it. Thus far, they have not.

    Reilly, played by Sam Neil in perhaps his best and most compelling role, is a complex character. Just when you think you are beginning to know him, he reveals another side of himself that takes getting used to.. Always the hero, he is at times a somewhat dark hero requiring our forgiveness for acceptance. He is suave, cultured, educated, yielding, determined, cunning, brutal, calculating, headstrong, and much more.

    His understanding of political and economic realities lead him into some truly amazing situations. In time, one really has to wonder who Reilly truly is working for. Yes, he is a British agent, but also he is looking out for himself. He becomes involved in the Russian Revolution and at times you have to wonder if he is really a double-agent. These questions are never really resolved because the real Reilly never set the record straight. Nor would one expect him to.

    I could write for an hour about this mini-series, but either it interests you or no further words can peak your interest. If you would like to read more, or order the box-set, click on the image at the upper right. You can order it right from there, and you will not be disappointed.


    * Actually, I ordered the uncut version of this mini-series, but it is out of stock and Amazon says they don't know when or even if they will obtain it again. This version is the next best thing.



    Working With Gravity and Specific Gravity

    Hydrometer in cylinder with wiine

    Sometimes things just come together in one big coincidence. I was writing a piece for WineMaker magazine requiring subtractions of specific gravity readings. Two days later I received a letter (not an email) asking how to do this very thing. The problem is when you subtract, for eaample, 1.015 from 1.090 you come up with a negative number because of the leading 1's. The writer knew the answer to the math problem, but had a problem intellectualizing the negative value. The answer is very simple.

    Since each leading 1 in front of the decimal point represents the specific gravity of distilled water, one can drop the 1's and the decimal points and simply do the math using the gravity -- the three-digit numbers following the decimal points. A specific gravity of 1.090 represents the same as a gravity of 090, or simply 90. This allows a simple solution to the math: 90 - 15 = 75 gravity, or 1.075 specific gravity.

    The normal way in which these numbers are used are when you measure the original gravity of a must before pitching the yeast and at some point you measure again and want to know simple progress or exactly how much alcohol is in the fermented must or wine.

    If you began with 1.090, the potential alcohol is 12%. But the potential is only realized when the must ferments to dryness. If it stops fermenting at 1.015, it has not reached its full potential. To determine the actual alcohol content, you do the math using gravity, convert the answer back to specific gravity, and look that up in a specific gravity table. In this case a specific gravity of 1.075 represents 10.2% alcohol by volume. It is no longer potential alcohol because it measures potential that was actually realized through fermentation. It therefore represents the actual alcohol present in the wine.

    Determining the alcohol present in a stuck fermentation, as in the example above, is important. If the alcohol is high enough and the remaining sugar acceptable, it may be better to go ahead and stabilize the wine as is than to attempt to restart the fermentation with a new yeast. Knowing the numbers helps make that determination.

    In my article for WineMaker my need for working with gravity is quite different. I present a recipe for making a port-style wine from mustang grapes. The must is chaptalized (sweetened by adding sugar) to a higher potential alcohol value than the yeast being used would be expected to achieve. One could either allow the yeast to ferment to dryness and then fortify and sweeten the wine or stop the fermentation before it finished and thereby eliminate the need to sweeten the wine after being fortified. I chose the latter route for reasons I'll not discuss here.

    Part of the exercise was establishing a specific gravity target at which to arrest fermentation. Since hitting the target would require constant monitoring as that number was approached, the option of stopping it through fortification at a convenient point is offered. Whatever point is selected, it is essential that the actual alcohol content be established so the correct amount of brandy or other spirit to be added can be calculated. The simple math explained above yields the answer. The fortification calculations are a different matter and will be covered in the next WineBlog entry.


    Moroccan Lamb Stew

    Moroccan Lamb Stew

    I made this two days ago and had enough left over for another five servings. If I said it was delicious it would be an understatement. It is fabulous. It is sweetish yet mildly spicy. It is light yet also filling. The lamb melts in your mouth and is tasty. The various flavors meld but can still be distinguished. It is one of the best stews I have ever made and it will be made again and again and again.

    This stew was inspired by a dish we enjoyed in Morocco. I have searched long and hard for an approximation of what we had and recently discovered a recipe that served as my starting off point. But mine is quite different than the one I found. You can, of course, modify my recipe, but I would recommend you not stray too far afield.

    The ingredients list looks imposing, but really isn't. I had to buy the lamb, dried apricots, eggplant, tomatoes, and mushrooms, but everything else was on hand. I suspect your pantry and refrigerator are stocked differently, but just print out the ingredients, check off what you have on hand and head for the supermarket for the rest. You will be glad you did.

    Preparation time is about a half-hour. Cooking time in a 3-quart cast iron Dutch oven (large pot will do) was about 2 hours. Be sure to have storage containers for the leftovers or serve to a gathering of 6-8 people. Again, you (and they) will be glad you did.

    • 1 1.2 tablespoon olive oil
    • 1 1/2 pounds boneless lamb, trimmed of fat and cubed to 1-inch
    • 8 ounces (weight) dried apricot halves
    • 1 large onion, chopped
    • 1 1/2 green bell pepper, deseeded and chopped
    • 2 sticks of celery, chopped
    • 1 eggplant, peeled and quartered lengthwise then sliced thin
    • 6 Roma tomatoes, quartered and chopped
    • 4 fire-roasted red peppers (canned), chopped
    • 1 cup portabella mushrooms, diced
    • 1 small sweet potato, peeled and diced
    • 2 chipotle peppers (canned), diced (you can substitute jalapenos)
    • 2 cups vegetable broth (stock)
    • 1 cup orange juice
    • 1 tablespoon orange zest
    • 2 tablespoons honey
    • 2 cloves garlic, diced
    • 8 pieces crystallized ginger, sliced thin, or 1-inch fresh ginger peeled and diced small
    • 1 4-inch cinnamon stick
    • 2 bay leaves
    • 1/2 cup brown rice

    Place Dutch oven over medium heat, adding oil. Add chopped onions, bell peppers and lamb and turn often for about 10 minutes.

    Add broth, garlic, orange juice, honey, zest, cinnamon stick, bay leaves, and ginger. Bring to a low-to-medium simmer and cover. Cook 45 minutes, stirring occasionally.

    Add rice, sweet potatoes and celery and stir. Simmer covered additional 20 minutes.

    Add all remaining ingredients, stir, and cook covered another 45 minutes, stirring occasionally.

    No salt or pepper was added. The broth seemed to have enough salt to not need any and the chipotles, fire-roasted red peppers, cinnamon stick, bay leaves and ginger provided just enough spiciness. If you have a rosemary plant, a tablespoon of fresh leaves, bruised, might be the only thing missing. If you like a thicker stew, 2 tablespoons of corn meal sprinkled and stirred in for the final 45 minutes should do the trick. [Jack Keller's own recipe]

    I will make this again, and again, and again. It's that good.




    September 10th, 2012

    I have completed most of my short-term writing projects and can hopefully get to bed at a decent hour. Friday night I was up until 5:28 a.m. (last time I looked at the clock) and Saturday missed a repeat by 85 minutes. Somewhere in the wee hours of the morning as I struggled to stay awake and find the exact words I sought, I realized (again) I am not as young as I once was. These were my most productive hours in college but now they are challenging. But I will say this for 5-Hour Energy Drink; it sure does work -- and works a LOT better than No-Doz.

    This morning I was up until 3:35 more out of habit than need. I was searching for a book I bought back in April and then hurriedly "put away" while cleaning the house for some company. Its whereabouts is roughly known -- somewhere in this house -- but the details elusive. The book is Laurel Canyon: The Inside Story of Rock-and-Roll's Legendary Neighborhood, by Michael Walker. I bought it after my youngest brother shared some very interesting anecdotal information about The Byrds he had gleaned from the book. It sounded like a rock and roll trivia junkie's bonanza so I ordered it from Amazon. It sat on the kitchen countertop for a couple of days before I stashed it somewhere. Now, wanting too read it, it remains stashed.

    I suspect it is with a bundle of credit cards, gift cards and business cards I hid before going on a cruise last March. I have two credit cards I frequently use and some I rarely use -- mostly store cards obtained to receive a discount on a large purchase or VISA/Mastercards obtained to receive free checking or a safety deposit box. These, when added to the cards I use regularly, make my wallet thick and uncomfortable so I kept the little-used cards in a stack on my nightstand. However, there had been recent evidence that a burglar had twice attempted to break into my house so, besides other precautions, I decided to hide them.

    I remember securing them with a rubber band and selecting a "really good spot" to hide them, but upon my return from the cruise I could not remember where that "really good spot" is located. Believe me, I have looked. They are probably with some odd socks, my very expensive Mont Blanc fountain pen and an old passport that have gone missing over the years...and the book, Laurel Canyon....



    Losing Belly Fat

    Complete Idiot's Guide to Belly Fat Weight loss, paperback

    Like many an American male, I have stood idly by and watched my belly grow into an imitation of a women in her third trimester. Back in March I hit my highest weight ever at 190 pounds. I also came down with an intestinal bug about the same time and had lost almost 10 pounds before my doctor managed to intervene. During that period I had eaten less -- one major meal a day with smaller than usual portions and 4-5 daily snacks of fruit, fresh vegetables, soup or salad.

    I maintained that eating regimen and hit a plateau at around minus 14 pounds -- I could maintain the weight loss thus far, but not shed additional weight. My wife suggested a book for losing body fat but did not mention a name. I searched Amazon. There are over 270 books that hit on belly fat weight loss. I began reading reviews and after about 45 minutes my head hurt, so I selected one based on the reviews.

    It is called The Complete Idiot's Guide to Belly Fat Weight Loss and it was written for me. The authors are doctors but no need to go back to college and study organic chemistry to understand this one. Yes, it cites science to underscore every assertion or suggested strategy, but it is written to be understood by the layman. Within 3 weeks of receiving it and a couple of trips to the supermarket, I had lost another 8 pounds. It lists the right foods for meals and (most importantly) snacks, tells you why they are right, and includes over 100 recipes for main courses.

    Last Friday I stood butt-naked on the bathroom scales and had lost exactly 30 pounds total since March. I am working on my yoga exercises to firm up what seems to have gone soft and they aren't difficult to do. When I first looked at them, I thought, "I'll do these for warm up and then move on to some more manly sit-ups and scrunches." Boy was I wrong. The yoga is great, combining a good, progressive workout with stress management -- a great combination.

    By the way, the photo on the right links to the book on Amazon. My review of the book follows the description.



    Making Vermouth

    Botanical samples, from Chemical Engineering website

    Vermouths were originally made to salvage wines that were heading south. They are aromatized wines, meaning they are infused with botanicals (herbs, spices, roots, seeds) that add flavor and color. These masked the developing off flavors and resulted in bitter-sweet fortified wines that opened up the appetite and also served various medicinal purposes. While homemade vermouth can be made with the same salvage motive today, most modern vermouths are made using a sound base wine, either dry or sweet, and a mixture of botanicals suited to one's own taste.

    Vermouth had long been a cottage product before the first commercial vermouth was made by Antonio Benedetto Carpano in the 1700s in Turin. Vermuth Carpano was a sweet social and medicinal beverage. Fourteen years later French winemakers in Savoy and Marseilles formulated dry vermouths whose markets were divided between home medicinal usage and the French military. The latter recognized the quinine content in French vermouths made it an effective curative for malaria.

    You need not add quinine to your vermouth, but it has a bitter flavor and is traditionally there. Other botanicals that can be used in vermouth are angelica root, anise seed, basil (sweet), bay leaf, burdock root, cardamom seed, cat's claw bark, chamomile flower, chicory root, chile tepin (red chili berries), cinnamon, cloves, coriander, cranberry fruit and leaf, damiana, dandelion root, echinacea, elder flower, fennel seed, fenugreek seed, feverfew, gentian root, ginger, ginkgo biloba, goldenseal root, hawthorn berry, hops, juniper berry, lavender, lemon peel (dried), marjoram, milk thistle, nutmeg, orange peel (dried), oregano, Pau d'Arco bark, pepper corn, quinine, raspberry fruit and leaf, red clover, rosemary, saffron, sage, skullcap, spearmint, star anise, thyme, turmeric, valerian, vanilla bean, and wormwood are some of the traditional ingredients infused into vermouths.

    • Selected botanical ingredients
    • 2 teaspoons white granulated sugar
    • 750 mL dry white wine
    • 150-250 mL brandy

    Mix botanicals together and place in small sauce pan with a lid. Add just enough white wine to cover the botanicals. Bring the wine to a simmer and hold for 20 minutes, stirring frequently. During last 3 minutes, stir in sugar and continue stirring until dissolved. Remove from heat and set aside to cool.

    When cooled, place a funnel lined with two layers of paper coffee filters in a separate bottle and pour infused botanicals in funnel. Carefully press (squeeze) filter paper to extract as much liquid as possible. Discard botanicals.

    Add brandy to a 750 mL screw capped wine bottle. Add infusion to brandy. Fill wine bottle with white wine. Cap. Refrigerate 24 hours, then pour out a small sample and taste. If not to your satisfaction, analyze what is weak or missing.

    Add missing ingredient to sauce pan and add enough of your vermouth to cover. Bring to a simmer, covered, and hold for 15 minutes, stirring occasionally. Set aside to cool and again filter out botanicals. Add liquid to vermouth and again refrigerate 24 hours.

    Again evaluate taste. You can adjust as many times as it takes, but the more you adjust the shorter life the vermouth will enjoy.

    Heating the wine will cause that small amount to oxidize, but not the whole volume. Vermouth is slightly oxidized, so this should replicate this quality well. This should be a dry vermouth. Dry vermouths still have 3--5% sugar, which this will approach. Sweet vermouths have up to 15% sugar and are made starting with a sweet wine which is then sweetened even more..




    September 2nd, 2012

    There will be life after another national political convention. Have faith and be strong.

    I will be out of the loop until I finish another article for WineMaker magazine, although they did not publish the last one they commissioned. It diminishes my faith in mankind.

    But, there is life after the conventions.


    Elvis, from a scene in <i>Blue Hawaii</i>

    About fifteen or so years ago my wife spent a lot of money buying me a replica of a shirt Elvis wore in the movie Blue Hawaii. It's funny how a little thing like that can be so influential in one's life. I've been collecting and wearing Hawaiian shirts ever since. Not all the time, mind you, but when the weather permits. Lately, it has permitted them about 325 days a year.

    When we were last in Kaua'i, we met three different people who claimed, and I have no reason to doubt them, that they served in some capacity during the filming of the Kaua'i portion of Blue Hawaii and met Elvis. One was a driver, another a cleaning lady at his hotel, and another a cook at the same place. All three said the same thing -- Elvis was a real gentleman and very generous. I believe them.

    That wonderful hotel on Kaua'i where Elvis stayed and served as the set for the latter part of the movie, and where Evlis ' wedding ceremony with Joan Blackman was filmed, was the Coco Palms, the oldest resort hotel on Kaua'i.

    The Coco Palms was irreparably damaged on September 11, 1992 by Hurricane Iniki. However, it is still there, rotting, decaying and collapsing in upon itself, a ghost of its former opulence. At the height of its existence, it had 416 guest rooms and cottages. Elvis stayed in Cottage #56, renamed King's Cottage after the King finished Blue Hawaii. Thousands of tourists visit the Coco Palms every year even today. Heck, even we stopped and took pictures of it.

    I do highly recommend a vacation to Kaua'i. It is certainly the most beautiful and personable of the Hawaiian Isles, although Oahu would be a close rival if it weren't so populated and developed. And while on Kaua'i, do stop by and take a few pictures of the Coco Palms...and remember Elvis.



    Blocking Malolactic Fermentation

    Taking a sample with a wine thief, photo from <i>Centsational Girl</i> blog entry of March 8, 2010 (linked below), fair use doctrine

    It is easy to neglect a wine-in-progress for a while, especially if it is stored out of sight and life becomes full. So you finally check on it and discover it has reached perfection -- but you don't know if it has undergone malolactic fermentation (MLF). If you bottle it and it starts MLF, your beautifully balanced wine loses its vibrant fruitiness, becomes carbonated and potentially slightly cloudy from the bacteria. If you stabilize the wine and it undergoes MLF, it is easily ruined. You want to freeze the wine at its current perfection, bottle it and not worry about a post-bottling MLF.

    This dilemma faced a long-time winemaker and artistic contributor to the WineBlog named Mark. He transferred a wine from primary to secondary after a partial carbonic maceration, put it out of the way, and then life took over and he neglected the wine. "Seeing that it has been almost a year, I decided to taste it today. It is extraordinary! Fruit forward, balanced, not too hot, nice nose, not stinky in any way (despite [sitting on the] sediment), clear, a little light colored (but I don't mind) and frankly, it might be the best tasting wine I ever made (if it stays this good!)."

    His concerns are several but can be consolidated. He knows he has to get the wine off the lees, add sulfites and stabilize the wine prior to bottling, but he did not inoculate with a malolactic culture and does not know if a spontaneous MLF has already occurred or might occur in the future. There are numerous potential problems associated with a spontaneous MLF.

    A malolactic fermentation will not occur until the malolactic bacteria culture reaches a certain population density. The density depends on the specific bacteria strains present and their proportion to one another and to the whole. For these reasons, spontaneous MLFs are terribly unreliable because the strains present (if any are present at all) are unknown, may contain undesirable strains and actual MLF might take weeks to many months to begin or may never begin at all. Finally, the wild bacteria that fuel a spontaneous MLF can produce or cause to be produced various unpleasant odors and tastes.

    These potential problems hang over Mark's wine like a sword balanced on a rafter on the San Andreas Fault -- and there are compounding possibilities as well. He would like to stabilize his wine but if MLF has not occurred but remains a possibility the metabolism of potassium sorbate -- a stabilizing agent -- by lactic acid bacteria can progress to the formation of 2-ethoxy-3,5-hexadiene, more commonly referred to as geranium taint -- a serious and irreversible flaw.

    Luckily for Mark, there are clear avenues to addressing his concerns. The very first thing is to determine if the wine can even undergo an MLF. If the wine was sulfited to an aseptic level, it cannot support MLF as the malolactic bacteria is suppressed or killed outright by the sulfite.

    If the wine was not sulfited, or was sulfited but not to an aseptic level, then one must determine if it has undergone whole or partial MLF. This is easily accomplished using paper chromatography, an intimidating name for a simple investigative technique.

    Because the instructions for conducting a paper chromatography test are long (although not difficult), I will forego producing them here and simply refer you to a few sites that cover the procedures amply. If you purchase a test kit, the manufacturer will provide detailed instructions specific to that kit. Remember, the chemicals included in the kit must be stored in a refrigerator and even then are relatively short lived. I have used my kit probably 8-10 times and have had to purchase new chemicals 5-6 times. While not exceedingly expensive, it does add up.

    But the point to be made here is that paper chromatography will allow one to determine if MLF has occurred or is occurring. The absence of a lactic acid spot on two tests conducted three weeks apart would conclusively prove that MLF has not and is not occurring.

    Finally, it should be mentioned (and this is a biggie) that if one wants to absolutely prevent MLF from occurring but does not want to load the wine with 35-50 ppm of sulfur dioxide, one can use Lysozyme, a glucoside hydrolase (a type of enzyme) that damages the cell walls of gram-positive bacteria such as malolactic bacteria. It can be used to prevent MLF altogether, stop a partial MLF, or sanitize a barrel in which MLF has been conducted. Dosages are included in the instructions for use with the product.



    Passion Fruit Wine

    'Purple granadilla passion fruit

    Passion fruit are enticingly aromatic and a mixture of sweetness and tanginess, most closely resembling guava in taste. They are very nutritious, a terrific treat, a delicious addition to yogurt, ice cream, mousse, pastries and sauces, and can be strained to yield a fantastic drink, by itself or mixed with orange juice or rum. They make a fabulous jelly and a flavorful syrup. Best of all, they make a mighty tasty wine.

    Before we continue I should mention what passion fruit are like. Different varieties come in different colors and sizes, but what I consider the most flavorful, the Purple Granadilla, are the size of a jumbo egg to a little larger. They grow to a smooth, ovoid fruit with a leathery skin that shrivels and wrinkles when ripe. Inside are a mass of juice and pulp, more specifically many small, edible but crunchy seeds surrounded by more juice contained in membranes. Granadilla means "little pomegranate," but pomegranate seed segments are much firmer than those of the passion fruit.

    One usually eats passion fruit by cutting them in half over a bowl and scooping out the insides with a spoon, delivered straight to the mouth or the bowl for other preparation. The bowl is the destination for preparing them for wine.

    • 3 1/2 to 4 lbs passion fruit
    • 1 1/2 lbs ripe green grapes, destemmed
    • 1 1/2 lbs finely granulated sugar
    • 1 1/2 tsp pectic enzyme
    • 1/4 tsp powdered grape tannin
    • 1 tsp yeast nutrient
    • 1/4 tsp yeast energizer
    • 5 pts water
    • 1 pkt Lalvin 71B-1122 yeast

    Put the water on to boil. Meanwhile, wash the fruit (and grapes), cut in half, scoop out the pulp and seeds, and place the pulp and grapes in a primary. When water boils, pour over pulp and grapes. When grapes split, crush them with a flat bottomed wine bottle or piece of hardwood. Add the sugar, tannin, nutrient and energizer and stir until sugar is completely dissolved. Allow to cool 3 hours and then stir in pectic enzyme. Cover primary and wait 10-12 hours. Add yeast in a starter solution and cover primary. Stir twice daily until vigorous fermentation subsides slightly. Strain through a nylon straining bag, squeezing to extract juice. Transfer liquid to secondary, top up to shoulder with water and attach an airlock. Rack after 30 days, add a finely crushed and dissolved Campden tablet, top up to within an inch of the mouth and reattach airlock. Rack again after 6 weeks, top up and reattach airlock. Set aside 3 months. If sediment persists, rack again and wait an additional month. Rack into bottles and age at least 3 more months. [Jack Keller's own recipe, inspired by Roy Elkins]




    August 25th, 2012

    I really, really, really hate to say this, but I am once again receiving more email than I care to answer. I can either spend my day answering them or live my life. I choose life.

    I apologize in advance, but please do not write to me with the expectation of receiving an answer. Yes, I will always answer some, those that ask questions I have not covered fully in my website or that bring something new to the discussion. For those asking advice, I will be very selective.

    I do hope you will understand. I don't wish to be an ass, but I do have a life to live. I'll do what I can, I promise, but cannot possibly answer all the questions put to me and have time enough left over to enjoy what remains of my life.


    Passing

    Astronaut Neil Armstrong

    On July 20, 1969 I was in transient barracks at Camp Alpha on Tan Son Nhut Air Base on the fringe of Saigon. Everyone in the barracks was heading home but me. I would be changing planes in the United States on my way to a 30-day leave in Europe, with country clearances for 14 nations and six visas in my passport for the countries that required them. I had spent a month arranging the visas from Pleiku and a day bouncing around Saigon in a taxi collecting them from various embassies.

    Although I was anxious to start my journey, history was being made on a monumental scale. A fellow in the barracks had a plugged-in radio and we were all listening to the separation of the Lunar Landing Module from the Apollo 11 Command Module.

    We listened as Astronaut Neil Armstrong reported the landing area was a boulder field and he was going to manually fly the module to an acceptable landing area. Suddenly, an Air Force bus pulled up outside our barrack and a sergeant came in and announced our flight. Everyone grabbed their bags and headed for the bus. I refused to leave the radio. The sergeant called to me and I said I would be right there. About a minute later the bus beeped its horn. Someone at mission control said, "30 seconds," indicating the fuel Armstrong supposedly had left. The horn beeped again. I stayed put. Then Armstrong said, "Houston, Tranquility Base here. The Eagle has landed." I shouted with joy, grabbed my bag and ran to the bus.

    When I walked through the terminal at Frankfurt au Main, I saw a newsstand containing newspapers from dozens of cities and countries all displayed so you could see their masthead and headlines. Every single newspaper had a moon landing photo above the fold -- either of the first footprint on the moon, Armstrong saluting the American flag with the Lunar Lander and Rover in the background, or -- most popularly -- the photo of Buzz Aldrin in his spacesuit with the reflection of Armstrong taking the photo and the Lunar Lander framed on his visor. Upon seeing all those newspapers, I walked a little straighter....

    The passing of Neil Armstrong, today, at age 82, filled me with profound sorrow. He was one of my true heroes. When I hear the word NASA, three images flash through my mind in nanoseconds. The first is the photo above of Neil Armstrong. The second is the scene in the movie The Right Stuff of the seven Mercury astronauts in their orange flight suits walking abreast down a corridor at Cape Canaveral. The third is my own witnessing of the touchdown of Challenger at Edwards Air Force Base in the early '80s.

    I will go out tonight and gaze at the moon and remember Neil Armstrong and all his fellow astronauts, and such legendary flight directors as Chris Kraft and Gene Kranz. Their legacy is enormously huge.

    Rest in peace, Neil Armstrong. You are once again in the heavens.



    Raspberry Liqueur

    Red raspberries

    I haven't made raspberry liqueur in much too long. Yesterday I was at the supermarket, saw fresh raspberries, and the urge to make it again consumed me. I bought enough to make the liqueur and still have some to place on top of this morning's whole wheat sourdough pancakes with hot syrup poured over all. The liqueur is easier to make than the pancakes.

    The essential thing you need for this liqueur, besides the ingredients, is a wide-mouth half-gallon jar. I have one -- a pickle jar that was thoroughly cleaned and allowed to sit for several weeks with two tablespoons of baking soda in it to get rid of the pickle smell.

    I almost always call for finely granulated sugar in my recipes. Only one person has ever asked me why, but I assume there are many more who are curious. It takes about half the time to dissolve two parts of finely granulated sugar into one part water as it does to dissolve the same amount of regular sugar into the same amount of water. Simple, eh? What's more, it takes even less time (by more than half) to dissolve ultrafine granulated sugar similarly. But ultrafine is expensive, while fine is not.

    • 12 oz fresh raspberries
    • 3 cups finely granulated sugar
    • 1 cup water
    • 12 fresh mint leaves
    • 750mL vodka (I use 100 proof)

    Bring the water to a boil and then cut off the heat. Immediately add sugar and stir with a wooden spoon or spatula until sugar dissolves completely. Set aside to cool to room temperature.

    When sugar-water is cooled, chop the raspberries and mint leaves in a food processor and pour into the half-gallon jar. Add the sugar-water and then the vodka. Seal the jar and set aside, swirling contents daily for 30 days.

    Strain through muslin or several layers of cheesecloth into another container. Strain again through a paper coffee filter in a funnel and transfer into decorative bottles. Let the liqueur rest two weeks and serve chilled. [Jack Keller's own recipe]



    Barbecue, America's Favorite

    Barbequed chicken leg quarters

    I received data on a survey pertaining to barbecue conducted by an affiliate of Amazon.com. The survey uncovered some interesting trends about America's obsession with all things barbecue and found opinions on the most "All American Food." I know nothing about the sampling audience or its size, but I thought the results were nonetheless interesting and worth sharing.

    Respondents revealed 84 percent of Americans plan to enjoy sweet and tangy barbecue during the upcoming Labor Day weekend. Chicken (39%) beat pork (30%) as the nation's meat of choice, with beef coming in third with 26% of the vote. Personally, I vote for pork, then beef, then chicken, then lamb, then venison.

    Putting the long-standing debate to rest, America chose Texas as the best barbecue destination with 43% of the vote, beating Memphis (24%), North Carolina (15%) and Kansas City (13%). Nothing about these figures surprise me, as Texans take their barbecue -- like their chili and hamburgers -- very seriously.

    When it comes to what consumers consider the most all-American food, apple pie took the crown with 28% of the vote, followed by hamburgers with 25%, hot dogs at 20% and barbecue at 17%.

    Four in 10 Americans believe slow-smoked is the one true way to cook great barbecue. No argument here.

    An overwhelming number -- 91% of respondents -- said they either "love or like" barbecue. Hmmm, only 91%?

    As long as we are discussing barbeque, I thought I would pass on my favorite barbecue sauce for chicken. I prefer to grill chicken leg quarters, but I use an probing thermometer to ensure the centers are well cooked. If you do not have such a thermometer, separate the drumsticks and thighs to better control the thoroughness of the cook.

    This recipe is an adaptation of a recipe I found long ago in River Road Recipes II. I have tweaked it so many times that it barely resembles the original. This is my final tweaking, with a yield of just over a quart of sauce:

    Barbecue Sauce for Chicken Leg Quarters

    • 1/2 cup ketchup
    • 1/3 cup dry white wine (or white wine vinegar)
    • 1/3 cup Worcestershire sauce
    • 1 cup Texas-style barbecue sauce (any brand)
    • 1 cup water
    • 2 tablespoons Sriracha Hot Chili Sauce
    • Juice of 1 lemon
    • 2 tablespoons Bourbon (optional)
    • 2 tablespoons dark brown sugar
    • 1 teaspoon ground cumin
    • 1/4 teaspoon ground ginger
    • 1 1/2 cups butter (margarine if preferred)
    • 2 large onions chopped coarsely
    • 1 large bell pepper deseeded and chopped coarsely
    • 1 large rib of celery, cut into 1" pieces
    • 1 whole fire-roasted red pepper (from can or jar)
    • 4 cloves garlic, chopped
    • 1/4 teaspoon Liquid Smoke
    • 4 bay leaves

    Combine everything except butter and bay leaves in large blender and puree until onions, bell pepper, red pepper, celery and garlic are reduced and integrated.

    Place butter and bay leaves in 3-quart pan. Pour pureed mixture in pan and bring to a simmer. Hold simmer for 20 minutes, stirring occasionally.

    Brush sauce on chicken while cooking on grill of medium heat. I cook 10 minutes per side and then an addition 5 minutes per side, continuing turning and cooking until internal temperature is at least 165 degrees F.

    Leftover sauce can be transferred to sterile jars and refrigerated for up to a month or transferred to plastic containers and frozen 'til hell freezes over.




    August 23rd, 2012

    Astute observations from the past:

    Just because you do not take an interest in politics doesn't mean that politics will not take and interest in you. -- Pericles, 430 B.C.

    He that is good for making excuses is seldom good for anything else. -- Benjamin Franklin, 1706 -1790.

    The U.S. Constitution doesn't guarantee happiness, only the pursuit of it. You have to catch up with it yourself. -- Benjamin Franklin, 1706 - 1790.

    My reading of history convinces me that most bad government results from too much government. -- Thomas Jefferson, 1743 - 1826.

    I predict future happiness for Americans if they can prevent the government from wasting the labors of the people under the pretense of taking care of them. -- Thomas Jefferson, 1743 - 1826.

    There are two educations. One should teach us how to make a living and the other how to live. -- John Adams, 1735 - 1826.

    The American people will never knowingly adopt Socialism. But under the name of 'liberalism' they will adopt every fragment of the Socialist program, until one day America will be a Socialist nation, without knowing how it happened. -- Norman Thomas, American Socialist Party, 1884 - 1968.

    If you want total security, go to prison. There you'll be fed, clothed, given medical care and so on. The only thing lacking...is freedom. -- Dwight David Eisenhower, 1890 - 1969.

    I was young once and quite liberal. I then proceeded to earn a living, answer my country's call to arms, study history, and provide for my spouse with dignity. I became a conservative. If this somehow offends you, I invite you to navigate elsewhere. The internet is vast and has room enough for both of us.


    Jalapeno stuffed olives

    I love olives and I love jalapenos. Olives are a heart friendly food, containing both fiber and monounsaturated and polyunsaturated fatty acids, both of which glide through the bloodstream and are less likely to cause fatty buildup in the arteries and veins.

    For years I have been buying jalapeno stuffed olives, but long ago I grew tired of the amount of salt (expressed on the label as sodium) in the brands I've been buying. I just did nothing about it except read labels and select the product with the lesser amount of sodium.

    Recently, at the supermarket, I again studied the labels and decided none were within the limits I desired. Then I started reading the labels of plain, pitted olives in jars and cans. I discovered a low-salt olive named Homestyle Pearls Green Ripe Medium Pitted Olives. I bought several.

    At home I had a jar of Mt. Olive Diced Jalapeno Peppers. I opened a can of olives and stuffed them individually with a few pieced of diced jalapeno. I packed these in a jar and added the juice from the can.

    I like these better than the prestuffed olives I used to buy. Not only are they significantly lower in salt per serving (I eat 5 per day), they are hotter on the palate. It's a win-win for me.

    The brand of jalapeno stuffed olives I used to buy contain 170mg of sodium in 5 olives. The Pearl olives contain 95mg of sodium in the same serving. The diced jalapenos contain 255mg of sodium per tablespoon. I use just under 1/2 teaspoon of jalapeno in 5 olives, or about 40mg of sodium. Combined, my jalapeno stuffed olives contain about 135mg of sodium per serving. The 35mg less sodium may not sound like much, but it's 12,775mg of sodium per year.

    Better still, the Pearl olives cost significantly less per can than the jar of prestuffed olives I used to buy, and the can contains many more olives than the jar. I know this because I used the old jar for the olives I stuffed and had 15 olives left over that would not fit into the tightly packed jar. I stored these in a small Tupperware container.

    Doing it myself improved my daily intake of salt and my pocketbook. I just wanted to share that.


    I received a request to explain invert sugar. Invert sugar is made by mixing two parts sugar to one part water, adding two teaspoons lemon juice per pound of sugar. This is brought almost to a boil, reduced to a simmer, and held there for 30 minutes (do NOT allow to boil). This is poured into a sealable jar, sealed and cooled in refrigerator. This process hydrolyzes sucrose into glucose and fructose and speeds fermentation. Invert sugar should NOT be used to sweeten finished wine as it will encourage refermentation.

    Again, for one pound of invert sugar:

    • 2 cups finely granulated sugar
    • 1 cup water
    • 2 tsp lemon juice

    Using invert sugar is especially useful when a speedy fermentation is desired because the must is subject to fast spoilage, as when making watermelon wine.



    Pear Liqueur

    Comice pear

    Asked to publish a recipe for pear liqueur, I dug through my recipe file and found the following, which is the final version of several attempts at making pear liqueurs. It is sweet, as most liqueurs should be, but not syrupy. It is also delicious.

    First, a discussion. I personally prefer the comice pear, one of the sweetest and juiciest of all pears. The pear appears hard, but inside it has a soft, creamy texture, almost silky in smoothness, that simply exudes juicy sweetness. If you bite into it, you're almost certainly going to have juice running down your chin. I consider it the best eating pear of all pears and my go-to choice for pear wine and liqueur. But it is not available everywhere and where it is available it has a short window of availability. When I see it I buy a bunch.

    The Bartlett is probably the most available second choice. It comes in red and green varieties. The green, if left to ripen to golden yellow at room temperature, is best for wine and liqueurs. It is juicy, sweet, and has a smooth texture.

    This recipe requires a cinnamon stick. It should be fresh and stored in a jar. I throw out cinnamon sticks in opened cellophane packets after 6-8 months because their flavor simply degrades. Those in a sealed jar can be kept for 2-3 years but no longer.

    I also use a slice of orange peel. Select a smooth skinned orange and, with a freshly sharpened paring knife, take a very thin slice of peel about 1/4 inch wide and 6 inches long. There must be no pith or whiteness under the peel -- just more orange. You are really slicing through the orange layer. This may require some practice. The same applies to the 3-inch strip of lemon peel -- it should be yellow on both sides.

    The coriander seeds and whole nutmeg should be fresh as well. Enough said.

    • 3 pears, sliced lengthwise into 8 wedges each
    • 1 3-inch cinnamon stick
    • 1 6-inch strip of orange peel
    • 1 3-inch strip of lemon peel
    • 5 coriander seeds
    • 6 shavings from a whole nutmeg
    • 2 750mL bottles vodka (80 or 100 proof, your choice)
    • 3 cups finely granulated sugar

    Place pear wedges and all ingredients except sugar in 1 gallon jar (a pickle jar, well cleaned and sealed with 4 tablespoons baking soda inside for 1 month is perfect). Seal jar and set aside in ambient light for 6-8 weeks, swirling jar or stirring gently daily. The longer maceration will impart greater flavor.

    Carefully remove pear wedges and strain liquor through double layer of muslin or several layers of cheesecloth, returning liquor to jar. Add sugar and stir continuously until totally dissolved. Seal jar and set aside at least 1 month -- 2 months is better -- before bottling and enjoying.



    Strawberry-Chocolate Wine

    Tub of sliced strawberries

    Strawberries and chocolate go together like a hand and glove. The intense aroma and distinctive flavor of strawberries pairs wonderfully with chocolate. This wine is easy to make and one will want to scale the recipe up to at least 3 gallons or regret it when you taste it.

    The strawberries should be ripe and sliced. For this reason, look in the frozen foods for a 32-ounce tub of frozen sliced strawberries (you need two per gallon). These will be processed at the height of ripeness and are perfect for this recipe. Other container shapes and sized can also be used.

    • 4 pounds sliced ripe strawberries frozen sliced have best ripeness)
    • 4 oz Dutched cocoa powder
    • 11.5-oz can Welch's 100% Red Grape frozen concentrate
    • 1 1/2 lb finely granulated sugar
    • 2 oz acid blend
    • 1 1/4 tsp yeast nutrient
    • 1/8 oz powdered grape tannin
    • 1 finely crushed and dissolved Campden tablet
    • 5 pts water
    • 1 pkt Gervin Wine Yeast Varietal B, or Lalvin 71B-1122

    If using frozen strawberries, thaw. In a primary, pour into a fine-meshed nylon straining bag and tie closed. Do not mash.

    Measure the Dutched cocoa powder (see link following this entry for background on Dutch cocoa powder) in dry ounces and add to one pint of warm water in a blender, pulsing until thoroughly mixed. Add tannin, acid blend and yeast nutrient and pulse again to ensure all are well mixed and then set aside.

    Pour the sugar over the strawberries and pour the boiling water over the sugar. Stir very well to dissolve sugar. Add the thawed grape concentrate and stir again to integrate. Finally, add the cocoa water while stirring and continue stirring for a full minute. Cover the primary and set aside to cool to room temperature.

    When cooled, add activated yeast in a starter solution and cover primary. Punch down the bag of strawberries several times a day, checking their condition after several days. When they start looking thoroughly ravaged by the yeast (about 4-5 days), remove the bag and hang to drip (do NOT squeeze) to extract readily available liquid (I hang the bag from a kitchen cabinet door handle with a bowl underneath for about 20-30 minutes). Add dripped liquid back to primary and cover primary. Discard the strawberry pulp.

    When the vigorous fermentation slows, transfer to secondary and attach an airlock. Do not top up. Allow fermentation to finish and rack, adding the finely crushed and dissolved Campden tablet and then top up. Set aside in dark place for 60 days and rack again; top up with distilled water (this will not noticeably affect the flavor or alcohol level). Return to darkness another 60 days and rack again, topping up as before. Set aside in darkness 4-6 months to bulk age. Rack if required, bottle and age an additional 6 months before tasting. Yes, it is a protracted process, but well worth it. [Jack Keller's own recipe]

    The resulting wine is full-bodied and delicious, the marriage of strawberry and chocolate perfect. To retain color, this wine is best bottled in dark glass and cellared in darkness or very low light. It should be consumed within a year -- two years at most.




    August 20th, 2012

    I received a couple of inquiries about my dog, Reba, after her bout with tick fever. I took her to the vet last week for a two-week checkup and she received a thorough exam and a blood workup. The vet was very pleased with her progress but there were two items in her lab printout that, although much improved, were still low. She will continue her meds and chewable vitamins. She received three vaccinations and will return to the vet later this month to begin treatment for heartworms.

    I let her ride in the cab of the truck because it was 98 degrees outside and not a cloud in the sky. It turned out that this terrified her and she rode all the way there and back with her snout under my arm. It finally occurred to me that she might associate riding inside a vehicle with being taken to a new owner. I soothed her as best I could. I'll have to work on "truck breaking" her in the future.

    One other thing is worth noting. Reba has always been an outdoor dog. She has a cozy doghouse for colder weather and has dealt with the heat like all dogs do -- digging down to cool earth in a shady place and laying her belly against it. She has now spent three weeks inside an air conditioned home. When she goes outside to do her "business" she does it quickly and runs back to the patio door. I'm afraid she will now become a house dog. I guess I'm okay with that.


    Chimpanzee laughing

    I have a pet peeve. With few exceptions, I do not watch comedy shows that employ an obvious canned laugh track. I find it very insulting that some producer takes it upon himself to cue me in on what is supposed to be funny. All too often it isn't. They insert laughter after every smart-aleck, sarcastic or belittling remark, few of which are actually funny. When something really funny is said, the uproarous laugh-track treats it as the funniest thing ever enacted. It's as though we were being regarded as trained chimps, expected to respond on demand without actual comprehension.

    I genuinely miss the shows of yesteryear that were filmed before a live audience. Rarely did I fail to laugh with the audience, because they -- and I -- were responding to very funny stuff. The writers were challenged to write really funny lines or situations or flop. It made for much better comedy.

    The true pioneer in multi-camera set filming before a live audience was Desi Arnaz, which he developed for the filming of I Love Lucy. Outstanding examples of live audience productions, were The Honeymooners, The Dick Van Dyke Show, The Bill Cosby Show, The Mary Tyler Moore Show, All in the Family, and The Odd Couple.

    Some shows were filmed before a live audience and later "sweetened" post-production with minimal laugh-tracks padding, including Happy Days, Seinfeld, Friends, and Cheers. But in these the insertion of canned laughter is rarely obvious because live audiences were being challenged and the TV audience did not feel insulted. The laugh-track insertion was more obvious in Maude, Rhonda, Laverne and Shirley, Alice, Soap, and Taxi.

    Even with a little "sweetening," I vastly preferred the shows that had enough confidence in their writers to film before a live studio audience. Your mileage may vary.



    English Muffin Toasting Bread

    English Muffin Toasting Bread, recipe and photo courtesy of King Arthur Flour

    My wife makes a wonderful English Muffin Bread, but with her unavailable in California I discovered I could not find her recipe despite having found it before. I assume the fault is mine -- I put it back in the wrong place. So I turned to the experts at King Arthur Flour and found a recipe that made a perfect loaf and share it here with their permission. The best part is it was easy and only took an hour and a half from start to eating.

    First, let me tell you about English muffin bread. It had good stand-up body and yet has an airy texture just like an English muffin. It toasts perfectly and butter and jelly just seep into it. Dusting a toasted, buttered slice with sugar and cinnamon not only fills the kitchen with wonderful aromas from the bread and the spice, but eats fabulously. Untoasted, it makes great sandwiches for the same reason -- mayonnaise and other spreads just love that texture and load the sandwich with their flavors.

    I'll admit I am a lover of hot, brown horseradish mustard spread over my mayo. Regular sandwich bread does not allow enough texture to spread enough of both without creating a gooey layer that wants to squeeze out the edges while eating. Not with this bread! It is perfect for folks like me that love the blended flavors of the spreads. And it is the only bread I know of that will accept both mayo and mustard and still have room for ketchup if that is your liking.

    This recipe is simple and relatively quick. It is a no-knead bread that rises in the pan and then goes straight into the oven.

    English Muffin Bread dough in the bread pan'
    • 3 cups King Arthur Unbleached All-Purpose Flour*
    • 1 tablespoon sugar
    • 1 1/2 teaspoons salt
    • 1/4 teaspoon baking soda
    • 1 tablespoon instant yeast
    • 1 cup milk
    • 1/4 cup water
    • 2 tablespoons vegetable oil or olive oil
    • cornmeal, to sprinkle in pan

    * If you don't have King Arthur Flour, at least use a high quality flour, not a cheap store brand. If you want good bread, you have to use good flour.

    1) Whisk together the flour, sugar, salt, baking soda and instant yeast in a large mixing bowl.

    2) Combine the milk, water, and oil in a separate, microwave-safe bowl, and heat to between 120°F and 130°F. Be sure to stir the liquid well before measuring its temperature; you want an accurate reading. If you don't have a thermometer, the liquid will feel quite hot (hotter than lukewarm), but not so hot that it would be uncomfortable as bath water.

    3) Pour the hot liquid over the dry ingredients in the mixing bowl.

    4) Beat at high speed for 1 minute. The dough will be very soft.

    5) Lightly grease an 8 1/2" x 4 1/2" loaf pan, and sprinkle the bottom and sides with the cornmeal.

    6) Scoop the soft dough into the pan, leveling it in the pan as much as possible.

    7) Cover the pan, and let the dough rise till it's just barely crowned over the rim of the pan. When you look at the rim of the pan from eye level, you should see the dough, but it shouldn't be more than, say, 1/4" over the rim. This will take about 45 minutes to 1 hour if you heated the liquid to the correct temperature and your kitchen isn't very cold.* While the dough is rising, preheat the oven to 400°F.

    8) Remove the cover, and bake the bread for 22 to 27 minutes, until it's golden brown and its interior temperature is 190°F.

    9) Remove the bread from the oven, and after 5 minutes turn it out of the pan onto a rack to cool. Let the bread cool completely before slicing.

    *If your kitchen is cold it will retard the rising, but you can do the following and get a perfect rise. Heat a mug of water to boiling in your microwave, remove it and place the covered pan of dough in the microwave to rise.

    If you want a softer crust, brush the top of the loaf with softened butter (or simply rub the end of a stick of refrigerated butter over the crust) as soon as it comes out of the oven.

    A note to the wise: Do not let this dough rise more than indicated. If you allow it to rise an inch above the rim of the bread pan it may very well collapse. This is not a kneaded, risen and then proofed loaf that will stand up to a high rise. Follow the recipe to the tee and it will reward you with a perfect loaf of English Muffin Bread perfect for toasting or untoasted sandwiches.



    A Classic Cocktail, The Manhattan

    The Manhattan cocktail

    I was recently in a nice cocktail lounge in San Antonio and a subdued lime label caught my eye. I asked the bartender what it was and he brought it to me -- Dr. Adam Elmegirab's Aphrodite Bitters. Never heard of it. The label said, "Hand-crafted using the finest chocolate, cocoa nibs, ginger root, red chilli, Arabica coffee and ginseng" I was salivating, so I asked, "What do you pour this in?" Predictably, "The Manhattan." Without hesitation, "Mix me one."

    Leo, the bartender, loaned me a pen so I could write this down while he mixed my drink. I savored the first sip and it was awesome. The Aphrodite Bitters certainly changed the character of the drink, but there was something else in it that was different. We talked when he had time.

    The classic Manhattan is made with rye whiskey, sweet vermouth, 1-2 dashes of bitters, and a maraschino cherry for garnish. But the drink lends itself to considerable variation, beginning with replacing the rye with bourbon, Canadian whisky or even Scotch. Sweet vermouth can be replaced with dry vermouth or, in the case of "The Perfect Manhattan," equal parts of sweet and dry vermouth are combined to make the 1 part vermouth to 2 parts rye. Leo poured a Perfect Manhattan, but used Aphrodite Bitters instead of Angostura. This was mixed over crushed ice, stirred so as not to create any froth that shaking might produce, and then strained into a cocktail glass. He added the Maraschino cherry garnish and a few drops of Maraschino Liqueur.

    • 2 parts Rye whiskey
    • 1/2 part sweet red vermouth
    • 1/2 part dry white vermouth
    • 1-2 dashes Dr. Adam Elmegirab's Aphrodite Bitters
    • mixed over crushed ice, stirred, and strained into a cocktail glass
    • Maraschino cherry garnish
    • 4-6 drops Maraschino Liqueur

    After savoring half of my Perfect Manhattan with Aphrodite Bitters and Maraschino Liqueur, I asked Leo to pour me a regular Manhattan for comparison -- 2 parts rye, 1 part sweet vermouth, 1 dash Angostura bitters, Maraschino cherry garnish. He did. It suffered beside the former, proving that minor variations can convey more than subtle taste differences. I had not realized how unique different bitters could be. And I had forgotten about Maraschino Liqueur. Long ago I ordered a Pernod and the bartender added a little Maraschino Liqueur. It was mighty good.



    Adding Tannin

    Black tea

    Tannins give wine its "bite." It also help wines extend their aging potential. It is one of the taste attributes that instantly identifies wine as wine and not a grape juice or fruit juice with spirits added. Deficiencies are noticeable. Grapes and some fruit naturally carry their tannins into wine, from their skins, seeds and stems. Most grapes and some fruit do not need additional tannin to achieve a balance of constituents perceived in taste. But when tannin is deficient, it must be added or the wine will suffer.

    Both powdered and liquid tannins are available, as well as grape skins and black tea, that integrate easily into wines. The first two are easily measured and usually the first choice. Skins and tea give up their tannins during fermentation, but it is easy to add too much or, rarely, not enough. When a wine is too tannic it can be corrected through fining or naturally through aging.

    When I first started making wine black tea was the go to ingredient for adding tannin to country wines. But powdered grape tannin was available at homebrew shops when you could find one or through catalogs. I quickly transitioned from tea to powdered grape tannin because it was compact, measureable and had a long shelf life. Even then, there were some recipes using black tea that were so established I continued to use it occasionally. I have never regretted it but even now will use black tea to add both tannin, color and a little something in taste that is pleasing. It ages well and contributes, over time, to complexities that otherwise would be missing.

    I almost always add powdered tannin to white wines. If unsure how much to add, I start with 1/8 teaspoon per gallon. After the second racking I decide by taste if I want to add another 1/8 teaspoon. If I do, I am obliged to taste again. Rarely is another addition called for.

    Tannin is essential in wine. Add it when necessary, but let your taste buds be your guide.




    August 13th, 2012

    I have been enjoying the heck out of the Olympics. Yes, there were a few events I was not all that keen about personally, but I certainly appreciated the efforts put into them.

    They say there were 44 world and 114 Olympic records broken during these contests. Those are very impressive statistics and we witnessed many, many very impressive individual and team performances. Even when a rival beat my own favorite, I always cheered for the winner. The performances were that good and questionable judging was at a minimal (but sadly, not nil).

    Call me old fashioned, but I still think the decathlon is the greatest test of an athlete. The winner of these ten events is, in my humble opinion, truly the best all-around athlete of the games. But I salute each and every one of the athletes who competed in the Olympics. Just getting there is a testament to their skills and determination.

    London did a fine job of hosting the games. The opening and closing ceremonies were spectacular and the contest venues top notch. Thank you, London.


    Paper coffee filters

    I received a phone call about my apricot liqueur recipe in my last posting. The woman thanked me for it and asked if my coffee filters clogged up. I said yes and that I changed them several times during the filtration process. She said because I did not mention this she thought she had done something wrong. I assured her clogged filters are normal as there are tens of thousands of minute pulp particles suspended in the wine and they will settle in the coffee filter and clog it.

    I sometimes omit details I think will be obvious. I did so here. However, I have gone back and added a note to the original posting. The filters do indeed clog, especially since stirring the must causes countless minute particles of pulp to be freed from the apricots. If you squeeze the pulp when it is in the nylon straining bag you will cause a much heavier saturation of particles and the filters will clog even faster.

    Finally, despite the slow filtration process apricot liqueur is easy to make, extremely aromatic, a beautiful golden color, and sips mighty fine. I do encourage you to try it. There is something very special about having your own liqueur to enjoy and to share.



    More on Making Liqueurs

    My apricot liqueur label

    Apricot liqueur is only one of many, many liqueurs you can make at home. The recipe I used for apricot can be used, with the appropriate wine and various steeping methods, for many other fruit such as Bing cherry, blackberry, black raspberry, blueberry, cherry, cherry-mint, chokecherry, cranberry, kiwi, lemon-lime, mountain ash, orange, peach, pineapple, plum, quince, red raspberry, strawberry, etc. But this is not the method I use for herb and spice liqueurs.

    Herb and spice liqueurs are steeped directly in vodka or, if you prefer, gin. A few are steeped in Scotch or whiskey. Some of the liqueurs I have made include almond, anise, angelica root, apricot pit, cinnamon-anise, coconut, coffee bean, damiana, ginger, hazelnut, lavender, orange blossom, orris root, peppermint, rose hip-anise, rose petal, sesame seed, star anise, tonka bean, vanilla bean, and various teas, alone or with other herbs. These liqueurs are primarily made by steeping the flavoring ingredient in vodka (I always use 100-proof) or gin for 2-3 weeks, straining, adding sugar as simple syrup, and aging in darkness. I use 1 1/2 to 2 1/2 cups of simple syrup, depending on the sweetness I want. A high grade honey can be substituted for the simple syrup and changes everything.

    Most liqueurs are enhanced by adding small quantities of allspice berries, cinnamon bark, anise or fennel seeds, cracked or chopped coriander, whole cloves, slivered almond, lemon or orange blossoms, marjoram or bay leaves, blackberry or raspberry leaves, mint, shaved nutmeg, etc. Obviously, one must select the herbs or spices to add carefully and not overdo it. You can always add more, but cannot remove the flavor once infused.

    Label from my 'Donna's Delight Liqueur'

    Several times I have made a liqueur for my wife I called Donna's Delight, a combination of tonka and vanilla beans plus two secret ingredients I never intend to divulge. Some things are sacred and this is one of them. It is, however, the very best liqueur I have ever made and I seriously doubt it can be improved upon. I have tried, and tried.

    Some of the herbs and spices I mentioned above may be unfamiliar to you, or you may have heard of them but have no idea where to obtain them. They are where you find them so if you find any keep a note of what and where. And by no means do I mean buying McCormick, Durkee, Spice Islands or Adams brand spices.

    The trick is to find places that sell bulk foods, teas, dried fruit, herbs and spices. By bulk, I mean they have bins or canisters or large jars that you can buy a few grams, ounces or pounds from. Why spend $4 for a small jar of spice when you can buy a couple of tablespoons for $0.40?

    Whole Foods used to be a good, reliable bet for bulk spices and herbs, but many locations have cut down their selections significantly or entirely over the past few years. Sprouts, Henry's, WinCo Foods, World Market, Fred Meyer's, Penzey's, and Wegman's are reliable chains if in your area. Certainly there are many others I am simply unaware of.

    I have had luck at organic and health food stores and co-ops, certain drug stores (CVS, Duane Reade, and Mexican bontanicas), herbalists, ethnic markets (especially Indian, Chinese and other Asian), and online sources such as Penzey's, Spice It Up, San Francisco Herb, Monterey Bay Spice Company, My Spice Sage, etc. And, there are always those countless Dollar Stores and their counterparts where that $4 jar of spice can be as low as $.50 but is usually $1.

    Liqueurs are a natural adjunct to the winemaker's beverage repertoire. No, they do not involve fermentation, but they are easy to make and can be made along side of a batch of wine. By the time a wine is ready for its second racking a typical liqueur will be ready for bottling and a second can be started.

    I will write more about liqueurs and their recipes only if there is an expressed interest in the subject. If you want to read more, send me an email saying so. I do read all email eventually, even if I only answer a very few.



    Raspberry-Chocolate Wine

    Red raspberries and chocolate shavings, from internet, fair use doctrine

    Red raspberries and chocolate make a great combination for a special wine. This wine has serious nose, delightful flavor and packs a punch at 15.5% alcohol. Off-dry approaching sweet, the wine is amply suited for enjoyment by itself, on the table or after a meal.

    Raspberries are loaded with flavor, pack a powerful aroma, and pair well with chocolate. This wine is a natural win-win and will delight -- if not overwhelm -- your organoleptic pleasure. It also should compete well against other berry and novelty wines.

    By reducing the water and blending the finished wine with 80-proof brandy, this could easily be converted into a solid port. I have worked out the numbers in theory, but need to press and measure 2 pounds of red raspberries for volume and specific gravity to confirm them. That looks like a $25-$30 investment I'll have to make one day, but not this one.

    • 2 lbs red raspberries, fresh or frozen
    • 4 oz Dutched cocoa powder
    • 11.5-oz can Welch's 100% Red Grape Juice frozen concentrate
    • 1 3/4 lb finely granulated sugar
    • 1 1/4 tsp acid blend
    • 1 1/4 tsp yeast nutrient
    • 1/8 tsp powdered grape tannin
    • 1 finely crushed and dissolved Campden tablet
    • 6 1/2 pts water
    • 1 pkt Gervin Wine Yeast Varietal B, or Lalvin 71B-1122

    Bring 5 1/2 pints water (11 cups) to boil, remove from heat and set aside. While water comes to a boil, place the raspberries in a fine-mesh nylon straining bag or one knee-high ladies nylon stocking, tie closed and set in primary. Wearing rubber gloves, mash the raspberries fairly well.

    Measure the Dutched cocoa powder (see link following this entry for background on Dutch cocoa powder) in dry ounces and add to one pint of warm water in a blender until thoroughly mixed. Add tannin, acid blend and yeast nutrient and pulse in blender to ensure all are well mixed and then set aside. Pour the sugar over the raspberries and pour the boiling water over the sugar. Stir very well to dissolve sugar. Add the thawed grape concentrate and stir again to integrate. Finally, add the cocoa water while stirring and continue stirring for a full minute. Cover the primary and set aside to cool to room temperature.

    When cooled, add activated yeast in starter solution and cover primary. Punch down the bag of raspberries several times a day, checking their condition after several days. When they start looking thoroughly ravaged by the yeast (about 4-5 days), remove the bag and hang to drip (do NOT squeeze) to extract readily available liquid (I hang the bag from a kitchen cabinet door handle with a bowl underneath for about 20 minutes). Add dripped liquid back to primary and cover primary. Discard raspberry pulp.

    When vigorous fermentation slows, transfer to secondary and attach an airlock. Allow fermentation to finish and rack, adding the finely crushed and dissolved Campden tablet. If a slow fermentation lingers for 2-3 months rack it anyway and add the Campden as described. Set aside in dark place for 60 days and rack again; top up with distilled water (this will not noticeably affect the flavor or alcohol level). Return to darkness another 60 days and rack again, topping up as before. Set aside in darkness 4-6 months to bulk age. Rack if required, bottle and age an additional 6 months before tasting. [Jack Keller's own recipe]

    The resulting wine is full-bodied and heavenly tasting. To retain color, this wine is best bottled in dark glass and cellared in darkness or very low light.




    August 7th, 2012

    My high school class is planning our 50th reunion next year. There will be the obligatory dinner and dance, then three optional "events" attendees can take or leave. A buffet breakfast the next morning at the hosting hotel is one of them, then some of us are heading to Long Beach to take a short (4-day) cruise on Carnival's Inspiration. The first stop is Catalina Island and there a large number of graduates, both cruisers and non-cruisers, will enjoy a catered picnic lunch on the beach. The ship goes on to Ensenada.

    Carnival allows passengers to bring one bottle of wine aboard on their person (purse, backpack). I commented on a group email that my wife and I would each be carrying aboard a bottle of my wine. Suddenly, a slew of volunteers said they would carry a bottle for me too. Very quickly, there were more volunteers than I could accommodate.

    Someone (who did not offer to pay the shipping costs) suggested I ship a case of wine out to California and hold a wine tasting aboard the ship. Hmmmm, if some of my outstanding financial battles are won in my favor I might just do that. We shall see....

    For future cruisers, just remember that Carnival allows you to carry a 750 mL bottle of wine aboard at boarding. If you tour a winery at a port of call and buy a bottle or two, it will be confiscated when you reboard and given back to you when your cruise is over.


    Girl and tulips on my Facebook Timeline

    Those of you on Facebook may have noticed my Timeline photo and recognized it from this WineBlog. I featured it before back on July 15th, 2011, along with other photos my nephew Patrick took. As I write, that entry is still on the current page but will be retired to my archives soon. If you want to see the original photo (the one on the right is a crop), just scroll down to that entry.

    Patrick's photo (on the original post), was taken at the 2011 Tulip Festival at RoozenGaarde, Skagit Valley, Washington. It was later selected by The Seattle Times as the "Reader's Pix From My Weekend" selection of the week back on May 11th, 2011. I really like it, as you can probably tell.

    I haven't decided yet, but I might rotate my Timeline photo with other of Patrick's photos. He is a very good photographer and I have a huge selection to choose from.


    The late Master Sergeant Roy P. Benavidez

    It is almost 14 years since Master Sergeant Roy P. Benevidez passed away at the young age of 63 at Brooke Army Medical Center, San Antonio, Texas. But those 63 years were legendary.

    During his first tour in Vietnam in 1965, while advisor to an ARVN infantry regiment, he stepped on a land mine and doctors said he would never walk again. In mid-1966 he walked out of the hospital and returned to Special Forces duty and later to Vietnam.

    On May 2, 1968 a 12-man Special Forces team was surrounded by an NVA battalion. Benavidez heard the radio appeal for help and boarded a helicopter to respond. Armed only with a knife, he jumped from the helicopter carrying a medical bag and rushed to join -- and save -- the trapped team. Benavidez suffered a total of 37 separate bayonet, bullet and shrapnel wounds (and a broken jaw) throughout the course of the six hour fight that ensued. Those six hours are legendary in Special Forces. He was initially awarded the Distinguished Service Cross for his valor, but this was later upgraded to the Congressional Medal of Honor when the full story of his valor and determination was told.

    For those of you who do not know the story of this MACVSOG's incredible day of destiny and heroism, please take six and a half minutes out from your busy schedule to watch this video in honor of him. For those of us who once wore the green beret, there is no need; we all know the story -- but it is worth watching anyway. If this video doesn't leave you in awe of the human spirit, I don't know what will.



    My dog, a black lab and collie mix (she looks like a black lab with narrower snout and russet coloring on her lower legs, under-tail and rear end), contracted tick fever and nearly died on me. She wasn't eating much for perhaps three days and on Friday night week before last she didn't eat at all. I didn't discover this until late Saturday morning and spent several hours trying to coax her into eating by offering her things she loves. By the time I became seriously alarmed, the local vets had closed for the weekend.

    I got her to a vet Monday and she was malnourished, dehydrated and very weak. Good work by the vet and his staff pumped her with life-saving meds. They armed me with an assortment of meds, vitamins, prescription food, tick collar, flea control and instructions and I took her home.

    She is a yard dog and has never been in our house except to undergo a bath, which she hates. But I placed a large scrap of carpet between my computer and a sofa and carried her to it. Over the next few hours she drank water, but refused milk and food. Finally, at 10:30 that evening she ate. I stayed up with her until 3:00 a.m. and slept on the sofa next to her.

    She is doing well, but is still weak. Walking to the mailbox with me is taxing for her, but she improves daily. I fear I might not get her to live outside again. She obviously likes the air conditioning and recoils from the heat whenever I take her to the door. Ah, well, whatever happens happens. I'm just glad she is improving.



    Lemon Puff Pancake with Fresh Berries

    Lemon puff pancake with fresh berries, courtesy of King Arthur Flour

    By design, I receive an almost daily stream of emails from King Arthur Flour. Yesterday I received this recipe from them and while reading it I began to salivate. I rushed to the market to buy raspberries. This morning I awoke early and, after tending my recuperating dog, made this for breakfast. I have to say this was one of the tastiest pancakes I have ever eaten, although certainly different. It is part popover, part crepe and part pancake with crispy edges. It deflates slightly while cooling, but that doesn't affect the taste. I think I'll use diced, ripe mangos tomorrow (with apologies to the recipe name), although sliced fresh strawberries would be good, too. With permission from the originator, here is the recipe.

    First, a few words about ancillary things. If you don't have King Arthur Flour, you should consider investing in some and canistering it separately for special recipes. I always almost always buy superior flours, believing you get what you pay for. A few months back I mistakenly bought a bag of store brand flour and will never do that again. I did not make one single good bread with it. I even mixed some King Arthur Flour with it in hopes of improving it, but, as when mixing a quality wine with an inferior one, all you get is a greater quantity of inferiority. If you don't want to pay the extra for King Arthur Flour, at least buy a high quality, sifted product.

    According to the creator of this recipe, it bakes better in a 9-inch cast iron skillet, but an 8-inch round cake pan will work. I used the skillet, which measures 9 inches in diameter at the top; the bottom diameter is slightly less.

    You can double the recipe and use any combination of skillets and/or cake pans you happen to have but size in critical. If too large it will be too thin to puff up. If too small it will not cook well . I followed the recipe to the tee, taking my raspberries out of refrigeration an hour before the first ingredient was measured.

    Pancake

    • 1 tablespoon butter
    • 1/3 cup King Arthur Unbleached All-Purpose Flour
    • heaping 1/8 teaspoon salt
    • 1 teaspoon granulated sugar
    • 1/4 cup milk
    • 1/2 teaspoon vanilla extract
    • 2 large eggs
    • 1 tablespoon melted butter

    Topping

    • 1 tablespoon freshly squeezed lemon juice
    • confectioners' sugar
    • fresh berries

    Preheat the oven to 425°F. Lightly grease a 9" cast iron skillet, or 8" round cake pan. The size of the pan matters here, so measure carefully. Too small, it'll overflow. Too large, it won't puff as high.

    Melt the butter in the skillet, or melt the butter and pour it into the cake pan.

    Whisk together the flour, salt, and sugar.

    In a separate bowl, whisk together the milk, vanilla, and eggs.

    Add the liquid ingredients to the dry ingredients, whisking until fairly smooth; a few small lumps are OK. Stir in the melted butter, and pour the batter into the pan.

    Bake the pancake for 15 to 20 minutes, or until it's puffed and golden, with deeper brown patches.

    Remove it from the oven, and sprinkle with the lemon juice, then the confectioners' sugar.

    Serve immediately, garnished with fresh berries.

    The yield is one or two servings, depending on portion control or hunger.



    Apricot Liqueur

    Steeping the Apricot Liqueur must

    Apricot liqueur is a wonderful, aromatic dessert liqueur. It is best served in tall, thin liqueur glasses, as it packs a wallop and you do not want too large a serving (although everyone will want seconds). It is easy to make, only takes about 5 weeks, and, served chilled, will be a hit after any white-meat, fish or fowl dinner.

    Fresh apricots tend to be pricey but you will thank yourself for the investment when you taste the result. Besides, this recipe does not use all that many apricots. The choice of sprit you use is up to you, but either gin or vodka are ideal. I use 100-proof vodka.

    I have seen recipes for a similar liqueur that use the apricot pits, peeled, in the recipe, but I prefer the sliced almonds. You can forget the almonds and use a half-teaspoon of almond extract instead.

    The ginger slices are crosswise from a root section 3/4-inch in diameter. Don't slice too thick or the ginger will mask other influences.

    I make this with apricot wine. Several recipes for this wine are linked following this entry. However, any dry white wine will work fine. It need not be an expensive varietal as its distinctiveness will probably not survive. I have made this using an orange wine I made and did not appreciate the competing flavors as much as I thought I would (but guests loved the resulting liqueur).

    This liqueur should be bottled in smaller bottles with screw caps for convience. I use Starbuck Frappuccino bottles after I drink the contents, carefully peel off the plastic labels and, of course, sanitize the bottles and caps. The caps reseal well for several recycles. I use the 405mL size. Previously, I used the small 187mL bottles that several wineries sell (with wine inside) as individual serving four-packs, but I prefer to use these for monitoring the aging process of wine batches (four of these hold just under 750mL and are very convenient for monitoring aging).

    • 10-12 fresh apricots
    • 2 cups finely granulated sugar
    • 20 allspice berries
    • 3 paper-thin slices of ginger root
    • 1 tablespoon slivered almonds
    • 2 750mL bottles dry apricot (or other white) wine
    • 2 cups vodka or gin

    Wash and halve the apricots, discarding stones. Place in large stock pot and add sugar, allspice berries, ginger slices, slivered almonds and 1/2 bottle of wine. Bring to a boil, stirring continuously until sugar is dissolved. When boiling, remove from heat and cover pot. Set aside for 20 minutes and then add remaining wine and the vodka or gin, stirring well. Set aside for one week, stirring twice daily. Strain through a nylon staining bag and squeeze very lightly.

    Empty bag into a bowl and carefully remove the allspice berries, ginger slices and slivered almonds, discarding them. Use apricot pulp to puree as a topping for ice cream or add honey to make a glaze for baked ham or fowl (bottled, it will keep in your refrigerator several weeks).

    Strain liqueur through a coffee filter (line a funnel with the filter) for clarity. The filter will probably clog up after just a cup or so of liquid has passed through it, so change it as needed. Repeat if you think necessary, using a double-layer of filter the second time. Bottle and set in dark place for one month before tasting. Improves with age and will last for years. [Jack Keller's own recipe]




    July 28th, 2012

    The Internet America service guy came yesterday and I am back online. Due to problems I need not go into here, I was dropped from Gold service to Bronze, which means my service is slower than before but working and secure. After seven weeks of spotty to trickling to non-existent service, I am elated to be connected again.

    When I finally got online, Outlook downloaded 329 new emails and Gmail showed 214 new messages. If yours is among them, please do not expect an answer soon, if at all. I'm sorry to have to say that, but I could barely keep up with what was coming in daily. This massive dump is imposing, to say the least. I promise I will read them all eventually, but will probably answer very few. If you wrote me six weeks ago that you have a stuck fermentation, I will assume you have read more of my site and found the solution or worked it out by other means..

    To all of you out there who keep the electrons and bytes moving, I salute you. We take so much for granted that is miraculous to those of us not making it happen that I shudder to think how we would fare if a catastrophic EMP wiped out our electronic infrastructure. Go camping one weekend with just a pocket knife and a piece of flint and steel and you will appreciate what you have a whole lot more. By the way, I've done the primitive camping thing more than once. It takes quite a long time to construct a container that will hold water and heating it to boiling with hot stones takes forever....


    London's Olympic Stadium errupts in fireworks during oprning ceremonies

    I hope you are watching the London Olympics. The opening ceremony was the very best I've seen yet, although that is a matter of individual appreciation, so your mileage may vary. It certainly was impressive. But today is about the competitions and you certainly have to admire the athletes. I have known two people who trained for past Olympics and the dedication they had to reach their goal was inspiring. Neither actually made their teams to represent our nation, but their efforts impressed me to no end.

    The pre-game controversy centered on the Greek beauty who was disqualified by her country's officiating body for an unfortunate tweet. I think their decision was the wrong one, but it does serve to impress the point that what you tweet is public. I have read a lot of tweets that were in terrible taste and hope the tweeters are judged accordingly by their recipients. Civility always wins out over hateful, venomous expressions. By the way, hiding behind a fictitious name does not protect one from discovery. I was able to track and confirm the identity of the only two I was curious about, and I have no detective tools at my disposal.

    I hope you tune into the Olympics at least once. They are rare events and worthy of our appreciation.



    Dealing With Citrus Pulp

    Pink Lemonade Wine before racking

    My pink lemonade wine is still bubbling away in secondary. Quite a bit of pulp has settled to the bottom and I do not expect it to compact, so it could cause a bit of a problem when racking if I am not careful. If you have (or have had) a similar problem, read on.

    To keep the pulp out of the next secondary, I will rack very carefully, keeping the racking cane just below the surface to keep it away from the loose layer of pulp. Experience has shown that if I drop it initially to a midway point the siphon will create enough of a current to start the lighter pulp to unsettle and rise.

    I intend to do the following to prevent the pulp from transferring to the next secondary when I rack. There are several strategies I could follow, but this is the one that has worked best for me in the past. As I said, I will keep the racking cane as far away from the gross lees (pulp) as I can be keeping its tip just below the surface. When I get about 2/3 of the way down, or when I see any disturbance in the lees. I will crimp the racking tube and clamp it to stop the flow. At the same time, I will use another clamp to hold the racking cane it its relative position below the surface. There are clamps designed to hold the tube or cane. What I do NOT want to do is allow the cane to sink into the lees and disturb them or allow the tip of the racking cane to lift out of the wine and break the siphon, as the wine in the cane will flow back into the wine and agitate the lees.

    When to cane is secured and the flow crimped off, I will then place a large funnel in the new secondary and line the funnel with a triple layer of sanitized, tightly woven muslin -- between 100 and 200 count (weaves per inch). I will then release the flow into the funnel and allow the muslin to filter out the pulp. Dead yeast cells will pass right through the cloth, so I will try my best not to draw too many into the siphon.

    For those who have never done this before, I can assure you that after a short while the pulp will coat the cloth and slow down the passage of wine into the secondary through the funnel. It becomes necessary to maintain a partial crimp on the racking tube so it can be closed off with just a tightening of fingers and thumb. This allows the flow through the pulp-coated muslin time to catch up. It requires some careful timing and watchful eyes. A third hand -- to hold the racking cane -- is helpful, but I do it alone most of the time.

    This technique works with most gross lees situations -- strawberries, kiwis, plums, all citrus, etc. -- as long as the lees are not more than 2 inches thick, Thick layers will bring the flow through the funnel to a drip, causing the most tranquil of us to lose our patience. For thicker layers of gross lees, please refer to my entry, Excessive Gross Lees, of September 9th, 2011.

    Of course, you can always fine with gelatin or Bentonite, following the manufacture's instructions, and allow 5-7 days for it to compact the lees. This works relatively well most of the time, but usually does not compact them enough for my satisfaction. I prefer the muslin filtering method best for lees not more than 2 inches thick and the pantyhose filter (see the referenced entry) for thicker gross lees. The pantyhose method allows some of the finer lees to slip through, and these can be dealt with adequately by fining.

    Under no circumstances should one attempt to deal with these gross lees using a MiniJet filter. Even the coarser filter will clog very quickly and could easily cause the MiniJet's motor to burn up.



    Buying Bulk Grapes

    Concord grapes ready for harvest

    Going through my emails, I see several offers for bulk grapes. These are all you-pick-'em offers and the prices are very reasonable ($0.50 a pound), and some offer to destem and crush them for a nominal fee ($0.10 a pound). I'm not going to list them because they are all regional to my locale, but there are many growers out there who have grapes for sale. All you have to do is search for them.

    You can try Google -- search your region and "bulk grapes." An easier way is to join a regional winemaking online or email group. I belong to several such groups in Texas and that is where the bulk of my offers have originated. These are Yahoo! groups where all communications are delivered to your inbox. Go to Yahoo! Groups and search for groups you think are adequate for your needs.

    If you join winepress.us there is a whole sub-forum on Grape Wine Making - Fresh Grapes and Frozen Pails (link follows this entry) where threads are often current on this subject, or you can start one by just asking for bulk grape suppliers. Just jump in and read or post, but you do have to join (register for free) to post messages.

    Possibly the best source of quality bulk grapes in manageable quantities is Brehm Vineyards. Peter Brehm sells frozen pails of extremely good quality grapes. They can be pricey with air shipping, but the grapes are supreme and I have never received a bad report on the grapes themselves. The pails are filled with frozen crushed grapes in their own juice. However, Brehm is not the only supplier of this type of product. Google "Frozen Grape Pails" for many suppliers.

    Some (alas, not enough) local homebrew shops have walk-in freezers and maintain a supply of frozen grape pails. These are usually Italian or South American grapes but they are from reputable vineyards. It's worth a few phone calls to see if there are any near you. You can check my site for shops near you (link follows this entry), and if you discover any dead links please email me with "Dead Link" as the subject line. I would greatly appreciate it.

    If this is your thing, please go for it with gusto. Making wine from grapes is much more rewarding than simply following instructions and making a kit wine. It's where you learn real winemaking skills.




    July 23th, 2012

    My internet connectivity problems continue, but I am able to use public wireless connections to upload my blog. It makes me very nervous to do so as anyone could piggyback my signal and hack my sites. Therefore, I set everything up, connect to my server, upload as quickly as possible and then log out. Email is out of the question, so please don't send me any as I cannot read it. Sorry to be so blunt, but when I ask gently a lot of people ignore it.

    1961 Ferrari 250GT SWB Berlinetta

    It is with great pleasure that I remember my 1961 Ferrari 250GT short wheel-base Berlinetta. I recently searched for an old 8mm film of my motorcross run at Vail, Colorado where I crossed the finish line doing a 360 spin with a trail of smoke coming from my skidding tires. I did not know it during those frantic swirling seconds, but the entire grandstand stood and gave me a standing ovation when I hit the gas and pulled out of the spin heading straight down the track. What they thought was skill was sheer luck. I saw the track coming around and knew I had to accelerate or spin until I stopped, but I honestly did not know absolutely if I would be heading the right way or wrong way. Someone Upstairs must have been watching over me.

    I failed to find the film, but know I have it somewhere. How to view it when I find it is another matter. I've kept my old 8mm projector just to watch this one film, but whether it will work after 23 years in storage is problematic.

    We should all have fond memories of something special, and my memories of my Ferrari 250GT and my 1966 Maserati 3500 GTI are among my fondest. Now, if I can just find that reel of film....


    We've had a few days of rain, spread out over perhaps two weeks. In total, it was only about 1 3/4 inches at my house as measured in my rain gauge, but I know some surrounding areas received 4-5 times that much. Flash flooding in San Antonio made the national news. But we are in a drought, so every drop is appreciated. The rains on my property were especially nice because they occurred in the afternoon and evenings and were light and slow, with no run-off. Every drop soaked into the thirsty earth. They also cooled things down a lot, only to raise the humidity the next morning.

    I just pray our heartland farmers receive some badly needed rain before they lose everything. When it comes to nature we take the good with the bad, but the milk of goodness is so much sweeter than when it sours. Please join me and pray for those who grow our food....



    Blue-Eyed Flower Wine

    One of the many benefits of the rains we've been having were the blooming of many plants. My Texas Silver Sage bushes were covered in purple blooms, and white rain flowers popped up all over portions of my yard. And, while taking a back-road to the north of here, I spotted a patch of bluish-purple ground cover and stopped to investigate. There was a large stand of Blue-Eyed Grass (Sisyrinchium sp. Iridaceae). Every time I see this flower Willie Nelson pops into my head singing "Blue Eyes Crying in the Rain." But my thoughts still turned to wine.

    I returned to my truck and retrieved a plastic grocery bag, squatted next to the edge of the flowers, and started picking. It seemed best to just pull on the thin stem so as not to damage the flowers. I filled the bag in about an hour, my back and knees screaming in protest. Age is showing its influence on my body. Back home, I took two Aleve and a Parafon Forte for my back, sat in a comfortable chair with bag, a large bowl for the flowers and a small one for the stems, and cut the flowers from the stems with scissors while listening to oldies. In all, I had just over two quarts of loosely packed flowers. I needed more, so drove back to the site and picked another quart.

    I have never made this wine before, so I cannot tell you the final result. I'll just tell you what I did and intend to do in the future. I have great confidence it will be a nice wine.

    • 3 qts Blue-Eyed Grass flowers, destemmed
    • 12-oz can Old Orchard 100% White Grape Juice frozen concentrate, thawed
    • 7 pts water
    • 1 3/4 lb fine granulated sugar
    • 2 tsp acid blend
    • 1 tsp yeast nutrient
    • 1/4 tsp grape tannin powder
    • general purpose wine yeast, activated in starter solution

    Put water on to boil. Place flowers in a nylon straining bag and tie bag closed in primary container. When water boils, stir sugar in water and continue stirring until completely dissolved. Pour boiling water over flowers, cover primary and set aside to cool. When cooled to around 90 degrees F. or less, stir in thawed grape concentrate, acid blend, yeast nutrient and powdered tannin. Add activated yeast as a starter solution and cover primary. Punch bag down several times daily for 5 days. Remove bag, squeeze to extract liquid and discard flowers. Transfer liquid to secondary fermentation vessel and affix an airlock. Rack, top up and reattach airlock after 30 days, adding one finely crushed and dissolved Campden tablet. When wine is clear, rack again, stabilize with 1/2 teaspoon potassium sorbate and set aside for 3 months. If wine is too dry, rack and sweeten to taste, wait 30 days to be sure refermentation does not begin and then bottle if safe. If the dry wine is pleasing, carefully rack into bottles. Wine should rest 3-6 months before tasting. [Jack Keller's own recipe]


    Until my own connectivity is restored, my WineBlogentries will be brief as I must upload them at public WiFi stations and I need to minimize my risk by minimizing my server exposure. I hope you will understand and indulge me.




    July 19th, 2012

    Poteet Country Winery Sweet Reserve Blackberry Wine

    I'm enjoying a glass of Sweet Reserve Blackberry Wine from Poteet Country Winery of Poteet, Texas. This is an exceptional blackberry, fermented normally to dryness, but the wine is then stabilized and pure, slightly concentrated blackberry juice, which had been clarified and frozen, was added to the wine to raise it off dryness to a slight sweetness. The result is a delicious, just-sweet wine, bursting in fruitiness and well balanced with tannins and acidity. Mu first glass is room temperature, but I placed the bottle in the refrigerator to chill it slightly for my second glass.

    The San Antonio Regional Wine Guild held our July meeting there Sunday and could not have asked for a more perfect day. The weather was fairly mild, about 86 degrees F. rather than the mid to high nineties the days prior. Recent rains and gathering clouds were responsible, although it did not rain that day until a couple of hours after we left. Great venue, great wines and great tour for those interested in small winery operations.

    The Guild rotates its meetings, from personal residences to special businesses with outdoor attractions, to parks, to wineries. This was our second visit to Poteet Country Winery since it opened in 1999. Their signature wine is strawberry, but they also make a Sweet Reserve Strawberry and a Strawberry-Mustang blend, a wonderful Mustang, a unique and tasty White Mustang, and a multi-grape blend they call Texas Red. Finally, they make a house wine for a Hill Country restaurant, which is a full-bodied Tempranillo.


    My internet problems continue. Thanks to all for your sentiments on this situation, but I do not need any more suggestions for alternative ISPs, please. I know my situation, I know who provides what to my remote area, and I know what works here and what doesn't. I know you mean well and I appreciate it, but no more suggestions, please.

    For those not familiar with my internet problems and curious, please review the two entries prior to this date.


    Watermelon rind pickles made in

    I just finished making another batch of watermelon rind pickles. I finished eating the last pint of my last batch six days ago and that triggered the need for another batch. They are not difficult to make, but it takes several steps over three days from start to canning. I harvest the watermelon rind as I eat the melon and refrigerate it until I have enough for a batch.

    I published the recipe I use on September 11, 2009 in this blog. You'll find it in the archives and the link is listed at the end of this entry. These are spiced with lemon, ginger root, cinnamon bark, cloves and allspice berries, and the pickles are awesome. If you plan on eating a watermelon soon, you might want to take a look at the recipe to determine if you want to try making these. I seriously doubt you will regret it.

    I refrigerate a jar overnight before opening it. That makes the pickles a bit more crunchier. They can be eaten as a treat by themselves or as an accompaniment to a meal.

    If pickles are not your thing, then you might try making watermelon rind preserves. I am including the recipe below. These are very good by themselves or with ice cream.



    Pink Lemonade Wine

    Old Orchard Pink Lemonade frozen concentrate

    This is an easy, relatively low alcohol wine to make for serving chilled on a hot afternoon. At 9.7% alcohol, in moderation it will refresh without sending you to the sofa for a nap. I made this recently for consumption during the dog days of September, but if a sample bottle (375 mL) proves too young, it will easily keep until next summer.

    The ingredients are few and the method is straight forward. Anyone can make this wine.

    I used Old Orchard brand frozen concentrate, but any brand for a non-light pink lemonade will do. The sugar content of all I checked was the same.

    Use whichever general purpose wine yeast you have on hand. I used Lalvin W15, which has a 16% alcohol upper limit so will ferment this wine to dryness. This yeast is good for both white and light reds, so is perfect for pink lemonade. It spotlights the fruitiness of the base and its wines have good mouthfeel due to higher than normal glycerol and succinic acid production when fermented above 77 degrees F. I keep my home at 78 degrees year-round.

    • 2 containers (12-oz each) Old Orchard Pink Lemonade frozen concentrate
    • 1/2 lb (one heaping cup) finely granulated sugar
    • water to one gallon (8 2/3 concentrate containers)
    • 1 tsp yeast nutrient
    • 1/2 tsp citric acid or 1 tblsp and 1 tsp lemon juice
    • Lalvin W15 wine yeast

    Thaw 2 containers of pink lemonade frozen concentrate and pour into primary. Add 8 2/3 concentrate containers of water to primary and stir in 1 slightly heaping cup of finely granulated sugar and yeast nutrient, stirring until completely dissolved (about 2-3 minutes). Specific gravity should read 1.070 uncorrected, 1.072 or so corrected for room temperature. Add citric acid or lemon juice and stir briefly. Add yeast in a yeast starter solution and cover primary. Ferment to 1.010, transfer to secondary and attach airlock. Rack after 30 days and add one finely crushed and dissolved Campden tablet. Top up, reattach airlock and set aside additional 30 days. If wine tastes too dry, dissolve 1/2 teaspoon potassium sorbate in 1/2 cup of the wine and stir until completely dissolved (I powder my measured potassium sorbate with a glass mortar and pestle to make it easier to dissolve), then add to wine. Top up and reattach airlock. After 30 days wine can be sweetened if you prefer or carefully racked into bottles. If sweetened, allow another 30 days to be sure wine does not begin a renewed fermentation Age bottled wine at least 3 months before consuming. [Jack Keller's own recipe]



    Watermelon Rind Preserves

    Watermelon rind pieces

    When one eats a watermelon, one tosses away about 5-6 pounds of rind for an average melon. The rind is easily harvested for making watermelon rind pickles (see link below), candy or preserves. The preserves are easy to make and will last several years if stored in a cool pantry or under the bed. They are sweet, slightly spicy and quite delicious. This recipe makes 10-12 cups, depending on the size of your melon.

    I cut my rind into 1/2-inch strips, cut away the green outer skin and most of the red/pink, and then cut the strips into 1/2-inch cubes or as close to that as I can get. Whether cubes or rectangles depends on the thickness of the initial rind. Exactness is not crucial, but as close to uniformity as possible is so that they cook uniformly. My weight measurement is for the cubed pieces. Weight the bowl empty, then weigh it again with pieces. Four pounds is the minimum, but more is okay.

    • 4 lbs trimmed watermelon rind
    • 1/2 cup salt
    • 9 cups sugar
    • 4 lemons, thinly sliced, seeds removed
    • 4 4-inch sticks of cinnamon bark, broken in half
    • 4 tblsp whole cloves
    • water as needed

    Select melons with thick rinds. Cut rind into manageable-size pieces and cut these into 1/2-inch strips. Carefully slice away the outer green portion and any remaining pink flesh, using only the white portion of the rind. Cut into 1/2-inch cubes. An average melon (large round or medium long) should yield at least 4 pounds of diced white rind (11 cups); slightly more or less is fine. Place diced rind in large bowl or non-reactive stock pot and just cover with mild salt solution, using 1/2 cup salt to 1 gallon water. Refrigerate overnight or at least 8 hours; longer will do no harm.

    Drain well and in a large stock pot (stainless steel is best) make a syrup of 9 cups sugar and 8 cups water, stirring while heating to dissolve the sugar well. Add 4 medium lemons, thinly sliced and deseeded, and continue to heat. In a spice bag, add cinnamon and cloves and tie bag, adding to water being heated. When water boils, hold boil for 5 minutes. Carefully add watermelon rind using large serving spoon or ladle so as not to splash hot syrup.

    Cook at high simmer to low boil, stirring occasionally so rind does not stick to bottom and scorch, until rind becomes transparent and clear. Some people add red or green food coloring (NOT both) to color their preserves, but I do not. Remove the spice bag and discard contents. Ladle preserves into sterilized canning jars to within 1/2-inch of top. Put on cap and retaining ring and, wearing oven mitts, screw the rings firmly until tight. Process in boiling water bath for 10 minutes, remove from bath and set on cooling rack. All lid caps should depress as they cool. Any that don't should be re-bathed or refrigerated and consumed within weeks.

    These are great by themselves or spooned over vanilla ice cream.




    July 13th, 2012

    It's Friday the 13th and my wireless feed is still only a trickle. This will be brief because it will take too long to upload and the ftp will time out if too long. All I can do is pray the ISP solves the problem soon.

    Complicating things is that my ISP claims that another wireless company that recently began operations in Pleasanton is broadcasting a signal that interferes with my ISP's signal. The problem is not frequency sharing, but signal strength. My ISP claims its signal is the maximum allowed by regulations, but the new company is exceeding that. If this is true or not is beyond my ability to know, but my ISP claims they are seeking a desist arrangement. We shall see.


    I want to thank all of you for your patience and loyalty. Several of you have expressed concerns about my situation and offered alternate solutions. Believe me, there are none that are practical for me. But I appreciate the suggestions.



    Bacterial Contamination

    Cloudy wine from bacterial contamination

    I have received many requests for recipes that do not use sulfites. I don't really have any such recipes, but advise folks to try the recipe of their choice without adding the Campden or potassium metabisulfite -- at their own risk. Three months ago an elderly friend asked me to make her some sulfite-free wine. She is such a dear I could not refuse, so I began a batch of apple-cranberry wine. The method was straight-forward, using both fresh apples and frozen cranberries I had in the freezer and doing a cold maceration. The result was a bacterial contamination that only heat or sulfites would cure.

    Three months into the process and after two rackings, the wine should have lost its yeast bloom and started clearing. Instead, I noticed the wine appeared to get cloudier rather than moving toward clarity. I drew off a liter of the wine and sulfited it. It cleared within five days. That's when I knew the problem was bacterial contamination. Since I keep my equipment scrupulously clean and well sanitized, I surmise a bacteria had hitched a ride on the apples. I had rinsed (but not scrubbed) them prior to chopping, but did not give then the 3-miunte sulfite bath I usually do.

    I salvaged the batch but cannot present it to my friend. I will make her something else -- perhaps a citrus wine as I saw Valencia oranges and Clementines the other day at the market.

    The morale of this tale is that even a seasoned pro like myself can suffer the indignity of bacterial contamination when sulfites are not employed. And their anti-bacterial action is only one of the several benefits sulfites bring to the wine. They are anti-fungal as well, postpone oxidation, prevent premature browning, and have other benefits only a chemist might appreciate.

    The rush to condemn sulfites when one experiences a physiological problem after drinking wine is, as I have explained previously in great detail, usually misplaced. If a person has a serious problem with sulfites they would have suffered long before reaching legal drinking age from eating raisins, dried fruit, and many common snack foods. The problem is most often histamines from red grapes and this can be countered by drinking red wine in moderation and/or taking an antihistamine immediately before or after consuming the wine. Before is better.

    If you make wine without embracing the benefits of sulfites, you do so at your own risk.

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July 5th, 2012

Antenna mast for wireless internet

I am on a wireless access feed. My 50-foot mast is topped with a radio transceiver and a tightly focused antenna that points to a water tower 3.2 miles away which is ringed by more sophisticated and powerful transceivers. Several weeks ago the one that services my area became erratic and very, very slow. My ISP moved everyone whose antennas could possibly see another transceiver to whichever ones they could see, but mine was square-on the bad one and it took several phone calls to finally get the company to suffer the expense of repairing it.

Meanwhile, on one of two service calls (they wanted very badly to determine that my problem was the much cheaper radio on my mast) they finally dropped my mast and replaced my radio. This occurred three days after they repaired the one on the tower (typical case of the right hand not knowing what the left hand is doing). The tower fix had made me happy, but the service guys ran diagnostics on my computer and the transfer speeds were still sluggish by their standards, so with great physical effort they dropped my mast and replaced the radio on it. After that they were happy and I was an ecstatic camper, until 1:45 on Thursday, June 28th. That's when my brand new radio stopped working. The soonest they could get someone out to me was exactly a week from that date. Too few guys covering too large an area.

They finally came out today, July 5th, and again dropped the mast and replaced the radio (can anyone spell "Made in China"?). The new radio was working fine, but my access point on the tower 3.2 miles away is once again producing a sluggish throughput. They are telling me it might be another week before they can get to it. Meanwhile I suffer. I am posting this blog entry today, but do not know if I will actually get it uploaded today. Please be patient. This is out of my hands. But if anyone from Internet America is reading this, FIX THE TOWER'S NORTH ACCESS POINT!

Before my outage, I was backed up in email. So, while I usually read all but answer few, for the past week I have answered none. I am now so backed up that I doubt I will answer any anytime soon.


Signatures on the Declaration of Independence

We celebrated the 236th anniversary of our Declaration of Independence yesterday. Over a cup of Kaua'i Vanilla-Macadamia Nut Coffee, I read the Declaration -- all of it. It is a document worth reading every now and then. The grievances against the Crown of England were numerous and well enumerated by Thomas Jefferson and his fellow patriots.

In reading them, one gains a better appreciation of what our Founding Fathers considered as tyranny against the freedom of citizens by an oppressive government. It causes one to pause and consider the smothering encroachment of the Federal Government against the freedom of us as citizens and the sovereignty of our States. Our next Revolution, as with 112 previous Revolutions, will be staged at the ballot box in November.

I trust our citizens are wise enough to never again elect a man with no record of success except as a community organizer for the Democratic Party in Chicago and the record holder for voting "Present" in the Illinois legislature -- a man who claimed there are 57 states in the United States. How could one hear that and not realize the man knew nothing of the basic structure of the country he sought to govern? Enough said. You know where I stand.


We had two days of cloudy overcast and a little rain. It cooled things down enough that I thought I would go pick some mustang grapes for wine. I was disappointed that many had dropped and the birds had been feeding heavily. I didn't pick any because I wasn't sure I could get the 40 pounds I needed for a strong 5-gallon batch. Oh, I could have gotten that many, but not from the stand I usually pick. I would have put some miles on my truck and just didn't want too. I'm getting lazy with age.

I reported earlier that my Blanc du Bois were devastated by the birds. That was during a long dry spell and I don't blame them for wanting the juicy berries. This is just not my year for grape wines, so I will fall back on fruit and novelty wines. I find them more interesting anyway. Oh, I'll harvest my Champanel and Cynthiana, may pick some Dog Ridge, and may still pick a few mustangs for a field blend

We'll see. One thing I know for sure is there will be no shortage of wine in my homestead.



Judging Extreme Novelty Wines

Garlic & Basil Cooking Wine label

This is an expansion of an article I wrote for the San Antonio Regional Wing Guild's July Newsletter. The point of the article is that the wine judge may occasionally be presented with certain novelty wines that cause anxiety and trepidation. The wines either appear unlikely to be enjoyable or even offensive to the taste buds. Here we look at how to judge them with no prior experience with the wine, but much experience with the base ingredients, to fall back on.

It is important to remember that a wine seldom tastes like it base. It may carry forward many characteristics of the base, but Cabernet Sauvignon wine does not taste like the grapes from which it was made. But some bases are different. Some of the wines mentioned below taste very much like the bases they are made from -- some, but not all.

Every now and then judges are presented with a wine that draws hesitation, reservation, a certain amount of anxiety, and possibly even trepidation. It might be something unusual, like Tomato, Eggplant or Cilantro Wine, or something that suggests an assault on the taste buds, like Jalapeno, Habanero, Onion, Garlic, Horseradish, or Horehound Wine. The judge knows when he or she sees the name that they might regret having to judge it, so they leave it for last. That is understandable, but the question is how does he judge it when he has little if any experience with this type of wine? Let us examine this dilemma.

I have often been asked, more-so in the past than in the near present as more people venture into novelty wines, to offer my opinion on a wine the judges have no experience with. In several cases the wines have been my own and, as always when I am not the wine's judge, I offered pointers for judging without offering an opinion on the wine's worthiness. What follows are some of those pointers and other considerations.

Bouquet and aroma should speak for themselves, although some wines offer odors one might not expect if completely unfamiliar with it. Herbal wines such as fennel, cinnamon, anise and allspice all make wines that carry their distinct aromas, but some judges leave all the cooking to their wives or the chef at their favorite restaurant and haven't a clue what these and other herbs and spices smell like.

I advise all judges to make it a habit of visiting a Whole Foods or other market that sells herbs and spices in bulk and open the containers, smell the product, and pause to make mental notes as to what they smell like. Do this as time permits, but do it. I did this ages ago in Colorado and brought with me a notebook where I recorded my impressions. My interest then was more related to cooking and flavoring my own homemade butter and cheese, but the education carried over into my winemaking over time. I also discovered that not all things taste like they smell. Did you ever secretly take a swing of vanilla extract as a child? Big shock!

The odors of various chile peppers, onions, garlics (there are varieties), and greens (parsley, cilantro, collard, mustard, mints, etc.) all capture in their aroma the odors we associate with them. But remember, aroma and bouquet are different creatures. Aroma is the smells directly associated with the base ingredient. Bouquet is the combined esters, higher acids and other volatile compounds created by chemistry in the bottle and may have no resemblance to the aroma, although some aroma will always be inhaled when inhaling that first breath of the wine where bouquet resides.

One must learn to search for that fleeting whisper of essence that is the bouquet. Breathe in the air above the wine and mentally analyze it, then take a second breath and sort out what is missing the second time. That missing character is the bouquet. Swirl the wine up on the sides of the glass for 15-30 seconds to increase the surface area of the wine. Now breathe it again. The bouquet is back.

Color is easy to sort out, even though it may not correspond to your expectations. Most herbs and spices make white wines, but a few produce slightly brownish, pinkish or even greenish wines. The judge should not rush to pronounce a brownish wine oxidized when this is his first introduction to it.

If he simply cannot believe the wine should be the color it is, he should call in the Head Steward or Head Judge, whomever the competition rules as the arbiter. If the Steward or Head Judge cannot explain it, he might search through the entry records or even consult with the winemaker, if present, and discover that molasses (by itself or in brown sugar), caramel or black tea (for tannin) are involved. Then again, sassafras root makes a brown wine -- lightly primed and fermented in the capped bottle it makes root beer. Knowledge leads to fair judging.

Then there are wines that traditionally are one color and are presented with brownish hues. There is an exceptional recipe for strawberry wine that uses brown sugar. The first time I entered it in competition the judge commented under "Color" that the wine showed evidence of browning. Thereafter, whenever entering this wine I label it "Strawberry Wine, made with brown sugar." That seems to have stopped all such comments with their corresponding points deduction.

It behooves the winemaker to declare on his entry form or label any browning agents used in making the wine -- molasses, brown sugar, coffee, black tea. Then, if questions about color arise, the entry form or label tells the story.

A word about oxidation is in order. Color alone is not evidence of oxidation. It must coexist with the odors and smells associated with oxidation. It is a shame that so many inexperienced judges at some competitions pronounce a wine "oxidized" based on its color and then never taste it, which would prove the error of their prejudgment.

Years ago I railed against this practice at a large wine competition in Arkansas that used enology students as judges. Being schooled only in grape wines and with no experience or education in country wines, they pronounced every brownish wine "oxidized" and didn't even taste it. Many of the eliminated wines were perfectly sound, but their winemakers were penalized by the inexperience and ignorance of the judges.

Judging a wine's clarity should require no comment here, but does. Clarity is clarity despite the base used. But exceptions do exist. For example, wines made from coconut milk or cream, as opposed to those made from the liquid (juice) inside the otherwise hollow chamber of the nut, will never clear. It is naturally milky in color and consistency and completely opaque. When presented with such a wine the Head Steward or Head Judge should be consulted, who can determine how many points can be awarded the wine. Since this wine is not supposed to be brilliant or even clear and in fact cannot be, the only negatives should be if particles can be detected suspended in or precipitated from the wine. But such exceptions are rare.

Before a judge can score the balance of a wine -- the correctness of body, sugar, alcohol, tannin, and acid -- he must taste it. Body is felt in the mouth. Observing the legs of the wine on the inner sides of the glass might indicate body, but more likely is attributed to residual sugar or alcohol. Sweet and fortified wines should have pronounced legs. In scoring balance, each element of balance should be considered separately.

I have seen judges hold their nose and taste a garlic wine. How unfair to the wine! Smell and taste go hand in hand to deliver what is called the organoleptic profile -- the union of the olfactory (smell) and taste sensory organs and membranes to deliver the true taste and flavor of the wine. We must smell as we taste to experience it.

Garlic, onion, chile pepper, horseradish, and horehound wines, by their very names, suggest an assault on the taste buds. If well made, they will probably do no such thing. Certainly they will deliver the essence of their base, but it can be anything from suggestive to profoundly pronounced and everything in between. Wherever the wines lies between these two extremes, the wine itself should be judged like any other wine. Taste will certainly provoke notice, but the balance of the wine is married to taste. The judge must consider the whole -- fairly. He may not care for the taste of garlic or horehound, but if the taste was unmistakably that of the base and the wine well balanced, it should score well -- all other things considered better than adequate. If flat because of acid deficiency, hot because of rocket fuel alcohol, hazy rather than clear, lighter than expected for this kind of wine, then it should suffer judgment.

Judging extreme novelty wines is not easy. They present a number of challenges to the judges, but education and fairness are key to good judging. The judge should score what is presented, not what he likes or does not like. He might despise the taste of horehound but should still be able to judge it fairly.



Apple Sherry

Granny Smith apples, from Wikipedia

Apple sherry is a marvelous sipping wine. It is easy to make -- well, you have to chop some apples, apricots and raisins and boil some water -- and difficult to mess up. You have to like the taste of sherry to really enjoy it, but anyone can acquire the taste and thus appreciate this wine. And the best part is that these days apples are always available in the produce market.

I have several recipes for apple sherry from various sources and have made all but a couple. My recipe is sort of an amalgamation of those that worked the best. I used to use a tea biscuit in my recipe, but I saw a recipe that used a piece of shredded wheat. I tried it and liked the result better. It certainly gives the yeast more surface area to attack, and that is good.

A few words about raisins are in order. You can use dark raisins or golden raisins. I use golden raisins because I like the lighter color and adequate flavor they impart on the sherry. Dark raisins impart a stronger sherry-like flavor, but golden raisins suit me fine. You have to decide for yourself.

Chopping raisins is not easy. Once cut, the reduced pulp sticks to the knife and you spend more time scraping sticky pulp from the knife than you do chopping raisins, and the knife is difficult to clean afterwards. I use a mincer, an old fashioned device that clamps onto the counter or table edge, has a hopper above and worm gear inside that turns by a hand-crank to move the raisins into a rotating cutting disk. It is much easier to use but still requires soapy water and elbow grease to clean.

Please read the instructions carefully. This wine is made in steps.

  • 6 lbs tart apples
  • 1 lb dried apricot halves
  • 1 lb raisins chopped or minced
  • 1 large shredded wheat biscuit
  • 2 lbs granulated sugar
  • 7 pts water
  • 1 tsp pectic enzyme
  • 1 tsp yeast nutrient
  • packet Red Star Premier Curvee wine yeast

Wash and inspect apples. Cut out any brown spots or insect damage. Cut and core apples, then chop apples into 1/4 to 1/3-inch slices. Place apples in fine-mesh nylon straining bag and tie closed. Place in primary. Chop dried apricot halves into several pieces each. Place in 6-quart or larger pot and add water. Bring to boil, then reduce heat and simmer 20 minutes. Strain off solids and pour water over apples. When cool add pectic enzyme and yeast nutrient. Cover primary and set aside 10-12 hours. Add activated yeast in a yeast starter solution. Recover primary. Punch apples down 2-3 times a day for two weeks. Remove bag, drip dry and discard apples.

Add sugar to primary and stir well to dissolve. Place chopped or minced raisins and shredded wheat biscuit in nylon straining bag and place in primary. Submerge bag 2-3 times a day for 3 weeks. Remove bag and gently squeeze. Discard raisins/shredded wheat. Rack wine into secondary and attach airlock. Rack again after 2 months. Rack again and allow another month for all lees to drop. Bottle wine and allow at least 6 months to mature. [Jack Keller's own recipe]

Apple sherry will last several years, but there is no reason to keep it more than two years if you make a batch every year.




June 25th, 2012

There are two groups of commercials on TV that annoy me. I wonder if they annoy you as well.

The first are a series of "pending crisis" in America. I have noticed, based on different websites you are asked to visit and view a video, two -- possibly three -- different persons who predicted this first. Each was the "first" to predict the Dot-Com crash, the bankruptcy of Lehman Brothers, the inflated housing price bubble crash, and the financial meltdown of the European Union. So, exactly how many can be "first"?

The second is the "taste test" series of commercials by a large insurance company. The "consumers" are offered two drinks to taste. One always tastes great (the commercials' sponsor's drink) and the other (the "other" insurance company) tastes awful. Based on this, you are supposed to buy the sponsor's insurance. Does ANYONE out there think this is a valid comparison of insurance companies and their products?


Grilled sausages

In my previous entry I posted a photo my nephew Patrick sent me of barbecued ribs he made. I said the photo made me so hungry l went to the refrigerator, pulled out some sausages I had grilled previously, scored them diagonally, put them under the broiler long enough to take the chill off and open up the scores, and then dabbed a commercial barbecue sauce in the scores and returned them to the broiler to set the sauce. A reader wrote and asked me what I meant by scoring them. The photo shows sausages scored, although not diagonally. It simply means cutting them to allow recesses on their smooth surfaces to allow the sauce to rest. Without the scores, the sauce would just drip of the smooth skins of the sausages.

But we score surfaces that aren't smooth too. Hams are traditionally scored in a diamond pattern to cut through the skin and allow some of the fat underneath to render out and soften what would otherwise bake into a tough shell, and to create recesses where glaze can be applied or cloves can be inserted to flavor the meat underneath. I have scored lean beef roasts more deeply and inserted strips of bacon into them to allow rendered fat to penetrate the meat, prevent it from becoming overly dry, and adding another flavor (bacon) to the roast beef.


I have now confirmed that Cranberry Wine will last at least five years under quality natural cork without the slightest sign of browning or other degradation. I brought a Gold Medal winner 2007 Cranberry to a recent San Antonio Regional Wine Guild meeting. The aroma was fresh and powerful, reminiscent of strawberry. The wine was the color of White Zinfandel. The flavor was fresh, crisp and typical for cranberry wine, more like a grape wine than a berry. It was bottled off-dry and I believe the perception of sweetness increased over the years. I am mighty proud of that wine, now gone. That was the last bottle. But it will not soon be forgotten. The Gold Medal remains.

I am publishing the recipe below. This is not the season for making it -- unless you bought several bags of fresh cranberries after Thanksgiving and froze them -- but I feel compelled to publish it before I forget. A similar recipe, for Highbush Cranberry Wine, is on my website under the section, Making Wines from Wild Edible Plants.

Most commercial fresh cranberries sold in the U.S. in late Autumn are of the lowbush variety. I still believe that highbush cranberries make a better wine, but finding them and beating the wildlife to them once they turn red are two tasks that can prove troublesome. A reader sent me some highbush berries two years ago, but the box he packaged them in was not sturdy enough to withstand the rigors of parcel post shipment and many were squashed and bacteria and yeast on the berries had made a mess of things by the time I received them. Still, I washed and sorted them well, dried those that were salvageable, and froze them for later use. I mixed them with commercial lowbush berries and made a very good wine.

The first thing one notices when combining highbush berries and lowbush berries is the strikingly deep, uniform redness of the former and the uneven pinkness to redness of the latter. The wine also came out much redder than my Gold Medal winner.

I had an address once of a grower of highbush berries, in Michigan I believe, who shipped his berries in sealed plastic buckets and guaranteed a no damage to the berries. But alas, I have lost it. But if you live in highbush cranberry latitudes and can find a commercial grower or a you-pick-it farm, take advantage of this wonderful berry and make some wine. Otherwise, join the crowd and wait until just after Thanksgiving when the bagged berries go on sale and use them then or stock your freezer for later.

The highbush cranberry (Viburnum trilobum) is not actually a true cranberry, belonging to a completely different genus and family than the true cranberry (Vaccinium oxycoccos). To confuse matters more, a common attachment of the name lowbush cranberry has been erroneously applied to the lingonberry (Vaccinium vitis-idaea). As long as you know the difference between highbush (Viburnum trilobum) and lowbush i>Vaccinium oxycoccos), the recipes below will serve you well. Lingonberries are treated differently.



Lowbush Cranberry Wine

True cranberries

Lowbush cranberries are true cranberries, as explained above. When fully ripe, they are red. The bags of fresh cranberries we see in the markets in the late autumn are unevenly pink to red. Given that less than perfect situation, they still make fabulous wine often mistaken in blind tastings for grape wine. An example is my gold medal cranberry I mentioned earlier. Here is how I made it and you can too.

First, let me say a few things about the quality of the berries you use. If commercial berries sold in 16-ounce bags or larger, buy more than you need for the wine. When it is time to make the wine, open each bag and pour the contents onto a raised-side baking sheet pan. Remove all berries that do not look ripe. These have prominent white or green areas near the stem scar. You want berries that are red or at the very least red with lighter red areas. Discard any that are damaged, have insect holes or brown spots. The ones with lighter areas can be boiled, sweetened, thickend with corn starch, and, when cool, mixed with whipped cream and other fruit (grapes, pineapple chunks, crerry halves) for a nice dessert.

Cranberry Wine
  • 3-4 lbs fresh cranberries (depending on desired intensity)
  • 11-oz can 100% white grape juice frozen concentrate
  • 2 lbs finely granulated sugar
  • 6 1/2 pts water
  • 1/2 tsp pectic enzyme
  • 1 tsp yeast nutrient
  • packet Champagne yeast

Wash cranberries and sort for soundness. Put the water on to boil. Meanwhile, coarsely chop the cranberries, place inside a nylon straining bag and tie closed, then put in primary. Pour sugar over fruit and boiling water over both. Stir to dissolve sugar. When cooled to room temperature, add thawed grape concentrate, pectic enzyme and yeast nutrient. Stir, cover with sanitized cloth and set aside for 12 hours. Add yeast in a starter solution, recover and stir daily. After 14 days of fermentation, extract nylon straining bag, squeeze to extract all juices, transfer liquid to secondary, and attach airlock. Rack after 30 days, add a finely crushed and dissolved Campden tablet, top up, and refit airlock. Ferment to dryness. When clear, rack again if deemed necessary. If racked again, wait 30 additional days. Rack into bottles and age at least 9 months before sampling. [Jack Keller's own recipe]

This wine is best dry or off-dry. To make off-dry, the wine must be stabilized with both another Campden tablet (finely crushed and dissolved) and 1/2 teaspoon of potassium sorbate, allowed to rest a few weeks, then sweetened to your likeness with simple syrup. The wine should them be set aside for 30 days to ensure it does not begin fermenting again. Watch the airlock.

Before bottling, carefully check the bottom of the secondary for a fine dusting of dead yeast. If present, either rack again to remove wine from yeast and then bottle, or very carefully rack the wine into the bottles. The latter is problematic. Any movement of the wine, or backflow from the racking hose between bottles, will stir up the dusting of yeast and your bottled wine will be "dirty." Even when very careful, it is best to mark the last bottle (I write LB for last bottle on the top of the cork) as it will almost certainly contain some of that dead yeast. You would not want to give it to a good friend or enter it in competition. This applies to all wines.



Highbush Cranberry Wine

Highbush cranberries

As mentioned in my introductory remarks, highbush cranberries are not really cranberries. They look like cranberries, taste like cranberries, and make a delicious wine that is difficult to differentiate from real cranberries -- except it may be darker red. Here is how to make it.

First, highbush cranberries ripen in the fall. If the wildlife leave them alone, they will stay on the bush through spring. Their flavor improves, according to many, after experiencing at least one frost. If you know of a stand of highbush cranberries and can wait until that first frost, go pick them. It is unlikely the birds and bears will save them for you mush after that.

Highbush Cranberry Wine
  • 3 lbs ripe highbush cranberries
  • 1 lb minced or well-chopped golden raisins or sultanas
  • 2 lbs finely granulated sugar*
  • 7 pts water
  • 1/2 tsp pectic enzyme
  • 1 tsp yeast nutrient
  • packet Champagne yeast

*In my original recipe I used more sugar. This is a revision.

Wash cranberries and sort for soundness. Put the water on to boil. Meanwhile, coarsely chop the cranberries. Run the raisins through a mincer or finely chop them -- not an easy task. Place raisins and chopped cranberries inside a nylon straining bag and tie closed, then put in primary. Pour sugar over fbag and boiling water over both. Stir to dissolve sugar. When cooled to room temperature, add pectic enzyme and yeast nutrient. Stir, cover with sanitized cloth and set aside for 12 hours. Add yeast in a starter solution, recover and stir daily. After 14 days of fermentation, extract nylon straining bag, squeeze to extract all juices, transfer liquid to secondary, and attach airlock. Rack after 30 days, add a finely crushed and dissolved Campden tablet, top up, and refit airlock. Ferment to dryness. When clear, rack again if deemed necessary. If racked again, wait 30 additional days. Rack into bottles and age at least 9 months before sampling. [Jack Keller's own recipe]

This wine is best dry or off-dry. Comments following the first recipe above also apply here. So do the comments about bottling.

This is a wonderful wine to savor. I've made it but once because the highbush cranberry grows nowhere near Texas. Berries shipped to me were damaged in shipment and I only salvaged enough for one gallon. After tasting the wine, I was disappointed I only had five bottles.




June 17th, 2012

Today is Fathers Day, a day to spend with, call or remember your father. I am blessed to have my father still among us at age 90. Although I cannot be with him today, I did send him a card and called him. I hope you observed this day in your own way.

My nephew Patrick's barbecued pork ribs

My nephew Patrick wrote me today to report that they celebrated Father's Day yesterday, a day early -- few details but it looked like a gathering for a barbecue feast judging by the photo he sent.

He reported, "I had about a cup of Malbec left from the previous night and added it to the apple wood chips for smoking. They added a nice subtle flavor." Now that's an interesting idea, one I had not thought of. I would probably have worked it into the barbecue sauce, but only if I were making enough to bottle for this and several future barbecues (1/4 to 1/2 cup is the most I would use for a single-use sauce.

But look at those ribs! Seeing that photo sent me to the kitchen to dig out some sausages I grilled a few days ago. I scored them diagonally, heated them under the broiler long enough to take off the chill and open the scores, dabbed some commercial sauce into the scores and returned them to the broiler for about 8 minutes. No, it was no substitute for Patrick's photo, but the one I ate immediately did taste good. The rest -- well, that's what refrigerators are for.

I have published several barbecue sauce recipes back in 2008 and 2009. I have links to them after this entry, in the order published. I am including another below, adopted from an old Southern recipe. If you have your own barbecue sauce, containing wine as an ingredient, please consider sharing it.


I receive lots of email thanking me for the information and recipes offered freely in my WineBlog and The Winemaking Home Page. These are the rewards I receive for the time and effort I put into these sites, and I appreciate them greatly. Recently I received a different kind of email.

A fellow Texan explained that after he started his fourth carboy of wine, his wife complained that his wine was "taking over" their home. He asked if it had taken over my home and if I had any advice.

Bottled and aging wines at the author's home

The photos show one of two wine racks in my home. Together they hold 144 bottles of wine. I have a cabinet with another 38 bottles. I used to have six cases stacked in our spare bathroom and another two in a closet, but they are all long gone.

The other photo shows six carboys along the wall of our entryway. There are five more carboys tucked here and there throughout the house and a dresser in my wife's sewing room (doubles as a second guest bedroom) with 16 gallon jugs with airlocks on top of it. I used to have almost twice this amount. That's when my wife said my wine was taking over the house. What I have now is what I can manage.

I bottle wine when I have room in the racks for whatever I bottle. In a pinch, I can store two cases in the closet (my closet, not my wife's or any of "our" closets), but I have to get them into the racks fairly fast. Since I don't drink wine every day, and even then in moderation, I share or give away what I have to in order to make room for new wine.

That is how I have managed my hobby. Each winemaker must come to an understanding with his or her spouse about what the limits are. In San Francisco, when I was still between marriages, I housed my wine in a homemade rack in the closet under the stairs. It held 72 bottles. That was my limit. Even though I built in a 3/4-inch slope to the rack, the 7.1 earthquake of 1989 tossed all 72 bottles on the floor with one heave. Only two didn't break. My neighbors and I drank them outside on the street that night as we waited for the aftershocks to subside and the gas to be shut off in each building. Since we didn't know when the electricity would be restored, we ate everything ready to eat in our refrigerators, cold, while sitting on the curb.

Back to the point, manage your hobby as your home allows, and if you have a spouse, do it with harmony.



Zucchini Wine

Zucchinis

I received an email last night from a gentleman in Mississippi who has a problem I am familiar with. He planted too many zucchini seeds and they all germinated. Like me nearly four decades ago, he could not make himself thin them to a manageable number and as a result he has zucchini coming out of his ears. "Do you have a recipe for zucchini wine?" As a matter of fact I do.

My original recipe is published in my "Requested Recipes" section, but I have tweaked it some so am republishing the revision here. Also, I know that not all readers of the WineBlog are intimately familiar with my main site, The Winemaking Home Page, and might not ever see the vast collection of recipes in "Requested Recipes."

When I first published this recipe in 2003, I had devised the recipe from having made squash wines but had never actually made it yet. I later made it and was quite happy with it, so I hope you are too if you try it.

  • 5-6 lbs fresh zucchini, chopped
  • 1-3/4 lbs finely granulated sugar
  • 1 11-oz can Welch's 100% White Grape Juice Frozen Concentrate
  • 1-1/3 tsp acid blend
  • 1/2 oz fresh ginger root thinly sliced
  • 1 finely crushed Campden tablet
  • 6-1/2 pts water
  • 1 tsp yeast nutrient
  • Hock, Sauternes or Champagne yeast

Bring 3 cups water to boil and dissolve sugar in it completely. Set aside. Meanwhile, select, wash and chop the unpeeled zucchini cross-wise into 1/2-inch or smaller pieces. Mix all ingredients except the yeast in primary, cover, and set aside for 10-12 hours. Add activated yeast in a starter solution and recover the primary. Stir every 6-8 hours for 3 days, then strain off and retain solids and transfer liquid into secondary. Cover secondary with muslin or another fine, lint-free cloth held in place with a rubber band. Press solids lightly and retain the liquid from them, covered; discard the pressed solids. When vigorous fermentation subsides, add reserved liquid, top up if necessary, and attach airlock. Rack after 4 weeks, top up and reattach airlock. Rack again after additional 4 weeks and add another finely crushed Campden tablet. If wine has not cleared, add amylase according to instructions and set aside an additional month. Fine with Bentonite if desired and rack 10 days later. Stabilize, wait 4 weeks and sweeten to taste if desired. If sweetened, wait 4 weeks before bottling to see if wine is indeed stable. Wine should be aged 3 months after bottling. [Jack Keller's own recipe]



Southern Barbecue Sauce

Barbecued pork ribs

My wife and I bought a cookbook years ago at a yard sale called "Heritage of Southern Cooking" by Camille Glenn. In it were numerous handwritten recipes on plain stationery paper. One is called simply, "Southern BBQ Sauce," under which was written, "An old family favorite, from one of Grandma's recipe books." I have modified it slightly by substituting wine for the water in the original.

  • 1/2 cup apple cider vinegar
  • 1/2 cup Cabernet Sauvignon
  • 1/4 cup tomato juice
  • 1/2 cup Worcestershire Sauce
  • 2/3 cup ketchup
  • 2/3 cup tomato puree
  • 1/4 cup chile sauce
  • 1/4 cup Tabasco Sauce
  • 3 Tablespoons lemon juice
  • 3 Tablespoons molasses
  • 1/2 cup very finely diced sweet onion
  • 1/4 cup light brown sugar
  • 1/4 cup soft butter
  • 6 cloves garlic juiced
  • 1 Tablespoon salt
  • 1 Tablespoon crushed red pepper
  • 1 Tablespoon black pepper
  • 1 Tablespoon ginger root grated
  • 2 teaspoons dry ground mustard

    Put everything in a large sauce pan. Bring to a boil stirring constantly and then reduce to a simmer for 10 minutes. Use immediately or store in closed jars and refrigerate for up to a month. Warm before using refrigerated sauce. [Found recipe, modified by Jack Keller]




    June 6th, 2012

    Just as I was ready to post the entry below, I heard of the passing last night of Ray Bradbury, noted author, at age 91. Bradbury wrote 30 books, including Fahrenheit 451, The Martian Chronicles, The Illustrated Man, Dandelion Wine, and Something Wicked This Way Comes. He wrote over 600 short stories, many television scripts, and was nominated for an Academy Award for his screen play for John Huston's classic film adaptation of Moby Dick.

    Dandelion Wine was, for many, the classic collection of stories that defined a childhood summer in the golden era of 1928. The title is woven throughout the book as the boy's grandfather captures the joys and turns of summer and bottles it -- to be sipped during the winter. It was the book that taught me the meaning of the word metaphor.

    We'll miss you Ray, but your words live on -- unless there comes a real Fahrenheit 451.


    There is no explaining the way the mind works. I have not heard this song by the Bellamy Brothers in many years, but when I woke up this morning their 1979 number 1 country song was playing in my head.

    If I said you had a beautiful body
    Would you hold it against me?
    If I swore you were an angel,
    Would you treat me like the devil tonight?
    If I were dying of thirst
    Would your flowing love come quench me?
    If I said you had a beautiful body
    Would you hold it against me?

    For those who might not remember the song, or do but not the whole thing, here is a live studio performance in Belgium from the early 1980s....

    I thank David and Howard Bellamy for simple purity of their music and the great memories, and may God bless the Bellamy Brothers.


    Francis Gary Powers in U-2 flight suit

    It was May Day, 1960, a Sunday, and I had 26 days remaining before I graduated from the 9th grade. On that day, during what was intended to be (and in fact was) the last overflight of the Soviet Union by a U-2 spy plane, a Soviet SA-2 surface-to-air missile ended the photoreconnaissance mission of Captain Francis Gary Powers. He was tried and confined for 21 months before being returned to U.S. custody through an exchange for Soviet spy Colonel Rudolf Abel. Captain Powers was harshly interrogated by the Russians and rudely treated by his own country when returned -- ostensibly for failing to activate the U-2's self-destruct mechanism before ejecting.

    I was an instructor at an Army intelligence school when, on August 1, 1977, the radio announced the death of Francis Gary Powers, when the news helicopter he was piloting ran out of fuel and crashed near Burbank, California. It seemed like such an unfitting end to a man who had endured so much for his country.

    In the year 2000 the Air Force declassified Powers' personnel records and acknowledged he was still an active duty officer when the U-2 incident occurred. He was posthumously awarded the Prisoner of War Medal, Distinguished Flying Cross, National Defense Service Medal, and, from the CIA, the Director's Medal and Intelligence Star. On July 15th, 2012 a negligent Air Force will also award Captain Powers the Silver Star Medal, the third highest combat valor award. It's about time.



    Hydrometer in wine, fair use
    When Logic Fails

    Dale Ims, from the Rochester Area Home Winemakers, contacted me a week ago regarding a mystery. He was trying to assist Jill and Mark Misterka resolve why there is data indicating a frequent but not consistent rise in the specific gravity of some wines -- from the cessation of fermentation to the time of bottling. The effect is about 0.002, not large but observable.

    Jill assumed it was due to the presence of dissolved CO2 in the wine, an assumption based on comments I made in an article published in WineMaker magazine.

    Dale looked into the effects of CO2 dissolved in water as he was unable to find the effects of it dissolved in wine (if no one does the research, no one publishes the results). Dale found that the solubility of CO2 in water at 20 C. and at a pressure just over atmospheric is about 1.5 mg/L. That level of CO2 would raise the specific gravity of the water by about 0.0003, too small to explain the observed rise. So Dale asked me if I had any insight that might explain the rise.

    My comments in WineMaker concerned specifically the rise in acidity during fermentation and for a diminishing period thereafter. Under pressure, some of the CO2 is converted to carbonic acid (CO2 + H2O [is equivalent to] H2CO3), a weak and unstable compound. It does have a greater density than its two constituents separately, but as Dale pointed out the increase is minute. But it does measurably increase the acidity slightly, both as TA and as pH. And, after fermentation, as pressure is released internally, the carbonic acid breaks back down to it's former CO2 and H2O. This explains the slight increase in acidity I commented on but really sheds no light on the increase in density.

    I thought I had a logical explanation but my logic ignored Dale's research and failed. A chemist friend I contacted seemed uninterested in the problem, but suggested someone ought to compare the solubility of CO2 in various wines with that of water. He thought the variabilities in wine are so numerous that "meaningful organization of the results might be difficult." Uh, well, yes, but that applies to every chemical analysis of "wine," doesn't it? There isn't a generic wine we can model, but the literature of wine chemistry is rich nonetheless.

    If anyone has any insight into solving the problem Jill, Mark and Dale are wrestling with, please drop me a line and I will forward it to Dale. My contact link is at the top of the left column.



    What's In A Name?
    Jack Keller's 2003 Mustang Wine, with its 2004 <i>WineMaker International Amateur Wine Competition</i> gold medal

    I was recently at Poteet Country Winery to arrange a future visit by the San Antonio Regional Wine Guild. I have been visiting this winery since it opened on July 4th, 1998 and am good friends with the owners, winemakers and volunteers. Over the years I have followed the battles the winery has fought to obtain approval of its various labels. Few people outside the winery end of the business have the slightest clue how difficult it can be to gain regulatory approval for a label for a new wine. Take, for instance, the label for White Mustang, a White Zinfandel-type rosé made from the mustang grape.

    They may have changed the name of the Bureau of Alcohol, Tobacco and Firearms, but the ATF name survives in the title of 27 CFR: Alcohol, Tobacco and Firearms. Part 4 is Labeling and Advertising of Wine and Subpart C of Part 4 is Standards of Identity for Wine. §4.23, Varietal (grape type) labeling, contains subparagraph (e) List of approved variety names: "Effective February 7, 1996, the name of a grape variety may be used as a type designation for an American wine only if that name has been approved by the Administrator. A list of approved grape variety names appears in subpart J of this part." Indeed, Subpart J is American Grape Variety Names and contains an exhaustive list of grape names. Mustang is not among them.

    Despite the omission, "mustang" is the common name for the recognized species Vitis mustangensis and has been recognized botanically, commonly and officially in Texas for at least 153 years. The 1859 First Report of Progress of the Geological and Agricultural Survey of Texas says, "...the mustang grape (vitis mustangensis)...makes, what we think to be, an excellent red wine, which, by age, attains strength and flavor."

    Page 66 of this document reports, "The returns of wine made in this State in 1859 are 13,946 gallons, most of which, we suppose, was made from the mustang grape, except perhaps a few gallons made from the El Paso grape on the Rio Grande." I have dozens of historical reports citing mustang grapes, mustang wine, mustang pie, and mustang jam and jelly. Thousands of batches of the wine are made annually throughout the state by amateur winemakers, as evidenced by entries in home wine competitions throughout the state. Yet the grape is not recognized by the esteemed Alcohol and Tobacco Tax and Trade Bureau (curiously abbreviated to TTB).

    Poteet Country Winery's White Mustang label

    And so when Poteet Country Winery requested a label for White Mustang Grape Wine it was flatly rejected since the federal government knows of no "mustang grape." Poteet then requested a label for a white wine with the fictitious name White Mustang; the application was accompanied by a painting of a white horse jumping through mustang grape vines. The label was approved for "White Mustang" [fictitious name] "White Wine" [type wine], but leaves no doubt to Texans as to what kind of wine this is.

    Believe me, I have abbreviated the back and forth between the winery and what was then the ATF and which occurred over several months. The label for their red was issued by "mistake" and has ever since been grandfathered in and used continuously. Still, the TTB insists there is no such thing as "mustang grape wine." Is this silly or what?

    "My friends over at Poteet Country Winery", I wrote back on October 10th, 1998, "invited me over to taste their new Mustang Grape Wine while it was still in the bottling tank. I couldn't make it that day, but swung by a few days later and they graciously (and proudly) popped corks and let me leisurely smell, sip and finally drink at my own pace. What a pleasure it was!

    "To my surprise, they have two mustangs available. Both are full-bodied, dry reds that go down smoothly but without the pronounced "wildness" mustang grapes are so capable of imparting. Both were served chilled, which is certainly the way to do it. One was a regular mustang; the other was a mesquite flavored mustang that will blow your socks off! Mesquite barrels run about $1200-$1500 each, so this wine was simply flavored with mesquite chips -- but it was done mighty well. The flavors of mustang and mesquite, each of which is bold in its own right, blended together as if by marriage. The result is a wine as big as the clear blue skies and as vibrant as a newly broken filly given her own reins. This stuff could win medals."

    And it did....




    May 30th, 2012

    Marine saluting graves on Memorial Day

    I was going to the Memorial Day ceremony here in Pleasanton. The local VFW puts it on and I got up early enough to do it, but got busy with laundry and missed it. So I did some meditating instead, visualizing the face of each of my men I lost in Vietnam. It was better than the ceremony I missed, of that I am sure. At least it was more personal and meaningful.

    For some reason, Memorial Day has become a day for firing up the grill. A couple of months ago I had an intestinal bug that all of the self-help cures I found would not lick, so I finally went to my gastroenterologist and he took care of it with two prescriptions. During the ordeal, I changed my eating habits considerably and lost 12 pounds. I ate five times a day, but the portions were small. I really ate only one real "meal" per day. but I had two salads and two pieces of fruit for the other times I ate. In the process, my stomach became used to the small intakes and so I continued this routine after my bug was history. I lost another three pounds. I could afford to lose them so I am happy about it. So what does this have to do with Memorial Day and the grill? Everything.

    On Monday, I grilled some sausages -- enough for 10 days if I only eat one a day. Then I made a thin gravy-like cooked veggie concoction with onions, garlic, red and green bell peppers, thinly sliced celery, portabella mushrooms, and sliced water chestnuts. I divided it into 9 cup-sized refrigerator containers. The idea is I will slice a sausage, get it warming in a small skillet, add a container of whatever one wants to call my concoction, warm it up, and pour it over rice, chunked baby potatoes, noodles, or alfalfa sprouts. Add a steamed veggie, green or fruit salad, a slice of my sourdough French bread, and it will be a seam-busting meal. I'm set for a week and a half. Before the intestinal bug I would have finished it off in 3 meals. My portion control is really working and I am a happy camper. If I get back into walking, I might drop a couple more pounds.

    I hope your Memorial Day was as satisfying as mine. I know the folks along the lower-to-mid-Eastern Seaboard had the tropical storm spoil their outdoor plans, but perhaps being forced indoors offered new opportunities to interact and share some quality time.



    When Does a Flaw Become a Fault?

    After a recent home wine competition at which I was a judge, I was asked by an entrant after the judging to explain why I faulted two wines for the same defect (high alcohol) but one judging sheet showed a numerical deduction only for "high alcohol" under Balance and the other showed that same deduction plus another numeric deduction under Taste. My explanation satisfied the entrant, but the answer may be of greater interest so I will explain it below in my own rambling fashion.

    I recently wrote a piece describing wine faults for the Wine Judges Corner, a feature inaugurated in January in the San Antonio Regional Wine Guild's Newsletter. For each fault identified I described the sensory symptoms, the probable causes, how it might be prevented if at all, and over and over again I said, "...could be a flaw or a fault, depending on severity." This is not always true, of course (TCA comes to mind), but for many, many faults it is. A flaw is a juvenile fault. Given time it will change a wine from being "off" to being undrinkable. The difference is in the way the wine judge treats the defect in scoring the wine.

    Take, for example, a "hot" wine -- one imbalanced with too much alcohol as in the anecdotal example above. The wine is going to take a hit in balance because the alcohol is not balanced against residual sugar, acid, tannins, and glycerin. If it were the wine would not be "hot" in the mouth. This is true whether the wine is a little hot (a flaw, perhaps) or decidedly so (a fault). In judging the taste of the wine, where the judging criteria is more interested in whether the wine clearly presents the grape(s) or fruit the wine was made from than in the character of its balance, the judge has some latitude. A minor alcohol imbalance might be mentioned in comments here but not actually reflected in the numerical score for this judging section. But a dry Seyval Blanc with 15% alcohol by volume is going to suffer a numeric deduction both in balance and in taste. The wine demands it.

    Flaws and faults can refer to the same problem. The difference is in severity. An "off" smell is more than likely a fault that has just reached sensory threshold but is not yet strong enough to possibly identify or make the wine undrinkable. Unless it spoils the enjoyment of the wine, many home wine judges will tread easy, noting the defect and deducting a point under Aroma/Bouquet. But that same wine in another month or two may earn a deduction of multiple points as the defect becomes an unambiguous obstruction to enjoyment. Then we say it is a fault.

    Having said all of that, the reader would do well to consider that not all home wine judges think as I do. Some make no distinction between a flaw and a fault and will deduct the same number of points for one as for the other. Since these are not commercial wines, home winemaking is supposed to be fun and people enter competitions for constructive feedback, I would hope this type of judge would evolve into a more discriminating and compasionate soul. There is a difference between an "off" smell and full-blown hydrogen sulfide.



    Gorse Wine

    Gorse (<i>Ulex europaeus</i>) flowers

    I was surprised when a friend in California called to ask me if I had a recipe for gorse wine. He had come upon an area with acres and acres of gorse in bloom and filled a beer cooler with flowers, relating along the way that his fingers were like little pin cushions from being stuck repeatedly by their spines (which in fact are their leaves). I told him I had a recipe posted on my site but had improved upon it, and after some digging I called him back and dictated it to him. I thought I should share the improved version with the rest of you.

    Common Gorse (Ulex europaeus) is native to the British Isles and much of western Europoe. It grows in sunny sites, usually on dry, sandy soils, is quite drought hardy, and reaches a height of 7-10 feet. Brought to Canada and America as ornamentals, it quickly escaped and became a naturalized, invasive pest. A member of the pea family, the yellow flowers give way to green pods which then dry and burst open on hot days and spread their seed. The large stand my friend found is testament to their invasiveness.

    Gorse do have actual leaves, small and trifoliate on new growth, but these soon are reduced to spines which are the mature form of the leaves. Because of the protection the spines afford, the plants are haven to a multitude of insects, spiders and caterpillars, which in turn are food for birds small enough to navigate the thick growth.

    Picking the flowers can be painful, as my friend discovered. Stiff leather gloves are advised.

    • 12 cups of gorse flowers
    • 6 1/2 pints of water
    • 2 pounds sugar
    • 12-ounce can 100% white grape juice frozen concentrate
    • 2 oranges
    • 2 lemons
    • 1/8 teaspoon powdered grape tannin
    • 1 teaspoon yeast nutrient
    • 1 pkg Lalvin EC-1118 yeast

    Put the flowers into primary immediately. Boil half the water and stir in half the sugar until dissolved (1 to 2 minutes), then pour over flowers. Thinly peel the rind from the oranges and the lemons and add rind (no pith) to primary. Squeeze out the juice and add that too, but not the pulp. Add the tannin and stir thoroughly. Add cold water to bring total to 1 gallon. When water cools to 90 degrees F. or less, add the yeast nutrient, stir well, and then add the activated yeast in a starter solution and cover. Ferment vigorously for 3 days, stirring twice daily, then add remaining sugar and stir until dissolved (about 5 minutes). Recover primary and continue stirring twice daily until fermentation subsides or s.g. drops below 1.020. Strain through a sieve or cloth and transfer to a gallon secondary. Affix an airlock and set in a warm place. Rack after 30 days and again when clear, wait a month and rack again. Stabilize, wait 30 days, and sweeten to 1.004-1.006. Wait additional 30 days to ensure no refermentation, rack into bottles and age 6 months before tasting. Drink before it ages 2 years. [Jack Keller's own recipe.]




    May 15th, 2012

    It was 8:50 p.m. I went out on the front porch to sit on our bench and enjoy a rum drink I concocted. It was almost dark, the sky a deep gray-blue but not yet black. I couldn't clearly see the nearest house across the street. The sound of hundreds of cicadas chirping to each other up in the large oaks was loud and constant. It was a nice orchestra with which to enjoy a drink.

    I know from experience that the chirps will almost completely die out in two hours. Those seeking mates will have found them and no longer need to chirp. Nature, in all its detail, is majestic. I know that if I go sit on the bench to enjoy a cup of coffee at 6:45 in the morning, I will hear a different orchestra -- one of birds calling and singing. It too is nice. Two mornings ago I saw a covey of perhaps three dozen quail working their way across my lawn. Haven't seen them in a couple of years. I love where I live.



    Passings

    Levon Helm on drums with <i>The Band</i> at the Santa Cruz Civic Auditorium 1976

    While the nation mourned the passing of Dick Clark last month, the passing of Levon Helm the next day was far more significant to me. The legendary drummer and lead tenor of The Band moved my soul many, many times. Dick Clark never did. Levon was the winner of three Grammys for his own albums (2008, 2010, 2011), inducted into the Rock and Roll Hall of Fame with The Band (1994), awarded the AMA Lifetime Achievement Award for Performing (2003), the AMA Artist of the Year (2008), and in 2008 Rolling Stone ranked Helm #91 in their list the 100 Greatest Singers of All Time.

    His most legendary songs were with The Band: "The Weight," "Ophelia," "Up on Cripple Creek," "The Shape I'm In," and my favorite, "The Night They Drove Old Dixie Down." But his most original work was during his last decade and included his three Grammy albums and the Midnight Rambles at his home at Woodstock.

    Most people who follow rock and roll are familiar with Martin Scorsese's documentary film of The Band's 1976 farewell performance, The Last Waltz, widely considered the greatest rock and roll film ever made. Levon Helm performed in it, but no one was acting. Levon's acting career opened as Loretta Lynn's father in Coal Miner's Daughter. Three years later he played test pilot and engineer Jack Ridley in The Right Stuff. He acted in nine other films. He played many instruments besides the drums. Bruce Springsteen called Helm "one of the greatest, greatest voices in country, rockabilly and rock 'n' roll ... staggering ... while playing the drums." I'm really going to miss you, Levon. I doubt I will miss Dick Clark at all.

    Carroll Shelby with his Cobra

    Those who follow auto racing already know this, but Carroll Shelby, the legendary auto racer and car designer who built the Shelby Cobra and injected muscle into Ford's Mustang and Chrysler's Viper, has died. He was 89.

    Shelby. There is a name I grew up with. Shelby first made his name behind the wheel of a car, winning the grueling 24 Hours of Le Mans with teammate Ray Salvadori in 1959. According to his longtime friend Dick Messer, executive director of Los Angeles' Petersen Automotive Museum, Shelby already was suffering serious heart problems and ran the race "with nitroglycerin pills under his tongue."

    Soon after his win at Le Mans, he gave up racing and began designing high-powered "muscle cars" that eventually became the Shelby Cobra and the Mustang Shelby GT500. The Cobra was the fastest production model ever made when introduced at the New York Auto Show in 1962.

    The 1961 Ferrari 250GT SWB Berlinetta

    I had the privilege of owning one of the five 250GT short wheel-base Berlinettas Ferrari built for the 1961 Le Mans. I was frequently challenged by Corvette owners to race, but I only accepted if the run was five measured miles. The Ferrari had terrible low-end torque and the Vette wallowed in it, but after the first mile and a half the Ferrari was red-lining at 193 miles per hour and the Vettes were left in the dust. I made the mistake of racing a Cobra -- once. It cost me $100 and earned my deepest respect for Carroll Shelby.

    Shelby was one of the nation's longest-living heart transplant recipients, having received a heart in 1990 from a 34-year-old man who died of an aneurism. Shelby also received a kidney transplant in 1996 from his son, Michael.

    In 2007, an 800-horsepower 1966 Cobra, once Shelby's personal car, sold for $5.5 million at auction, a record for an American car. Wouldn't you just love to take that one out for a spin?

    Most of the above Shelby nuggets were pulled from an Associated Press article by Jeff Wilson.

    I join your many fans, Carroll Shelby, in saying we're going to miss you.



    Corn Silk Wine

    Corn silk on ear of corn

    Many years ago I made a list of things I have not yet made wine with. The list was not inclusive and no matter how many times I updated it I could always think of another candidate for wine. One item on that list was corn silk. It was not tackled early on simply because I had no idea how to approach it. Two years ago I gave it a whirl, guessing at every step of the way. It didn't turn out bad at all.

    I assumed I could make a wine because corn silk tea was a medicinal beverage in the Americas hundreds of years before Columbus, and most teas can be made into wine. Corn silk is rich in vitamin K and its tea is still used to help purify the blood, treat urinary and bladder infections and detoxify the kidneys. But how much to use? Here I merely guessed.

    The number I guessed at was the corn silk from 12 ears of corn per gallon of wine. How did I arrive at this figure? It was the number of ears of corn a friend gave me. Very scientific....

    The first step is to make a tea and then use that to make the wine. First, cut off any brown tassel tips protruding from the ears of corn. The carefully shuck the corn to expose the corn on the cob surrounded by the thin, shiny, greenish-yellow threads of corn silk. There will be one thread of silk for every grain of corn. Grab the silk near the top of the ear and pull it away from the ear. Place the corn silk in a stock pot and cover with two quarts of water. Bring to a high boil but immediately reduce heat to a simmer and hold it there for 15 minutes, adding water to maintain level. Remove from heat and allow to steep for a half-hour. Strain, reserving the liquid and discarding the silk. The liquid is the corn silk tea and will smell like corn.

    • 2 qts corn silk tea
    • 1 can Welch's 100% White Grape Juice frozen concentrate, thawed
    • Juice and zest of 2 lemons
    • Juice of 1 large orange
    • 1 1/2 lbs granulated sugar
    • 1/8 tsp grape tannin
    • Water to one gallon
    • 1 tsp yeast nutrient
    • sachet general purpose wine yeast

    While tea is still warm, stir in sugar until completely dissolved. Contain lemon zest in a tea ball infuser and place in a primary. Add all remaining ingredients except yeast. When must is cooler than 90 degrees F., add activated yeast in a starter solution. Cover the primary and set aside for 3 days. Remove tea ball infuser and discard the zest. Recover the primary but monitor its progress. When specific gravity drops to 1.020, transfer to secondary and attach airlock.. Set in a dark, cool place for about 45 days. Rack, top up and return to dark place for 2 months. Wine should be clear. Rack again, stabilize, return to dark place at least 30 days. Sweeten to taste if desired and allow a final 30 days in dark place before bottling, or bottle now if not sweetening. Age in brown or amber bottles 4-6 months, but improves out to a year. [Jack Keller's own recipe]

    My wine suited my taste buds at specific gravity 1.002. This is considered off-dry but certainly not sweet. You can smell the corn ever so lightly in the glass, but I was not sure I could taste it due to the citrus. Still, it is an enjoyable wine best served chilled with a salad or socially on a warm summer afternoon.



    Corn Stalk Wine

    Young corn stalks, courtesy of Cornell Cooperative Extension

    I have twice been asked about corn stalk wine but never really had the interest or knowledge to pursue it. Recently, reading Patrick E. McGovern's fascinating book, Uncorking the Past: The Quest for Wine, Beer, and Other Alcoholic Beverages, I came upon his discussion of corn stalk wine. He says we know from evidence that corn was domesticated approximately 6,000 years ago, but stable isotope analysis of ancient human bones reveals that maize (what we call corn) was not consumed as a food until around 3,000 years ago. So what the heck were the ancient Americans doing with that corn for 3,000 years? The answer is making and drinking corn chicha, or corn wine.

    It was not until selective breeding produced a large cob bearing large kernels that the corn itself became the crop. Prior to that, the young corn stalks themselves, containing up to 16% sugar, were the crop, harvested before the ears began development and the sugar was transported to them for conversion into starch. The sweet juice was extracted from the stalks and fermented. McGovern's evidence is compelling.

    The stalks of both maize and its ancient ancestor, teosinte, were used in the production of chicha. Teosinte, a wild mountain grass with tiny ears containing only 5 to 12 kernels, contained almost no nutritional value, but we know it was domesticated and over millennia lost its many thin stalks in favor of a large central one and the ear size increased. It evolved into maize, or corn.

    While McGovern tells me enough to know how to make a corn stalk wine, the development of an actual method and construction of a recipe would require me to actually do it. I have no corn stalks at my disposal and do not own a press I consider sufficient to that purpose. If you have both, perhaps you might undertake the experimental work and share it with me. It cannot be too difficult. After all, the Incas, Aztecs, Mayans, and pueblo dwellers of the U.S. southwest did it thousands of years ago without ever knowing there was an organism called yeast that made it possible. Surely you can do it too.

    Uncorking the Past, paperback

    Uncorking the Past: The Quest for Wine, Beer, and Other Alcoholic Beverages by Patrick E. McGovern (2010)
    Paperback
    352 pages
    New and Used




    May 11th, 2012

    Check fraud. Scary thought. It could happen to you. It just happened to me. I logged into my bank to confirm receipt of my pension and decided while there to balance my checkbook. I noticed an out-of-sequence check and looked at the payee. It was a store my wife shops and her book of checks is always out-of-sequence with mine so I didn't really pay too much attention to details. Then I ran across seven more out-of-sequence checks, but one of them was at the end of the checkbook I was using and the others in the next book, which I also had possession of. The amounts were always in the $200-$500 range, but added up. I called the bank.

    I won't bore you with details, but it has turned into a saga of sorts. Together with the bank's Fraud Department, we have determined the check I wrote that was intercepted, probably from my mailbox. My account is closed. Affidavits and signature cards are on their way to me. A notary and police report will be needed. Then I have to track down all automatic payments and withdrawals and notify them of the new account when issued.

    George Gershwin wrote, "Summertime, and the livin' is easy." He obviously lived before the computerized printing age, but thanks to computerized bank data I was able to nip this in the bud early. I just hope it doesn't get more complicated.


    French bread sourdough rising

    My sourdough starter was producing rises like the one pictured (the shot glass was intended to show perspective, but is too close to the lens and looks almost twice as large as it is), was at just the right degree of sourness for me (which was pretty sour), and had reached the point of near perfection...when I dropped it.

    I had not dried my hands well enough when I picked up the bowl containing the starter to move it to an opposing countertop and the moist fingers lost their grip. It shattered on a rug runner past it's time for cleaning, so there was no salvaging from the drop. Still, I had a small amount set aside that I am using to revive the culture.

    When the culture is to my liking, I will spread a thin layer on a sheet of parchment and dry it in a cracked oven on pilot. As long as temperature doesn't exceed 105 degrees F., the yeast and the starter will survive dried out for many years.


    I want to thank all of you who bring to my attention errors in my recipes and other writings. I sometimes write on auto-pilot and the result can lend itself to error. I apologize for the errors, but thank you for bringing them to my attention. You guys and gals are truly awesome.



    Malbec and Rosemary Sausage

    Homemade sausages

    I rarely ever do this, but I'm lifting the following entry wholesale from an email I received from Nicole Schnitzler of The Thomas Collective. It just sings to me and might just sing to you, too, if you like Malbec and sausage.

    "Man first learned to cook with fire. Maybe that explains our enduring fascination with barbecue-that primordial satisfaction of gathering the tribe around the fire to celebrate another day's successful quest for meat. Wine was invented for these occasions, and if anyone is more popular than whoever's tending the fire, it's whoever is supplying the wine.

    "Now pair that wine with a great sausage, and suddenly you're not just making food, you're participating in a ritual that's 10,000 years old. The world comes alive.

    "To test our hypothesis, Graffigna, Argentina's pioneering winery, has commissioned butcher Sara Bigelow of Brooklyn's Meat Hook to create a singularly knock out sausage. In the recipe below, she uses Graffigna Centenario Malbec 2010. The wine's ripe tannins balance the meat's unctuous qualities, and hints of pepper and sweet spices mirror and enhance those found in the dish. Just make sure to share the remainder of the contents with your guests."

    The Meat Hook's Malbec and Rosemary Sausage
    Serves 8

    • 2 1/2 lbs Fatty Pork
    • 20 grams Kosher Salt
    • 3 grams Cayenne
    • 5 grams Paprika
    • 3 grams Ground Black Pepper
    • 2 grams White Sugar
    • 8 grams Garlic
    • 5 grams Minced Rosemary
    • 2 ounces Graffigna Centenario Malbec 2010

    "Grind pork and garlic together. Add salt, and mix well by hand. Add the rest of your spices, and continue mixing by hand for two minutes. Add red wine and continue mixing until liquid is fully incorporated. Once the sausage has begun to bind to itself, form a small patty with your hand. Turn your hand upside down, and if the sausage does not stick, continue to mix. Once the sausage will stick to your hand, form into patties or stuff intonatural hog casing. The Meat Hook recommends 4 to 5 inch links, or small pinwheels. Grill and enjoy with a glass of Graffigna Centenario Malbec 2010."



    Wisteria Blossom Wine

    Chinese wisteria flowers, from Wikipedia

    Wisteria, especially Chinese Wisteria (Wisteria sinensis), is a very hardy and fast-growing vine. It can grow in fairly poor-quality soils, but prefers fertile, moist, well-drained soil in full sun. Wisteria can best be propagated from hardwood and softwood cuttings. They can climb 60 feet and completely cover a tree. Because of their sheer bulk, they can grow so heavy that they break lesser branches. The American wisteria (Wisteria frutescens), especially, is considered invasive. But the flowers, well, can you spell w-i-n-e?

    The plant flowers in long, pendulous racemes. The Chinese Wisteria is considered the best for making wine, as they are the most fragrant, have the largest racemes, and flower before putting out leaves and new vine laterals that can impede harvesting the flowers.

    All portions of the plant, except the flowers, are poisonous. Select the most fragrant flowers and clip the individual flowers from the raceme. Discard the raceme's stem. The resulting wine, after aging, will be both fragrant and flavorful.

    • flowers from 8 wisteria racemes
    • 1 can Welch's 100% White Grape Juice frozen concentrate, thawed
    • 1 1/2 pounds sugar
    • 4 lemons, juiced
    • Zest of 2 lemons
    • 1 teaspoon yeast nutrient
    • 1/4 powdered grape tannin
    • 7 1/4 pints water
    • 1 sachet wine yeast

    Clip the wisteria flowers from the stems and discard the stems. Put the flowers in a nylon straining bag, tie closed, place in a primary and set aside. Bring the water to a boil and pour it over the flowers. Let the mixture sit for 2 hours, covered. Raise the nylon straining bag and squeeze gently to extract as much of the infusion as possible. Keep the liquid and discard the flowers. In a large, non-reactive stock pot, bring the strained wisteria infusion to a boil. Reduce the heat to low and add the lemon juice and sugar, stirring to dissolve the sugar. Add the lemon zest and the thawed White Grape Juice concentrate. Remove from the heat, cover the stock pot, set aside to cool to room temperature, and stir in the yeast nutrient and tannin. Pitch the activated yeast as a yeast starter solution. Cover and leave at room temperature until the vigorous fermentation subsides, stirring 2-3 times each day. Strain into a gallon jug and attach an airlock. After 1 month, rack, top up and set aside until clear. Wait another 30 days and rack again. Stabilize the wine and set aside an additional 60 days. Sweeten to taste and allow to maturate another 30 days. Carefully rack into bottles and age a year before tasting. [Jack Keller's own recipe]




    May 4th, 2012

    I'm off tomorrow to the Small Scale Winemakers Symposium at Cat Springs, Texas, about 3 hours from here. I'll be giving a presentation on making fruit wines, something I have some experience with. It should be a nice day.

    Not much has been happening except some medical stuff I won't bore you with and a two-front battle royale with both the Department of Veterans Affairs and the Social Security Administration. I won't bore you with that either. I bottled a pretty good tangerine wine I'll share with you below.

    Lighthouse at Bolivar Point, Galveston  County, Texas

    I was going through some photos we took and came upon this one of Bolivar Lighthouse, which sits at the western tip of Bolivar Peninsula and announces the eastern edge of the narrow channel into Galveston Bay. It isn't the prettiest lighthouse I've seen, but at 117 feet it is still impressive. Erected in 1872, it is made of brick and sheathed in cast iron plates riveted together. It was once decorated in black and white horizontal bands, but today it is almost solid black with rust.

    The lamp was fed by kerosene, contained in storage tanks on the lower level, which was forced through nozzles into a mantle where it became gas, burning with 52,000 candlepower. Eight rays of light were produced every 15 seconds as the lamp slowly revolved throughout the night.

    It survived the two worst storms ever to hit the Texas coast, the hurricanes of 1900 and 1915. The 1900 hurricane, which took an estimated 6,000 lives on Galveston Island, caused the tower to sway, but the lighthouse stood and gave refuge to 125 people. In 1915, 61 people took refuge in it as 126 mph winds rocked it again.

    It was considered one of the most attractive and efficient lighthouses on the Texas Gulf Coast, but today it is privately owned and closed to the public. Its utility was retired in 1933 when the South Jetty light went into operation. I still think it is splendid and treasure the photo, cropped for this blog.



    Tangerine Wine

    Tangerines,  from Walker Indian River Groves

    Tangerines are a wonderful citrus fruit, great for snacking. They peel very easily and the sections separate easily too. I've read there is a seedless variety, but I've never encountered it. The seeds are the only drawback. When eating, if my teeth happen to crack one I spit it out, usually with a few others. Otherwise, I generally swallow them because spitting was always frowned upon by my mother. They make no difference when making tangerine wine, so ignore them.

    The tangerine (Citrus reticulata) is a close cousin of the orange (Citrus sinensis). More than 37 cultivated varieties are grown, but the best known are the Changsha (Mandarine), Clementine (Algerian -- acidic), Dancy (Mandarine), Fairchild (Clementine), Fortune, Honey (sweet), Murcott (sweet), Nasnaran (acidic), Nova (Clementine), Page (sweet), and Satsuma (7 varieties plus hybrids--more weakly flavored than other varieties). The Kinnow and Wilking are also highly prized for winemaking, each possessing a rich, aromatic flavor.

    The recipe below makes one gallon of delicately flavored wine, but it is important that the oranges used be Valencia and the tangerines be an equal mix of acidic and sweet varieties. If you cannot find Valencia oranges, a can of frozen orange concentrate will work.

    Calamondins, Citranges or Minneola Tangeloes--none of which are true tangerines--can be substituted for acidic tangerine varieties, If using Calamondins, which are very small, use 2-1/2 times as many as the number of sweet tangerines you use. Eight cans of Mandarine orange segments can be substituted for sweet tangerine varieties.

    • 16-24 tangerines (sweet and sour varieties, equally mixed)
    • 8-10 small Valencia oranges
    • can of Welch's 100% White Grape Juice frozen concentrate
    • 1 lb finely granulated sugar (or to S.G. of 1.090)
    • 1 tsp citric acid
    • 3/4 tsp pectic enzyme
    • 1/4 tsp tannin
    • 1 tsp yeast nutrient
    • water to 1 gallon
    • 1 pkt Champagne wine yeast

    Bring about 5 pints of water to a boil and in it dissolve the sugar. Save zest of 5 oranges (if using concentrate, zest from 8 tangerines). Peel and section all citrus, being careful to remove all pith. Place zest and sections in nylon straining bag, tie closed and mash in primary. Pour boiling water with dissolved sugar and thawed grape concentrate over fruit, cover primary, and set aside to cool. When must has cooled to room temperature add acid, tannin, yeast nutrient, and pectic enzyme, recover primary, and set aside 12 hours. Add activated yeast in a starter solution, cover the primary again and set aside. Stir daily until specific gravity drops to 1.010. Drip drain bag (do not squeeze) and transfer liquid to secondary. Top up if required, attach airlock and ferment to dryness. Rack when fermentation ceases, top up and reattach airlock, Rack again, top up and refit airlock every 60 days for 6 months or until wine clears. Taste. If too tart, stabilize, sweeten to taste, wait additional 30 days to ensure fermentation does not restart and rack into bottles. Age another 6-12 months before tasting. [Jack Keller's own recipe]

    This recipe makes a 12% alcohol wine, but at 10% it is a more enjoyable wine served cold on hot summer afternoons.




    April 24th, 2012

    The weather is wonderful, with a few cool nights, and flowers are coming out in bloom in profusion. What a great time of the year! I hope you, wherever you might be, are enjoying similar spring days.

    I missed the critical time to plant a garden and just don't want to fool with it when behind schedule. Been there, done that, and the results are not as fulfilling as with proper timing. Next year I will pay closer attention to my Farmer's Almanac -- still the best authority I know of.

    Sparrow in birdhousei

    I know other parts of the country suffered this past winter, but here in Pleasanton, Texas we had a mild one. I only recorded 5 nights during which it froze. I was only absent for a week and my neighbor said it got cold but did not freeze. But the severity of the winter was further confirmed, in my mind, by the fact that the house sparrows bred and occupied our birdhouses all year long. Whether a mating pair occupied the same birdhouse or nest repeatedly is something I cannot say, but I knew when the female was about to lay eggs because she cleaned the house or nest to some degree, the scatterings beneath it.

    Maybe this is normal and I just haven't noticed it in the past as I did this year. I know that these omnipresent winged friends do not migrate, but I do not recall so many fledglings during January and February. March is when I usually notice them. Further, I do believe I have seen three broods already this year. I saw fledglings in early January, the latter half of February and then early April. Another wave of eggs is evident right now, as the females are cleaning the habitats. Whether the quick, successive broods have anything to do with the weather is something I cannot say. I am just reporting my coincidental observations -- mild winter, successive house sparrow broods. I have two friends who are avid birders and they should be able to put my observations into context for the species.

    As I look out the window beyond my monitor I see sparrows at work in the three hanging bird houses and many nest in the patio rafters, an empty bird seed feeder, a squirrel raiding a second, several hummingbirds visiting two of my four hummingbird feeders, and a herd of 6-8 deer eating weeds in my far back. Yesterday at dusk there were at least a dozen out there. They are difficult to count because an out-building, trees, grapevines, and the tall weeds themselves constantly shield about half my view. I see them best when they move about. Yesterday I thought there were 7-8 out there until they all moved at once to another feeding area and I realized there were at least 12.

    Be right back. I've got to fill the empty feeder and chase away that damned squirrel....

    Both feeders are now filled to the top. The squirrel is gone for the time being. I brought out a large rawhide "bone" and gave it to the dog near the feeder the squirrel attacks (the other has a "squirrel-proof" cage around it). That will keep the dog occupied for an hour or two. Sigh. What we do for our little feathered friends....

    The mild winter also resulted in more bugs (and flies) and caterpillars than usual. The sparrows come in handy there after their eggs hatch. I wish I had a couple of swallow houses....



    Aging Wine With Mesquite

    Torrey  Mesquite tree, from www.fourdir.com

    I've received three inquiries in two months about aging wines with mesquite, so have decided to address it here. I've done so before, but people seem unwilling to dig through the WineBlog's archives.

    The lowly mesquite (or majestic in rare cases) is usually a multi-trunked small to medium tree, but in fact the multi-trunks are usually separate trees from multiple beans that have grown together. Single trunks are not rare but also not the norm. What is rare these days are the massive trees, 4-5 feet in diameter, with a 10-15-foot straight trunk section before dividing in large branches supporting a spreading canopy. I have seen solid doors 3-4 feet wide, 8 feet or taller and 3-4 inches thick cut from a single trunk, but they are rare. Many have been bought up by craftsmen who turn them into tabletops. The wood blackens with long age in the weather, but underneath is deeply reddish, sometimes streaked with fine lines of dark brown to black, rarely with yellowish streaks. The oiled and lacquered wood is beautiful and lasts for centuries, as evidenced by many such doors in early colonial structures in Old Mexico.

    Mesquite is common in my area. I had seven trees on my property but removed two and a falling oak took out another. They produce hundreds of pods containing multiple beans. The pods, broken up, make a honey-tasting wine, jelly and syrup if collected just as the pods turn brown. The fully hardened beans can be ground into a flour. We have a mill and I keep thinking I will make some mesquite flour one day.

    To age wine, straight branch sections 6-8 inches in diameter and no longer than 2 feet are cured outside about 9-12 months. The bark is removed, often with the aid of a chisel. The exposed wood will be blackish. You could do the following by hand but a power planer will turn an all-afternoon job into an hour one.

    Use a power saw to dress the weathered ends. Cut off an inch to be safe. With the power planer set to 3/16 to 1/4 inch bite, remove all the dark wood that was next to the bark. You must then brush all residue from the machine, sweep the floor well and sterilize the planer blade and table top with alcohol. The sap that flowed once is highly resinous and any latent hint of it will ruin the wine. Go have a beer while the alcohol evaporates and the fumes dissipate. Then use the same planer at the same bite to reduce the section into small chips. Smoker chips are too big for my taste and the small planer chips have far more surface area to impart flavor. I make enough to fill a few gallon ZipLoc bags and that lasts me a couple of years.

    I obtained some mesquite sawdust from a furniture maker once (who assured me all his wood was dressed) and it worked beautifully, but he is about a 90-mile drive away and I can make the chips at a local woodworker's shop.

    I use 1 to 1 1/2 cups per gallon of wine because I am in a hurry. You can use less and leave it in longer. Same results. Use it like oak. Leave it 2-3 weeks and taste. It usually takes longer to get the flavor I want -- 4-5 weeks -- but you never know. And, it also depends on the wine. Taste and wait. Taste and wait. You'll know when you get there.

    I use it mostly with my local mustang grape wine, or V. aestivalis var. lincecumii, or Norton. It just works better with dark reds in my opinion. It works with blackberry and blueberry with a lighter application. If I had black raspberries I would try it, but I don't. It might work with dark muscadines but I haven't gone there yet. I was not happy with elderberry but the judges were.

    I once spread some oak chips on a hardware cloth (coarse screen) and put them in the meat side of my smoker and smoked them for 4 hours in mesquite smoke. I used the oak on a large batch of kit burgundy and the results were so outstanding I nearly had an orgasm. I called it "Smoked Burgundy" and it won a first place locally, Grand Champion at two county fairs and best in class nationally.

    You can use it in lieu of oak, but it has a different flavor and doesn't work with...Chardonnay, for instance. It did work with persimmon but not mesquite wine (a big disappointment). You just have to experiment and see what you like. Always experiment with 1-gallon batches.



    Oak

    Heavily toasted oak cubes

    A winemaker from Travelers Rest, South Carolina asked me about oak. His wife loves the "oaky, ashy tastes -- full deep body, good flavor but on the dry side." She has good taste. He asked how best to obtain that flavor from oak. I relayed to him some of my own experiences.

    I use heavily toasted oak cubes and oak beans. I have other grades, but if I'm going through the trouble of oaking I prefer to go all the way.

    I also have a white oak sawdust I obtained from a cooperage in Missouri (you can buy it from many places on the web). I spread it on a rimmed cookie sheet in a thin layer and placed it in the middle of a 500-degree oven. If your oven is small, place a sheet of aluminum foil over the sawdust to prevent broiler heat from overdoing it (you might want to reduce all times and check early). I initially set the timer for 10 minutes and then check it every minute or two. When it begins to toast to my satisfaction I remove it, stir it with a spatula, and put it back in for maybe another 4-6 minutes -- unless it starts to smoke. When cool, I pour it in a quart Mason jar and then fill the jar with 100-proof Smirnoff Vodka (don't waste your time with the 80-proof). After about 3 months, the vodka is useful for adding oak to my wines. When the vodka reaches the level of the sawdust, I toast some more and put it in a new jar. I strain the vodka out of the original jar real good into the second jar, then top up with fresh vodka. I have a similar jar of mesquite sawdust and vodka I use with my mustang wines when in a hurry.

    Marvin Nebgen of Fredericksburg, Texas makes a similar oak infusion for his wines by a slightly different method. He uses the toasted chips (these are the small chips produced by a power planer), boils them (see explanation further down), and puts them to within an inch or so of the top of a small Starbucks Frappuccino glass bottle and fills it with Everclear. The higher alcohol (190 proof) acts faster at extraction and he can use it within 2-3 weeks. Since he typically uses only a ounce or two at a time, he just adds more Everclear until the flavor is diluted. This is a more efficient method and I may switch to Everclear myself. His red wines are always stellar.

    One other difference between my method and Marvin's is that a slight taste of vodka is immediately noticeable in my wines but dissipates during bottle aging. There is no such taste with Everclear. Just don't overdo it, as Everclear adds alcohol to your wine and can alter the balance.

    There are several commercial products similar to what Marvin and I make. One is Winemakers Oak Extract from E. C. Kraus, another Oak Essence from I. D. Carlson, and there is Sinatin 17 Oak Extract from Crosby and Baker. All impart good oak flavor.

    Oak cubes and beans are denser than oak chips or powder and therefore allow fewer phenolics to leech into the wine. This does produce a smoother, more rounded flavor with more subtle complexities. You can also buy strips of staves to place in your wines. Oaking with a cup of cubes or beans per gallon requires about 6-8 weeks to do the job, but longer contact will only increase the intensity. Remember, there comes a time when too long is simply too much. As you hit 6 weeks, taste. If you want a little more, taste at least weekly.

    You get better results from the oak chips and powder if you boil it for 15 minutes and when it cools place it in muslin and give it a good wringing. This does not remove any of the oak flavor, but does eliminate most of the harsh phenolics you don't want in your wine. I thank Marvin Nebgen for that tip.

    Oak cubes, beans and strips can be used over and over again for up to 8-10 months. At some point you know they are not doing as you hoped, so add a fresh batch and keep on truckin'.

    There are many manufacturers of oak chips, cubes, beans, strips, and powder, so you won't have trouble finding them. Personally, I think that StaVin is among the best, but that's just my opinion.

    Remember, oaking is only appropriate for some wines. I have tasted some very good wines that were greatly reduced in quality by oaking. A fellow in an adjacent town grew a few Symphony vines and made a great wine year after year, then he oaked it and that was a huge mistake. Experiment, but if you make a bad choice drink it yourself -- don't pass it off on friends.




    April 13th, 2012


    The First Time, in Two Respects

    This entry is about a song and the first time one makes a wine from scratch. The song first.

    I love to follow the odyssey of particular songs. Recently I fell in love all over again with The First Time (Ever I Saw Your Face), what I consider to be one of the best love songs of the 20th century. However, I knew nothing of its origins until I dug a bit.

    It was written in 1957 by British folk singer and songwriter Ewan MacColl for a play his wife, Peggy Seeger, was about to appear in. The play, and Peggy, were in the United States, but because he was an avowed communist, MacColl was not allowed in the States. She called him with the request for a specific kind of song. He wrote it hurriedly and taught it to her during a long distance telephone call. It was popularized in 1961 by The Kingston Trio. Here it is performed in 1965 by Peter, Paul and Mary as it was actually written.

    In 1969 the song was rearranged at half tempo for Roberta Flack as an album cut. In 1971 it was notably featured in Clint Eastwood's "Play Misty for Me" and subsequently cut to four minutes and re-released as a single in 1972. It became a huge success, winning MacColl a Grammy Award for Song of the Year and Flack a Grammy Award for Record of the Year. Here is the definitive performance of this song.

    During the 2010 season of The X Factor, contestant Matt Cardle, who went on to win the competition, sang a much abbreviated version of the song due to the show's 2-minute limitation on performances. He has not yet released a commercial version, although there is great interest in hearing him sing the whole song. I originally embedded his performance in this page, but embedding has since been disabled by higher powers than me, so I have removed it from here but a link to the YouTube presentation is in the links below if you are interested. I apologize for this hiccup.


    Carboy collection, courtesy of Barbara Pleasant

    I love it when home winemakers finally graduate from kit wines to starting a grape or fruit wine from scratch. Kit wines are to me slightly analogous to "some assembly required" boxes of parts that can be transformed into a bicycle or swingset, although both can deliver a superior product. Still, there is little challenge in it and if that is all one does then he or she can claim they make wine but saying they are a winemaker conveys a subtle difference (to me). In the first instance they follow directions and mix measured and prepared packaged contents with water according to a scripted schedule. The results are always acceptable, often outstanding, and sometimes exceptional. The same thing can be said of the results of opening a box of "just add water" food mix. A winemaker may have a recipe and general instructions, but there are a host of variables that enter the process and must be dealt with by the craftsman to make a good product. If the results are pleasing, this person can claim to be a winemaker.

    My inbox almost always contains at least one email from a person who has made their first wine from scratch. These are, to me, the most pleasing emails to read. They frequently relay having entered the wine into a local or regional competition and placed for a ribbon or medal. I sense the pride and am happy for them. I remember my first ribbon, a third place for an apple wine. I was walking on air that day.

    For those of you who make kit wines, I am not ridiculing this endeavor. I too make a few kit wines. To me, it is a mindless exercise, a paint-by-numbers formula that you have to work at to screw it up, but it gives us access to grape varieties you and I might never have direct access to. But if that is all you do, then let me suggest you are missing out on what the hobby of winemaking has to offer. Expand your repertoire. You will thank me later.



    How Do You "Sweeten to Taste"?

    Sugar over a  wine glass, courtesy of Quentin Sadler

    Many of my wine recipes include the phrase, "Sweeten to taste," meaning to sweeten the wine to suit your own taste. But how does one go about doing this? If one blindly adds sugar it would be real easy to over-sweeten it. If one adds just a little bit of sugar and tastes it, then adds a little bit more, one could be at it all day. Here is a practical way to go about it.

    No one can anticipate what level of sweetness is right for you. You have to arrive at it yourself and then try to repeat it with successive batches of wine. Here is a method for arriving at what works for you.

    First, be very sure the wine is stabilized before adding sugar to it or it will start fermenting again, a potentially explosive situation if you sweeten and then bottle it. It takes both potassium metabisulfite (or crushed Campden tablets) and potassium sorbate and a little time to stabilize a wine.

    One crushed and dissolved Campden tablet and ½ teaspoon of potassium sorbate (also dissolved) per gallon of wine will do the trick, but this only prevents the existing live yeast from reproducing and keeping the colony going. Until they die out, these existing yeast are quite capable of restarting fermentation. So, stabilize, wait about 4 weeks, sweeten to taste, and then wait another couple of weeks just to be sure the airlock doesn't start bubbling again. I always rack my wine one last time before bottling, as racking removes more yeast from the wine than any other thing you can do shy of filtering. You will usually see a very fine dusting of sediment on the bottom of the secondary after you stabilize and wait. That dust is the dead yeast that weren't able to reproduce.

    Second, you can sweeten with just sugar or you can make a simple syrup. You make a syrup with two parts sugar dissolved in one part of water (as in two cups of sugar in one cup of water). You may have to boil the water, remove from the heat, add the sugar, and stir like heck to make the syrup, as that much sugar doesn't easily dissolve in cold or warm water.

    Here's a helpful hint. If you have a really strong blender (we have a Bosch), put the sugar in it, turn it on high for 2-3 minutes or until the sugar becomes powder, and then add the prescribed amount of warm-to-hot (not boiling) water and turn it on low until the sugar dissolves completely. Do NOT use commercial powdered sugar, as it contains corn starch to keep the sugar from re-solidifying and corn starch will permanently cloud your wine. Also, do not try this with an inexpensive blender or you may burn it up. If it hasn't got the power, the sugar could "fuse" together and stop the blades, causing the motor to burn up.

    Allow the simple syrup to cool to room temperature (not in a refrigerator or it might start re-crystallizing) before continuing.

    Third, measure how much liquid it takes to fill your hydrometer test jar to within two inches of the top. It take about a cup to fill mine that far. Measure out that much wine into a large water glass and stir into it one tablespoon of simple syrup and stir to integrate. Fill the hydrometer test jar with this sweetened wine and measure the specific gravity. Write that number on a piece of paper and set a wine glass on top of the number. Pour about one inch of wine from the hydrometer test jar into that wine glass and pour the remaining wine back into the large water glass. Replace the amount of wine you poured into the wine glass so you have as much as you started with last time and stir into it one more tablespoon of simple syrup and stir. Again pour it into the hydrometer test jar and measure the specific gravity. Write the number on a piece of paper and set an empty wine glass on the number. Pour an inch of wine into the glass and return the rest to the water glass. Again replace what you used and add another tablespoon of simple syrup. Stir, pour into the hydrometer test jar, and repeat the previous procedures. Do this until you have four or five wine glasses sitting on their specific gravity figures. Now taste them in the order they were filled (first glass to the last) and note the one that tasted best to you. It will be the one you tasted just before you picked up the one that was too sweet. Look at it's specific gravity. That's the specific gravity you want to sweeten your wine to.

    Hitting a target specific gravity is not hard, but it does take time and patience. Unfortunately, I can't simply construct a look-up table for you saying to add this much simple syrup to achieve that specific gravity reading because not all wines will be equally dry to begin with. You just have to add some, stir, measure, and adjust until you are very close to the target s.g. Then add syrup, stir real good, wait 15-20minutes, and stir again. This time when you measure the specific gravity the syrup will be better integrated into the wine and the reading will be more accurate.

    Here's another consideration. Over time, all wines mellow out somewhat and actually taste a little sweeter than they did when first bottled. If you plan on keeping the wine for a couple of years, you might want to back off the target sweetness just a hair to allow for this. For example, if the target s.g. is 1.012, you might want to sweeten it to 1.011 or even1.010 to allow for this perception.



    The Problems with Melon Wines

    Santa Claus Melon, by Jeff Widener, <i>The  Honolulu Advertiser</i>

    A gentleman wrote to me about making wine from Santa Claus melons. I had to admit I have not made wine with this melon, although my records show I once tried. That was before I discovered how to successfully overcome the problems inherent in making wine from many melons, especially watermelons and related cousins.

    The problem of spoilage with Santa Claus melons is the same as that for watermelon. I have addressed this at least twice on my blog in the past and elsewhere on my site, but will review it one more time. What follows applies to all melon wines.

    Many melon juices spoil before they ferment to a high enough alcohol level to preserve them. To prevent spoilage, do the following:

    Yeast  starter solution started in a flask

    Purchase enough melon(s) to make a gallon of 100% sweetened juice. Store the melons in a cool place, but not the refrigerator.

    In the early morning, in a 1-quart mason jar (or other suitable container, like the flask on the left), make a yeast starter solution of 1/4 cup water, 1/4 cup apple, pear or orange juice and a pinch of yeast nutrient. Sprinkle a sachet of very fast wine yeast (Red Star Montrachet is my recommendation) on top (don't stir) and set the lid on top of the jar (but NOT the ring). Go do something.

    In 2 hours, add 1/4 cup of the fruit juice and return the lid. Go do something.

    In 2 hours, stir 1/2 teaspoon sugar and a pinch of yeast nutrient into 1/4 cup fruit juice and stir until completely dissolved. Add to the starter and return the lid. Go do something.

    In 2 hours, add 1/4 cup of the fruit juice and return the lid. Go do something.

    In 2 hours, stir 1/2 teaspoon sugar and a pinch of yeast nutrient into 1/4 cup fruit juice and stir until completely dissolved. Add to the starter and return the lid. Go do something.

    In 2 hours, add 1/4 cup of the fruit juice and return the lid. Go do something.

    In 2 hours, stir 1/2 teaspoon sugar and a pinch of yeast nutrient into 1/4 cup fruit juice and stir until completely dissolved. Add to the starter and return the lid. Go do something.

    In 2 hours, add 1/4 cup of the fruit juice and return the lid. Go do something.

    In 2 hours, stir 1 teaspoon sugar and two pinches of yeast nutrient into 1 cup fruit juice and stir until completely dissolved. Add to the starter and return the lid. You now have 2 1/2 cups of starter solution with 256 times the number of yeast cells you started with. Let sit until next morning (after another 8 hours, you should have 4,096 times the number of yeast cells you started with, more than enough to ensure a quick fermentation).

    Next morning, in a primary, juice the melon(s) to obtain 6 pints of juice. Use a hydrometer to determine the specific gravity and a hydrometer table to determine how much sugar to add to achieve a starting specific gravity of 1.088 to 1.090. Stir very well to completely dissolve the sugar. Add 3 teaspoons acid blend, 1 teaspoon yeast nutrient, 1/4 teaspoon yeast energizer (important!) and 1/4 teaspoon powdered grape tannin. This compensates for the near total absence of acid in melons and tannin. Stir again. Now stir the yeast starter solution and very gently pour the starter into the must. I hold a large spoon just at the surface and pour into it. This keeps the starter solution near the surface where the yeast have ready access to oxygen. You now have about a gallon of must. Cover the primary and go about your day.

    Note: You could use slightly less melon juice and add 1 can of frozen 100% white grape juice concentrate (thawed and at room temperture). This would change the acid (reduced sugar addition by 1 teaspoon) and sugar calculations (use the hydrometer!) but would give you a more bodied wine.

    In 6 hours stir the must and recover the primary. Stir it 2-3 times a day until vigorous fermentation subsides (3-4 days). Transfer to a secondary (do not top up) and attach an airlock. In about 3 weeks, rack, add one finely crushed and dissolved Campden tablet, and top up. Reattach the airlock and proceed as you normally would with any wine.

    This works 90% of the time.




    April 9th, 2012


    Ramblings

    Aggravation. It is a word I have seldom used during the past few years because I am seldom aggravated these days. I take medication do smooth out my moods. But for two days now I have been aggravated. Really aggravated. Three Saturdays ago I put things away, dusted shelves and furniture and things, and vacuumed the house in preparation of the San Antonio Regional Wine guild meeting here the following day.

    Some things have a place and went there, but there are things we do not want out but have no regular place of storage. One such thing is my camera. It is always "out" and available. It has no storage place because I never store it. But it was on the dining room table which needed to be empty to receive food. So I put it somewhere.

    Living room bookshelves, showing location of  the electronics travel bag

    I also have a toiletry bag that I use to put my Zune, headphones, connecting cable, recharging and AV cables, charging devices for my camera, Galaxy Tablet, and an extra charging device for my cell phone. There are also two cables for using the Zune in the truck and a USB-2 hub that plugs into the cigarette lighter. This is my "travel bag" and it usually sits on the sideboard next to the entrance to the utility room and exit to the garage, handy when I need it. It messed up the look of the sideboard so I put it somewhere out of sight.

    The aggravation started yesterday when I wanted my camera. I began looking for it without success. During that hunt it occurred to me I may have put it in the electronics travel bag although this is unlikely because the bag is fairly full. That's when I realized I had not seen the travel bag during my hunt for the camera.

    I searched the house for 3 1/2 hours yesterday without finding either the camera or the travel bag. I opened every drawer and cabinet door in the house. I looked in boxes, luggage and under beds. I even looked in the laundry basket. This is aggravating, doubly so because I did not "hide" these items; I simply put them somewhere else. Had I hidden them I could understand the difficulty. I have hidden things in the past so well that they remain hidden to this day.

    This morning I awoke from a restless sleep at 4:00 a.m. I remembered something I hadn't done and...I jumped from the bed, raced to the living room, and there, sitting on the coffee table in plain sight, was the camera. I then began searching the house again for the electronics travel bag. At 6 a.m. I gave up and returned to bed. The bag remained in a resting place I had yet to discover. Aggravating....

    Later this morning I found the electronics traveling bag sitting on top of some CDs in a cluttered built-in bookshelf in the living room -- again, in plain sight. The circle in the photo shows its location. Forgetfulness is worrisome.


    I thank those of you who wished me good health. The flu itself left me after about a week, as my doctor predicted, but a chest congestion lingered for two additional weeks. My body heals more slowly with each passing year, but I am only 67 and that is not old!. Thank you again for your concern.


    I repeatedly find myself thanking Mark Zuckerberg for coming up with Facebook. As my 50th high school reunion approaches (next year) and we search to find the 653 or so graduates of my class, I keep running into ghosts from my past on our Facebook reunion page and through Facebook messaging.. What a pleasant surprise each day brings. Rich memories from the past are revived and the long period since we last met is slowly filled in with content, both joyful and tragic.

    And I am so glad to meet so many virtually. I cannot wait to meet them again, face to face, old friend and distant acquaintance. Oh, how we have changed physically, but that is just the skin and weight we wear. It is the rediscovery of personalities that counts most, for that, after all, is who we are.

    I am most grateful to live in a time when such electronic networking is possible. Fifty years from now what we are doing today to communicate will seem like antiquity to the people using new technologies then.

    Rotary dial  gooseneck phone

    In 1963, the year I graduated from San Bernardino High School, Bell System introduced touch-tone dialing. Two years later they introduced the trimline phone with rotary dial and a year later with the touchpad in the handset. The smaller communication devices revolution had begun. In 50 years it has taken us to the thin, trim smart phone. Where will take us in the next 50 years?

    A couple of years ago I was in an antique store (I use the term "Antique" as loosely as they did, for I doubt they had anything in the store that was truly 100 years old). They had a collection of rotary dial phones. All were priced insanely high, but I wasn't there to buy anything, really, much less a phone. Still, I looked.

    A thirtyish-something woman came up and looked at one. It was a rotary-dial gooseneck model with fixed mouthpiece and a removable earpiece that rested in a cradle. Her daughter, aged 10-13 (I can't tell any more), asked her mom, "How does it work?" Astonishingly, her mom replied, "I don't really know," and moved on. Good grief, hasn't she watched any movies older than herself?


    Glenn Ford, one of the best actors in the 20th  century western genre

    The other night I watched two old westerns from the '50s starring Glenn Ford. Almost from his first appearance in each film I immediately recognized his natural fit into the role. It was not as if he were acting at all, but rather that he was living the scene.

    I love to discover great actors. You know them, you know they are good, but then you see them in a film and you say, "Wow, he really was [is] a great actor." John Travolta is like that. Every time I see him in a movie I appreciate him all over again. He doesn't act. He lives the role he is dealt.

    Wikipedia said it best about Glenn Ford: "...a Canadian-born American actor from Hollywood's Golden Era with a career that spanned seven decades. Despite his versatility, Ford was best known for playing ordinary men in unusual circumstances." His best roles were in the Western genre, standing with John Wayne, Burt Lancaster, Henry Fonda, Gary Cooper, James Stewart, and Randolph Scott as the best in the Westerns.

    He made his first western in 1941, in the film Texas, with William Holden, and Go West, Young Lady, also 1941. He took a semi-break during World War II and joined the Marines, but still managed to star with Randolph Scott in his first classic western in 1943, The Desperadoes. In 1948 he made The Man from Colorado and the following year Lust for Gold.

    In the '50s he starred in The Redhead and the Cowboy (1951), The Man from the Alamo (1953), The Violent Men (1955), Jubal (1956), The Fastest Gun Alive (1956), 3:10 to Yuma (1957), Cowboy (1958), and one of my favorites, The Sheepman (1958).

    In the '60s, he starred in the classic western Cimarrón (1960), Advance to the Rear (1964), A Time for Killing (1967), The Last Challenge (1967), Day of the Evil Gun (1968), and Heaven with a Gun (1969). The list goes on (I counted 104 movies), but you get the picture.

    He was a natural in the saddle and rode like he was born there. And they say he was one of the fastest gunmen in Hollywood, able to draw and fire a heavy period revolver in just 4/10 of a second, a feat unmatched by any other western stars.

    Navy Captain  Glenn Ford

    Glenn Ford Joined the Navy Reserves after the war, was commissioned, and kept up his Navy Reserve duties. In 1967 he was sent to Vietnam on temporary duty and the following year promoted to Captain, the Navy equivalent to Colonel. It was that rank at which he retired.

    Glenn Ford became a naturalized citizen in 1939. As Wikipedia says, "After Ford graduated from Santa Monica High School, he began working in small theatre groups. Ford later commented that his railroad executive father had no objection to his growing interest in acting, but told him, 'It's all right for you to try to act, if you learn something else first. Be able to take a car apart and put it together. Be able to build a house, every bit of it. Then you'll always have something.' Ford heeded the advice and during the 1950s, when he was one of Hollywood's most popular actors, he regularly worked on plumbing, wiring and air conditioning at home. At times, he worked as a roofer and installer of plate-glass windows." They don't make 'em like that any more.

    The next time you check the Guide and see that a Glenn Ford movie is on, tune in and see if I am wrong. You will believe in the character he plays. I guarantee it.



    Bramble Tip Wine

    Young growing tips of dewberry brambles

    I have been trying to get rid of some dewberry plants that became invasive. Nothing works except digging up the soil, running it through a sieve, and discarding any and all roots discovered. But we are well beyond that, as they cover too large an area, so I do the next best thing; I cut the growing tips several times during the growing season in an attempt to deny them any new energy to store away for additional growth. They are slowly declining and no longer spreading so I am encouraged. I hate to waste things, and all the cut growing tips are a perfect example. I do two things with them. I dry most for bramble tip tea throughout the year and I make bramble tip wine. The latter is definitely worth the effort.

    The tender growing tips are best for the tea. For the wine, older growth will work just as well as the tender tips. Since I need at least a gallon of the tips for wine, I usually make it when I am a couple of weeks late in cutting back the new growth. When I say a gallon of tips, I mean a gallon pail filled and compacted lightly. If uncompacted, there would be about 3 gallons of bramble tips.

    • 1 gal compacted bramble tips
    • 2 lbs granulated sugar
    • 2 tsp acid blend
    • 1 tsp yeast nutrient
    • 1 gal water
    • 1 sachet general purpose wine yeast

    Cull and discard woody growth from bramble tips and wash remaining growth. In a stock pot, bring the water to boil. Add the bramble tips and maintain a low boil for an hour, covered. Remove from heat and allow to cool 30-40 minutes. Water and bramble tips will still be hot. Pour sugar, acid blend and yeast nutrient in primary. Place a colander over top of primary and carefully pour contents of stock pot into colander. Allow to sit 10-15 minutes to drain, then discard bramble tips. Stir water to dissolve sugar. Cover primary with cloth and set aside to cool a few hours. Add activated yeast in a starter solution and recover primary. When vigorous fermentation subsides, siphon off lees into secondary and attach an airlock. In two months, rack, add 1/2 teaspoon potassium sorbate and a finely crushed and dissolved Campden tablet, top up, and reattach the airlock. Wait two more months and rack again. Wait additional two months and check for clarity. If wine is not brilliantly clear, add 3 tablespoons Bentonite slurry or other fining agent, stir well, reattach airlock and allow 10 days for clearing. Rack carefully into bottles and seal. Wait at least six months in the bottle before tasting. Nine months is better. [Jack Keller's own recipe]

    This wine is very good chilled and goes well at the table where a white wine would be served. It is also a good social wine.




    March 30th, 2012

    I am home from my adventure and began coming down with the flu the day before I returned home. I lost my voice, have a severe chest congestion and am sapped of strength, but otherwise fine. Next year I will take the flu shot although it would have done no good this year. They guessed which strains would surface and guessed wrong.

    I expected I would return home to numerous emails criticizing my comments in the last entry regarding rap music. Instead, only three emails even mentioned it and they were in agreement with me. The overwhelming criticism I received was for posting a video of Sarah Brightman singing Nella Fantasia in Italian while the words were displayed in Spanish.

    I must admit it bothered me too, but it is the most beautiful video of her performing the song I could find and believe me I looked. Indeed, I searched for perhaps an hour for that same video without the captions but never found it. If you find it, please send me the link and I will replace the Spanish captioned version with it.

    Four of you asked me what the lyrics mean. Have you not heard of Google by now? You enter "Lyrics, Nella Fantasia, English" or whatever language you prefer and Google does the rest. However, here are the Italian and English words